Everything’s coming up roses and cretinate

This is not a cretinata tree, it's one of the most amazing wisteria trees in a neighborhood billowing with wisteria.  I wait for it all year.
This is not a cretinata tree, it’s one of the most amazing wisterias in a neighborhood billowing with wisteria. I wait for it all year.

Cretinate” (kreh-tee-NAH-teh) are actions or statements perpetrated by one or more cretins — a far too useful term in these parts, and one I’m sorry doesn’t exist in English.

But maybe it’s not that there are so many cretins here.  Maybe there are lots of highly intelligent, profoundly sensitive, extremely kind and rich people who just happen to say cretinous things.  If so, there are still too many of them.

A few days ago we heard the latest of an infinite string of fantasies stated as facts by Paolo Costa, the president of the Venice Port Authority.  He gives every sign of being a born believer in the inherent importance and value of Mastodontic Projects, as they put it here, because he has spent the last few years pushing ferociously for approval for the excavation of the Contorta Canal to bring the big cruise ships to the Maritime Zone by way of the lagoon, and not by the Giudecca Canal.

Apart from whether or not this would be a smart move for Venice and its economy (read: keep the port working at full speed), the canal itself has been recognized by an array of environmentalists and even politicians as being enormously damaging to the lagoon ecosystem.  (May I note, once again, that the lagoon is also a UNESCO World Heritage Site, a fact which apparently is difficult to remember, seeing how casually everybody goes rampaging around doing whatever they want, though if harm were done to the city to the degree that it’s done to the lagoon, the world outcry would resemble several sonic booms).

Let us revel in the double-cherry trees, especially this one which was flowering its heart out in a completely meaningless fragment of Mestre.
Let us revel in the double-cherry trees, especially this one which was flowering its heart out in a completely meaningless fragment of Mestre.

I’m coming to the cretinata, uttered by Mr. Costa.  He has uttered many since the subject of banning the big ships has been current.  The reason he utters them is because it appears to be his heart’s desire to be involved in a Mastodontic Project, seeing as he missed out on the riches lavished on everyone involved in the last one, which is MOSE.

Actually, I don’t know that he missed out.  Perhaps he got his share that time around, and is determined to have a reprise.

Whatever the case may be, no Crusader ever made a vow that could match the vow he seems to have made to himself to get that @#*$%! canal dug.

So where’s the cretinata?  Here it is:

The Contorta Canal is the only intervention which can save the lagoon and the jobs of the cruise business.”

First, it can’t be the “only”  intervention” that could be effective.  There are a number of alternatives which are struggling to be considered, pushing frantically against the inert bulk of the Contorta proposal.  To be accurate, it is the only intervention which has the active interest and support of Mr. Costa, and he is applying pressure for its approval by every means known to humans.  After all, sheer dogged perseverance finally got the MOSE project approved, although it took 30 years.  So it ought to work just as well for this project.  That seems to be the approach he’s taking.

In my opinion, saying that something or someone is the “only” one of its kind, when that just happens to be the thing the speaker wants, is a statement more often made by young, distraught children than mature, responsible adults.  It sounds fishy to me.

Second, I have never heard anyone except Mr. Costa hazard the statement that the excavation of the new canal would “save the lagoon” (though he doesn’t say from what).  I totally understand his desire to keep the port humming, but his opportunistic addition of saying the canal will “save the lagoon” is like telling a woman “By the way, you’re beautiful” when you’ve just asked her to lend you $500.

Many Venetians have long been aware that the lagoon needs saving (from the voracious motondoso, from devastating illegal clam digging, and from the incessant erosion exacerbated by the Petroleum Canal — another Mastodontic Project!).  I didn’t realize that digging a new canal would be a positive step in any direction except more erosion and more environmental degradation.

Since Mr. Costa has never made anything resembling an environmentalist statement, I have to assume that “saving the lagoon” is Costaspeak for “doing what I want.”

Here endeth the first cretinata.

No lilac trees at all in Venice, as far as I can tell, but I'll take what I can get at the Rialto for the few days the lilacs are on sale.
I’ve never discovered lilac trees in Venice, which makes me all the more grateful to see these at the Rialto for the few days they’re on sale.

Interlude: I used to know a little boy who, at the age of about 2 1/2, had already grasped that saying that he wanted something didn’t inspire the desired response from his mother.  So he cleverly switched to saying “I need it.”  That little boy did not grow up to become the President of the Port Authority; perhaps he was a cousin.

These were the pioneer blooms, now gone for another 12 months.
These were the pioneer blooms, now gone for another 12 months.

On to the next cretinata, which comes from the Princess Bianca di Savoia Aosta, quoted in “An Insider’s Guide to Venice” in the Wall Street Journal a few days ago.

I admit that statements from people whose names start with Princess (or Defender of the Faith, or Conquering Lion of the Tribe of Judah, or Knight Commander of the Order of St. Gregory the Great) get attention.

Having a fancy title doesn’t necessarily mean that you know things, but it does mean that your statements will probably be taken as true.  Such as the Princess’s following remark:

VENETIAN MOPED // Brussa IS Boat. Rent a “topa,” a zippy four-meter boat, at Brussa, to go for a relaxing and fun spin through the canals before heading out into the lagoon. It’s not as intimidating as it sounds—locals use the topas like mopeds.”

Words such as “zippy” and “spin” give the impression that the canals, like the city itself, are here mainly for entertainment and diversion, just one big amusement park with peeling palaces.  They don’t give any hint of the reality — that the canals are narrow, crowded, and full of boats doing real work which take up space and aren’t especially accommodating to high-spirited gilded youths out for a little run about town before drinks at the Cipriani, or wherever.

Second, “locals” do not use the topas like mopeds.  “Locals” have their own boats, usually, or have friends with boats.  Topas are for special jobs or projects — most often like work — which usually do not involve either zipping or spinning.

Third, apart from being awkward and difficult to perform, zipping and spinning would be a challenge to do without breaking the speed limits, which are now being more strenuously enforced since the new traffic regulations went into effect.  The only boats I can think of whose zipping or spinning is overlooked are the fireboats and the ambulances.

“Like mopeds” implies speed, agility, and quantity, like the swarms in Rome and Florence.  There is no craft here which could be compared in any way to a moped. Not one.

Which leads me to conclude that the princess either doesn’t know what a topa is, or what a moped is.  It would be like me saying “Lapps use reindeer-sleds like mopeds,” or “Somalis use camels like mopeds” or “New Zealanders use dolphins like mopeds.”

For a tiny sliver of time each year, ordinary leaves are as beautiful as flowers.
For a tiny sliver of time each year, ordinary leaves are as beautiful as flowers.

But I’m being too serious, it’s one of my major defects.  So let me offer a more effervescent cretinata, perpetrated by two incredibly clever employees of the ACTV who went fishing on company time.

Connoisseurs of lagoony creatures know that this is seppia (cuttlefish) season.  Even if you don’t happen to be a connoisseur, all you have to do to realize the season is on is either go to the Rialto to see what’s on sale, or wander along your fondamenta-of-choice in the morning or evening (or night) to peruse the men who are standing there with their fishing rods and nets and ink-stained buckets.  The Zattere, the Riva degli Schiavoni, the Fondamente Nove, and even scabrous old Tronchetto are all excellent places to snag some seppie.

Unless you’re supposed to be doing something else, like work.

I realize that seppie exert an irresistible fascination, but it's better to indulge it off the clock.
I realize that seppie exert an irresistible fascination, but it’s better to give in to it off the clock.

On the evening between Tuesday and Wednesday, two employees of the ACTV were on duty at Tronchetto in the area dedicated to the ferryboat from the Lido, and one of their tasks was to keep an eye on things in general and to make sure that nobody was doing anything near the landing-stage that could create problems for the ferry.

It would appear that these two zealots decided that seppia-fishing on the nearby fondamenta was likely to create problems for the ferry (actually, for their own fishing plans), so they wasted no time in banishing the fishermen from the fondamenta.

Shortly thereafter, the banished fishermen, watching from a nearby fondamenta, noticed the two zealots pulling out their own tackle and beginning their own great seppia-hunt from the now-liberated good spot.

This was unwise.

The banished and extremely annoyed fishermen proceeded to phone the Provincial Police, who are responsible, among other things, for checking fishing licenses.  Before long a patrol-boat appeared, and the officers showed as much zeal in the execution of their duty as the two ACTV bullies had done in theirs.

The officers took away their traps, their fishing lines, and their seppie.  The officers also searched their cars, and fined them for fishing without a license.

The officers then reported the incident to their employers, who were probably less concerned about the fines than they were about the fact that their two trusty agents had been amusing themselves in an off-duty sort of way when they were, technically speaking, very much on duty.

Moral: Don’t antagonize seppia-fishermen?  That’s a good one.  Another good one would be: Don’t behave like a cretin.

It rained the other day and I happened to be at the Villa Foscarini Rossi in Stra.  Not exactly next door, but well worth the voyage.
It rained the other day and I happened to be at the Villa Foscarini Rossi in Stra. Not exactly next door, but well worth the voyage.

In spite of all this tomfoolery, spring is proceeding in its appointed course, and I am loving every aspect of it.

The trees are fully-leaved, as of about ten minutes ago, and the greenery still looks as fresh as salad.  Trees are blooming according to plan: the white-flowered plums have come and gone, followed by forsythia and cherry and double-cherry, and now the wisteria is slowly being transformed from purple blossoms into green fronds. Random flufflets of cream-colored spores float away from the poplars, and the redbud (called “Judas-tree” here) is making up in color what it lacks in size.

A few days ago I smelled cut grass for the first time this year.  It’s a moment that’s almost as enchanting as hearing the blackbirds at dawn.  And today I got a bonus: Someone had cut a stretch of herbage which contained chives (here called “sultan’s beard,” or “friar’s beard), and the fragile oniony scent was wafting faintly away.  It will be gone by now.

This is one of those perfectly poised moments, when the air is still cool but you can feel the sun’s warmth (if the wind isn’t blowing).  At any time of the day the streets are full of people dressed for every possible temperature: There are couples in T-shirts and even tank tops and shorts, and at the same time there are people in trim down jackets or woolen coats.  Those with bare arms don’t seem to be cold, and those wrapped in feathers don’t seem to be hot.  It’s extraordinary.

Which means that we are approaching one of the tiniest hinges of the season: The moment when everyone ceases to move from the shady to the sunny side of the street, and begins to move from the sunny to the shady side.

When that happens, I declare summer officially open for business.

Down jackets and sunscreen.  We've got weather that everybody can love.
Down jackets and sunscreen. We’ve got weather that everybody can love.
Fred here, or whatever his name is, has found the perfect spot for the perfect dreams.  He's probably dreaming about chasing artichokes.
Spring can be so exhausting.  He’s probably dreaming about chasing artichokes.

 

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So how is Venice these days?

A neighborhood character who occasionally puts up dire notices of mal- and misfeasance taped this up the other day.  It says:
A neighborhood character who occasionally puts up dire notices of mal- and misfeasance taped this up the other day. It says:  “From the Gazzettino and the Nuova Venezia 3-3-2015 The Crisis of Ca’ Farsetti.  A chasm between income and expenses.  The budget is falling apart.  No money from the state.  At the Toniolo (theatre, in Mestre) dramatic exposition by Zappalorto of the Comune’s accounts.  A “hole” of 56 million euros in 2015 that there’s no way to close.  A hole of 56 million.  The exponents of PD don’t bat an eye.  Brugnaro shilly-shallies, and Scano (Movimento 5 Stelle) attacks.  But this is only the tip of the iceberg!  From the Nuova Venezia April 2, 2012, In Total the Comune has debts of 398 million in installments of 40 each year!  And from the participating societies (business groups) obligations crop up for half a billion.  Direct debt in millions 398  Indirect debt in millions 187  Participating societies in millions 470 Total debt in millions 1,055  Per person that comes to 4,120!! Of debt!  A people which elects corrupt people, impostors, thieves and traitors is not a victim.  It’s an accomplice!”  Sounds stirring, but there’s one problem: I don’t know anyone who goes to the polls saying, “I’m going to vote for corrupt people, impostors, thieves and traitors, I hope there are lots of them.”  People vote from whomever is on the ballot.  How do those malefactors get there?  So ease up on accusations of the people who vote.  If all you’ve got is mine tailings and radioactive waste on the ballot, then those are the people who end up in office.

It’s been a while since I grappled with any serious aspect of Venice today.  (History is so much more amusing.)  But I feel a strange sense of obligation to update the situation for people who are interested, and who may have the impression from assorted news reports that the city’s biggest problems are tourists or big cruise ships or acqua alta.

Part of my silence is because Venice is in an exceptionally confusing, depressing, and frustrating situation and I am becoming allergic to confusion and frustration.  And by reading the daily bulletins, it can be difficult to grasp the big picture.  So I’m here to provide it for you.

In my opinion, Venice is living (enduring, suffering) one of those critical moments which occur in every life, whether personal or municipal or national or whatever.  I have no doubt that people are already writing books about it, and will continue to do so till the next critical moment strikes, and may it be far, far in the future.

This little update seems appropriate just now because yesterday there was a “primary election” to decide who will be the mayoral candidate from the political party known as PD, or Partito Democratico (Communists). Three men were vying for this nomination from their party, and this is already strange because normally the officers/directors/stringpullers of the party decide who their candidate is going to be.  It’s rare for there to be such conflict within a party that the public has to intervene to decide who to run.

The election is scheduled for May 31, and many cities are going to the polls that day.  Here in Venice, some politicians have already commented that the state of the city is so catastrophic that it might be better not to waste money on elections, but to just stick with the emergency governor, commissario Vittorio Zappalorto (or someone like him, appointed by the prime minister).  I realize that this approach probably shouldn’t be a long-term plan, but if the electorate here were to take seriously the suggestion by one candidate that nobody from the previous city government should be permitted to run, that would leave slim pickings indeed.

My own feeling is that anyone who would want to be mayor of Venice would be someone who would want to scale Everest, walking backwards, and naked.  There can’t be much difference between the two adventures — painful for him, and close to futile.  Sorry, I meant fatal.

Just like the political and business fandanglers, the egrets are always on the lookout for some tasty bit.
Just like the political and business fandanglers, the egrets are always on the lookout for some tasty bit.

Before I relate any specifics, I share this observation by Professor Guido Vittorio Zucconi which I found on the homepage of the Ateneo Veneto, one of the city’s major cultural institutions which offers lectures and other presentations on a variety of Venetian themes.

He said that the programming of events will undergo some innovations (I translate): “To give more weight to topics tied to the ‘city that is being transformed,’ rather than those of the ‘death of Venice’: the city is not dying, but it is changing radically, showing itself too fragile for the tasks and for the impact which it must sustain every day.

I’m clear on the fragility and the impact, but it’s the economy that has become the new instrument of daily torture.  Basically, Venice doesn’t have an economy anymore.

First, the global economic crisis that began in 2008 dismembered the Italian economy.  In an effort to get the country back on a steadier fiscal footing, the parliament — urged on by the heat-seeking missile which is the Prime Minister, Matteo Renzi — passed a “Pact of Stability,” intended to establish budgetary limits all over the country and get everybody back on the black side of the ledger.  If not?  Budget cuts and penalties, and penalties and cuts, all outlined in the Pact.

Second, Venice, which for years has lived on the fat of government money via the “Special Law” for Venice, suddenly found itself not only required to prepare a budget according to the new limits, but one that would be based on real income, and not on subsidies.  (Another “subsidy” of sorts, the income from taxes from the Casino, went into a death spiral about the same time.)

The city government tried all sorts of things: selling the Casino (failed), selling palaces (mostly failed), and a few mastodontic projects which instead of creating income, created only debt and grief.  And money from the Special Law which had been intended for many uses had been funneled into the pockets and personal bank accounts of the Consorzio Venezia Nuova, otherwise known as “MOSE,” leaving everybody else with that “It’s only the sixth of the month and I’ve already spent my entire paycheck” feeling.

Even the baker in Campo Santa Margherita has to deal with economic complaints, in this case from his customers.  But they're not nagging about the cost of bread, but the fact that he's charging 10 cents per plastic bag if they want one to take the food home in.  Written in Venetian, it says: "
Down at street level, the cost of everything is also a major subject.  The baker in Campo Santa Margherita has had enough of his customers complaining that the plastic shopping bags cost too much.  (They used to be free, and now most merchants charge 10 or 15 eurocents each.) Written in Venetian, here’s how he sees it: “Notice to clients.  The bags are freaking expensive and don’t hold a dried fig.” (He is evidently summarizing the complaints in this way).  “Therefore if you bring with you a bag that can last a lifetime, 10 cents here, 15 cents there, at the end of the month you’ll really save some money.  THANKS.”

In 2005 (before the crisis) the national government passed a special decree called the “Mille Proroghe,” and repeated it each year till 2014 (it skipped 2012).  A “thousand deferments” is a rough translation, and was meant to resolve or — better yet — offer extensions to facilitate the resolution of certain urgent financial problems.

But by 2008 Italy was leaping on ice floes across the raging financial river, like Eliza fleeing to Canada, except that unlike Eliza, it fell in.  And cities that couldn’t make their budgets balance were on their own, even big cities such as Torino and even Rome.

Eliza fleeing across the frozen river, from "Uncle Tom's Cabin" (photo: usslave.blogspot.it)
Eliza fleeing across the frozen river, from “Uncle Tom’s Cabin” (photo: usslave.blogspot.it)

On June 4, 2014 the city government imploded, and on July 2, 2014, Venice was placed under the administration of a temporary governor, Vittorio Zappalorto, whose assignment was to do whatever it took to force the budget even somewhat close to reality. In one of his first interviews, he said “I’m worried, but I’ll straighten out the accounts.”

That was then.  After months of pitiless toil, cuts and slashes everywhere, Zappalorto finally concluded that there was nothing more that could be done to save the ship; he was even quoted as saying that if Rome didn’t step in with funds, all the sacrifices people had been forced to make would have been useless.

But Rome wasn’t feeling Venice’s pain; in fact, there were enough other cities in the same desperate straits that it seemed impossible, if not absurd, to favor one town ahead of the others.  Why Venice and not Aquila? (Not a completely rhetorical question.)

Commissario Vittorio Zappalorto at one of the last meetings to save the budget. It speaks for itself. (La Nuova Venezia, photographer not identified).
Commissario Vittorio Zappalorto at one of the last meetings to save the city from default. It speaks for itself. (La Nuova Venezia, photographer not identified).

Desperate meetings finally produced a way to save Venice from default.  At 4:03 AM on February 16, 2015, the “Salva Venezia” (save Venice) amendment was inserted into the Mille Proroghe bill 2015 to be voted on.

This was only slightly good news, because there appeared to be a great reluctance on the part of the Prime Minister to give any special consideration to Venice, and hundreds of parliamentarians from all over Italy weren’t necessarily clear on the reasons why Venice deserves more help than their own region or city.

Of course, cutting spending (good) also means cutting jobs (very bad), and social services, and other non-frivolous aspects of city management.  An example of what “cuts” mean: Only one and a half million euros of what ought to be nine million euros were allocated in the budget for 2015 for the 3,000 city employees.

Last year it was the then-mayor, Giorgio Orsoni, who went to Rome pleading for mercy. But now it was Zappalorto, the very man sent specifically by the Prime Minister to shape up the city, who had to step forward to ask for clemency.

On February 22, virtually at the last minute, the “Save Venice” amendment was passed, on the condition that the city’s budget be subject to monthly reviews for the next year.  It’s sort of the equivalent of being grounded for the next twelve months.

The problem is how to fill in a hole in the budget that amounts to 56 million euros.  I won’t start listing categories and amounts of cuts, or the various exceptions, but it’s worth noting that the city government isn’t going to have money to buy anything for its own daily operation except “paper, office supplies, and toner.”  Not made up.

One of my favorite trees is this baracocolo (a type of plum) which blooms for about three days and that's it.  We need to turn our thoughts to beautiful things from now on, and I didn't have a picture of a puppy.
One of my favorite trees is this baracocolo (a type of plum) which blooms for about three days and that’s it for the year. We need to turn our thoughts to beautiful things as much as we can, and I didn’t have a picture of a puppy.

Before leaving this excruciating topic — and before anyone feels too tempted to weep — I have to say that although the city is broke, it has to a certain extent brought this on itself.  Essentially, the city maxed-out its credit cards several years ago, and many things it has spent money on have not proved to be useful, and some are sitting half-finished, or not even started, growing weeds.

Somewhere there is a comprehensive list, but I’ll just give a few examples of the money that has been thrown out the windows with wild abandon on the Lido, summarized by the Gazzettino on March 6 under the headline “Projects and public works A flop of 100 million” (euros, rounded down).  You may not care about the Lido, nor do I, but the following will demonstrate some part of the mentality which has driven the Good Ship Venice onto the pecuniary reef.

About ten years ago, more or less, a number of huge “improvement” projects were confected which would “re-launch” the island, which had lost its luster and also most of its tourist income.

The star project would be the new Palacinema for the Venice Film Festival, which was designed as a sort of multiplex with numerous theaters; another would be a vast yacht marina at San Nicolo’, a space which would be as big as the Giudecca; and another was the conversion of various buildings which comprise the once quite marvelous (and useful) Ospedale al Mare, or Hospital at the Sea, to private uses such as apartments.

The new Palacinema was approved in 2004; time was spent in the search for additional funding, work began around 2008 with the ripping out of a shady pine grove near the old building, and some excavating began.  And then almost immediately stopped, because in 2009 the diggers began to pull up loads of asbestos trash, thrown away by God knows who over the years and then covered up by other occult hands. Nobody thought of taking soil samples before bringing in the backhoes.

And there the Palacinema sits — or rather, the hole sits — frozen in time, and 38,613,000 euros have been spent on a site which remains devastated and on which not one brick has yet been laid.  Some wag has put up a street sign with the fictitious but too-true name, “Piazza Quaranta Milioni” (Forty Million Square).  It’s a lot to pay for a hole that’s 9 feet (3 meters) deep.

Palacinema, Part 2: Seeing that the costs were rising, the city removed the project managers and installed a commissario, or temporary overseer, which cost an additional 1,500,000 euros.  (I can’t explain this, I merely report it.)  The financial magistrates stated that this whole affair was a “handbook example” of waste of public money.

Violets are running riot all over the neighborhood.  I've never seen so many.  It must be a good sign of something.
Violets are running riot all over the neighborhood. I’ve never seen so many. It must be a sign of something good.

Ospedale al Mare: Cleaning up and preparing the areas for the new uses, which have yet to even begin being realized, has cost 1,600,000 euros.

The glorious yacht marina at San Nicolo’: 8,000,000 euros spent, with nothing done so far except court cases with lots of accusations.  If I had time (and cared), I’d do more research on what could have cost that much for no results.

New traffic layout on the seafront: 2,000,000 euros spent, with no results so far.

Hotel Des Bains: This legendary landmark Belle Epoque hotel, famous for its starring role in “Death in Venice” (book and film), not to mention its 100 years of fabulous guests, remains closed since the project of turning it into a luxury-apartment complex failed.  30,000,000 euros spent so far, and its extraordinary decorations (fabrics, curtains, furniture) were put up for sale, even on the internet.

The mythical Hotel Des Bains, waiting for someone to bring it back to life, if not to beauty.  This was one of the great hotels of Europe, if not the world.  Oh well.
The mythical Hotel Des Bains, waiting for someone to bring it back to life, if not to beauty. This was one of the great hotels of Europe, if not the world.  Oh well. (“Hotel Des Bains 01” by Florian Fuchs con licenza CC, 2009).

So yes, we should feel bad that Venice is broke, but we should also feel bad that it got this way because nobody cared about much of anything but themselves.

Prosperity depends on a simple choice: Make more, or spend less.  They just got it backward.

The sun rises on another day.  Let's hope for the best.
The sun rises on another day. Let’s hope for the best.

 

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Let the New Year — or the old year — begin

Venice looks so strong.
Venice looks so strong.

One thing that everybody loves about Venice is that it seems so old.  Of course, it is old.  It’s kind of like a Byzantine/Renaissance/Baroque/Neo-Classical Lascaux Caves, except that it’s inhabited.

I pause to say that I know there are at least 14 continuously inhabited cities in the world that are far, far older than Venice.  I was just making the point that many visitors are struck with astonishment at the fact that Venice was ever created, an emotion I believe the cave paintings also elicit.  But I’m getting off the point.

One thing that makes it feel old when you’re living here is the endless cycle of the same old things, and when I say that I don’t mean the Befana (with its utterly predictable brief annual cluster of highly-charged  articles about the dangerous effects of the air pollution caused by the bonfires’ smoke), or the feast of the Redentore, or other celebrations.

By “same things” I mean issues that just keep coming up, that continue to be transformed in a shape-shifting way by assorted groups, interested parties, and random changes of circumstance, but that never get settled. Even in the rare instances when a problem appears to have been resolved, before long we discover that it has spawned new problems. And the cycle begins again.

In the few days since 2015 began, the Gazzettino has filled its pages with a new crop of the old.  Such as:

Adriatic ("mare") to the right, the lagoon to the left.  The conca, or basin, is item #4.  The scogliera, or protective barrier, is #5.  I had to take geometry twice in order to pass, but this still looks awkward to me.  The ships' captains tend to agree.
Adriatic (“mare”) to the right, the lagoon to the left. The conca, or basin, is item #4. The scogliera, or protective barrier, is #5. I had to take geometry twice in order to pass, but this still looks awkward to me. The ships’ captains tend to agree.

MOSE:  No, this time it’s not about the gates themselves, nor about the billions that were stolen to pay off its many participants, collaborators, and well-wishers.  Now it’s about the conca, or basin (#4 on the image above), which was dug at the inlet of Malamocco to permit the passage of ships on the occasions when the gates are raised.

For one thing, it’s too small.

It has been designed to accommodate ships up to 280 meters (918 feet) long and 39 meters (128 feet) wide. These dimensions are already too small for the largest cruise ships, the ones that certain groups want to compel to enter the lagoon by way of Malamocco instead of by the Bacino of San Marco.  So a mega-cruise ship wanting to come to Venice would have to  hang around outside in the Adriatic until the tide turned and the gates were lowered, to let them continue with their plan to unload thousands of passengers and take on more.  Having to delay entry sounds like a new problem has just replaced the old.

But it gets worse.  The fundamental problem isn’t size.  It’s the positioning of the scogliera (skoh-LYEH-ra), or protective barrier, in relation to the basin.  Stick with me here, because in the world of engineering “oops!” this is kind of special.  And whatever you  may think about cruise ships, we now have to consider the needs of real grown-up working ships that haul containers and petroleum and grain and coal (for the power station just on the edge of the mainland); these are ships for which time really is money.

The curve and position of the barrier built to shield the basin from wild stormy water (the kind you might well have if there is an exceptional acqua alta underway) makes it difficult — in some cases, perhaps impossible — for even smaller ships to navigate themselves into a perfect straight line to enter the basin.

“About 2,000 vessels (note: That’s nearly six per day) enter and exit the lagoon each year,” said Alessandro Santi, president of Assoagenti Veneto, the maritime agents’ association.  “Of these, at least 350, in the current state of things, would be prevented from entering the basin.” They’d have to wait outside till the tide turned and the MOSE gates were lowered to allow them to enter by the usual channel.

Solution! Construct an additional rubber barrier (I have no further details) against which the ships could lean — a sort of fulcrum — to help them position themselves to enter the basin. I’m referring to the ships which can, in fact, enter the basin, which as you see isn’t going to be all of them.

Projected cost:  15 million euros ($17,669,900).  That’s one heck of a patch.

Speaking of cost, the news has just come out that the completion date for MOSE has yet again been postponed.  It is currently predicted to be finished in mid-2017, and will cost an additional 2 billion euros ($2,355,980,000).  Unless it turns out to cost more, of course.

So why is this an old subject?  Because it’s yet another aspect of a project that wasn’t planned correctly, but construction just went merrily along anyway, and now everybody is having to find ways to resolve problems that didn’t ever have to exist.

Encrstations of paper to rival the pilings in the water at low tide.  Here, at Rialto, but this phenomenon is all over the city.
Encrustations — paper, in this case — to rival the pilings in the water at low tide.  This wall is at Rialto, but the phenomenon is all over the city.

DEGRADO:  The terse but expressive and useful term degrado (deh-GRAH-do) means “degradation,” and it finds innumerable uses.  And I will keep this entry short because the subject deserves a post all of its own, if I could find the strength.

Degrado is a hydra-headed monster composed of graffiti, broken pavements, disintegrating nizioleti, and now strata of aging posters stuck up all over walls.  The city of Venice, and myriad individuals, put up these pieces of paper with or without permission, and these announcements of all sorts of events, needs or offers stay there because once the moment has passed, who cares?

The city says it cares, and since 2012 has spent  856,000 euros ($1,008,360) to pay a private company named A.R. Promotion to affix posters and also to strip away the accumulated crud. But evidently the announcements breed at night and produce more old posters, or somehow the private company isn’t keeping up.  Or perhaps even starting, who knows?

Even the vertical pipe to the right has been pressed into service.
Even the vertical pipe to the right has been pressed into service.

Breakdown of payments made: At the end of 2012 A.R. Promotion won the bid to do this work for one and a half years for 456,000 euros.  A few years later, the same company got the job for about two years for 400,000 euros.  The age of some of the posters indicates that in either one or other of these periods, the company somehow didn’t catch everything.

Let me say that having to hack away layers of gummy paper over a period of years does not speak well for the paper-hangers.  Because while one could criticize the ability of A.R. Promotion to remove paper, one could much more justly criticize the cretins who put up the pieces of paper in the first place.

But back to the subject of payment for services rendered, or not: Cecilia Tonon, president of the volunteer group Masegni e Nizioleti, has raised her hand to ask why the city is paying for a service which evidently isn’t provided, when squadrons of members have turned out more than once to do a large amount of this very work for free.  (I participated in one clean-up project, which I’ll write about another time.)

No answer has yet forthcome.

Intermission:  News from the trial of the Indian couple who murdered their Iranian roommate, Mahtab Ahadsavoji, and dumped her body in the lagoon.  The Indian girl has been identified as the culprit, and has been sentenced to 17 years in prison.  Her boyfriend got a smaller sentence because he merely helped dispose of the evidence.  Appeals will drag on.

BUDGET:  For years now we’ve had to listen to the municipal choir singing the Anvil Chorus, financial version, whose refrain is “No ghe xe schei” (there is no money).

We found out last year that the reason there was no money was because it had all been gift-wrapped and given to politicians and businessmen involved in the MOSE project.

So now there really is no money.

After working his way upstream through heavy fire from outraged city employees facing drastic cuts, attempting to make the budget balance in some miraculous way (“miraculous” meaning “money from Rome”), the emergency governor, Vittorio Zappalorto, has had to say it isn’t working.  The city is 60 million euros ($70,855,800) in the hole.

“The situation is unsustainable,” he said. “We’ve reached a point of no return, The next mayor is going to have” (I freely translate) “one hell of a hideous job.”  The Casino’, once an endless font of funds, is also now crouching over its begging bowls. The sale of palaces is almost the only option for raising money, but so far they are being sold at slashed, fire-sale prices, or not being sold at all.

The island of Poveglia (www.verdieuropei.it)
The island of Poveglia (www.verdieuropei.it)

POVEGLIA:  Remember the popular groundswell, funded by citizen contributions, to acquire the island and restore it for the use of the Venetians rather than let it be sold to one of those terrible foreign companies which would transform it into a hotel?

All stuck in lawyer-land.  The city put the island up for bids; the highest bid, from a private businessman, was snubbed by the city as being ridiculously low.  To which the bidder has replied, “But you had no higher bids in this auction.  So?”

In any case, the groundswell of Venice-for-the-Venetians emotion hasn’t been heard from in quite some time, considering that since last June 4, when the sky fell on Venice, much bigger problems have overcome everybody.  It would be extremely difficult, in the current climate, to get anybody excited about an abandoned island.

BIG CRUISE SHIPS:  This is an issue that’s so photogenic that it cauterizes people brains, rendering them incapable of thought.  In battling to ban the ships from passing in the Bacino of San Marco, the enthusiasts have created a much larger problem, which is how to keep the port economy going when some cruise lines have already canceled their plans to come to Venice in 2015.

The no-big-ships people haven’t given any sign of caring much about the port itself, but  they are baffled as to how to they feel about the digging of the Contorta Canal (officially named the Canale Contorta S. Angelo). But it seems clear to almost everybody that deepening the canal will create so many more problems than it solves that it makes my teeth grind all by themselves.

The tug of war about approving the Contorta canal is going to continue for an unspecified time.  Another year, anyway, I have no doubt.  There will be flourishing crops of claims, counter-claims, and recriminations.

Meanwhile, due to the canceled cruises, 300,000 fewer passengers are expected this year. This means people may very well be laid off or fired, and all the rest of the ripple effect that doesn’t need describing.  There is also the loss of income from the taxes paid by the ship companies to be considered.  Nice.

But what I don’t understand is why the ships are vilified as ugly, and therefore deserving of death, when everyday ugliness like graffiti just keeps rolling along, singing a song.

Old?  New?  Is there a difference?

Singer_Sargent,_John_-_Hercules_-_1921.jpg  hydra blog misc mose 1921 goodart.org
In case you’re wondering what a “hydra-headed monster” might look like, here is an image of the mythological Hydra being demolished by Hercules. For every head that was cut off, two grew in its place. It’s kind of a metaphor.  (“Hercules,” by John Singer Sargent, 1921. Licensed under Public Domain via Wikimedia Commons.)
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Petition to halt the Canale Contorta “Solution”

This is one view of what a lagoon looks like, especially when the tide is going out and the clams are just waking up.
This is one view of what a lagoon looks like, especially when the tide is going out and the clams are just waking up.

This is an unusual step for me, but I think it’s worth it.  Even though I don’t place much trust in the power of petitions, maybe this time it will be different.

In any case, I’d like to inform you of one which has gone from 700 to 20,000 signatures and counting in about ten days.  I think that means something.

“Gruppo 25 aprile” is a new group of Venetians and Venice-lovers which is concentrating its efforts on stopping the digging of the “Canale Contorta.”  Its reasons are shared by many scientific and environmental experts, not to mention a huge percentage of everyday Venetians.

Once the subject of the big cruise ships and their potential to damage Venice became one of the hottest debates and power struggles of the year, the need for finding an alternate route from the Adriatic to Venice obviously became paramount.  My own opinion is that any “cure” they find will be worse than the “disease” (i.e., the ships in the Bacino of San Marco) — or, as the Venetians put it, el tacon xe pezo del buso (the patch is worse than the hole).

Many solutions have been proposed, but only one had the political muscle behind it to get itself officially considered by the “Comitatone” (“Big Committee”) in Rome, which had the power to decide yes or no.  That “solution” is the dredging of the Canale Contorta.

Sorry it's in Italian.  The red line shows the current route by which cruise ships enter and leave Venice.  (www.corriere.it).
Sorry it’s in Italian. The red line shows the current route by which cruise ships enter and leave Venice.   The solid yellow line is the Petroleum Canal.  The dotted yellow line is the Canale Contorta, which already exists in a simple, primitive, shallow way.  Changing that will change a whole lot besides.  (www.corriere.it).

Thanks to a calculated maneuver by its promoters, the meeting at which the decision was to be made was held in August.  (“August” is Italian for “vacation.”)

As Marco Gasparinetti, the coordinator of Gruppo 25 aprile, explains (translated by me from the Gazzettino):

“The decision of the Comitatone on August 8 was a summer blitz with which they hoped to surprise a city on vacation.  But the city is fed up with being expropriated from the decisions which concern it, and this time is going to make its voice heard.”

The political vacuum in Venice since the government fell on June 4 has at least one positive aspect, and that is that finally there seems to be some possibility that the voices of Venetians might be heard somewhere beyond their living rooms and favorite bars.  Yes, there is chaos in almost every aspect of daily life here now, but the fact that essentially only one man is in charge — Vittorio Zappalorto, the Commissario who is temporary governor — means that the city is less strangled by the political and bureaucratic tentacles of the past 20 years.  It’s as if — to try another metaphor — a colossal dose of drain cleaner has ripped through the city’s emotional and civic pipes.

Back to the Canale Contorta.  It may not be too late to stop it.  Therefore Gruppo 25 aprile has created a petition addressed to Prime Minister Matteo Renzi, as well as all the ministers concerned (Environment, Infrastructure and Transport, Culture, etc.) urging them to withdraw the hasty approval of what it (and I) regard as a catastrophic move, the last nail in the coffin of the lagoon after the drastic effects of the MOSE floodgates, not to mention the Canale dei Petroli (“Petroleum Canal”), dug in 1969.

A drawing from the 1980's shows the network of canals, or "ghebi," in the lagoon.  In 2002, a NASA satelite shows the same area, pretty much leveled and smoothed out by the terrific suction of the Petroleum Canal over the years.
A drawing from the 1980’s shows the network of canals, or “ghebi,” in the lagoon. In 2002, a NASA satelite shows the same area, pretty much leveled and smoothed out by the terrific suction of the Petroleum Canal over the years. (Umberto Sartory, 6/29/2006, venicexplorer.net).

The page connected to the link above shows a map (left) from the 1980’s which outlines the major and some minor natural channels (ghebi) which used to cross and re-cross the lagoon.  It represents a complex biological realm which the effects caused by the Canale dei Petroli, in 40 years, has done much to destroy, as shown by the NASA satellite image made in 2002 (right).  Do you see ghebi?  I see just a broad, anonymous stretch of bottom.  That’s what the fish see, too.

Lagoons are rich, meaty environments.  The sea is also nice, but not like this.  I believe the difference is easy to see.
Lagoons are rich, meaty environments. The sea is also nice, but not like this. I believe the difference is easy to see.

Here is a section of a brief but pointed piece by Tom Spencer, reader in coastal ecology and geomorphology at the University of Cambridge, and director of the Cambridge Coastal Research Unit:

Coastal lagoons are transitional environments between fully terrestrial and fully marine conditions; in the absence of direct human intervention, their long-term tendency is to infill with sediments. Over the centuries, the Venetian Republic was instrumental in maintaining this vital yet delicate land/sea balance, starting with the huge undertaking to divert the main rivers in the 16th century and stop the region from silting up altogether.

Since that time, however, historical and near contemporary records of changing patterns of lagoonal topography and water depth; tidal currents; and sediment transport from the lagoon to the sea all show unequivocally that the current lagoon is moving in the opposite direction, becoming a downward-eroding, sediment-exporting system. It is thus on a trajectory that will turn it into a fully marine bay. That this process is well underway is evidenced by the appearance of plant and animal species in the lagoon that are characteristic of marine environments.

We may argue about the velocity of this trajectory but the evidence for such a trend, clearly related to a whole series of human interventions from the late 18th century to the present, is not in doubt. As wave height and tidal flows are strongly influenced by water depth, such a shift has critical importance for the sustainability of the historic core of Venice itself. If we drill down into the detail behind this general trend, it is clear that the excavation of two large canals (Canale Vittorio Emanuele, around 1925, and Canale Malamocco Marghera, around 1969) produced strong transversal currents across the original tidal network, with consequent siltation of channels and erosion of adjacent shallows.

There is one simple question that needs to be answered. Can we be assured that the large-scale excavation of the Canale Contorta will not have the same effect and not give the Venice lagoon a further shove in the direction of yet more environmental degradation and urban vulnerability?

The petition asks the national government to reconsider all the proposals.  That seems like an extremely modest request.

The petition can be signed online.  Here is the link explaining their position, with the possibility of signing.  (“Firma” means “signature.”)

Or, you can copy and paste:

http://www.change.org/p/stop-the-plan-to-dredge-the-maxi-canal-contorta-in-venice-before-it-s-too-late

If anyone might be tempted to suppose that Venice can be happy and healthy in the middle of a maimed and deformed lagoon, that person should consider this: That the water through the Canale Contorta will enter or leave the lagoon with a force and a quantity that will endanger the city to a degree that the biggest cruise ship could never dream of.

The lagoon is loaded with egrets, who might like to be considered in the great scheme of things.
The lagoon is loaded with egrets who might like to be considered in the great scheme of things.

 

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