When last we spoke, Venice was on the verge of its annual celebration of the feast of the Redentore (held last Sunday). By now the festa has come and gone, but this year the difference between the two was minimal. “Reduced form” is the boilerplate description, but if you reduce something past a certain point it just isn’t it anymore.
We did not have fireworks, as all the world knows. Without fireworks, I discovered, the festa can’t achieve liftoff. Yes, people did come to Venice — according to La Nuova Venezia, 108 tables had been reserved for the usual dinners outside (68 of them along the fondamenta of the Giudecca), and a total of some 15,000 people came to join the Venetians making some sort of merry. Fifteen thousand may sound good compared to nothing (let us cast our minds back to the desolation of the total lockdown), but it represented less than a fifth of the number that crammed the city last year. I used to hate the cramming, but without it the evening felt strangely deflated. No, actually, it felt partially deflated, which is not much better.
Seeing that we did not go roaming the city in search of entertainment, I only know what I saw in our little lobe of land, or what the newspaper reports. It says that there were people eating outside around the city, along fondamente big or small, or in their boats tied up in the Grand Canal or some other major waterways. That sounds nice.
To warm the general atmosphere to an even happier level, four large boats bearing a total of some 30 Venetian musicians moved around the Grand Canal, the Giudecca Canal and the Bacino of San Marco. Floating music has a long tradition in this festival, although in recent years it has been co-opted by the big party boats blaring music at levels that would pulverize a small planet. It must have been wonderful to have a bouncier, smaller sort of soundtrack as the evening drew on (for the record, the participants were Batisto Coco, Josmil Neris and Laguna Swing, Pitura Stail and Ska-j). All these groups are on YouTube, and here is a small clip that shows how little it took — at least, compared to the labor and cost of a 30-minute fireworks display — to get the party going.
It looks really sweet and I send huge compliments to the organizers, etc. Unhappily for us, none of these boats made it down as far as via Garibaldi — or at least not during the brief period I was roaming the waterfront. So if this sort of thing is ever organized again (and I hope it will be, though probably everyone will want fireworks again), the landlubbers need to lub somewhere further afield.
So I can only report on Redentore as observed south of the Arsenal and north of Sant’ Elena. But I will throw in some of the races held on Sunday afternoon, and a glimpse of the Patriarch going to mass, if that will help liven things up. We’ll hope for better and happier things next year.
The restaurants lining via Garibaldi are opening up — at least as far as they can, which is summed up in a word: “Takeaway.” I hear that the coronavirus-adaptive procedures at restaurants here are essentially the same in the U.S. these days, but still thought I’d show how the local places, and a bar and a pastry shop, are starting to make do while awaiting the next directives on their future. A hint has already been released that restaurants and hair salons may be allowed to open before June 1, to universal rejoicing.
Here is a look at ViaGaribaldiWorld and environs at the moment, as seen through hungry eyes (those of the customer, as well as the proprietor).
In my last post I insensitively described small-business owners (shops, restaurants, hair salons, etc.) as “howling” to reopen. If I were in their place, I would be howling too. And the same anguished cries are being heard throughout Italy — in Florence, Rome, Milan, in hill towns and beach resorts and places you’ve never heard of — as the bills and “Overdue Rent” notices continue to drop through the slot in the locked doors of shuttered stores of every kind. But the reopening is planned in stages, and belonging to a category whose stage has yet to arrive is heating up everybody’s atmosphere. More on that in my next.
At the beginning of the quarantine in Venice, when silence fell and motion ceased, a few people wrote to me expressing variations on “You must be enjoying the peace and quiet!” I know they would never have written that to a widow just returning home from the funeral, but it seemed similarly inappropriate. I understood that they meant that compared to the chaos and unpleasantness of being overrun by tourists, the opposite extreme ought to be a welcome relief. It wasn’t, it isn’t, it can’t be. One extreme is a bad correction of another extreme. Even on the first day of quarantine I realized that the quiet did not signify peace — au very much contraire. We have listened for two months to a silence that might have been that of the world underwater when you’re trying to see how long you can hold your breath.
But the non-essential small-business owners and artisans and their colleagues and cohorts and conjunctions have been living in a world of -3,000,000 per cent peace and quiet because they’ve been closed for two months — and in many cases, it will be three. And many of their businesses depend on tourists, which apparently have gone extinct.
Please note: No more tourists isn’t a problem just for Venice. This is a European, even global, phenomenon. A recent report by a group of analysts estimated that in the month of March, the tourist income in Europe shrank 68 per cent relative to that month last year. ENIT, the Italian national tourist agency, reports that bookings for Italy from April 13 to May 24 are down 84.6 per cent relative to the same period last year. (For the record, bookings to France are down by 82.9 per cent, and to Spain 80.3 per cent.) ENIT predicts that tourism to Italy won’t be back to pre-2020 levels till at least 2023.
High season? Where?
What can there be in Venice but tourism? This is a question that people have been struggling with since before I came here in 1994, and have continued to struggle with as the monster grew and grew, like Audrey in “The Little Shop of Horrors,” constantly bellowing “Feed me!” I hope somebody has been spending their stuck-at-home time studying whether anything else can keep Venice going, because this is the moment to step forward.
Happily for us, the world is coming back to life in via Garibaldi and environs; the first signs were a very sunny Sunday and the following two days. More motorboats in the canals, more people out on the street, suddenly children were everywhere, running around and shrieking — it’s great. It’s like some safety valve suddenly popped open.
Some stores have been opening very gradually. There were those that remained closed from the first day, and will have to remain closed till the official permission is granted (see chart below). Others shortened their hours to opening only in the morning. The supermarket closed early, and remained shut on Sunday. I’ll be interested to see if that continues.
Over the past week or ten days, a few businesses (the office-supply/giftwrap/school supply store, the children’s clothes shop) were open all day, but only on Tuesday and Wednesday. It was an adventure trying to keep track of what you could get, and when, but I was surprised at how quickly one could adapt. The daily round just took more planning, and more willingness to wait in line.
The children have spoken. “Everything’s going to be all right.”
I got this message from several windows as I walked along via Garibaldi. I don’t know what’s happening elsewhere in the city — I’m hoping that the calli and campielli are smothered in festoons of “It’s going to be all right” sheets and scarves and beach towels and boat tarpaulins and painters’ old dropcloths. Somebody’s father’s favorite shirt…. Mom’s once-a-year taffeta evening skirt… What we can see on the windows may just be the tiniest part of the creative volcano.
Meanwhile, with the waking-up of via Garibaldi the lines begin to form outside the shops of prima necessita’ (first necessity), the only type that’s allowed to be open. They are orderly and correctly spaced. At least for ten refreshing minutes in the morning I get to see people who are not on my computer screen. They’re amazing! In three dimensions!
What’s interesting about all these lines isn’t so much that people are forming them — though that certainly is noteworthy, being a sort of Nordic, Anglo-Saxon sort of practice that I’d never have thought to see here, where groups of people (I remember the banks) generally tend to arrange themselves as an amoeba. It’s astounding to recall that the same number of people going into stores in via Garibaldi, however many there may be, always used to just go into the store. Whatever store. You just walked in. It was like the vaporetto; if there was space for you, you took it. If there wasn’t space for you, you made some and took it. Even if there were 40 people where now they can allow only one, that was normal.
Now that we’re stuck at the other extreme of the living-together phenomenon, I am amazed that we lived like that. When all this is over, I’m also going to be amazed to see whether we will continue forming lines, or whether the amoeba instinct will re-assert itself. I’m putting my money on the amoeba.