They’re only hints, mind you, but they brighten my outlook considerably.
Hints of spring
Wrapping Carnival
Today is Martedi’ Grasso (Mardi Gras) and Carnival is wrapping up. It wrapped up a few days ago in via Garibaldi, not with a bang, not with anything. On Giovedi’ Grasso, the stage, inflatable slide and trampolines were going full tilt, overrun by swarms of unchained children. The day after, nothing. Everything was just … gone.
There are still frittelle and galani on sale and the streets are still speckled with confetti, yet the revelers are nowhere to be seen. I think whoever’s still around has migrated to the Piazza San Marco, where the big closing events take place. I won’t be there. I’ll be sitting at home in the dark, like some addict, secretly eating the last of the galani.
Carnival we go again
Last Saturday (Feb. 23) was the semi-official opening of Carnival, which means tremendous hubbub in deepest Castello. The frittelle and galani are already making inroads on everybody’s glucose levels, and by the look of the calli, confetti appears to be strewing itself.
The centerpiece of Saturday’s inaugural celebrations was the procession of the 12 “Marias” from San Pietro di Castello to the Piazza San Marco. Weather cold but sunny, not much wind — perfect for everybody, especially the Marias who, if the morning bora had lasted, would each have needed a can of hair spray to keep her tresses under control. Perfection comes at a price, and in this case it would either have been a week’s worth of washing with Packer’s Pine Tar shampoo or a visit to the Navy barber for a cut measured in millimeters. People love looking at the girls, but I worry about their hair. It probably comes with age.
Sunday (Feb. 24) at 11:00 AM was the true official opening of the annual scrum, with the “Volo del Angelo” (flight of the angel) enacted by a lovely girl in magnificent garb who slides down a wire from the campanile of San Marco to terra firma at the stage below. She was followed by another, because why stop at one? In this case I don’t worry about their hair, I worry about their lives. As does everyone. All went well.
The most important innovation was the installation of turnstiles at the entrance to the Piazza; for the first time, the number of festivizers permitted in the Piazza was limited to a modest 23,000, with corridors arranged for easy entry and exit. Modern, intelligent, efficient — it can be done! I don’t know where the rest of the 110,000 people that were counted in the city went, but my tricorn hat with the veil is off to the organizers and the enforcers, all 700 of them: 420 vigili, or municipal police (100 more than last year, between Venice and the mainland), 60 firemen, 120 workers from Vela (transport), 40 of Suem and Croce Verde (ambulances) e 40 of Civil Protection (general assistance and crisis management).
La Nuova Venezia reported that there were many more people than last year. “In spite of some suffocating stretches, some calli transformed into a Stations of the Cross (you can intuit this means slow and extreme suffering), and some campi, such as Santa Maria Formosa, full to overflowing, there weren’t any complications.” They are referring to quantity, not quality, because…..
Turista barbaricus is back! Two young foreigners were nabbed at 10:00 AM on Sunday in the Piazzetta dei Leoncini urinating against the basilica of San Marco. Hey! A wall! Just what we needed! Nabbed by the police, each has been given a fine of 3,330 euros ($3,782). That will certainly make for an interesting conversation when they get home. Just think: For the price of a coffee (1.10 euros) they could have used the bar’s bathroom. Or hey — the canals are free! I realize that Carnival was created for breaking rules, flouting convention, freeing oneself of all those rigid rules that so strangle happiness and frivolity. I even wrote about it. Except that even the Venetian Republic didn’t need much time to recognize that there is a limit to everything, including fun, and to start passing decrees and ordinances to keep total chaos at bay.
Because I don’t venture as far as San Marco — and not even as far as the Arsenale — my view of Carnival is limited to our little lobe of the city, and that’s fine with me.
The story of the “Marias”: From the 9th century it was the custom in Venice, on the Feast of the Purification of Mary (Feb. 2, or “Candelora”), to bless all the couples who were planning to marry that year. For the ceremony, which was held in the bishop’s palace, the 12 poorest damsels were dressed in splendid garments and jewels lent by the main churches of the city. They didn’t have to be beautiful (as required by today’s pageant), they just had to be poverty-stricken.
In 973 (or maybe 948), the ceremony was interrupted by the arrival of a band of wild Slavic pirates from the Croatian coast, who stole the girls and, of course, their expensive garb and jewelry. Doge Pietro Candiani III organized a posse, caught up with them at Caorle, slew the pirates and brought the girls and their stuff home safe and — one hopes — still sound. To thank the Madonna for her intercession in this happy outcome, the Feast of the Marias was instituted.
But something had changed. Instead of choosing merely the 12 poorest girls, now they had to be the most beautiful of the poorest. Each girl was assigned to a wealthy family which donated clothes, jewels, and a dowry to help her marriage chances.
Wikipedia (in Italian, translated by me) tells us that “In the following days there was a series of civil and religious ceremonies that culminated in a boat procession on the Grand Canal, during which the “Marias” displayed their beauty and their jewels. The ceremonies were accompanied by balls, banquets and other extravagances; furthermore, to see the Marias was considered a sign of good luck, beyond being a festival for the eyes of the masculine public. And so the festivities extended over many days (even two weeks) and attracted many people from other countries.”
Sound good? Not really. Because now there were 12 poor — literally and figuratively — girls involved in what amounted to a struggle to the death among 12 patrician families. “The feast of the Marias created not a few problems; it often happened that the girls who were about to be married were courted, and in the worst cases violated, by the men who went to see them. Furthermore, the competition of the Marias caused bitter conflicts between the families, those that were poor (who, in the case of losing, protested the lost victory) as much as those who were rich (who didn’t want to take on the costs involved).
“So the flesh-and-blood girls were gradually replaced by statues of wood, called Marione or Marie de tola (wooden Marias). These were dressed and bedecked with jewels, but unlike their human counterparts weren’t furnished with dowries, and at the end of the feast the trappings were returned to their legitimate owners. But this new version of the festa lost a lot of its original sense, and along with it the favor of the Venetians, who reacted with anger and scorn, even going so far as to attempt to sabotage the festa.
“In 1349 the Republic of Venice had to pass a law stating that anybody who threw vegetables at the procession of the wooden Marias would be sent to the galleys; this, though, only made the festa lose even more of its prestige, and only 30 years later it was definitively suppressed.”
Fun fact: “It seems that the term “marionette” is derived from the Marione. And even today it’s common to hear Venetians call a woman who is particularly dull and inexpressive a Maria de tola.” Even though I’ve never heard Lino use this expression, he confirms that it’s a common saying. Maybe we just don’t know any women who answer to that description.
Stumbling stones
It may seem that I have decided to dedicate my blog to war memorials (and it does begin to seem that way), but I promise I will be broadening the scope and lightening the atmosphere very soon. But not quite yet, because the other morning I joined a large group of people who came to witness the installation of a so-called “stumbling stone” (Stolperstein, in German; pietra d’inciampo in Italian). At the risk of appearing frivolous, let me mention that plenty of Venice’s masegni, or paving stones, are fully capable of tripping people up all by themselves. It happens every day. But these are different.
These “stones” are concrete cubes 10 cm (3.9 inches) on each side which bear a brass plate inscribed with the names of persons who were deported to the Nazi death camps; they are placed in the pavement in front of the house from which that person was taken (usually their home).
The majority of the victims were Jews, but you also risked deportation if you belonged to any of the following categories of non-ideal humans: Romani people, homosexuals, the mentally and physically disabled, Jehovah’s Witnesses, Mormons, blacks, members of the Communist or Social Democratic parties or the anti-Nazi Resistance, the Christian opposition (Catholic and Protestant), Freemasons, military deserters, International Brigades soldiers from the Spanish Civil War, escape helpers, conscientious objectors, capitulators, “habitual criminals,” looters, persons charged with treason, military disobedience or undermining the Nazi military, as well as Allied soldiers.
German artist Gunter Demnig began this project in 1992 — he hand-makes each “stone” — and as of October 23, 2018 there were 70,000 in more than 1,200 towns and cities across Europe. The first 12 in Venice were put in place in 2014; the city now counts 78 (including the Lido and San Servolo). For anyone wishing to see any (or all) of the stones in Venice, here is a map.
But why set the memorial into the street? One would expect to see it discreetly placed on a wall, perhaps, but the setting deliberately recalls an anti-Semitic saying in Nazi Germany when someone tripped on a paving stone: “A Jew must be buried there.” Furthermore, as Nazis destroyed Jewish cemeteries they would break up the tombstones, using the pieces in the sidewalks where countless passing feet would desecrate them.
Giovanni Gervasoni was born into a modest Venetian family and studied to become an elementary school teacher. In 1930 he converted to Protestantism, joining the Waldensian Methodist community and working tirelessly in a group which distributed anti-Fascist publications.
Arrested as “a subversive” for the first time in 1932, he began a life of fleeing, hiding, and being under constant surveillance. “His political activity caused him to travel frequently between Venice and Padova,” recalled Alberto Bragaglia, a journalist and Waldensian, quoted in an article on nev.it. Bragaglia’s father, who was then an adolescent, told him that he remembered “a tall, lanky man who would suddenly appear at home and stayed as a guest for several periods of time.”
In 1935 he founded, with some men from the congregation, another group dedicated to the clandestine distribution of material from Giustizia e Liberta‘, an anti-Fascist Resistance group. Just a few months later, in April, he was arrested again and sent to the island of Ventotene, one of the regime’s best-known penal colonies for political prisoners. There he began, with fellow-prisoner Dr. Romola Quarzola, to try to secretly send anti-Fascist tracts to the mainland. Discovered, he was sent to prison in Rome and then Civitavecchia.
In December, 1938 he was sent to the island of Ponza, a prison island near Ventotene; after an extension of his sentence, he was finally liberated in July, 1943, the conclusion of eight years of incarceration. Undaunted, he returned to Venice and began to work as a partisan in collaboration with the Anglo-American forces. Arrested again on January 3, 1944, he was sent to Dachau and killed on February 17, 1945.
I hope this summary hasn’t bored you; I’ve given it to demonstrate the central point of all the thousands of “stones” across Europe. Gervasoni was only 36 when he died, having spent 15 years, roughly half his life, working against the Nazi-Fascist regime. What this small brass plaque represents, brightly and bravely, isn’t his death, but his life.