January sensations revised

(I discovered too late that my  previous version needed some weeding at the end.   This has been cleaned up.   Apologies.)

 

January is a first-class month here (I’ll let you know if I think of one that isn’t).

Nothing against gray. Gray can also be beautiful here, often more beautiful than blue. Nothing against gray. Gray can also be beautiful here, often more beautiful than blue.

I say this for two reasons.   First, the end of the month — or more or less starting now — is composed of the so-called “giorni della merla,” or days of the blackbird.   Specifically, the female blackbird, which isn’t black at all, but never mind, and who is commonly  believed to be busy building her nest right now  for  her imminent new brood.   This is the only intimation, however remote, of the eventual coming warmth.

Gray actually has a lot of points in its favor. Gray actually has a lot of points in its favor.

This designation  isn’t limited to Venice; our little interlude goes by the same name all over Italy.     This brief span of days — specifically the last three of the month —  are famous for being really cold; in fact, they used to be fairly dependably the coldest of the winter.   Perhaps they’re not as cold now  as they may once have been (though they’re plenty cold just the same), but if we didn’t get a sudden drop in temperature in late January I would be extremely upset.   Just so you know.

Those more inclined toward literature than ecology  may recall that this frigid period strikes just about on St. Agnes’ Eve, or  January 20.   John Keats’s  eponymous poem, “The Eve of St. Agnes,” sets the mood:

“St. Agnes Eve — Ah, bitter chill it was! / The owl for all his feathers was a-cold; / The hare limp’d trembling  through the frozen grass / And silent was the flock in woolly fold: / Numb were the Beadsman’s fingers, while he told / His rosary…” And so on.   Odd that I can still remember that from high school.  

Unless you don't like humidity, in which case gray is not your color. Unless you don’t like humidity, in which case gray is not your color.

So “days of the blackbird” is just a more attractive way of saying “cold snap,” though at the moment we’re in more of a gray snap.   Between fog, snow sputters, and generally heavy overcast, the only light on the horizon is the dimly perceptible gleam of Carnival — a gleam not caused by the sun so much as  by merchants’ smiles glinting off loose change.

The second reason I love January leads me to ask: Have you ever wondered where all the water of the acqua alta goes when the tide turns?    There is a phenomenon which is particularly Venetian and again, I notice, dedicated to a female figure.   In these few weeks, when the water gets let out of the lagoon it reveals  the “seche de la marantega barola” (SEKK-eh deh la mah-RAN-tega ba-RO-la), or the exposed mudbanks of the shriveled old hag.   The Befana,  they mean,  even though she went home two weeks ago.      

I suppose they could have called them the seche of St. Agnes, but it just isn’t the same.   From what I gather,  it would have  to have been  rendered as the “exposed mudbanks  of the young virgin martyr.”   Not bad, but still.

The lagoon is particularly beautiful in two ways  when the year begins.   First, with real cold, the water becomes utterly pellucid.     Peering down from the bridge over our canal, I can easily  make out all sorts of debris in perfect detail, down to the number on a lost license plate settling into the mud.   Out in the lagoon, the water has an amazing Caribbean/Greek island  transparency.

Second, and just as beautiful as the water, is what you see when the water goes away. The “seche de la barola”  are startling prairies of luxuriant emerald algae emerging from the shallows, replacing the usual water with verdant swathes worthy of Nebraska.

I love this, not only because it’s so strange (the first time, anyway), but because it shows in one of countless ways how alive the lagoon is.   As the late-January twilight briefly weaves itself into the fading sky with  soft skeins of mist, the tide silently turns and this extravagant greensward begins to imperceptibly sink beneath the water again.   Imperceptible to me, perhaps, but not to the feeding waterbirds tiptoeing delicately among the soggy tussocks, seeking one last little morsel.

In the city, you may notice that the boats are very low at their moorings.   One year I even saw boats sitting on bare mud along the shores of the Grand Canal.   That was exciting.   It was like being in Fowey, or one of those other  little ports in Cornwall  where the tide leaves fleets of pleasure boats sprawled yards and yards from the water’s edge.

 

Oddly, this low tide happened at dawn in June a few years ago, rather than dusk in January. But you get the idea. Oddly, this low tide happened at dawn in June a few years ago, rather than dusk in January. But you get the idea.

The seche de la barola are  well-known to the municipal tide office, which publishes the daily tide predictions on its website and also in the Gazzettino.   One symptom  of how the  tides have gone haywire in general this winter isn’t so much (to my mind) the high water, though that makes such entertaining pictures.   It was how the anticipated low tides refused to go low.   They just refused.   You can see it here:

The lower line indicates the previously forecast high and low tide levels.  The upper line traces what is really happening.  Quite a difference.  And this went on for days. The lower line indicates the previously forecast high and low tide levels. The upper line traces what is really happening. Quite a difference. And this went on for days.

To give you an idea of what I mean by “low,” here are some numbers on the seche a year ago.    

Istituzione Centro Previsioni e Segnalazioni Maree

Minimi di marea <-50 cm Punta della Salute – anno 2009

Estremali <-50 cm

N °

Data

Ora solare

Valore

1

09-Jan-09

16.20

-52

2

10-Jan-09

16.35

-57

3

11-Jan-09

17.25

-58

4

12-Jan-09

18.05

-59

             

 Minus 59 centimeters is 23 inches below the median sea level.   Just so you know.

So come visit sometime in January, and see what the Befana left behind.   She’ll be back next year to  do it all over again.

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Holiday high water

The big present everybody got this year was acqua alta.   It seems to have been reported fairly extensively in the world at large — not that people elsewhere don’t have enough drama of their own to keep up with — but there appears to be enough inherent drama, or diversion, in the phenomenon to attract attention.

The water comes up, the water goes down.  Notice that the Piazza San Marco is not flat.
The water comes up, the water goes down. Notice that the Piazza San Marco is not flat.

And they’re predicting more for today, New Year’s Eve, and also Day. Happily, these tides will peak at a decent hour, between 9:00 and 10:00 AM, so we can get some sleep.   Thoughtful of them.

We spent most of Christmas Eve night listening, not  for the reindeer hooves on the roof, but for the wind to veer around from the southeast to anywhere else it felt like going (or coming).   But  the forecasts (regular weather as well as high-water categories), which we consulted about every ten minutes, were implacable: There was going to be a strong scirocco (shih-RAWK-oh), and that  meant that we were essentially destined to have “water on the ground,” as the Venetians call it in its more modest form.    

The scirocco’s force pushes against the lagoon and prevents (or severely slows, but I’m going with prevents) the tide from going out in its normal way and even  exacerbates the subsequent normal rising tide.   The weather report specifies the direction and strength of the wind, but all we need to do is open the front door and listen:  A strong scirocco  causes heavy surf which in turn make a low, smooth roar, something like a distant  jet preparing to taxi for  take-off.   And we can easily hear it, out there toward the left, where the Lido’s slim  line of beach is doing what it can to keep the Adriatic where it belongs.  

The tide doesn't come pouring over the battlements, but merely rises up through the storm drains.  This little pool will just keep expanding till it covers the Piazza.  After an hour or so, it will depart (tranquilly) by the same route.
The tide doesn't come pouring over the battlements, but merely rises up through the storm drains. This little pool will just keep expanding till it covers the Piazza. After an hour or so, it will depart by the same route.

The city’s Tide Center was predicting that the maximum height, at 4:30 AM, Christmas Morning, would be 150 cm [59 inches, or almost five feet] above average sea level.   I will explain the intricacies of these measurements and their meaning in the real world on another occasion, though let me just note here that Venice does not sit  precisely at sea level, but  at various heights above it, so these numbers are not immediately as dramatic as they sound.    

As the Tide Center explains on its website, “97 percent of the city is at about 100 cm above the average sea level.   This means that the amount of water that could invade the city is always well below the maximum number predicted.   For example, an exceptional tide of 140 cm corresponds in reality to about  60 cm [23 inches]  in the lowest points of the city (Piazza San Marco).”

I don’t know how high our  domicile  happens to sit above the average sea level, but  we knew that at 150 cm there would be water  coming over our top step and into our house.   It’s just a little hovel, true, but it’s not a boat, unfortunately  — not that you want water coming into your boat, either.   Venice is an excellent place in which to discover the meaning of “time and tide wait  for no man.”   You can slow an avalanche pretty much as easily as you can slow the tide.

We knew our tidal limit because we had water in the house once before.   Yes, that was one memorable moment.   On  December 1, 2008, we stood there at our doorstep and watched the water slip under our door — and more to the point, under the temporary barrier we had paid 400 euros for.   But it wouldn’t have made any difference because only God and, perhaps, the architect has any idea what’s under our dwelling because water began to enter through a fissure in the kitchen wall, and then up from an ungrouted joint between the slabs of stone paving between the bedroom and the hallway.   I can tell you that if the tide wants to come up through your floor you better just let it.

Life goes on, and so does the bread delivery.
Life goes on, and so does the bread delivery.

By the way, nothing was damaged, and when the tide turned about an hour and a half later, we got out our brooms and just swept it out to sea.   Then I had to wash the floor with fresh water, but it needed it anyway.   (I waxed it too — I was feeling like celebrating.)   Then we put all the stuff that had been thrown onto the bed back under the bed, and life went on.   No death, no damage, and as I say, the floor was clean.   But you can’t count on high water being so relatively minor every time, and you really don’t want water, salt or otherwise,  under your refrigerator and washing machine.

So at 2:00 AM on Christmas Eve (that is,  Christmas morning)  we got up and began preparing for the onslaught.   No wailing, no  hysterical vows to the Virgin; we just began to move whatever we could to higher ground (the bathroom) or on the bed.   Last year, unbelieving to the last moment, we left everything where it was, which meant that Lino accomplished what ought to be an Olympic sport — the pulling-out-stuff-and-throwing-it-all-on-bed event — in mere seconds.  

Then we took out candles and flashlights.   I frittered away a little time sweeping and dusting, since I was going to have to do it anyway.   We stared out the front door at the water.   We listened.

But we were spared.   Lino, whose instincts have been honed by an entire lifetime in boats in the lagoon, sensed when the reprieve was arriving — he could tell that the tide had slowed (“gotten tired,” as they put it) at about 3:30.   The tide, in fact, did begin to turn then, earlier than predicted, and lower (143 cm) than predicted.   The roar of the wind was diminishing.   Christmas morning was beginning to look better than we’d supposed.

Not easy to explain "Just hold it till the tide goes down" to your dog.
Not easy to explain "Just hold it till the tide goes down" to your dog.

Turns out that this event was the fourth highest tide since the city began to record them.   It also turns out — for real weather geeks — that one reason it occurred was not so much the force of the scirocco but the fact that it was constant for quite a while.   In any case, nothing you can do about that; whatever the wind is doing, you just have to go along with it.

But I have to repeat what I always repeat when high tide makes the news: Nobody dies.   Nothing gets especially damaged (I put in “especially” so somebody won’t say “Well what about my bookcase?”).   The shopowners had to spend the night keeping vigil in their shops, which earned a few lines in the general coverage, but I say: So?   We were up too and we don’t have anything we’re planning to sell.   Water damage, whether it’s genuine or just labeled as such, is a great way for merchants to get rid of stock that isn’t moving anyway.   I did not make that up.  

Another point to consider: Whenever the news reports refer to the city being “under water,” or “flooded,” or however they term it, they never say how much of the city, nor do they say to what depth (it isn’t uniform; does one inch count as “flooded”?).   Anyway, in the case of an exceptional high water, such as our Christmas Eve marvel, 56 percent of the city has water on the ground.   Sound bad?   Let’s do this: “44 percent of the city did not have water.”   I suddenly feel better.   Why don’t the newspapers ever do that?   Rhetorical question.

So on to the next tide, I say, and pull out your cameras.   But I think somebody should make it illegal to bring your boat into the Piazza San Marco, and doubly illegal to float around so people can snap your picture.   The tide comes in, the tide goes out, all it leaves is some muddy slime

The street outside our house is like every other street when the tide goes out: damp with a fine muddy film.
The street outside our house is like every other street when the tide goes out: Damp with a fine muddy film.
The receding water as usual leaves behind eelgrass and stuff.
The receding water as usual leaves behind eelgrass and stuff.

 

 

 

 

 

 

 

 

 

 

and bits of garbage tangled up in clumps of eelgrass and busted bits of reeds floating in from the barene, the marshy wetlands.   This has been going on since the ocean was invented.   If you really can’t stand it, go live somewhere more tranquil — say, Haiti in hurricane season, or Bangladesh when the typhoons come through.   Or even certain parts of Tuscany the past few days, where some rivers have had nervous breakdowns under the unusually torrential rain.   It’s just a suggestion.  

So I’m going to stick with wishing everyone happy holidays.   I’ll be back with more bulletins.

Meaning no disrespect, but this lion distinctly looks as if he's checking how alta the acqua is going to be rising.  I've seen people who look almost exactly like this, though without the wings.
Meaning no disrespect, but this lion distinctly looks as if he's checking how alta the acqua is going to be rising. I've seen people who look almost exactly like this, though without the wings.
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May Day in Venice: What we did

We ran away.   We ran far, far away, out into the lagoon in a little three-oar sandolo called “Granchio” (crab) with our best friend Anzhelika.  

By “running,” I mean rowing, naturally.   We left the Lido about 8:00 and rowed all the way to Quarto d’Altino, on the mainland shore out beyond the airport.   We got back around 6:00; it’s about 45 miles roundtrip, and we were going against the tide.   Both ways.   And there were also waves, in the sense that after a typhoon you might say there had been wind.   I woke up the next morning feeling as if a battalion of small people with big hammers had been pounding me all night.

We’ve done this before, with various people on various types of boat, and it’s always wonderful.   The reason is simply because we go out into a distant, seemingly wild part of the lagoon which is so different from the area we’re used to, near the city.   We wend our way through the barene, or marshy islets, and along reed-lined channels that seem luxuriously remote (if you can ignore the sound of airplanes taking off from Marco Polo airport just a mile or two away).  

This is something like what the lagoon looked like, in a broad sense, to the earliest Venetians who took refuge here from the passage of Attila and his Huns. (I say “broad sense” because most of the barene that formed much of the lagoon landscape even 50 years ago have been washed away by the motondoso, or waves from motorboats.)   We had to face our share of motorboats, but what mattered was the haunting loveliness of the waterways.

As we rowed easily along (in the stretches without motorboats), listening to the musical soft sound of our oars and the answering music of the water sliding under the boat, we could also hear the crooning of turtledoves, and a few nightingales, and a distant cuckoo, which sings only in May.   There were gleaming white egrets, and one stately heron that flew heavily away.   The hawthorn trees were lush with clusters of creamy blossoms, and I could see some tangly bushes of pink wild roses.   The surface of the water was streaked with the faint but clear wake of scattering fish, usually grey mullet, and once or twice one sprang into the air, attempting something resembling the long jump.   When the breeze shifted, or the clouds let more sunshine through, the wetlands would give  off a faint muddy smell which seemed oddly clean.   There was a hawk wandering around overhead.   And a pair of swans, not far from the fish-farms.  

All of this, and much more which I haven’t yet seen, or didn’t know when I saw it, is — of course — under phenomenal pressure from all sorts of human activities.   The most dangerous and, for us, the most maddening, and even painful, were the motorboats.   Big honking mothers full of trippers from somewhere back in the countryside, or smaller boats roaring past with teenage boys, or even cruddy little old boats with cruddy motors carrying some sort of decrepit men with old fishing tackle.

We stopped for half an hour at the trattoria “Ai Cacciatori” at Mazzorbo, just before Burano, for the usual sopressa sandwich and plenty of water.   Lino, naturally, had an ombra, a glass of white wine.   Venetians call this morning refresher (or afternoon, or evening…) a “shadow.”   The story goes that back in the very olden days, when the Piazza San Marco was something between a Levantine souk and the Roman Forum, there was a man who sold wine from a small stand in the shadow of the belltower.   As the sun moved, he would shift with it to stay in the shadow, and so people went from saying “Let’s go have some wine in the shadow” to just suggesting, “Let’s go have a shadow.”   That’s the story, which I have no plans to research further.

We got to Altino past noon, and somewhat past the time when I had begun to wish we were already there.   For all the breeze, you could still feel the sun, beginning to shine back up from the water onto your face, and it was hot.  

We  tied up the boat in the reedy little canal that ends at the very old pumping station; there are still fields stretching out here that need to be irrigated, or drained.    Altino was an important Roman town on the main road heading northeast, and farmers still turn up assorted Roman relics of metal or marble.   We had lunch at the trattoria “Antica Altino”and started the row home around 3:00.  

It was about the time we were passing Sant’ Erasmo that I began to feel really tired.   Being tired doesn’t impress me, but I wasn’t happy because I knew what was coming up, and it would have been so much better if I hadn’t been tired: Traversing the lagoon between the island of the Certosa and the vaporetto stop on the Lido at Santa Maria Elisabetta.     If I were to say “Recreating Lawrence of Arabia’s life-threatening trek across the Sun’s Anvil,” or “Sailing around Cape Horn with only a torn jib and a busted rudder,” I’d be saying about the same thing.

Of course I knew there’d be waves, but  they were worse than I had anticipated, caused by the ferries, and the big motonave to and from Punta Sabbioni, and tourist launches, and taxis, and vaporettos, and all sorts of private motorboats.   As far as the quantity of boats is concerned, this was one-quarter or less  of what it will be on a Sunday afternoon in July.   But it was enough for me.   Big, heaving, confused waves came from all directions; small, invisible waves tried to suck the boat back out from under our feet; tall, curling waves surged toward the bow, threatening to send sheets of water into the boat; clustering waves just pounded the boat from all sides, with no design, no rhythm, no pauses.   And did I mention we were also rowing against the tide?   I believe I did.   By the time we reached the tranquil home stretch of water, halfway along the Lido, my left knee was stabbing, my right shoulder felt like a hot anvil had been dropped on it, each palm had a stinging red blister, and I was pretty much at the blind staggers stage.  

Of course we swore we’d never do this again.   We may have sworn this last year as well.   If we do this next year, I will undoubtedly swear it was for the last time.   Does that mean it wasn’t punishing?   Of course not.   Next year it will be even worse.   But by the next morning — about the time I became conscious of having been bludgeoned with crowbars — the black, fermenting rage that darkened the return had already faded to pale grey in my mind, and now all I really remember are the birds calling and the boatsong, and the scent of the watery land, and what a great thing it was that the old Venetians had diverted a couple of rivers, because otherwise by now we’d only have had fields and parking lots to row across.

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