The voyage of the bocolo

Taking our rose for a ride.

As everyone knows, April 25 is a big date on the Venetian calendar: Not only is it the Feast of San Marco, but also Liberation Day, commemorating the end of World War II.

Seeing that San Marco gets precedence, having been around for some years before World War II, I like to focus on that part of the big day.  And arguably the most important element is the long-stemmed red rose known as a “bocciolo” in Italian, and “bocolo” (BOH-ko-lo) in Venetian.

It’s simple: Any and every Venetian man gives a bocolo to the dearest ladies in his life, from wife to mother to sister to whoever else really matters to him.  Or they just stick to mother and wife.

We went out early in our little boat to row around the city for a while, and the first step — literally, as we have to cross a bridge to get to the boat — was to buy a rose from the young man prowling on the bridge with a fistful of roses.  Lino planned to give me a much more glamorous bocolo a little later, but it was unthinkable to appear in Venice in a roseless boat.

So until we finally reached the florist nearest to our hovel, we rowed around the city on a sampierota proudly bearing its very own bocolo, totally in tune with the day.

P.S.: Any reader who wants to chance his or her arm in plotting our route based on the photos is very welcome to let me know where we went.  It’s just a game — if I’d wanted to make it really difficult, I’d have showed mainly reflections and walls.

You are looking at one of the main reasons why starting early is such a good idea — mirror-like water. It has become more common over the past year with the economic collapse of Venice (fewer boats of many types), but don’t let that mitigate your appreciation for seeing the canals as they all were when Lino was a boy.
The roses are almost always inserted into a plastic sleeve. One reason might be to keep the petals in place until you’ve paid your money and are walking away. The cheap roses, such as this one, seem to be cut sometime between Epiphany and Easter (made up) — I’ll never forget the shower of petals that fell from the bloom-downward rose I bought at the last minute from a street vendor to put on our boat a few years ago. Precious little was left in the sleeve by the time I got aboard. This rose, though, seems to be of hardier (or more recent) stock.
The meeting of the Venetian symbols. I just learned that you could call this an example of syzygy, but that would be pretentious even if accurate. It exists in Italian, though (sizigia), so I’m going with it.
Not the first image ever made that shows the bacino of San Marco as it is without traffic, but in the pre-2020 era you’d have had to be out at 2:00 AM to see no waves. Here it’s 9:00 AM on a sunny Sunday morning, and there ought to be phalanxes of taxis and tourist launches. I want you to enjoy this as long as you can, even though we know it represents a world of hurt.
The entrance to the Grand Canal, with the slightest wavy trace of the passage of one (1) motorized vehicle, going slowly — specifically, the very small motorboat heading upstream in front of the red dock.  Seems only fair that I acknowledge that there is still some sort of traffic.  I know things have to change, but I am going to miss this.
Speaking of traffic, this is a scene that I have savored — small boats being rowed on glass-like water, usually on weekend mornings — more than I can say.
A typical sandolo — a private boat, I notice, which is nice — set up to be rowed alla valesana (notice the momentarily unused forcola on the port side).  The square of wood attached to the stern, however, reveals that he, or someone, set up the boat to use an outboard motor sometime.
Another private boat — as I’ve discovered in the trafficless Canal, plenty of them still exist — in  this case a mascareta rowed by two doughty ladies.

A pause to run to the fancy florist for the fancy bocolo.
Plenty of people have had the same idea, and as we left the line was even longer. There used to be more florists, as I recall….
Not that these aren’t worth waiting for.
Waiting for his friend inside the shop. Better get home soon, the wife is waiting…
Off you go, gents. Well done.  Note to apparently undecided man on the right: A bocolo-colored jacket is not going to save you.  The florist is right there — make that decision now!
Technically there’s nothing wrong, I guess, with a lady buying her own bocolo.  But it seems somehow slightly askew. It’s like any present you buy for yourself: Not the same as someone giving it to you.
Mission accomplished, and he’s walking fast. No telling how far he’s got to go (see: lack of florists in town).
The two musketeers have paused at the end of the street for some light refreshment. The pastry shop unseen at the right dispenses all sorts of wonderful things, but Sunday was the last day in months in which we were required to stay outside to consume them.  We had to drink on the street, and not even stand — we were supposed to move along and drink while walking. All this was to avoid cramming people together, especially because, as you see, eating and drinking pretty much depends on not covering your mouth.  Danger is still lurking everywhere.  I will go to my grave wondering what has happened to the second bocolo.
Like all the other bars/cafes, this one blocked the doorway with a table, which was useful also for  the placement of items being bought, or in this case also the customer’s (Lino’s) detritus.  The sign on the door says “Orange Zone, Only Takeaway.”
Lino boatward-bound with our very glamorous bocolo.
Our little bocolo still doesn’t know that we’re about to put a rock-star rose into the boat. Not sure what the horticultural equivalent of “I was here first” is, but I hope they’ll work it out.
Not wanting to disrespect Bocolo 1, still standing so firmly in its bracket, I laid the stately Bocolo 2 on the bow. Then I began to worry, and so did Lino, about the wind possibly blowing it around and deranging its perfection.  So down it soon went (see below) onto the cruddy floorboards next to the cake in the pink box.
The cruddy compartment was covered by the small wooden door for most of the return trip, but here you can see how we arranged the most important bits: the cake, the rose, the folded boat cover, also the sponge…. I bet Bocolo 1 was snickering because Bocolo 2 was lying down there in the hold where nobody could see it.
The home stretch.  The area looks only slightly better for having the compartment covered.  Now that you know that Bocolo 2 is prone you can slightly make out its plastic sleeve. 
And finally we’re back to home itself.  The boat is moored and ready to be covered and put away for a day or two. Our little bocolo has really gone the distance, not one petal out of place.  Bocolo 2 still prostrate.
Walking past us is a man with a mission: It looks like he’s carrying three bocolos (bocoli?). It’s going to be a fun day for him and the family. Hope all the relatives have had their shots.
On the left, the boat’s bocolo, and on the right, the 3-foot monster from the fancy florist. Tradition maintains that the greater your love, the longer the stem, so I’m happy with the monster even though my secret favorite is the runt of the litter. I suppose they’ve reached an agreement, I didn’t hear any scuffling during the night.
Outside on the fondamenta, the monument to the Partigiane (female partisans of World War II) is more than usually floral this year. On the left is the traditional laurel wreath offered by the city, and on the right the traditional mass of roses from the national Partisans Association. The other flowers have obviously come from individual hands and hearts.
Gerbera daisies also welcome. Anything red will do.  They earned every blossom countless times over.
April 25. Bocolo. Bring it.
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Nobody stops San Marco

Lino strung the two flags across our little street. Only we would have been likely to walk that way, so we just went ahead and bedecked the day.  It’s important to recognize that April 25 is also a national holiday: National Liberation Day, commemorating the end of World War 2, so bring on the banners.

Yesterday, April 25, was the feast day of San Marco, who is, as all the world knows, the city’s patron saint.  Always the occasion for grand festivizing — ceremony in the Piazza, laurel wreaths on the main monuments, high mass in the basilica, and the iridescent tradition of the “bocolo,” (BOH-ko-lo) or long-stemmed red rose, that Venetian men give to the dearest ladies in their life.

A friend with her bocolo a few years ago.
This year, not even the stray petal was to be seen. Except, I suppose, near the few people who had somehow managed to reserve their rose.

Yesterday, we were bocolo-deprived.  Plant matter was represented mainly by the laurel wreaths, installed a few days early.  As for the bocolo, there were and there weren’t.  Of course we knew that the usual freelance vendors staking out via Garibaldi and environs would be nowhere to be seen, that was to be expected.  But don’t be downhearted: The Gazzettino published a little article on Friday saying that a few florists were not only going to be selling roses, they’d deliver them to your doorstep.  Wonderful!  But the article did not publish any names or phone numbers of these florists.  Saturday — the day itself — an article appeared repeating the plan, with the names and numbers of the participating florists.  Lino immediately called to order one for me (and to discover the heretofore unknown cost, which I estimated would be 3 euros for the rose and 40 euros for the delivery), only to hear “Oh no, you had to book them.”

So this little misadventure will be filed under “You had one job!”, for the florists as well as for the Gazzettino.

This year, San Marco’s day was on Saturday.  Shops now are usually closed on Sunday, so this means shop-owners got a rare two-day weekend.  Were they happy?  Well, Luca and Massimo on the fruit and vegetable boat apparently were — early on feast-day morning, we saw the remains of some pre-feast-day festa left behind where the bananas and apples usually reside.

But no matter!  We had a fine day, sunshine, breeze, empty streets, sepulchral silence broken by the occasional bellowing and screeching of dogs passing in the street or on the bridge outside our house.  (If you don’t believe that a dog can screech, you haven’t met that long-haired dachshund who evidently can’t stand anything about life, and whose owner must be deaf.)

We took our usual early-morning walk along the waterfront to the end of Sant’ Elena and home again (2.7 miles, for the record), plus our ten crossings of the bridge outside — our personal stone Stairmaster.  And we feasted on little kidchops — removed from young goats, not the usual lamb.

We then “went to the beach” after lunch, which is what I call our hour of sitting on the edge of the canal a few steps from our front door.  We’ve had two straight weeks of sunshine, so this interlude is a high point of the day; even though we aren’t tanning in any meaningful way. we’re stoking our Vitamin D.  And we look at our little boat tied to its pilings directly across the canal, and the lush greenery that is growing on the bottom of the hull, and wonder when we’ll ever row her again.  The easing of some restrictions are expected to begin on May 4, but we’ll know only on May 4 if that will turn out to be true.  Or, if the Gazzettino is really up to speed, we’ll find out on May 5.

Friday was “Oh my God, we have to get the shopping done because the stores will be closed Saturday and Sunday!”  Lines of people here are waiting to enter the only-two-people-at-a-time bread bakery and detergent/cosmetics store.  The fruit and vegetable boat (covered by the awning seen in the middle distance) also had an unusually long line.  As did the wine shop and the fish stall and the butcher.  In the afternoon, there were 50 people in line outside the Coop, which now is closing at 7:30 PM instead of 10:00 PM.  I, with my now-finely-honed skills, did the supermarket run on Thursday evening at 7:00 PM when there were only five people in line ahead of me.  Of course, by then lots of shelves had been depleted (that’s the trade-off for coming late), but I was able to get what we needed in record time.  I’d rather do without a few things than spend hours standing in line, even though it may be a great excuse to be out of the house.
People are willing to do this. I don’t understand it, but I respect it. They’ve obviously got reserves of stamina and patience I can only dream of.  (The supermarket is about 15 more people-lengths behind me.)
Friday morning, long-overdue repairs to the wall damaged by the disastrous acqua alta of November 12, 2019, were suddenly underway.
Saturday morning, everything was perfect again.
Friday morning, the men were cleaning the monument to “La Partigiana” with hammer and tongs, so to speak, but more obviously rakes and scrapers. Spring cleaning at last?
Saturday morning (which was also National Liberation Day), the finishing touches were applied with high-pressure water. The arrangement of roses reveals the mystery of the sudden attack of cleaning — at 10:00 AM Mayor Luigi Brugnaro offered the flowers in token of the city’s respects to the dauntless women of the Resistance.
After the ceremony, these offerings remain: Roses for the partisan women, laurel to symbolize victory, and two long-stemmed purple iris that represent wisdom and royalty (it says in this book).  The iris are an interesting departure from tradition.  I wonder if we’d have had better luck calling up to order them instead of a rose.
And laurel wreaths are bestowed on the major monuments. Here, Giuseppe Garibaldi, who was important for much more than the street.

 

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Be still, my heart

Wait, it gets better below. But the scene was beautiful even when we weren't moving.
Wait, it gets better (video clips below). But the scene was beautiful even when we weren’t moving.

Sunday evening at 7:25 PM the Piazza San Marco suddenly came alight in the most extraordinary way.  It pulsated, briefly and gloriously, with hundreds (900, if all the people who signed up actually came) of flashlights which, taken together, formed the shape of a heart.

Yes, “Venezia Rivelata” has struck again.

We all remember what fun it was to make a “bocolo” on the feast of San Marco, 2014, and this time the organizers/artists/fantasizers had designed something bigger, more complicated, and also much more spectacular.

The event was the 12th and last in a series created by Alberto Toso Fei and performance artist Elena Tagliapietra.  Not every program was so vivid; some were lectures and — to be frank — weren’t all equally publicized, as far as I could tell.  Not that I’d have attended them all.  I just want to point out that there was in fact a major scheme to all this, the scheme being to focus each time on a particular aspect of Venetian history.  And why do this?  To bring Venetians to a sense of reclaiming their city, in an emotional if not actual way.  (It’s all explained on the press release below.)

Here is the design with the numbered sections. Very useful, like a list of the assigned places at a wedding reception.

The theme on Sunday night was “Venice and Justice,” which is a topic well worth bringing forward, and not because the two terms seem to have become, if we read the newspapers, virtual antonyms.  Wait, that isn’t fair.  There is justice — in Italy at large, no need to concentrate on Venice alone —  but it moves at the pace of a dying diplodocus struggling in a tar pit, and the results are often what might be called debatable.  Slow, in any case.

But in the great trajectory of history, Venice often showed herself to be a dazzling innovator — technical, commercial, conceptual, legal — passing laws most of which probably wouldn’t have seemed like a good idea to anyone but the Venetians.  To take an example at random, Venice was the first nation in the world to abolish the slave trade (960 AD).  Venice invented the copyright, to protect intellectual property (their merchant instincts didn’t stop at the merely tangible).  Venice passed laws to protect the rights of women, and of children.  Not made up.

Speaking of laws, how about this idea: “The law is equal for everyone,” which is inscribed in big letters on the wall behind every judge’s bench in the land.  It can’t be confirmed where this dictum came from, but the Venetians followed it in spirit if not in phrase.  For many centuries they were arguably the only people in Europe (and the world?) who didn’t subscribe to the idea that the bigger and richer you were, the more the law was supposed to work for you.  If you bothered with the law at all.

The fact that Venice regarded the law as sovereign was never so bitterly and clearly shown than in the agonizing story of Jacopo Foscari, the only surviving son of doge Francesco Foscari (doge from 1423 to 1457).  Jacopo was found to be accepting money from a foreign power; he was tried and exiled.  More skulduggery, more trials, more exile — three times, each sentence confirmed by his father.  I submit that the average criminal whose father was the head of state (or, if you like, the average head of state with an incorrigible child) would have used whatever power was necessary to get the laddie off the hook.  Here, no.  The laddie died in exile.

The weather was superb; I think the sign-in people might even have been sweating, while keeping an eye on the boxes of umbrellas. Things like those can easily grow legs.
The weather was superb; I think the sign-in people might even have been sweating, while keeping an eye on the boxes of umbrellas. Things like those can easily grow legs.  Each participant was given one, because at a certain moment we were all to be ordered to open the umbrella and shine our flashlight upward under it.  And we all had to be dressed in as much white as we could muster, including a hat, if possible.  I wore Lino’s “dixie cup” sailor’s cap.

Toso Fei reports that the following inscription (translated by me) was carved, in Latin, over the entry door of the avogaria of the Doge’s Palace; the avogaria was an ancient magistracy composed of three men who upheld the principle of legality, that is, the correct application of the laws.  That such a body even existed was extraordinary — perhaps, in the 12th century, even revolutionary.

PRIMA DI OGNI COSA INDAGATE SEMPRE SCRUPOLOSAMENTE, PER STABILIRE LA VERITÀ CON GIUSTIZIA E CHIAREZZA.  NON CONDANNATE NESSUNO, SE NON DOPO UN GIUDIZIO SINCERO E GIUSTO.  NON GIUDICATE NESSUNO IN BASE A SOSPETTI, MA RICERCATE LE PROVE E, ALLA FINE, PRONUNCIATE UNA SENTENZA PIETOSA.  NON FATE AGLI ALTRI QUEL CHE NON VORRESTE FOSSE FATTO A VOI.

BEFORE ANY OTHER THING, ALWAYS INVESTIGATE SCRUPULOUSLY TO ESTABLISH THE TRUTH WITH JUSTICE AND CLARITY.  DO NOT CONDEMN ANYONE IF NOT ACCORDING TO A SINCERE AND JUST JUDGMENT.  DO NOT JUDGE ANYONE ON THE BASIS OF SUSPICIONS, BUT SEEK THE EVIDENCE AND, AT THE END, PRONOUNCE A COMPASSIONATE SENTENCE.  DO NOT DO TO OTHERS WHAT YOU WOULD NOT HAVE DONE TO YOU.

I think they stole that last idea from somewhere.

So: Beating heart.  What better to represent everything good — not only laws fairly and scrupulously applied — but life, period?  That was our assignment.

The result was beyond dazzling.

Hats off to everybody involved, right down to the policemen who kept the spectators at bay.  And thanks for the umbrella, too.

Facepainters were decorating whoever was willing.
Facepainters were decorating whoever was willing.  All dressed in white, we  looked like a regiment of ice-cream vendors.
Being painted seemed to be something the women were more drawn to, though there might have been a man somewhere who got himself hearted.
Being painted seemed to be something the women were more drawn to, though there might have been a man somewhere who got himself hearted.
Your correspondent.
Your correspondent.

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Untold miles of masking tape had been applied to the Piazza to lay out the positions of the participants, at a width of roughly two people. I was in Number 7.
Untold miles of masking tape had been applied to the Piazza to lay out the positions of the participants, at a width of roughly two people. I was in section 7.
Dry run on holding up our flashlights, all facing toward the campanile of San Marco.
Dry run on holding up our flashlights, all facing toward the campanile of San Marco.
And a few dry runs on opening the umbrellas, and shine our flashlights under them.
And a few dry runs on opening the umbrellas, and shining our flashlights under them.  We on the outside were told to hold the umbrella in the left hand and the flashlight in the right — I still don’t understand the point of that.  The people on the squiggly center lines clearly had other instructions.  Or none.
Dancers were milling around in small bands, all dresses in white except for the two stars who just stood around for a while crunching their feet.
Dancers were milling around in small bands, all dressed in white except for two stars who just stood around for a while crunching their feet.
Another wandering star. I understand that her leotard, etc. may require concealment till show time, but she did look like someone going from one treatment to another at the spa.
Another wandering star. I understand that her leotard, etc. may require concealment till show time, but she did look like someone going from one treatment to another at the spa.
For about 45 minutes before the heart lit up, we were favored by a series of dance performances by five different groups. I didn't shoot most of them because they didn't inspire me (yes, I need inspiration), but I began to realize that it was a very intelligent way to program the event for the participants. We had been asked to show up an hour and a half before H-hour, and that time can really drag no matter how willing you are to shine your flashlight around. This dancer did a lovely routine with a huge fan.
For about 45 minutes before the heart lit up, we were favored by a series of dance performances by five different groups. I didn’t shoot most of them because they didn’t inspire me (yes, I need inspiration), but I began to realize that it was a very intelligent way to program the event for the participants. We had been asked to show up an hour and a half before H-hour, and that time can really drag no matter how willing you are to shine your flashlight around. This dancer did a lovely routine with a huge fan.
Her fan and bodytard (or whatever it's called) were color-coordinated: dark on one side, light on the other, like a turbot or a brill or a sole.
Her fan and bodytard (or whatever it’s called) were color-coordinated: dark on one side, light on the other, like a brill or a sole.
These are brill ("rombo" in the fish market).  As you see, one side light and one dark.  The dark side is up as they swim, the notion being that  the a predator from above will have difficulty seeing it because the dark fish will blend with the darkness below it, looking down.  Similarly, a predator from below would have trouble distinguishing the fish because the light side would be seen against the light filtering down from the surface.  I don't know anything about the purposes of the girl's camouflage, though.
These are brill (“rombo” in the fish market). As you see, one side light and one dark. The dark side is up as they swim, the notion being that the a predator looking down from above will have difficulty seeing it because the dark fish will blend with the darkness below it.  Similarly, a predator from below looking up would have trouble distinguishing the fish because the light side would be seen against the light filtering down from the surface. I don’t know anything about the purposes of the girl’s camouflage, though.
Same for sole.  When you've got a good idea, stick with it.
Same for sole. When you’ve got a good idea, stick with it.
This lovely girl then performed what I think of as Salome's Dance of the One Veil.
The spa-girl then performed what I think of as Salome’s Dance of the One Veil.

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Then followed a routine which seemed less a dance and more a gymnastic exhibition (I realize the line between the two may be vague). The red panel seemed to be the star, though the man was pretty impressive.
Then followed a routine which seemed less a dance and more a gymnastic exhibition (I realize the line between the two may be vague). The red panel seemed to be the star, though the man was pretty impressive.  I kept waiting for him to do the Thomas Flair, but no.
He had to be supporting the panel and a girl instead.
He had to be supporting the panel and a girl instead.  There was another routine after this, but let’s move on because sunset it now at its perfect point and we have to cue the flashlights!
Show time! The lights in the Piazza have just been turned on, and our first command to turn on the flashlights has been given. Have to stop shooting now, got to get busy.
Show time! The lights in the Piazza have just been turned on, and our first command to turn on the flashlights has been given. Have to stop shooting now, got to get busy. But what followed was a series of commands: shine the flashlight straight at the campanile and hold still, then wiggle the flashlight for a while, then shine it under your open umbrella, then run around inside the heart with your shining umbrella as fast as you can.  At street level, extremely strange.  But the result?  Wahoo!
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And so it was twilight in the Piazza. Time to take my umbrella and go home.

 

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70 years free

Every year the city places laurel wreaths at the most important patriotic monuments. The most elaborate one, with an aureole of palm, is placed at the tomb of Daniele Manin.
Every year the city places laurel wreaths at the most important patriotic monuments. The most elaborate one, with an aureole of palm, is placed at the tomb of Daniele Manin.

April 25, as I have reported on other occasions, is a double holiday in Venice: The anniversary of the liberation of Italy after World War II (this year marking the 70th milestone), and the feast day of San Marco, the city’s patron saint.

And gentlemen must acquire a long-stemmed red rose (the "bocolo," in Venetian) to bestow on their lady love(s).  Here, gondolier Marco Farnea buys two -- one for his wife, the other for his gondola.  It's an extra-festive occasion, too, considering it's his name-day.
And gentlemen must acquire a long-stemmed red rose (the “bocolo,” in Venetian) to bestow on their lady love(s). Here, gondolier Marco Farnea buys two — one for his wife, the other for his gondola. It’s an extra-festive occasion, too, because it’s his name-day.

Either of those facts deserves reams, and reams are ready and waiting, thanks to phalanxes of historians.

I simply want to keep the world apprised — yes, I modestly claim to keep the WORLD apprised — of a date that deserves remembering.  And here, it’s remembered twice.

First, the roses:

Marco pushes off with the next boatload of clients, the two roses lying at his feet.
A quartet of firemen leaving the ceremony of the flag-raising in the Piazza -- one is already armed with his rose.
A quartet of firemen leaving the ceremony of the flag-raising in the Piazza — one is already armed with his rose.
The Red Cross sells the roses at a booth in the Piazza (as well as sending volunteers around). All for a good cause.
The Red Cross sells the roses at a booth in the Piazza (as well as sending volunteers around).  All for a good cause.

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Independent rose sellers are all over our neighborhood all day. They sell mimosa on International Woman’s Day and umbrellas when it’s raining.
Yes, National Liberation Day is important, but this Venetian store makes it clear that tomorrow it will be closed because it's San Marco's day.
Yes, National Liberation Day is important, but this Venetian store makes it clear that tomorrow it will be closed because it’s San Marco’s day.  Any other reason is just extra.
Someone placed a bocolo on St. Paul's altar in the basilica of San Marco. I'm baffled, but I'm still glad to see it there. And no, you're not supposed to take pictures in the basilica. I'll never do it again.
Someone placed a bocolo on St. Paul’s altar in the basilica of San Marco. I’m baffled, but I’m still glad to see it there. And no, you’re not supposed to take pictures in the basilica. I’ll never do it again.

And second, the liberation itself, as seen in Venice.

The arrival of the American troops in Piazzale Roma on April 29, 1945.  Lino remembers running there with his friends, everyone was saying "The Americans are here."  He asked for chewing gum, like all the other children, and he got it, too.
The arrival of the Allied troops in Piazzale Roma on April 29, 1945. Lino remembers that everyone was saying “The Americans are here!”  He ran with his friends to see them, and they all asked for chewing gum, and they got it, too.

 

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