Drink up: Artesian wells and fountains

Let’s return to the subject of the public water supply.  Even with thousands of rain-collecting wells in the city, Venice needed more water.  (Bear in mind that in the 1600’s Venice had some 200,000 inhabitants).  And they were thirsty, needed to wash their clothes, needed to dye their wool and silk, and so on.

I do not know how many artesian wells have ever been drilled here, so please do not ask me.  But they were precious, obviously, especially when there was a drought.  Or when bombs began to fall in the 20th century, threatening the aqueduct.

This trusty artesian well is in the Campo dei Ognissanti in Dorsoduro.  Like many fountains here it lacks any sort of basin, no matter how small, for animals to drink from.  I do not understand this.
A restoration a few years ago added the official inscription…
“Prof.ta M 209.75 ” means “Profondita’ (profundity, depth) 209.75 meters,” or 688.15 feet.
This artesian well in Campo San Basso, otherwise known as the Piazzetta dei Leoncini, has been bubbling up for centuries.  It is said to be the deepest in the city.  I know no more, but if it’s deeper than the one at Ognissanti it deserves more respect than it ever gets.
There are always pigeons splashing around here, it must be something like a spa for them.
The upwelling water is easy to discern here. Curiously, while this pool must be a godsend to the pigeons and passing dogs, there is absolutely no provision here for supplying water to parched passersby. It’s the opposite of the fountain at the Ognissanti (and elsewhere).  What is so hard about the notion of supplying water to everybody/thing?
Do you see a well in Campazzo San Sebastiano? Look closer.
This metal cap covers the pipe which once carried the artesian water, and presumably could still carry it. This is near Lino’s childhood neighborhood, and he walked by here on the way to elementary school every day.  He remembers that this well was open during the Second World War, with a big tank set up to collect the water. Considering the bombs falling on Mestre (crucial railway node and near the industrial zone), the risk of losing water from the aqueduct was not to be taken lightly.  I think it would be an excellent idea to open this again.  There are plenty of dehydrated people who pass by here every day.
This is a very rough sketch of the water-tank-and-faucets set up on the artesian well in Campazzo San Sebastiano. As Lino recalls it, the tank was sitting on sawhorses, or some supporting structure (not shown).  The tank was filled by means of a tube attached to the fountain, and the water from the tank filled two long, closed metal tubes extending from both sides.  Faucets were punched into these tubes.  There was an overflow trough below the faucets, and an overflow tube from the top of the tank emptied the excess water into the trough.  The excess water flowed away toward one of the still-open “gatoli,” or drains, that once conveyed rainwater to a subterranean cistern, as written about in my earlier post.  Women brought their cooking pots, buckets, whatever container was called for, and filled up.
One is strangely tempted to bring a set of strong pliers…One is strangely not tempted to be arrested and hauled away.
Campo Sant’Agnese has a real, if decommissioned, well (background), and the scar of something (foreground) that looks very like a well. Perhaps this was one of those described by Tassini (translated by me): “In the 1500’s a well was drilled of the type called artesian. Marin Sanuto writes that ‘on July 8, 1533 there came to the Colegio sier Vincenzo Zorzi, sier Polo Loredan, sier Almoro’ Morexini Proveditori de Comun saying that following the orders of the Serenissimo and the most illustrious Signoria, they went to see the well in the district of Sant’ Agnese…'”  He goes on to say that the engineers had dug to a depth of 16 “passi,” and had found fresh water.  (A Venetian “passo” was equivalent to 1.738 meters, or 5.7 feet.  Therefore they hit the water table at 91.2 feet down.) There’s more.
Campo Sant’ Agnese on a tranquil summer day.  It wasn’t so tranquil on an unspecified day in 1866 when a crew was digging a well in a little garden attached to a brewery here and they hit water. Tassini: “A column of mud and sand, freed by the water and gas from the turbid strata pierced by the drill, hurled itself 40 meters (131 feet) in the air, deluging this material on the church as well as the nearby buildings and damaging them because of the collapse of the  underlying terrain.”  No report on the effect on the beer.

Most of the fountains that we see today around the city running day and night are supplied by the city aqueduct.  My next post will reveal the dazzling engineering of the historic — pre-20th century — Venetian aqueduct, but at the moment I want to acknowledge the burbling municipal H2O that has revived countless tourists.

As here. Filling up your own bottle is an excellent way to avoid paying the exorbitant prices for bottled water.
Thirsty dogs just have to figure out how to drink from a falling jet of water. It’s not that hard, but if I had a dog I’d definitely carry around a collapsible bowl.  I mean, come on.
But certainly we’re all grateful for the running water.  At least when the water IS running.
There is a number of fountains that are permanently dry, turned off, extinguished, whatever the correct term is. If you’re thirsty, seeing a fountain with no water appears to be something between a mirage and a deliberate affront.
However, there are some fountains, such as this one near SS. Giovanni and Paolo, that flow more or less briskly during the summer. The reason for closing some fountains between December and March is precisely to save water, seeing that the need for water isn’t as urgent when it’s freezing cold and there are relatively few tourists around, and those that are around aren’t perishing of thirst.
Then there are fountains which have been closed summer and winter.  This was running just fine till a few years ago, and even though I live nearby, and could easily run home for a drink, you have no idea how often on a sweltering summer day I would gladly avail myself of some water.  But no.  It must be part of the group of 70 fountains which have been closed because they weren’t in high-traffic tourist areas (a statistic dating from 2008).  Since then, enough of the city has become a high-traffic tourist area, especially when the sun is at its broilingest, to nullify that exception.  Open the dang fountain already!
The entire world seems to have given up on this fountain, just two steps from our house in an unimportant little courtyard.  Until recently it was running (well, dripping) just fine, minding its own business.  Then it was sealed, and now this.

Many people have asked me the obvious question: All that water running all the time, isn’t it a tremendous waste?  Veritas, the water company, says that it isn’t.  I suppose they would.  I haven’t found a contrasting opinion to that, but I have had to suspend more research because life is short.

The logical solution, as people occasionally suggest, is to install faucets so that only the water that’s needed at the moment comes pouring out.  Simple?  Of course not!

An Italian member of an online political forum, who goes by the name “gava,” wrote (translation by me): “My project to install faucets to eliminate waste of precious drinkable water from the fountains is not easy to realize.

“In Venice there are about 200 fountains which consume about 800 cubic meters of water a day (800,000 liters, or 211,337 US gallons).  A considerable amount, there’s no doubt.  But let’s think for a moment, the water comes directly from the spring at Scorze’, it has no costs for pumping or purification, they only add some chlorine.

“Furthermore, the installation of a switch would increase the bacterial load in the first stretch of pipe, and the controls made by ASL (the local health department) demonstrate this.  Practically speaking, to install faucets would give a tiny economic advantage and many disadvantages, from the maintenance of the pushbuttons (of the faucet) which are subject to frequent breaks, to the presence of bacteria in the first tract of water. (I think he means where the water exits from the faucet, which when the faucet is closed would promote buildup of bacteria.)

“Over the past five years, I’ve seen a maximum of 30 functioning fountains in Venice (note: VeniceWiki has made a map but a quick check shows it is incomplete). Those that have been closed for years may have something more than simple bacteria in the pipes, up to real encrustation. In any case, I still think that the system of filtering and taps could be improved, I don’t want it to be an excuse for throwing water away.”

An unnamed ex-member of this forum replied: “I remember that some time back they started to install pushbuttons but the main problem was that they break really easily, and so a good number of fountains were put back to the old system.”

To complicate matters, Veritas is responsible only for the fountains in the public parks; the others are maintained by “other organs,” which I have not identified.  But the fact that all the fountains aren’t managed by the same company means that of course there will be administrative and/or bureaucratic problems involved in any change.

So while we’re all waiting for simplicity and conservation to reign on earth, I suggest you drink the fountain water as much as you can.  After all, it’s there for you.

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The flesh is mightier than the sword

The eye of God, the eye of the patriarch, nothing seemed to faze the good sisters.
The eye of God, the eye of the patriarch, nothing seemed to faze the good sisters.

Life under the Serenissima wasn’t all state occasions and visiting potentates.  It was a whole lot of craziness, and often some of the main players were priests and nuns (separately and together).

I already knew that a good number of convents were forced-labor camps for generations of patrician Venetian women who, for whatever reason, didn’t win the marriage lottery.  There were some cloisters which were notorious for having inmates who adhered closely to the “carpe diem” doctrine of the Church of Life.  San Zaccaria, Ognissanti, Santa Maria Maggiore were only a few of the more notorious locations, and where this led is evident by what is sometimes found by men digging to lay new pipes or lines where convents used to be, viz.: a tiny skeleton.  Not made up.

San Zaccaria, the Benedictine sisters thereof, built up quite a reputation over the centuries.  The Venetian historian Sanudo records that on July 1, 1514, it having been decided (not by the nuns) to “close the parlor of San Zacharia for more honesty, the vicar of the lord patriarch Zuan di Anzolo di Santo Severino…went to accomplish this task with a few captains and officials; seeing that the nuns threw stones at them and forced them to flee…the patriarch himself went in person to accomplish this task.  Then, by order of the Council of Ten, someone was sent to make windows.”  Need to let some light in, and make it easier for others to see what’s going on.  Theoretically.

But that was a temporary inconvenience.  In the 17th and 18th centuries things were back to the way they’d been, if not more so.  Persons of both sexes came to socialize, to conduct “brilliant conversations”; the nuns organized parties and masked festivities, and sometimes brought in puppet shows to amuse the children who tagged along with the brilliant conversers.

"Il Parlatorio" (the parlor), by Pietro Longhi, DATE TK.  Not exactly the atmosphere one associates with cloisters.
“Il Parlatorio” (the parlor), by Pietro Longhi (late 18th century). The convent isn’t identified, but I don’t sense the atmosphere one usually associates with cloisters.
"Parlatorio delle monache di S. Zaccaria" (parlor of the nuns of S. Zaccaria), Francesco Guardi, 1746.  (Ca' Rezzonico, Venezia).  The central figure is not a nun, as far as I can make out.  There is a puppet show in progress, which is nice.
“Parlatorio delle monache di S. Zaccaria” (parlor of the nuns of S. Zaccaria), Francesco Guardi, 1746. (Ca’ Rezzonico, Venezia). The central figure is not a nun, as far as I can make out. There is a puppet show in progress, which is nice.

The nearby church of San Lorenzo, like many churches, also had a convent attached to it.  The convent is gone and the church is shut, which is too bad if only for the fact that it contains (or contained) the tomb of Marco Polo, who was buried there in 1324.

But the convent is what I want to talk about.  Why not?  Probably everybody in Venice talked about it.  I translate the quaint but pointed style of Giuseppe Tassini, in “Curiosita’ Veneziane“:

“We hinted in various places at the almost general corruption that reigned in the old days among our nuns.  But one can say that those of San Lorenzo just about took the prize in that competition.

“On June 16 1360 we find condemned to a year in prison and a fine of 100 lire Marco Boccaso, Zanin Baseggio, and Giuseppe di Marcadello for having fornicated, the first with a Ruzzini, the second with Beriola Contarini, and the third with Orsola Acotanto, professed nuns of that convent.

“A short while later, that is, on July 22, 1360, Margarita revendigola (a renter of sumptuous garb), Bertuccia, the widow of Paolo d’Ancona, Maddalena da Bologna, Margarita da Padova, and Lucia (a slave) were publicly whipped for having carried, as go-betweens, amorous letters and embassies to those nuns.

“As time went on, by the sentence of March 25, 1385, Master Nicolo’ Giustinian, physician, was condemned to two years and three months of prison and a fine of 300 lire, because he was making love to Sister Fiordelise Gradenigo, entering several times with false keys in the convent of San Lorenzo to join his beloved, with whom he had a son.

“Lastly, on June 21, 1385, Marco Gritti had to undergo three years in prison, for having entered the same convent for dishonest ends.

“And in the 17th century the dress of the nuns of San Lorenzo breathes worldly vanity.  The proof is in Viaggio per l’alta Italia del Sereniss. Principe di Toscana, poi Granduca Cosimo III, descritto da Filippo Pizzichi.  He, speaking of the convent of S. Lorenzo, which he visited with the prince in 1664, expressed himself thus:

“‘This is the richest convent of Venice, and there are more than 100 nuns, all gentlewomen.  They dress themselves most elegantly, with white habits in the French manner, the bodice of fine linen with tiny pleats, and the professed wear black lace three fingers wide on the seams; a small veil encircles their forehead, below which their curly hair falls, beautifully arranged; their bosom is half-uncovered, and taken altogether their habit has more of the nymph than the nun.’

When the nuns looked in their mirrors -- I'm sure they had them -- I'm equally sure this is what they saw.  (Detail of the Three Graces from "La Primavera" by Sandro Botticelli, 1482.)  Even if they'd never seen the painting.
When the nuns looked in their mirrors — I’m sure they had them — I’m equally sure this is what they saw. (Detail of the Three Graces from “La Primavera” by Sandro Botticelli, 1482.) Even if they’d never seen the painting.

But before you start shaking your fist at the nuns, you should hear something about the priests.

I return to Tassini:

“We read that in 1391 Giacomo Tanto, the pievano (parish priest) of San Maurizio, who had agreed with Tommaso Corner to kill a priest named Giovanni … brought him to a house situated at S. Aponal in the Carampane, under the pretext of giving him ‘a fourth of Malvasia wine for the Mass’ and there, aided by a companion, he slew him.

“Both men returned to the Canonica, where the deceased lived, and stole all of his goods.  When the crime was discovered, Tommaso Corner, who was absent, was sentenced on September 28, 1392 to perpetual banishment, and the pievano was condemned to end his life in the cage suspended from the campanile of San Marco on bread and water.”  He was the first man recorded to have suffered this castigation.

caption will go here
This is the only representation of the cheba hanging from the campanile of San Marco.  It is taken from the collection of abbot Jacopo Morelli (1745 – 1819) (drawn from “Giustizia Veneta,” by Edoardo Rubini, 2004).

The “cage” was the cheba (KEH-bah), which is occasionally referred to on admonitory plaques around the city as a possible punishment for breaking whatever rules are set forth on the plaque.  It was reserved for ecclesiastics, or for anyone committing crimes in a sacred place.  One source says that these crimes were usually “homicide, sodomy, blasphemy, and false witness.”

This cage was either permanently attached to the side of the campanile (examples remain in Mantova and Piacenza), or suspended from a beam inserted, as needed, into the bell tower’s wall.  The condemned was put inside it and that was that.  Night, day, rain, snow, hail, passing pigeons — he got it all.  And a daily ration of bread and water, which is not nourishment; it is only a cheap way to prolong starvation.

But Giacomo Tanto’s stepmother felt sorry for him languishing there, and so she found a way (fancy way of saying “bribed”) to induce an official of the Signori della Notte (the Lords of the Night, or the Almost-Everything Police) AND the chief of the guards of the Piazza, to slip her disgraced stepson other victuals. Not steak, unfortunately, or polenta with seppie, or anything else of a remotely nutritious nature (eat more fruit), but frittelle, and sweet focaccia with walnuts and almonds, and powdered sugar, and other confections which undoubtedly kept his spirits up as he was expiring.  She got caught, and the official of the Signori della Notte lost his job and was sent to prison for a year, and Giacomo went back to his daily bread until he died.

But his was no isolated case.  In the “Incorrigible Priest” division of the league of renegade religious, we have a very strong team:

Don Francesco of San Polo (1518) was accused of sodomy and consigned to the cheba.  Documents report that some kind soul gave him a gaban (gah-BAHN) to wear, to protect him from the elements, even though it was April.  The gaban was a long loose robe with sleeves, made of thick rough fabric.

Don Francesco, having plenty of time to spare, devoted himself to pulling the gaban slowly apart, till he had a collection of strips which he tied together, and you know where this is going.  On the night of July 1 he somehow managed to get out of the cage, and clinging to the long improvised rope he began to lower himself toward the pavement, and freedom.

But the rope ran out “a good distance” above the ground — enough of a distance to have rendered a fall more conclusive than the cheba.

So he just dangled there, hanging on, and yelling for help.  The night guardians came running, retrieved him (I don’t know how — with a net, like the firemen?) and carried him off to prison where the walls would be less accommodating than the cage.

But speaking of being accommodating, we last hear that he was succoured in his new incarceration by the nuns of San Zaccaria who, if you’ll remember, were not exactly “flour for making Communion wafers,” as they say here.  So their succouring almost certainly made everything better.

A cartoon satirizing the engineers considered responsible for the collapse of the campanile of San Marco, locked into the cheba.
A satirical cartoon skewering the engineers considered responsible for the collapse of the campanile of San Marco, showing them locked into the cheba (1902).

I’m skipping over a few others, such as don Francesco at San Stae (1502), and another don Francesco at Ognissanti (1505), who begot their heirs among the abbesses and their flock, to arrive at the star player: don Agostino of Santa Fosca.

Agostino’s collar did nothing to stem his love for life, among which were girls and gambling.  He didn’t interfere with the nuns, amusing himself instead with the commercially available ladies, but that wasn’t his crime.  He  was tried and sentenced for having blasphemed while playing cards.  It can happen, but it’s unpleasant to hear a priest give way to that extent.

He was the last person sent to the cheba.  On August 7, 1542, he was taken, hands tied, to the stocks placed between the columns of Marco and Todaro, and left there for six hours.  A sign on his chest described his crime and the punishment.

A sort of crown was put on his head, on which were depicted the devils to whom the priest had listened: “…they made me an emperor without an empire….I was crowned without being given a sceptre, wanting to punish me for my iniquity…”.  Perhaps you had to have been there.

Then he was taken up and installed in the cheba, where he remained for two months, after which he was taken to prison for another ten months.

Leaving prison, he was banished for life, which meant leaving the entire Venetian territory, which would have cut out a large part of Northeast Italy, the eastern Adriatic coast, and chunks of Greece, including Crete.  Still, that left plenty of other places where they must have known how to play cards and lose money.

Don’t imagine this is an exhaustive list.  It’s just all I know so far.  But looking around, I notice that the mortal sins have continued to flourish, so I leave you with don Agostino’s penitential warning: “Flee from gambling, do not blaspheme the saints, even less the Lord God…abandon playing cards, blasphemy and prostitutes…”.

I admiringly acknowledge the exceptional research of a personage named Giandri, whose website is marvelous reading (in Italian, alas for many).

Wrath of God?  Not yet.
Wrath of God? Or is this just testing, testing, one two three?
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