Let me try to explain…

Being by yourself can be lovely, when the sun is shining and there isn't too much wind.
Being by yourself can be great, if the sun is shining and there isn’t too much wind.

Several readers have written their reactions to my post about Ricky.  And in answering them, I have sifted through my brain and realize that I neglected stressing some important points in my account of the hideous homicide, the main point being why I wrote about it at all.

I let myself get somewhat carried away by the grisly details (like every reporter currently working in Venice, evidently — the newspapers have surrendered entire pages to this epic). That was wrong.

The reason I did this was because (A) like almost everybody, I’m fascinated in a repulsive way by stories like this, but (B) more to the point, I reacted to him as somebody I sort of know.

Venice is a village, as I often point out, and you get caught up in dramatic stories involving people you know, or (more often) to people known by people you know.  Ricky is only ten years younger than Lino, and his family home was a few doors down from where Lino lived. They’d see each other here and there, and while he was obviously somewhat unbalanced even when young, Ricky was just part — obviously a somewhat unusual part — of the neighborhood.

Lino says Ricky had a generous streak (the Mestre neighbors keep repeating how he always tried to do things for people).  Lino remembers one day he was slaving away in his boat, trying to get the outboard motor to start.  Ricky stops and says “Hey, I’ve got a motor inside.  Come get it, you can borrow it.  You can have it.”  Lino didn’t take the motor, but he remembers the offer.

The story continues to unfold, producing more terrifying details, but I’m not going to repeat them because what it is is sad sad sad.  I didn’t make that clear.  He was born crazy, and he has spent his life either struggling against his craziness or sometimes giving in.  This is not an excuse, but everyone quoted in these endless articles talks about what a solitary person he was. He was “tremendously alone,” as one person put it; he didn’t have anybody watching out for him. Whether or not you’re taking your meds, loneliness is a killer.

No more about Ricky from me, unless it’s something we all need to know.  Of course I feel bad for the woman and her family, but I also feel bad for uno dei nostri — one of ours.

IMG_1004.JPG alone

 

 

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Ricky: Names and dates

Sharp-eyed reader Janys Hyde, who has lived in Venice twice as long as I have, read my report on Ricky and his mania for dropping things off the Accademia Bridge. She sent me a copy of the story as it was recounted in an article in 2011, which ran in the Nuova Venezia.  I wanted to add these particulars to the sketch (it was all I knew at the time) I wrote a few days ago.

Here it is, translated by me:

May 31, 1973

Two finance officers and the folly in the Grand Canal 

It’s May 31 of 1973, toward 2:50 AM, when the boat that was in service, with the Commandant of the Operative Naval Section of the Guardia di Finanza, Lieutenant Carmine Scarano, and two finanzieri, Alberto Calascione and Vincenzo Di Stefano, is traveling along the Grand Canal on their way to an intervention, passing under the Accademia Bridge.

A few individuals launch from the bridge a slab of travertine which strikes the boat and the two finanzieri dead center.  They were moments of terror; the only one to remain unhurt is the Commandant who immediately realizes that the boat, without anyone steering, is heading for the embankment.

With a rapid movement he gains control of the boat and stops it, perceiving at this point the lifeless body of finanziere Calascione and hearing the cries and groans from finanziere Di Stefano who is wounded on the arm.

The Commandant manages to give the alarm and call for help, but unfortunately there is nothing that could be done for Alberto Calascione who, because of the grave injuries to his head, dies shortly after his arrival at the hospital.

Finanziere Di Stefano is kept in the hospital, his physical condition improves, but the memory of what has happened will never fade.

Alberto Calascione and Vincenzo Di Stefano were recognized as Victims of Duty (“wounded in the line of duty”) and of organized crime.

In various editions of Memory Day that have followed (I am still on the track of this commemoration; the paper uses the English phrase which is hard to back-translate into holidays I recognize), Vincenzo Di Stefano has never missed the occasion to commemorate, at the place of the attack, his colleague Alberto. 

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