Enough craziness to give everybody a second helping

There’s a saying here — perhaps in all of Italy, perhaps in the whole world — that the mother of the ignorant is always pregnant. I’d expand that to include the mentally infirm, the ethically deficient, and a smattering of Venetian rowing racers, the race judges, the spectators, and anybody else who is evidently suffering from hormone overload in any situation more emotional than drinking coffee.

I pause to note that, once again, this post has no photographs due to multiple crises inside my computer, which is being taken to the hospital today for a major operation.  So there will be a lapse in communication while it — and I — recuperate.

Back to racers and judges and spectators.

The Regata Storica of a week ago (September 2, 2012) will be remembered more for the catastrophe which I am about to describe than for the fact that the Vignottini won and their lifelong rivals (D’Este and Tezzat) finished — not second — but THIRD.  You hear the sound of a page being turned in the annals of Venetian rowing, because even if D’Este and company were to win the next five races in a row, the chink in the armor is now too obvious to ignore.  He also looked extremely and uncharacteristically blown apart by the race.

But as I say, that isn’t what everybody is babbling about.  They’re babbling about the way the judge’s motorboat ran into the yellow gondolino, which was third, thereby knocking it out of the race.  Because Fate sometimes shows a dangerously unruly sense of humor, it couldn’t have happened somewhere up in the distant reaches of the Grand Canal where only three cats are around to notice the race, if they’re awake.  Of course not.  This hideous, and, I think, unprecedented, little crash occurred right in front of the reviewing stand at the finish line, where assorted race officials and scores of invited guests and lots of the salt of the earth in their own boats could see it PERFECTLY. Also the national television station whose cameras were broadcasting the event live.

Like most systems, the way the judges’ boats are choreographed is perfect, but only if the plan is executed.  In this case, one judge’s boat follows the peloton up to a certain point in the Grand Canal (the “volta de canal,” at the curve of Ca’ Foscari where the bleachers and judges and finish line are all together). At that point, in order that the judge’s motorboat doesn’t have to cross the canal and thereby potentially get in the way of the boats as they are racing upstream, the first judge’s motorboat stops, and a second one, waiting on the other side of the canal out of harm’s way, picks up the task of following the herd.

But this time the first boat didn’t pull over to the side and stop, to hand off the race to the next boat. It paused, and then, without looking (or thinking, or something), the judge aboard told the driver to do something which clearly involved gunning the motor.  I was in a boat right where this happened, so I am a certified eyewitness.

Whether the judge wanted to follow the race, or reposition the boat in some way, isn’t clear.  But doing anything at that moment, in that location, was not only wrong, it was crazy.  Because the yellow (“canarin”) gondolino, steaming ahead at full speed in an excellent third position, was right behind the propellers when they spun. In two nano-seconds, the left hind hip of the motorboat swerved left, hit the ferro of the prow of the gondolino, threw the very narrow and moving-very-fast boat off balance, and sent it hurtling off-course into the scrum of boats tied up to the pilings.

You might think that the only crazy person in this scenario would be the judge on the boat who told the driver to move instead of standing perfectly still.  And you’d be right.

Except that almost immediately, other crazy people began to wail and vociferate.  Wild ideas began to be thrown around in bars and in the newspaper (and even, I think, among the judges), almost all of which came down to suggesting that the crew on canarin be awarded the third-place pennant in a tie with the pair that actually did finish third.

The Vignottini even offered to pay the prize money to the unfortunate ex-third-place boat.

The issue still doesn’t seem to be settled, but here is how I see it:

First, I don’t understand why anyone thinks it makes sense to give a prize to someone who didn’t win it.  A consolation prize would be nice, of course (a house in the mountains, maybe, or a six-month cruise to Polynesia), but a prize for racing pretty much requires that you race.  If the crash had occurred three yards before the finish line, you might be able to make a case for their deserving some sort of pennant and/or money.  But there was still plenty of race ahead.  Who’s to say that they would have finished third? They might have come in first. Or even last.

Second, a racer with any degree of self-respect (possibly a very small category, true) wouldn’t want either a pennant or money that he hadn’t won himself. Why degrade them with stupid offers that are only moderately able to make the onlookers feel slightly better?  Not to mention make the guilty judge feel slightly less bad.

Third, I’m glad I mentioned the judge.  Because while the rowing world is in the throes of what seems to be a hormonal solar flare, no one so far has turned from the victims to the perpetrator.

Why, I ask myself, and am now asking the world at large, is everyone so fixated on making the victims feel better without pausing to suggest, much less demand, that the judge deserves a serious punishment?  Can you think of a sport in which a referee or a judge who directly and visibly damages an athlete in the midst of the game doesn’t receive even the tiniest murmured reproof?

It gets crazier.  Because last year, at the race at Burano, there was a crash between the first two boats at the buoy where the racecourse turns back, knocking both of them out of commission.  The judge overseeing that crucial part of the race was so rattled that he stopped the race right there.  The prizes were awarded according to the positions of the boats at the buoy, even though there was at least half again as much race still to go.

Yes: That was the same judge.

I began this post with a saying, so in closing I invoke a special Venetian aphorism: “Un’ xe bon, ma do xe coglion.”  (OON zeh bone, ma doh zeh cole-YONE.) The literal translation makes no sense, but here’s what it means: Screw up once, you can be excused; screw up twice, and you’re an asshole.

If anyone but me manages to reach this conclusion, I’ll let you know. But it’s not looking very likely.

 

 

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Disaster strikes

A tornado crossed part of the lagoon yesterday morning, and part of Sant’ Elena was in its way,  And all of our boat club.

The office is gone, the two buildings and sheds where our boats were kept are gone.  And the boats are pretty much gone, too.  I don’t mean “gone” as in lifted to heaven in the rapture, I mean it in the sense of smashed to various bits.  Because we were in a phase of demolishing the old clubhouse in anticipation of a new facility and all our 34 boats were outside.

The man who operates the winch to put the boats in and out of the water was in the metal container that served as his temporary shelter at the water’s edge.  The tornado rolled it over a couple of times with him in it, and two men managed to get him out.  He was rushed to the emergency room with a gash in his head and two broken ribs, but at least the container wasn’t tornado’d into the water with him in it.

Trees snapped and uprooted, but no further victims, as far as I know, unlike the previous tornado in 1970.

When the tornado struck, we were at the Rialto market where our attention was mostly dedicated to the price of cherries.  It rained, but we had not even the slightest hint that devastation was being wrought just over the way. We had a blast of rain, but there wasn’t anything about it that made you think of anything worse than your wet feet.

We got the news from a friend who was at San Marco, and who had seen it.  Then the phone calls began to spread the word.  At that point I was on Murano  with a friend, so I wasn’t able to go help with the first load of work, But Lino was there all afternoon, along with almost every club member who was available.

I’m still trying to get a grip on all this.  Because this morning has dawned cool, clear, and dazzling with cloudless sunshine.  Translation: The perfect day to go out in a boat.

The website of the Remiera Casteo has photographs and film of what the tornado left behind.

YouTube has a number of clips of this event but here is one of the best. If the video isn’t shown, here is the link: http://youtu.be/KFCaI_L_K4s

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How not to get gondoliered

It pains me to write this, but I hope that doing so will serve some useful purpose.

Gondoliers are arguably the symbol of Venice, and as such could be expected to evince a sense of the importance of same.  That’s just my opinion.

What is not opinion, but fact, is that they are independent, masters of their own boats, lords of their lives, and — yes — of their money.  I mean, of your money.

I know a good number of gondoliers and can attest that many are fine, professional people and first-rate ambassadors for their amazing city.  Among other things, they’re often the first to fish tourists out of the canals when the said tourists have misjudged the slipperiness of the algae on that stone step, or to have miscalculated other maneuvers.

You can see the required card impaled by the small flag on the prow. Seeing does not mean reading.

Then there are the others. There are some that easily inspire apprehension, who resemble inmates out on a work-release program, with boats to match.  But don’t be distracted by the externals, because how a gondolier behaves depends on many and easily shifting factors apart from his housekeeping and personal care, and you don’t want to find yourself in the middle when the shifting is going on.

I wouldn’t bring it up at all, but there has been a recent situation here, amply reported in the Gazzettino, in which a gondolier charged a Russian couple 400 euros ($496) for a spin in his gondola that took less than an hour.  You could probably justify that price if you included a bottle of the Shipwrecked 1907 Heidsieck champagne poured into Baccarat flutes while the gondolier rowed you to Trieste singing the “Improvviso” from Andrea Chenier.

Then again, he could skip all that and just ask for the dough.  Which he did.

As you see by the rates standardized by the Ente Gondola, the gondoliers’ sort-of governing body, he should have asked 80 euros, or 100 euros, depending on the time of day.

But no.

People tend to be intimidated by gondoliers.  People need to get past that.  The Ente Gondola has tried to help, by insisting that the gondoliers exhibit the price scale.  Most gondoliers have done so, by attaching a piece of plastificated paper 5 1/2 inches square to the prow of their boat — a place a potential passenger isn’t likely to approach, even if armed with the necessary magnifying glass to read the type.

This card measures 5 1/2 inches square.

And it’s printed on both sides, so you’d have to turn it over to get the complete information.

Let’s move on to the happy ending: The Russian couple registered a complaint and got their money back, with a promise from the Ente Gondola of a free ride next time.  To which I’m pretty sure they replied “There’s not going to be a next time.”  It doesn’t sound better in Russian.

So here’s the simplest solution.  Let’s say that you and a gondolier have begun to converse.   Whether you approached him or vice versa, you’re talking about money.

He mentions a figure that doesn’t sound like what is printed on the Ente Gondola’s site.  So you say, “Would you please show me the rates printed on the card on your gondola?”

If he doesn’t have the card on his gondola, you move on.  If he has it but can’t explain why the rate he quoted you doesn’t match what’s printed, you move on. No need for complicated discussions or heated words.  It’s a big world, and there will always be another gondolier.

 

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Rowing Mary home

Once again, May has come to an end (you needed me to tell you that) and we closed the 31st in the usual way, by joining the annual procession which accompanies the statue of the Madonna and Jesus from the church of San Pietro di Castello to her home base in the church of San Francesco di Paola. Even though, technically speaking, the feast of Maria Ausiliatrice is May 24, here it’s on May 31.

One small improvement in the modest lineup of boats that usually forms her escort was that Lino suggested we row a caorlina, which is noticeably bigger than the modest little mascareta we usually use.  In this way, we could set up folding chairs in the boat and carry people who might have wanted to participate by floating rather than by walking.

Weather good.  Crowd large and earnest.  Not as many people watching from the windows as there have been in some years, but perhaps there were more on the ground.

The loudspeaker wasn’t too capricious (a plus), but for some reason the priest chose a couple of everyday hymns as part of the event, completely ignoring the hymn associated specifically with this festival (a very large minus).  This is one tradition which has absolutely no need of being re-fangled.

I’m going to have to complain to the management.  Just as soon as she’s back on her pedestal.

On the evening of May 24, the statue was borne from the church of San Francesco di Paola to the church of San Pietro di Castello. The entire parish followed along, everyone reciting the prayers. A stroll after dinner is always a good thing, especially one like this.
Around 9:00 PM on May 31, the statue was brought out of the church, followed by her retinue of assorted parishioners and acolytes.
The corteo begins, backed by a stretch of Arsenal wall.
One of the few boats forming the procession carried several generations of the family. Always good to have a youngster at the bow, on the lookout for -- I don't know -- police boats. Seppie. Anything.
They look more pensive than absolutely necessary. I wonder if they were sorry they came aboard.
The cortege makes its first turn.
Moving the Madonna under the bridges was slightly challenging.

Turning past the Arsenal.

 

By the time we reach the end, it's almost night. This is just one of the evening's many beautiful elements.

 

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