Dig we must

After a certain amount of time, one gets the feeling (“one” means me) that nothing ever gets done around here.  But lately, one would be wrong.

Invigorating confusion has been literally surrounding our little hovel, spreading into some side streets, for the past two weeks or so.  And it’s impossible for a civilian to guess how long it will continue.
The Biennale is all over the city, but here on our street we've got a real "work in progress" underway. (Our front door is on the right.) I'm beginning to wonder if this is really performance art sponsored by the People's Republic of Erewhon.

The gas and water lines need to be fixed, replaced, spayed, embalmed — something important, anyway.  I glimpsed the hole in one wet degraded portion of  a water pipe just unearthed — no telling how many gallons of the precious liquid had been lost forever (or on whose monthly bill the loss was charged).

This means, as everywhere in the world, they tear up everything and then have to put it all back when they’re done. Each phase is loud and dirty.  Here, the work is all at the artisan level — no big fancy machines that make lots of noise. But that’s fine, because the men laboring on this task make enough noise all by themselves.

This is what today's work looks like right outside the window on the left, behind which I am attempting to think.

I don’t mean the assorted incessant clinkings and clunkings of heavy iron objects copied from tools excavated in Etruscan mining settlements.  Chisels on stone, hammers on nails. This goes on all day but you can get used to it.  At least it’s not drills.  I’ve been through that too.

No, it’s the euphonious tones of the workmen themselves.  They are louder and more insistent than the noise of their implements. You can hear them as they arrive for work, getting closer and closer, walking down the street and over the bridge already shouting at each other.  And you can really hear them right outside your window as you try to think of other things, like what to have for lunch or why, if God is good, there is evil in the world.

They may be deaf.  Even if they are, that doesn’t stop them.  The comments are truncated, and inane, but almost always loud, and enlivened by unimaginative swearing and boring blasphemy.  I can understand enough of it by now to be annoyed.  I hate the blasphemy but I hate the inanity even more. I want to ask them why this is desirable, or (God forbid)  necessary, but then I remember they’re making 40,000 times more money while talking than I am while listening.

Besides, I already know the answer.  Instead of the missing motors, it’s their mouths that provide the energy necessary for their work.  No shouting and blaspheming?  The worksite suddenly freezes, men standing with half-raised utensils, staring at nothing.

And this portion of work is just outside our two bedroom windows. The whole street is helpfully covered up with wooden planks when the men go home at night, which means that I can lie in bed till after midnight listening to people going by. They sound like horses going over a covered bridge.

If we were to put duct tape over their mouths, the world would stop.  Or the repairs to the gas and water lines would stop, thereby prolonging the already prolonged project.

So if we have to endure bellowing and blathering in order to enable replacing that leaky pipe and re-cement those snaggled paving stones, I guess that’s the tradeoff. It would be nice if they’d work faster, but then again, it could be centuries since those pipes got a checkup.

I mean the submerged ones, not the ones in their throats.

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Finding Venice everywhere

I recently remarked on the extraordinary eagerness of people at every compass point to name some local enterprise for Venice (I exclude the Venetian Casino Resort Hotel in Las Vegas and/or Macao as being too screamingly obvious to be interesting).  And I offered the Trattoria Citta’ di Venezia in Conegliano as an example.

A reader e-mailed me a brief note in response: “Just to prove your theory,” she said, and as evidence presented the photo below, taken in Krakow, Poland.

If any other hardy readers want to join the scavenger hunt, I’d be very glad to get a photo of whatever Venicely-named establishment or undertaking you come across.  For possible, even probable, publication here.

Note: No fair doing any searches and uprooting photos from websites.  The only rule is that it has to be a place you’ve seen with your own eyes. If you can’t take a photo of it, for some reason, I’ll accept a postcard.

This business earns one extra point for throwing in an extra non-Krakovian placename.
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There goes summer

We knew it couldn’t last, all that sun and warmth and autumnal glow.

And it didn’t.

Friday morning we woke up early to the insistent clattering of the Venetian blinds against the window.  The message they were tapping out was “Let us in, it’s cold out here.”

As you see, the wind hasn't stopped everybody from working. You should know, however, that when Lino was a lad -- before motors made everybody feel invincible -- everybody would still have gone to work on a day like this, rowing. Not made up. There were farmers on the mainland who rowed to Venice every morning -- extremely early in the morning, too. No snow days, no parental slips, as in "Please excuse my son from rowing to Venice this morning with the milk, there's too much wind." People didn't think that way.

Did I say wind?  We got to the vaporetto in record time, rushed along by a powerful southwest wind known officially as the libeccio but here is called garbin (gar-BEEN).  What was happening was a highly invigorating “garbinata.”

The lagoon was having a seizure.  Between the waves caused by the wind and those created by boats with motors, the water didn’t know which way it was supposed to go, so it pretty much went everywhere.

This is a man who has tremendous confidence in his boat, and himself. An obstreperous wave or gust could easily change all that.

But we knew it wasn’t going to go on for long, because when the tide turned the wind was going to turn too,  leaving the stage for the next performer, its opposite number, a northeast wind officially known as the grecale but here is called borin (bore-EEN).

This has been ordained by the Great Ordainer and is so dependable a phenomenon that there’s a phrase that goes with it: “Garbin ciama borin” (gar-BEEN chama bor-EEN): the southwest wind “calls” the northeast wind.

It also rained for several hours in a sort of “Get it all out, you’ll feel better” kind of way.

I certainly felt better. I loved hearing the rain, it was visit from a long-lost friend.  And I’d say that even if I had had to be out in it.  You know me.

It didn't matter which way you were heading -- everybody was in the same fix.
And spare a thought for the working stiffs ashore. This poor bastard had been sent out by himself to tie down the big banner announcing something important. The top edge is supposed to be lashed to the supports at his feet. I didn't watch for long because it seemed rude, and I might have offered to help except that I seriously doubted I'd be able to. It would have been like offering to help somebody furl the mainsail in a gale.

 

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The ramps return to Capistrano — I mean Venice

Seasonal migrations (is that redundant? Sorry) are an excellent way to keep track of the year’s divisions, especially here, where you need a keen eye to discern that there is anything more than one season anymore, which is Tourists.

But at this moment, if you’re paying attention (and if you know, and if you care) you can detect a few important signs of autumn.  I don’t mean the drying, yellowing, falling leaves — anybody can notice them, and besides, the drought began drying them before their normal time to drop.  So leaves are out.

Torbolino — the first draw-off of the new wine.  That’s an excellent indicator, though again, this year it’s somewhat early due to the unusually early harvest (see: “drought,” above).

Ducks are also useful heralds of the season — I saw my first one paddling around two weeks ago, This always makes me happy, except that I had seen my first duck hunter even earlier: The ducks began hitting the water on September 3. So much for enjoying their winter haven.

Seppioline — sepoine (seh-poh-EE-neh) in Venetian — are baby seppie, or cuttlefish.  If “baby” anything on your plate upsets you, skip this paragraph.  We are now in the period of the fraima, which is the annual passage of the fish which have spent all summer fooling around in the lagoon moving out into the Adriatic (or beyond) for the winter.  The cuttlefish spawned months ago, and their small offspring are now in the process of making their first trip out into the world where they will become big, grown-up cuttlefish.  Unless they get snagged before they reach the exit, in which case they will be sold at an outrageous price (there I go, being redundant again), grilled and eaten.  Short migration.

The ramps are used by thundering racers for a few hours, and by countless humbler folk dragging suitcases, shopping carts, or strollers laden with small heavy tired cranky children for six months. I would bet that the shleppers appreciate the ramps just as much as any Ethiopian champion. Probably more.

But the ramps are back.  I saw my first one two days ago and it was like hearing a small, clear trumpet announcing autumn, winter, and early spring.  The ramps are set up for the Venice Marathon (this year scheduled for October 23), and they stay up till the end of March. That’s practically half the year.  Then they migrate back to hibernate in whatever warehouse keeps them till next October.

They’re only installed on the race route — logically — which conveniently passes the Piazza San Marco and other heavily traveled tourist routes.  I bet the people up in Cannaregio and along the northern edge of the city really envy us.  I know they don’t envy us the tourists, but we get the ramps.

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