There are 20,000 entries under “Venice” on amazon.com. (I’d have thought there were more, actually.) But that’s only the English-language site. Amazon Japan lists “over 6,000.” In any case, whatever your language, Venice is going to be there somehow. Histories, novels, travel guides, poetry, cookbooks, memoirs and, for all I know, limericks and postcards and old flight boarding cards.
Add to that mighty flood the tributary streams of academic studies and research and theses, the reports from national and international committees, the torrents of daily news and opinion pieces and blogs. Anyone during the past millennium with a brain and a pencil seems to have written something about Venice and there is no end in sight. It would appear that you cannot be a warm-blooded, live-young-bearing creature that is alive who has not written something about Venice.
But within this Humboldt Current of ideas and facts and fantasies there are plenty of other thoughts and feelings that flow through daily life here. Letters to the editor are fine, but it’s much simpler (and cheaper) for the vox populi to make itself heard through signs. These come in all sorts of ways, but they’re everywhere.
There are the personal messages from the heart. The heart above is in wonderful shape, but there are many that aren’t.
Neighborhoods bubble with exasperated reminders of some basic rules of civility, in varying degrees of sharpness. One eternal theme is dog poop.
On to the hazards of maintaining a small earthly garden in the street.
On a happier note, there is a little old man named Valerio who continued to work in his carpentry shop for decades, or perhaps eons, considering how extremely old he looks. But he kept at it until one day…
Not many days later, a sign appeared on the workshop door:
Tourists do not pass unobserved.
So much for signs for tourists. For locals, almost no details are necessary for communication:
On a similar neighborhoodly note:
Moving into the realm of city government, or lack thereof, the Venetians in our neighborhood (and others, I can assure you) have plenty to say. The comments tend to run along the following lines (and I’m not referring to clotheslines):
Continuing with the runic messages delivered by T-shirt: “Venice is an embroidered bedspread.” This one is complicated and I have no hope of clarifying its evidently metaphorical significance. I do know that there is a song that begins “Il cielo e’ una coperta ricamata” — the sky is an embroidered cover, which is lovely. Is the intention to say that Venice is as beautiful as an embroidered cover? I think there is some irony here, but it eludes me. Maybe I’ll run into this person again (I saw him at the fruit-vendor one afternoon) and I can just ask him. Meanwhile, on we go.
“Venice is a casin thanks politicians.” A casin (kah-ZEEN) is a brothel, where gambling also went on, and sooner or later tumult ensued. And not tumult of any polite, Marquess of Queensberry sort. It’s now the usual word for any situation that entails chaos, perhaps danger, racket and rudeness. It appears to many that Venice is speeding downhill with no brakes (again, motondoso comes to mind) and nobody at the wheel. Some people also refer to the city as “no-man’s land.” Literally everybody is doing whatever they want, and the result is pure casin.
Lastly, “Venezia is dead Thanks politicians and Gigio.”
While we’re talking about citizens’ discontent….
And this handwritten cri de coeur summarizing the profound crisis in the public health system. The people of lower Castello are persevering in their apparently hopeless struggle to obtain a reasonable supply of doctors:
There are also signs without words that hint at approaching events or persons.
An approaching event I never thought I’d see. The city’s greatest housewares/hardware store having its final sale before closing. They tried to keep going after Covid. They stayed open all day (as opposed to closing in the early afternoon, like every reasonable store used to do). Then they stayed open all week. Unheard-of. It wasn’t enough. I can’t tell you how bad this is. I haven’t gone by recently to see what’s taking its physical place; not much can replace something so great. It used to be that useful stores (butcher shop, fruit and vegetables, etc.) would suddenly begin to sell masks or Murano glass. Now they will be either a restaurant or bar/cafe’. That’s my bet for the once-great Ratti.
The arrival of certain foods are reliable harbingers of seasons or events, though seeing clementines for sale in October is not normal. But this is absolutely the moment for torboin (tor-bo-EEN).
In a class by itself is this astoundingly inappropriate offer of a room with perhaps an undesirable view.
Above the chorus of voices on the walls there come a few magical notes from mysterious poetic souls.
So by all means stroll through Venice looking at palaces and canals. Just don’t forget the walls.
Seasonal migrations (is that redundant? Sorry) are an excellent way to keep track of the year’s divisions, especially here, where you need a keen eye to discern that there is anything more than one season anymore, which is Tourists.
But at this moment, if you’re paying attention (and if you know, and if you care) you can detect a few important signs of autumn. I don’t mean the drying, yellowing, falling leaves — anybody can notice them, and besides, the drought began drying them before their normal time to drop. So leaves are out.
Torbolino — the first draw-off of the new wine. That’s an excellent indicator, though again, this year it’s somewhat early due to the unusually early harvest (see: “drought,” above).
Ducks are also useful heralds of the season — I saw my first one paddling around two weeks ago, This always makes me happy, except that I had seen my first duck hunter even earlier: The ducks began hitting the water on September 3. So much for enjoying their winter haven.
Seppioline — sepoine (seh-poh-EE-neh) in Venetian — are baby seppie, or cuttlefish. If “baby” anything on your plate upsets you, skip this paragraph. We are now in the period of the fraima, which is the annual passage of the fish which have spent all summer fooling around in the lagoon moving out into the Adriatic (or beyond) for the winter. The cuttlefish spawned months ago, and their small offspring are now in the process of making their first trip out into the world where they will become big, grown-up cuttlefish. Unless they get snagged before they reach the exit, in which case they will be sold at an outrageous price (there I go, being redundant again), grilled and eaten. Short migration.
But the ramps are back. I saw my first one two days ago and it was like hearing a small, clear trumpet announcing autumn, winter, and early spring. The ramps are set up for the Venice Marathon (this year scheduled for October 23), and they stay up till the end of March. That’s practically half the year. Then they migrate back to hibernate in whatever warehouse keeps them till next October.
They’re only installed on the race route — logically — which conveniently passes the Piazza San Marco and other heavily traveled tourist routes. I bet the people up in Cannaregio and along the northern edge of the city really envy us. I know they don’t envy us the tourists, but we get the ramps.