My response to Carnival, after all these years, has gradually diminished to what apparently is now the barest of minimums. (Minima, I know. Thank you to my internal pedant, who never sleeps.)
The basics are: Confetti — here known as coriandoli — masks, or some element of disguise, however small — galani and frittelle. And although the official opening day is tomorrow, about which more later, the premonitory signs have been accumulating. I enjoy those little signs almost more than any of the real events themselves. They give a pleasant sense of the overture being played before the curtain rises. Some blithe and whimsical overture, obviously, nothing Wagnerian, though now that I think of it, a doom-laden session of Wagner might be an amusing soundtrack to the surface frivolity. Which would be better? You decide.
I have written various postsover the yearsabout Carnival, as well as an article on the history of this phenomenon for Craftsmanship magazine. More posts can be found stretching back to the frayed edges of time, so I suggest that if you feel like it, just put “carnival” in the search field and search away.
If you feel you must have a mask, you could buy these. Masks for your ears.
I suppose I’ll be checking back on the Carnival circuit before it’s over. Meanwhile, let the chips fall where they may.
If you should happen to hear a loud rasping sound, it’s not a swarm of locusts warming up for mating season. It’s Venetian merchants rubbing their hands together. It’s Carnival time again!
The first weekend has just passed, but it seems to have gotten off to a curiously restrained start. The Gazzettino says there were 75,000 people, which is more than I’d want to spend a weekend with, but fewer than the 100,000 they report from pre-Covid days.
The novelty of an evening boat parade in the Grand Canal , a monster show on what appears to be a disguised dredge being pushed along by motor (the oars were fake — no wait, the oars were real, but the rowers were fake) did not enthuse the Venetians. It was a massive floating Las Vegas.
The boat parade the next morning, by Venetians who were rowing, was shorter than in past years, and there were fewer boats, as well. There were objections and protests about that, too, because truncating the trajectory meant that the mob scene that was so festive in the Cannaregio Canal was reduced to a simple mini-mob in the Erbaria at Rialto. Naturally all the merchants along the Cannaregio Canal have made their voices heard. Their palms are no longer rasping.
The uber-traditional “Flight of the Colombina” over Piazza San Marco was not held. Some explanation about the piazza being all torn up for the high-water-defenses work does not convince me, nor many others, either, but in any case no Colombina flew. Not Las Vegas-y enough? It used to be one of the major draws of the entire festival. Just more things I don’t understand.
No matter. We’ve got Carnival down here in via Garibaldi and environs, and that’s plenty entertaining for me. It’s wonderful how you can dress little kids up as anything and yet they still know exactly who they are. Some of them are pretending, but none of them is as good at it as some adults I know.
My thoughts are going no deeper. You can certainly upholster yourself as Giacomo Casanova, if that’s your thing. My own Carnival is kids, galani and frittelle.
Today is Martedi’ Grasso (Mardi Gras) and Carnival is wrapping up. It wrapped up a few days ago in via Garibaldi, not with a bang, not with anything. On Giovedi’ Grasso, the stage, inflatable slide and trampolines were going full tilt, overrun by swarms of unchained children. The day after, nothing. Everything was just … gone.
There are still frittelle and galani on sale and the streets are still speckled with confetti, yet the revelers are nowhere to be seen. I think whoever’s still around has migrated to the Piazza San Marco, where the big closing events take place. I won’t be there. I’ll be sitting at home in the dark, like some addict, secretly eating the last of the galani.
Carnival has become one of my least favorite things about Venice, because each year its negative aspects increasingly outweigh the positive.
I am referring to the Mega-Commercial-Highly-Promoted Carnival whose vortex is the Piazza San Marco. But Carnival in its small, neighborhood version continues to charm me, mainly because it almost exclusively involves children (the smaller, the better) and their doting relatives. Random frolicking. Dressing up for no reason (by which I mean, not the reason of being photographed to, for, by, or with anyone, particularly tourists). Throwing fistfuls of confetti anywhere.
I don’t need to look at the calendar to know that Carnival has, as of today, officially begun. For the past few days the signs have been unmistakable.