The Redentore returns

This past weekend we reached the summer’s festive culmination, the Feast of the Redeemer. But this year the routine was slightly different: No boat, no fireworks.   Sounds like heresy, I know.   It is heresy.   I might as well just call it a club cookout and forget all the historical/traditional frippery.

Things have changed because now we’re in a different rowing club, and in a different place altogether in our minds and spirits.   And while we could certainly take a boat and load it up with the usual bovoleti, watermelon, sarde in saor, pasta e fagioli, and all the other traditional noshes to get you from sundown to the fireworks, we just don’t feel like it.

One main reason we — and several other old Venetians I asked at random — don’t feel like going in a boat anymore is because of all the other boats.   It’s one thing to be crushed amid swarming hordes of people ashore, it’s quite another to find yourself in the dark with thousands of large motorboats operated by people who are drunk and who don’t know how to drive.  Obviously, this was not a problem when Lino and his cohort were growing up.  It’s pretty hard to hurt anybody with a wooden rowing boat, at least not to the degree a big boat powered by 90 or 140 or more horses.

In fact — not to cast a pall over what I intend to be a jaunty little post — two young women who were aboard a motorboat zooming back to Chioggia after the fireworks have not yet made it home.  Because the boat ran into a piling at high speed — just about every motorboat leaving Venice was going from fast to pretty fast to crazy fast — and one woman hit her head against the other woman’s head.  The first woman lingered about a day, and is now in heaven.  The other woman, who had snagged a ride home with them just on an impulse, is in the hospital recovering from various fractures.  As for the driver/owner/ friends who were aboard, I don’t know what state they’re in, but two of the boys/men/whatever have fled.  I tell you this only to indicate that I am not inventing notions about how dangerous it is out there.  What surprises me is that disaster struck so few.  Not much comfort to the families of all involved.

My first look at the morning's harvest made me wonder if there were any mussels actually to be found in the middle of this wreckage.
My first look at the morning's harvest made me wonder if there were any mussels actually to be found in the middle of this wreckage.

So Friday morning (Saturday night being the high point), Lino and I went to the club to help clean the mussels.  A vast feast — probably more Rabelaisian than Lucullan — was planned, and our contribution was to do some of the prep work.  Little did I know what ten tons of extremely wild mussels will do to your hands.

The set-up is simple.  Take mussel or clump from the big tub; remove the material covering it; throw mussel into medium-size bucket, and the nameless material into the small bucket.
The set-up is simple. Take a mussel or clump of same from the big tub; remove the material covering it; throw the mussel into medium-size bucket, and the nameless material into the small bucket.

Forget how they look, in their just-scraped-off-the-pilings dishabille.  They’re ghastly, I agree.  Even I gave some serious thought to striking mussels off my must-eat list for, like, forever.  But the ones we took home, all clean and shiny, were absolutely delectable.  So you know, don’t judge a mussel by its encrustations.

But as you see, real mussels emerge from the rugby scrum in the big tum.  These look almost edible.  Rinsed and stirred around with a big wooden stick, they come out looking just like something you can't wait to eat.
But as you see, real mussels emerge from the rugby scrum in the big tub. These look almost edible. Rinsed and stirred around with a big wooden stick, they come out looking just like something you can't wait to eat.

After spending hours pulling and scraping off plant and all sorts of other matter, not to mention rending them from each other one by one, my hands felt as if I’d been pulling nettles. Three days later, a few fingers were still a little red and swollen.  Now I understand why one of the men put on rubber gloves. I live, I learn.

A certain number of men got to cooking.   There were great things to eat but there was also fifty times more than anyone could ever consume.  Fried shrimp and deep-fried fresh zucchini and sarde in saor, the aforementioned mussels, grilled pork ribs and sausage and lamb chops and fresh tomatoes out of the garden in the back, and — I  begin to lose the thread here — there was also something I’d never even heard of, much less tasted: deep-fried sage leaves. You can have your fried zucchini blossoms, I’m going to take the sage any chance I get.

The blackboard at the club says, and I translate: (L) "Menu: What there is." (R) On the occasion of the Redentore, Saturday we close at 12:00."
The blackboard at the club says, and I translate: (L) "Menu: What there is." (R) On the occasion of the Redentore, Saturday we close at 12:00."
The table is set, the vases of basil are in place, ready (they say) to repel mosquitoes, and the view over the canal of San Marco toward the Lido cannot be surpassed.
The table is set, the vases of basil are in place, ready (they say) to repel mosquitoes, and the view over the canal of San Marco toward the Lido cannot be surpassed.

After that the sheer quantity began to press down on my brain — I know I ate many more things, but I can’t remember what.  At a certain point one of the wives pulled out a homemade frozen dessert called zuccotto.  The recipe I looked up here makes it sound elegant, but what we ate were pieces that seemed to have been hacked off the Ur-zuccotto with a dull cleaver.  And of course there was watermelon, which is utterly non-negotiable.  You can skip a whole batch of things, but yes, there will be watermelon.

Crossing the votive bridge from the Zattere to the Giudecca, to the very feet of the church of the Most Holy Redeemer, always touches me.
Crossing the votive bridge from the Zattere to the Giudecca, to the very feet of the church of the Most Holy Redeemer, always touches me.

We watched the fireworks from afar, enjoying the highest ones and intuiting the lower ones by the shimmering glow through the treetops.  It was more comfortable than sitting in a boat right under them, but much less exciting.  I don’t see the point in fireworks if the’re not going to be exciting.  You might as well watch them on TV, or through the wrong end of a telescope, and wear earmuffs.

After the fireworks – or as they put it, “pyrotechnic display” — the countless motorboats began to stream homeward.  The paper estimated that some 110,000 people came to party, but didn’t hazard a guess as to how many boats.  There were so many they were tying up to public lighting stanchions, not at all a good idea.

We all sat there, sticky with watermelon juice, watching the migration.  It was like the wildebeest at high speed, with big roaring mechanical voices, each with a little red light gleaming from its left flank.

Next day: The races.  Now they were exciting.  Lots of wind, lots of tension, lots of — unfortunately — waves.  Something is going to have to be done, the racers can hardly row anymore.  But that’s a subject for another day.

For those who are interested in a few more statistics, the spectacle (fireworks, etc.) cost about 100,000 euros.  Doesn’t sound like much, I know — actually, I had the impression that the show was shorter than some other years.

The poppieri, or stern rowers, gather with the judge to draw lots for their positions on the starting line. They may look relaxed, but there are men whose hands are visibly shaking when they reach into the bag for their number.
The poppieri, or stern rowers, gather with the judge to draw lots for their positions on the starting line. They may look relaxed, but there are men whose hands are visibly shaking when they reach into the bag for their number.
Three of the nine gondolas begin to warm up, and head for the starting line.
Three of the nine gondolas begin to warm up, and head for the starting line.
The men and the boat can take it, but the wind and waves were something to contend with.
The men and the boat can take it, but the wind and waves were something to contend with.
It was hard going for the pupparinos too.
It was hard going for the pupparinos too.
The "cavata," or blast out of the starting gate (so to speak) can make a huge difference.  Here, the "Vignottini" on the white gondola have shot to the front.  In the last minute of the race, pink pulled past them.
The "cavata," or blast out of the starting gate (so to speak) can make a huge difference. Here, the "Vignottini" on the white gondola have shot to the front. In the last minute of the race, pink pulled past them.
The phenomenal Franco Dei Rossi, known as "Strigheta," finished fourth in the 34th year he's rowed this race.  You cannot tell me that that is the arm of a 56-year-old man.  And yet, it is.
The phenomenal Franco Dei Rossi, known as "Strigheta," finished fourth (he takes home a blue pennant) in the 34th year he's rowed this race. You cannot tell me that that is the arm of a 56-year-old man. And yet, it is.
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Racing through Murano

Murano is just ten minutes from Venice, but it's a whole other world.  And not just because of all the glass, either.
Murano is just ten minutes from Venice, but it's a whole other world. And not just because of all the glass, either.

If you’ve ever  been to  Murano, one of the world’s great glass-making centers, you will know that it’s impossible to race through it.   You will be exhausted, but not because you’ve been going so fast; au contraire, you will have been plodding along at the pace of those debilitated galley slaves in Ben-Hur, going in and out of  so many shops  you’ll think they’ve been breeding in dark corners when you’re not looking.    The five islands that make up Murano, of which you will probably only visit two, cover  barely one square mile, and the Yellow Pages list 61 shops.   I think there must be more.

Anyway, you will not have been racing.   Unless it’s the first Sunday in July, in which you can come to Murano to watch other people race, and believe me, they’re going to be more tired in less time than you and your whole family after an entire day.

A glimpse of the leaders last year, heading from out in the lagoon into the Grand Canal of Murano and the home stretch.
A glimpse of the leaders last year, heading from out in the lagoon into the Grand Canal of Murano and the home stretch.

The regata of Murano is really three regatas, each involving solo rowers, which calls not only for stamina but  for skill.   The races are for  young men on pupparinos, women on pupparinos, and grown men on gondolas.   It’s always hot, and there is always wind, and sometimes, like a few years ago, there can be sudden thunderstorms with pouring rain.   But the race must go on.

Only about ten more minutes to go, and unless something extraordinary happens, at this point the positions aren't likely to change much.  But they don't slack off, all the same.
Only about ten more minutes to go, and unless something extraordinary happens, at this point the positions aren't likely to change much. But they don't slack off, all the same.

The city of Venice organizes nine regatas a year, plus the Regata Storica.   Each race is designed for a particular type of boat and number of rowers, and each is held in a different part of the lagoon, which means that the conditions and course  present their own particular quirks.   These changing venues also means that some are easier to watch from the shore than others, and the one at Murano is especially exciting not only because you can see both the start and the finish, but because there are good vantage-points along the fondamentas, and even a big cast-iron bridge from which to get a spectacular view of the finish.

The women on pupparinos are about 60 seconds from the finish line and it looks like the pink boat may still have a chance to overtake the white (2009).
The women on pupparinos are about 60 seconds from the finish line and it looks like the pink boat may still have a chance to overtake the white (2009).

Regatas (a Venetian word, by the way), have been an important feature of Venetian festivities since the Venetians crawled out of the primordial ooze;  sometimes they were part of a religious celebration, or part of the myriad spectacles staged for the amusement of visiting potentates, but they were one-time events.

Luisella Schiavon -- from Murano, as it happens -- has a clear shot at first place at this point.  She won last year, and this year, too.  Being tall, as well as talented, makes a difference.
Luisella Schiavon -- from Murano, as it happens -- has a clear shot at first place at this point. She won last year, and this year, too. Being tall, as well as talented, makes a difference.

But  in 1869, the regata at Murano was established as a  regular annual event and not for any prince or pope but to entertain — yes — tourists.   And whether or not tourists can look up for a few minutes from the heaps of glass necklaces and picture frames and flower vases, this race is arguably the most important occasion for a Venetian racer to show what he, or she, has really got.   I can tell you that the man who wins the gondola race is universally regarded as having won something akin to Wimbledon, or maybe the  Ironman Triathlon, or the Tour de France.   Maybe all of them.

Here’s what it takes to win: Strength, stamina, skill, luck, and extreme and ruthless cunning.   It also helps if you’re tall.   It’s a physics thing; short rowers have a hard time keeping up with taller ones, though sometimes a short person has pulled it off, especially if he or she (I’m thinking of a she) is lavishly gifted with the aforementioned luck and cunning.   Or just cunning.

My two most vivid memories of this race are from one of the earliest ones I ever attended, and the one from last Sunday.   Both, oddly, involve a certain racer named Roberto Busetto.

Roberto Busetto last Sunday, crossing the finish line in third place just ahead of the yellow gondola.  Victory is sweet, at least until you black out.
Roberto Busetto last Sunday, crossing the finish line in third place just ahead of the yellow gondola. Victory is sweet, at least until you black out.

Mr. Busetto is strong — he looks like Mr. Clean, and he has biceps that make you think of whole prosciuttos.   He is also  experienced, and very determined (I’m not sure that he’s made it up to “ruthless”), but if anything ever upsets him during the race — even if it may not have prevented him from finishing really well — he can be counted on to show up for his prize yelling about it.   In fact, there will always be something that’s wrong, and he goes all Raging Bull at the judges, at some fellow racer, at some onlooker, at anyone or anything that might have created even the tinest problem for him.   Or who looks like they don’t care.   It’s never easy to understand, in the midst of his tirade, what actually went wrong.   But you know he’s mad.

Okay, Mr. Clean, let's just check those vital signs again.
Okay, Mr. Clean, let's just check those vital signs again.

The first time I saw Busetto at full throttle, he had barely crossed the finish line when he started ranting.   It had something to do with what he claimed was some sneaky, illegal  thing that another racer, Franco Dei Rossi, had inflicted on him, thereby preventing him from finishing better.

The confusion of boats immediately following the race doesn't usually include the ambulance.  Last year it was just the usual suspects.
The confusion of boats immediately following the race doesn't usually include the ambulance. Last year it was just the usual suspects.

But it wasn’t his tantrum that stunned me, though I didn’t know at that point that tantrums are  his normal means of expression, the way some people can’t help starting every sentence with “Well” or “You know.”   It was the fact that under this deluge of outrage, Dei Rossi was sobbing as he mounted the judges’ stand to be awarded his prize.   A grown man, one of the greatest (in my view) racers of his generation, son of one of the greatest racers in history, was standing there weeping uncontrollably.   It was so astonishing and distressing that I know I didn’t imagine it, and I’m not exaggerating, either.   I’m glad I didn’t have a camera with me, I wouldn’t be able to bear looking at the pictures.   It really left a mark on me.

So we come to last Sunday.   It’s Busetto again.   He  has been racing for at least 20 years, maybe more, but he had only a very brief peak, and that was quite some while ago.   In fact, I’d have to stop and do some research to determine when was the last time he won a pennant.   I think the Beatles may still have been together.   (Just kidding;   it was in 2000.)

But this year, he finished third.   Which means he won the green pennant, which means that after a ten-year drought he had managed to pull himself back into the ranks of the demi-gods.  Pennants are awarded to the first four finishers, and they really matter to the racers, almost as much as the cash prize.

This is what normal collapsing looks like -- here, Sebastiano Della Toffola has just finished his first race with the big guys.  Franco Dei Rossi, a certified, gold-plated Big Guy, looks on with something that looks like comprehension.
This is what normal collapsing looks like -- here, Sebastiano Della Toffola has just finished his first race with the big guys. Franco Dei Rossi, a certified, gold-plated Big Guy, looks on with something that looks like comprehension.

Finishing third is pretty great, but about two seconds after crossing the finish line, he collapsed.   First he sort of let himself fall down backwards on the stern of the boat, which isn’t so strange except that  it’s usually the younger men who want to show how completely wrung out they are.   It’s like  when they throw their oar in the water (rage, joy, some other intense emotion — looks very dramatic, till you realize how dumb it is).

An excellent example of what incredible-victory collapsing looks like.  Last year, like this year, first place went to Igor Vignotto.  On the orange gondola both years.  You may laugh, but this is how superstitions are born.
An excellent example of what incredible-victory collapsing looks like. Last year, like this year, first place went to Igor Vignotto. On the orange gondola both times. You may laugh, but this is how superstitions are born.

But then my friend Anzhelika said, “He’s too white.”   Then I noticed that his boat had drifted slaunchwise across the canal, blocking the arrival of the last gondolas.   Then there was some commotion, then the sound of the water ambulance arriving at full speed.

Much pouring of cool water on his head, much checking of his blood pressure.   He tore himself away long enough to come pick up his pennant, annoyed (of course), though not yelling, because everybody was fussing over him.   He likes attention, but nobody with arms like prosciuttos wants it to be because he fell apart.

But some things in life are bigger than prosciuttos, and rowing under the searing sun for 40 minutes at full blast if you’re not in astronaut-type physical condition is asking for it.   “It” being an ambulance and a blood-pressure cuff, and lots of people suddenly looking at you like you’re some kind of invalid.

You know it’s serious when Roberto Busetto isn’t yelling.

Franco Dei Rossi in a more typical post-race moment: Smiling because he's won another pennant.  In this case, a blue one for fourth place.  Not at all bad in a field of nine, for a man who's drifting up on 50 years old.
Franco Dei Rossi (2009) in a more typical post-race moment: Smiling because he's won another pennant. In this case, a blue one for fourth place. Not at all bad in a field of nine, for a man who's drifting up on 60 years old.
This year's first and second-place finishers.  Igor Vignotto on the left (red pennant) and Rudi Vignotto (white pennant).  They were adversaries, but only sort of; not only are they cousins, but they have rowed together for years.
This year's first and second-place finishers. Igor Vignotto on the left (red pennant) and Rudi Vignotto (white pennant). They were adversaries, but only sort of; not only are they cousins, but they have rowed together their entire lives.
The fourth-place pennant, clutched by a sweat-soaked Ivo Redolfi Tezzat.  This is an especially nice design, with the rooster, the emblem of Murano, in the upper corner.  If you've won this, though, you really don't care whether it's a rooster or an Andean condor.
The fourth-place pennant, clutched by a sweat-soaked Ivo Redolfi Tezzat. This is an especially nice design, with the rooster, the emblem of Murano, in the upper corner. If you've won this, though, you really don't care if it's a rooster or a wall-eyed vireo.
Then we all followed the scent of the scorching sausage and ribs to the local festa.  This little girl out with her grandmother has the most astonishing pre-Raphaelite face.  I just can't stand the thought of her walking around with a cell phone and tattoos.  Must be getting old.
Then we all followed the scent of the scorching sausage and ribs to the local festa. This little girl out with her grandmother has the most astonishing pre-Raphaelite face. I just can't stand the thought of her growing up and walking around with a cell phone and tattoos and mutilated hair. Must be getting old.
Interested in the races?  The ribs?  The music?  The thunderstorm about to break the sky into a billion sharp wet pieces?  Not really.  That's what these parties are really all about.  The food and music are just ruses.
Interested in the races? The ribs? The music? The thunderstorm about to shatter the sky into a billion sharp wet pieces? Not really. Here is an excellent demonstration of what these parties are for. The food and music are just ruses.
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Venice marries the sea: the bride was lovely

Last Sunday (May 16) Venice pulled what was once one of its greatest festivals out of storage for its annual exhibition: Ascension Day, or “la Sensa.”

The boat procession, having passed the Naval College, moves along the Lido shoreline toward the church of San Nicolo' and the ceremony of the blessing of the ring.
The boat procession, having passed the Naval College, moves along the Lido shoreline toward the church of San Nicolo’ and the ceremony of the blessing of the ring.

Up until  the year 1000 A.D., if you’ll cast your minds back, the fortieth day after Easter had been primarily known as the commemoration of Christ’s ascension to heaven.   It still is, but  at the turn of the millennium the day took on large quantities of extra importance for Venice.

The day also became just as famous for the “Sposalizio del mare,” or wedding of the sea, a ceremony performed by  the doge and Senate  in the company of many boats of all sorts which all proceeded toward the inlet to the sea at San Nicolo’ on the Lido.    At the culminating moment,   the doge tossed a golden ring into the lagoon waters and intoned, “Desponsamus te, Mare, in signum veri perpetique dominii.”   (“I wed thee, O Sea, in sign of perpetual dominion.”)

The "Serenissima" pulls up to the judges' stand to put the doge -- I mean mayor -- and retinue ashore.
The “Serenissima” pulls up to the judges’ stand to put the doge — I mean mayor — and retinue ashore.

This statement had nothing to do with religion, even though it does sound  impressive in Latin, right up there with “till death us do part.”   It had  much more to do with politics, because on Ascension Day in the year 1000 (May 9, if you’re interested), doge Pietro II  Orseolo  finally quashed the Slavic pirates who, from their eastern Adriatic lairs,  had been harassing Venetian shipping and seriously inconveniencing Venetian progress.

This was a pivotal moment in Venetian history; it opened the way to centuries of expansion, wealth and power, and the Venetians  wanted to make sure that all their assorted neighbors and trading partners and possibly also  trading competitors remembered  what they had done and could do again, if necessary.

For another thing, beginning in 1180 one of the largest commercial fairs of the entire year was held during the Ascension Day period.   Merchants and traders from all over the Mediterranean and beyond set up booths in the Piazza San Marco to sell ivory, incense, ebony, oils of jasmine and sandalwood and bergamot,   pomegranate soap, tortoiseshell   back-scratchers, bath salts, mirrors inlaid with mother-of-pearl, dried figs and apricots, plant-based hair dyes, luxurious textiles, and even Abyssinian and Circassian and sub-Saharan slaves.   All this was traded in languages and dialects from Venetian to Armenian, Hebrew, Uzbek, Greek, Turkish, German, Georgian, Iberian, Arabic, French and Persian.   I’m sure I’ve left something out.     This fair was such a big deal that soon it was extended from eight days to  two weeks.   Yes, even back then the city was just one big emporium, though incense strikes me as being cooler than the bargain Carnival masks made in China bestrewing the shops  today.

A flea market by the church of San Nicolo' is the best we can do on evoking the fabulous market of yore.
A flea market by the church of San Nicolo’ is the best we can do at evoking the fabulous market of yore.

I don’t suppose that the average Venetian on the street would have told you  much of the above if you’d stopped to ask what the big deal was about  the Sensa.   But a smallish contingent of people  have applied themselves, since the early Nineties, to bringing back at least some ceremonial in order to acknowledge the moment  .

Need a lampshade with a portrait of Audrey Hepburn or Charlie Chaplin? Now's your chance.
Need a lampshade with a portrait of Audrey Hepburn or Charlie Chaplin? Now’s your chance.
I wonder if any merchants from the old days would have been tempted by these.
I wonder if any merchants from the old days would have been tempted by these.

So yesterday morning there was a boat procession, more or less following the “Serenissima,” the  biggest and fanciest of the city’s ceremonial barges which was carrying the mayor (best we could do, seeing as we’re dogeless these days) and  costumed trumpeters and a batch of military and civilian dignitaries and also a priest.

At the  Morosini naval college at Sant’ Elena, all the cadets were ready and waiting, lined up along the embankment.     Standing crisply at attention with their hats in their right hand, on command they raised their hat-holding arm straight out at a sharp 45-degree angle, and shouted with one voice “OO-rah.”   They did this three times in succession, then there was a pause.   Then they did it again.    They do this at intervals till the boats have all passed.

For my money, this is the best part of the event, much better than the ring-and-sea business.   In fact, I’m convinced that if the cadets were not to do this, it would ruin the entire day.

The boats surround the "Serenissima" as the declamation(s) proceed.
The boats surround the “Serenissima” as the declamation(s) proceed.

The boats then proceed to the area in front of the church of San Nicolo’ on the Lido, where they clump together, the priest blesses the ring, and the mayor throws it into the water.   One year our boat was close enough that I took somebody’s dare and actually managed to snag it before it sank (all the ribbons tied to it momentarily helped it to float).     Then I had a heavy surge of superstitious guilt.   Even if it wasn’t gold — it was kind of like what you’d use to hang a heavy curtain — it was a symbolic object fraught with meaning.   I wondered if I’d just  blighted Venice’s mojo for another year.   But I didn’t throw it back — that seemed even stupider than grabbing it in the first place.   So, you know, my disrespect just left another  ding on the chrome trim of my conscience.

The first three gondolas, battling it out as they approach the first buoy.
The first three gondolas, battling it out in the back stretch.

Then there is a boat race — in this case, a race  for gondolas rowed by four men each.   In Venice the celebration of really important events always involved a regata, and when this festival began to take form, Lino created this one.   Yesterday the competition was somewhat more dramatic than usual in that  a strong garbin, or southwest wind, was blowing, and it was also really cold.   Lots of big irritated waves.   Strong incoming tide.   All elements that do not conduce to easy victory or friendly handshakes afterward, not that these guys are ever inclined to that sort of thing.   But it made for a very exciting 40 minutes — better than usual, if you could stand the cold.

Heading into the home stretch, they held onto third place, well ahead of their closest competitors.
Heading into the home stretch, they held onto third place, well ahead of their closest competitors.

So much for the festivities, so much for the wedding of the sea.   No honeymoon, though.   We just move  on to another 12 months of trying to dominate the sea.   Not with galleys anymore; Venice seems to be doing a pretty good job with  the ever-increasing  flotilla of  cruise ships.

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The Vogalonga bites back

Every year since 1975, the organizing committee picks a Sunday in spring and announces the date of the next edition of the Vogalonga, or “long row.”   When we heard it was going to be May 31 this year, the first thing most of us thought was “Saharan sun-scorch.”   None of us thought “Arctic gale winds,” at least not until we looked out the window that morning.

 

The poster from 2002.
The poster from 2002.

What it is:    

  •  A 30-km (18 miles) course around the islands of the northern lagoon, beginning and starting in the bacino of San Marco, open to any boat propelled by oars.vademecum
  • A chance for people to get down and party, before and after, and occasionally also during.

What it isn’t:

  • A race.   It starts at 9:00 AM with a blast from the cannon on the island of San Giorgio and a glorious ringing of major church bells.   It ends when you return to your base camp, wherever you’ve organized it.   The reviewing stand at the mouth of the Grand Canal, where your diploma of participation and medal get thrown into your boat, closes at 2:30.   But as far as anybody’s concerned, you can get home long after lights-out.
  • A protest against anything.   A foundation-myth has  been created over the years, for reasons having more to do with local politics than anything else,  that this amateur non-competitive marathon is a protest against the “motondoso,” the infamous wave damage which is destroying the city.      Motondoso is a fatal phenomenon which  Venetians call the “cancer of Venice” and deserves, more than to be protested against, to be  resolved once and for all.    

The reason it makes no sense to promote this event as a protest is because:

  • Each year of the past 35, the motondoso has increased exponentially.   If a once-a-year Sunday morning mega-row is supposed to convey serious dissension, something isn’t working.
  • By now, the number of participating Venetians has shrunk from 99.9% of the total rowers to about 20%.   Or, of some 1,600 boats, only around 300 were Venetian; the rest come from everywhere else — the US, Canada, Russia, Australia, all of Europe, even the Comoro Islands.    
  • The Venetians already know everything they need to know about motondoso, including the futility of protesting it, either with oars or guns (though guns haven’t yet been tried.   Hm…).    
  • The non-Venetians also have no power to affect anything that happens in Venice, except perhaps  the quantity or quality of the  garbage they may or may not leave behind.   Other than that, it’s pretty clear that if the city government  can plug its ears and sing LA-LA-LA-LA when  its voting citizens  speak up, it’s not going to change everything when a batch  of  Hungarians or Poles or Kiwis  or Comorians lodges a complaint.   Which they wouldn’t anyway, because unless some feral taxi should capsize them, they’re probably not going to be too bothered about waves, because motorboats are forbidden along the course.   So the rowers have very little chance to  experience the glories of motondoso in any case.

One other thing: I’ve  experienced a few protests over time, events involving mounted policemen and tear gas and so on.   I don’t remember there being people laughing and  waving to their friends and taking each other’s pictures and drinking beer.    Call it  whatever you like; the Vogalonga is essentially  one big  party, and two large objects like parties and protests  just can’t occupy the same space.   So much for the protest theory.  

We were there this year rowing “San Marco,” the club’s 8-oar gondola.   And I’m pretty sure that like everyone else out there when the starting cannon fired at 9:00 AM, we were all thinking, in our various ways, “ohgodohgodohgod.”  

Lino admitted when it was all over that he’d had the tiniest hint of a second thought as we started out, but he’s done all 34 and he was determined to make it through the 35th.   There aren’t many left who can make that claim, and he was going to do it unless, you know, sheer survival were to become an issue.   Not too bad, when  you consider that within the space of five months, he’s had a new hip and a pacemaker installed.   And that two of the boys aboard had rowed only twice.   Ever.

A tremendous wind was blowing, the implacable northeastern blast called the bora, and there were gusts up to 50 miles an hour.   Also, the tide was going out,  which meant that naturally everyone had to row against it, too.   Wind and tide.   And it was cold.   I’m telling you.  

 

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 It took us seven hours to finish what normally would have taken four (well, five), but at least we didn’t run into anybody or anything, like channel-marker pilings, though we came close a few times, and we didn’t capsize, which is more than some 30 other boats could claim.   The assistance teams stationed around the course had to call for reinforcements to pull people and assorted hulls and oars out of the water.

But we did it,  due  mainly to Lino, not only because of his strength but even more because of his experience and savvy (“You don’t row with your arms,” he says, “you row with your brain.”   The proof of this was seeing the consequences to rowers who didn’t think of how to find some way to make their life out there at least slightly easier, looking for positions that would be more sheltered from the wind, or where the tide would be less strong).

But even with his experience and grit, we, like everybody else out there, had to put everything into it.   The wind just never let up, though occasionally it would hurl itself against the right side of the boat, which would slew to the right, so I had to exert a sudden powerful counterstroke  to keep the boat from slewing around to the right, usually in front of an onrushing cavalcade of hapless rowers.   Lino, astern,  exerted his own counterstroke whenever the wind shifted to the left side of the boat.   the same when the wind shifted.   The others just kept rowing along, like the slaves below decks in Ben-Hur.

But we all had confidence in him, which was the real secret to it all.   I can say that because another boat from our club turned back.   It wasn’t that they couldn’t do it physically; they had no confidence.    Mental, not muscles.   I want you to remember that —  it’s another of those crucial Life Lessons you pick up in a boat.   I have quite a list by now.

Just one of the events at the turn into the Cannaregio Canal.  Photo by Karol Sibielak.
Just one of the events at the turn into the Cannaregio Canal. Photo by Karol Sibielak.

About those capsized boats.   Some accounts make it sound as if the entire course was like the Spanish Armada being blown around England.   In fact, the accidents were pretty much limited to  a particular category in a particular location:

  • Low slim sculls of various-size crews.   Not really built for the high seas, as it were; not especially capable of having the last word in an argument with waves.
  • The entrance to the Cannaregio Canal, where the rowers enter Venice and head into the Grand Canal and down to the finish line.
  • This was the most hazardous place for sculls because it was full of large, heavy, following waves caused by the particular behavior of the tides at that point.   And because….
  • Many rowers didn’t calculate for the rebound of the waves from the nearby embankment.   They might have managed to surf along atop one set of inbound waves, but couldn’t deal with the busted-up remains of the same waves coming back at them.
And to think he'd almost done the entire course.  I hate that.  Photo by Karol Sibielak.
And to think he’d almost done the entire course. I hate that. Photo by Karol Sibielak.

Knowledgeable, or cautious, rowers tended to swing wide before positioning themselves for entry into the canal, thereby avoiding the worst.

I’m explaining all this because you never know when it might be useful to know this.

I took several aspirin and was in bed before 9:00 that night.   My last thought was wondering which parts of my body were going to hurt the most the next morning.

Surprisingly, very few.   Almost none, really, except for a lovely pair of screaming matched trapezius muscles.   And my hands, which felt like lobster claws.    Gripping an oar, exerting about a thousand pounds-force per square inch on a stick of wood for much of seven hours, has quite an effect on the old mitts.   All those years of piano lessons?   No more hope of Rachmaninoff for me.

What really astonishes me is my capacity to remember events like this with something like pleasure.   Must be hormones or something, the euphoria of survival.   The traps have stopped crying, the hands are back at the keyboard, and I’d say I’m almost ready to do it all again.   Like so many things in Erlaworld, it makes no sense.

(Below: In the Cannaregio Canal.   We’re smiling because the end is in sight, and because finally we’re going with the tide.   I’m the waver wearing the red baseball cap.   I have no recollection who I’m waving at.)

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