Waiting for the fireworks. Last year, this looked like a party. This year, it looks like a public health nightmare. I hadn’t ever thought about it, but fireworks manufacturers must be hurting this year along with everybody else.
This just in: The bridge is already under construction, and I’m sure the fireworks are already on the way, but like a launch at Cape Canaveral, mayor Luigi Brugnaro has scrubbed the mission.
This year, there will be no fireworks for the Redentore (July 19). No fireworks, no party boats, no “notte famosissima.” It’s a blow, but there were already signs that caution was going to rule, beginning with the new regulation that spaces along the fondamente were going to be assigned only by booking. But in the end, it was obvious that safe social distancing was going to be impossible to plan, much less maintain, on water or on land.
It seemed like a good idea at the time. “Festa of the Redentore, on the embankments only by reservation.”
Here is the mayor’s announcement (translated by me):
“I do not have good news. I have been awake all night, but unfortunately I’m forced to tell you that we are annulling the fireworks for the Redentore. I can’t bring myself to make it work, I have tried everything. In conscience I just don’t feel like it, for me it’s the most beautiful festa of the year. We set up an incredible system for booking for the boats, we even invented a series of plans for limiting the flow. It’s my decision, I take responsibility for it, but I cannot bring the city to risk it. This is a safe city.”
If you come for the fireworks, you’re almost certainly going to want to eat something somewhere. Not a scene that bears repeating this year.
No news at this moment as to whether the races will be held on Sunday afternoon, or the mass.
However, I think it’s unlikely that the festal mass on Sunday afternoon is going to be permitted to proceed as in days of yore.Winds of change, as the cliche’ goes. Hang tough, Venice.
Last Sunday was an unusually entertaining day. It wasn’t as entertaining as the last Sunday of June typically is, coming at the culmination of five days of festivizing at San Pietro di Castello in honor of the church’s namesake. But by the time the day was over there had been more diversion than I’d expected.
Let’s start with the festa for Saint Peter. This year — you know what’s coming — The Virus made it impossible to host the usual large and lively crowds, or execute the expected entertainment and the feeding of at least five thousand. (Yes, bread and fish are always on the menu, among other things.)
This is the way the festival always looks, give or take a colored spotlight or two. Five evenings straight, going full blast until midnight. We can hear the music from our house, and we’re not exactly next door. Depending on the direction of the wind, we can also get wafts of hot greasy things. This year, nothing.A lot of people always came from all around Venice, and maybe the mainland too. So technically you could call them “tourists,” though they generally seemed unforeign. I wish I’d paid more attention to the little boy in the center of the image, who I now see was attempting to climb the large trash-collection bin. I’d like to have known how that came out. I don’t recall any ambulances. Those were great years.
But nobody said we couldn’t have the festal mass, complete with the Patriarch of Venice on his annual visit. Chairs were set up outside in the campo, correctly distanced, and although the usual supporting players were few (a couple of selected Scouts instead of a whole troop, four trumpeters instead of the band from Sant’ Erasmo), or even non-existent (no Cavalieri di San Marco in their sweeping mantles — soooo hot but sooooo well worth it, I’m sure they believe), there was a fine gathering of the faithful.
And may I say that seeing each other without being separated by layers of tourists has been, and continues to be, a noticeably positive aspect of the quarantine and aftermath. More about that another time. But back to the service.
As the Patriarch pointed out in his sermon, the religious aspect is the one essential element of the occasion. He didn’t specifically say “Don’t feel mournful because there were no barbecued ribs and polenta and live music and horsing around for hours with your friends and the mosquitoes,” though I’m sure he knew that’s what people were missing. At least they came for him.
To review: This was the traditional festa:
It’s a bigger campo than most, but I wouldn’t have wanted to be the person responsible for enforcing social distancing on this mob.And this was the setup for mass, the only event of the entire festival. Down to the essentials, indeed.The temporary platform/altar arrangement was very efficient. The backdrop is the Patriarch’s coat of arms, worked by the tireless fingers of the group “Un Filo che Riunisce” (A Thread that Brings Together).Just a refresher: The crossed-key motif symbolizes Saint Peter.Except for a few places in the design that called for more complicated handiwork, the fundamental element appeared to be potholders. Sorry if that seems disrespectful.Last year’s festa was the first exhibition of the handiwork by “Un Filo che Riunisce” was this arrangement of — if not potholders, then squares to compose some titanic afghan. The components were sold for a few euros each to benefit the pediatric department of the Ospedale Civile, or city hospital, in Venice.They struck again last Christmas, with this creation in via Garibaldi. The group, a crocheting class, was formed in January of 2019 at the Salesian convent in calle San Domenico. The idea was to create something big out of many small pieces. I like the metaphor, and it certainly cheered up the December night.The arrival of the Patriarch aboard an elegant balotina is always a great moment (made beautiful as much by the balotina as the passenger, sorry). This year the Remiera Casteo launched the fleet — I’ve never seen that many boats from the club accompanying the guest of honor. The caorlina carried four trumpeters, the ones usually seen blasting from the bow of the bissona at the head of the corteo for the festa de la Sensa. I love the band from Sant’ Erasmo, but these were better, partly because ceremonial fanfares are fabulous in themselves, and because they came under oar-power. I can tell you from experience that following the motor-barge that carries the band means that you spend 45 minutes inhaling diesel exhaust, so it’s basically like rowing the Patriarch behind an 18-wheeler on the interstate. Not very poetic.Behold the brass section. They sounded as good as they look.Here the eye moves from the boat and its passengers to the dock onto which the passengers must alight (if one can use that word for a maneuver coming from so far below the objective). Hmmm….The job description for Patriarch of Venice ought to include “Boats, ability to climb into and out of.” His Eminence Francesco Moraglia has always shown remarkable aplomb in nautical moments that have every potential for disaster. Perhaps being born in Genoa and former bishop of La Spezia, site of an important naval base, has had some effect.Nothing easier. And he’s always quite conscientious about showing appreciation to the crew.A squirt of the semi-obligatory hand sanitizer, then on to greeting the notables, beginning with the woman representing the city government bedecked with the colors of the national flag. As you see, masks are not obligatory because we are all outside. But many people are still taking the safe route.
Assorted greetings follow, in this case to a divisional general of the Guardia di Finanza, as he walks toward the church, where he will add some garb and prepare for the mass.
Four priests administered communion from various positions around the area; they were easy to find by a white umbrella held aloft by a Scout.
And then it was time to take everything down.
Some of these ladies may have cataracts and any other sort of visual problem, but there is at least one who still manages to miss nothing. What is she looking at? She, and nobody else?A batch of balloons has broken free. Up and away… Of course I have no idea where they’re going, but as for me, I’m off to the races this afternoon.
Sunday afternoon it was time to segue from the sublime to the secular. Every year, on the last Sunday in June, the city of Venice organizes two races in honor of Saints Giovanni and Paolo. The reason it isn’t called the race of Saint Peter is because it is held in the water between Murano and the Fondamente Nove, and the finish line is in front of the hospital, which is on the campo SS. Giovanni e Paolo.
The first race involves pairs of men on a boat called a pupparino; the second race is for young men up to age 25, rowing solo on gondolas. Sound simple? Of course it is, as long as everything goes well.
But sometimes it doesn’t…..
For both races, the starting line is in front of Murano; the race then follows the path indicated here, and the finish line is in front of the hospital. Until this year, the gondolas lined up in the canal in front of the campo SS. Giovanni e Paolo for a blessing. Hence the name of the regata is the two saints, and not “race of the City Hospital.” That would always sound sketchy, but these days it would be inconceivable.
The men on pupparinos go first, and go they certainly did. I’m usually watching from the shore, but this time I was able to follow the race on a friend’s motorboat.
The men on pupparinos are off to a fast start, leaving Murano behind to the left and heading west past the cemetery toward Sant’ Alvise and the first turn. All the boats, regardless of type, are painted these colors and yes, the two boats in the lead (orange and green) have made an impressive start. They will pretty much run their own race and finish first and second respectively. The real race is what transpired in the scrum following them.This is what we like to see — the boats strung out in an orderly line. Except there are a few issues lurking in the lineup. Green has left the group and gone left, hoping to find some advantage in the tide (problem: it will soon have to rejoin the group at the first turn). And there is the pink boat, side by side with white. I foresee problems because boats arriving at the turn side by side — especially the boat on the inside — are inevitably going to be facing consequences.The plot is rapidly thickening here as the boats try to get into the best position (as defined by each one) for rounding the first turn, anticlockwise around a piling.It’s enough just to look at the race judge with the loudspeaker to realize that things are not going well. Orange has turned and is clean away; blue has just completed its turn, and green has rejoined the pack in third position. But blue made its turn very close to the piling in order to prevent green from having space to turn (a maneuver that is forbidden for reasons which are already obvious. The judge would have been justified in disqualifying blue right there, but events have gotten out of control). So green is now destined to run into the blue boat — destined also by the decision of its stern rower not to swing wide at the last second, which he could have done. Meanwhile….Why is blue still here? It should already be gone, but its calculations went a little screwy and instead it is now stuck, grappling with green, and white and pink are both coming up at high speed to make the turn with two boats essentially standing still in front of them. Pink was gambling on having room to turn from the inside, even though the rules prohibit putting yourself between the piling and another boat, for reasons which are already obvious. White could have swung wide here, but for some reason decided not to (probably it doesn’t want to lose time), and right about now they both realize that they have no room at all to avoid the pile-up. An expert later explained that blue had probably deliberately made the turn closer to the piling than is permitted in the hope of preventing the following boat to sneak past on the inside (also forbidden). Everybody’s supposed to leave room for at least minimal functioning, but blue decided otherwise. And so, as the expression now goes, here we are.Purple and yellow have cut their losses by swinging wide; they lose some seconds of time but at least they can maneuver. White and pink are still stuck inside, trapped by green and white, and now we have brown coming up on the inside, stuck between the piling and yellow. Blue has managed to disengage itself and accelerated, speeding away and leaving everybody to deal with the effects of its little duel with green. Looking good? There’s still plenty of race to go….Yellow and purple are fleeing, while brown is trying to stop the boat to avoid running into pink; pink is sitting there because white and green can’t move. Everyone’s so close there’s no room to work their oars.The stern rower on pink has actually reached down and is grabbing the metal point on brown’s bow to keep it from colliding. You can understand the instinct, but it is totally forbidden to touch your adversary’s boat. So pink could have been disqualified here, but too much is going on. Blue, bless its heart, probably thinks the day is won and is already envisioning that beautiful white pennant for second place. But the race is far from over.Things are starting to look a little better for everybody except for red, who is now hurtling into the mix. But red manages to make it around without incident, and so everybody’s back on track. Yellow and purple, out of the frame at the moment, are turning around to get back into contention. Orange is so far in the lead by now he must be wondering where everybody went.Well, that was exciting. Now back to normal, here in the back half of the race.Now what? For some reason the blue boat (remember those few seconds when it seemed like it was zooming away? The other boats have caught up) has swerved off its trajectory right into white’s path. The usual term is either “losing” the boat or the boat has “fallen.” You might do it on purpose and pretend it was an accident if you’re willing to sacrifice yourself for the sake of eliminating your rival, but it’s a risk and I’m not saying that happened here because blue had plenty of space to race. It could be that white got too close to blue and ran over blue’s oar (forbidden!!), a contact that renders the victim helpless, as you see here.
Blue is now trying to get moving again as white speeds away. Blue’s race seems to not be following whatever wonderful plan was implied at the fateful turn. So blue decides to chance its arm by abandoning this flight path, to so speak, and heads across the channel to the right to seek some better current (or fewer adversaries).As you see, blue has disappeared, and now we have a delightfully orderly line of boats. This is refreshing, we haven’t seen this for quite a while. Think I’ll look back at what’s happening with the last boats.Excuse me? Yellow has completely stopped because his partner in the bow has collapsed.And he’s staying collapsed, too. Meanwhile, the show — I mean race — must go on. I would never presume to know what goes through racers’ minds, but I’d be willing to bet that after “Holy yikes!” some version of “One less boat!” has flitted through their brains. No real worries, because the judges’ boat is right there.There is always an ambulance nearby — the race can’t be held without one. So help is at hand (and the man was resuscitated, though they didn’t finish the race).So that’s taken care of. How are things going with the race up ahead? The last three boats have peeled off to the right, seeking some advantage with the tide that will put them ahead of the rest of the boats along the line of pilings to the left. I see blue in the lead, followed by purple and red.But wait! Why is purple suddenly heading toward the embankment — or more precisely, toward the red boat?Purple has lost control, has run into red, and they’re both heading straight toward the ponderous white vaporetto moored at the dock. (Ignore the blue motorboat — it’s not dangerously close.)It’s every man for himself. Red swerved right to avoid hitting the white vaporetto, purple managed somehow to swerve left (hidden by the vaporetto), and blue continued on its merry way.But never say die, they’re still in the race.We didn’t follow the race beyond this point, but waited near the finish line. The judge’s dock, with the blue awning and gonfalone of San Marco, is moored to the fondamenta on the right.The anarchy of the after-race half-hour is almost as entertaining as the anarchy of everything else. The mix of boats, people, relatives, and racers in various states of anger or joy is pretty entertaining. Center stage here is a pupparino from the rowing club of the DLF, or Dopolavoro Ferroviario, the after-work sports club of railway workers. Coming to see a race is just as good an excuse for amateur rowers to come out on a sunny Sunday afternoon as it is for the families in motorboats.Speaking of families (or people, anyway) in motorboats, you get used to the fact that everybody in a motorboat is a fan of rowing. I know. Crazy.The rule — not always observed — is that motorboats aren’t allowed to get out ahead of the race and create waves that would disturb the first boats in the race. The second through ninth boats have to deal with whatever waves come their way. Yes, I freely recognize that I too am in a motorboat.If it floats and has a motor, you’ll probably find it at the races. Here we have a better-than-usual assortment of spectator boats.This is the quintessential summer-Sunday-in-lagoon boat: A classic wooden sampierota (could be rowed, or even sailed with the right rigging), with a tiny motor and lightly toasted family and friends of various shapes and ages. There’s a cooler (extra points) but no baby or dog (points subtracted). You could easily see all this on a shiny plastic motorboat, but it wouldn’t be this beautiful.
If anyone is interested, here are the results of the race of the men on pupparinos, from first to last: Orange, green, pink, white, brown, blue, purple, red. (Yellow withdrew, obviously.)
As for the race of the young men on gondolas, I have no strength left to report on it or anything else. Happily, there is nothing noteworthy to report. It seems that the day’s double-ration of drama was expended completely on the first race.
Reports written the day after said there were 150 (or even 200) boats in this gathering. It was really fun to see everybody out again, not to mention the doctors, etc. on the fondamenta in front of the hospital.
Last Sunday morning there was quite the boating event, after three months without either boats or events. Everybody was more than ready for it.
Seeing that the city is on the verge of complete reopening after the three-month lockdown, the moment was right for the “Vogada de la Rinascita” (Row of the Rebirth). The morning afloat was emotional (the worst is over, we hope; the day is glorious; finally we’re all out rowing again) and a tangible way of expressing group gratitude to the medical personnel of the hospital, as well as a gesture of respect to the victims.
The event was organized by the Panathlon Club, Venice chapter (fun fact: Panathlon International, now numbering some 300 chapters scattered across 30 countries, was founded in Venice in 1951), with the collaboration of the Comune.
We were there with two sandolos from the F. Morosini Naval Military School, where Lino teaches Venetian rowing. Cadets and passengers are looking good on the way from the school to the Arsenal (Lino astern, a friend on the bow). Going with the tide just added to that happy feeling. (I was on the other boat, obviously.)The boats began slowly to assemble in the Great Basin of the Arsenal. Allow me to draw your admiring attention away from the boats for a moment to the enormous Armstrong Mitchell hydraulic crane, installed here in 1883. At the end of the 19th century there were nine of these behemoths in the world, but this is the only one left and is designated a historic monument by the Superintendency of Archaeology, Fine Arts and Landscape. It could lift up to 160 tons of weight, primarily naval artillery and sheets of steel for the cladding of battleships.At the head of the procession, departing from the Arsenal, was a gondola carrying Luigi Brugnaro, the mayor, in the bow, and making a video amidships is Giovanni Giusto, president of the Coordinating Association of Rowing Clubs as well as the municipal delegate tasked with keeping up with Venetian rowing. Be cynical if you want to, but seeing the mayor rowing (and he did the whole thing) was unusually cool.The “local police,” otherwise known as the “vigili,” have their own sandolo Buranello. There was an effort a while ago to reinstate their once-normal patrols of the canals by oar-power, but I think that rapidly faded away.
The corteo departed the Arsenal at 11:00 AM, and we all wended our way toward the hospital, where we stopped and gave the traditional “alzaremi” salute to the assembled doctors, nurses, and other medical personnel gathered on the fondamenta. Much clapping, many smiles. Much noontime sun scorching our skulls.
We weren’t practicing social distancing, but it just so happened that we were in an open space at that moment.
After executing the “alzaremi” twice, people just sort of hung around for a minute or so before the corteo got moving again. I’m seated astern with what looks like an oar in my lap. Of course it’s an oar, but I don’t remember it being that close.
Down the Cannaregio Canal, and the Grand Canal, to a pause in front of the basilica of the Salute (dedicated to Our Lady of Health, appropriate in this case), where members of the chorus of La Fenice and musicians of the Benedetto Marcello conservatory performed assorted wonderful pieces. We didn’t linger — by that point it was almost 1:00 PM and the heat and the hunger were singing their own little duet in our brains: “Shade…food…water…food…shade…”.
Considering how lavishly this was reported in the foreign press — and we were hugely photogenic, it’s true — not only was the corteo lovely to look at, but it conveyed the message that Venice is alive and has come out of its pharmacological coma. Translation: Get traveling, people. We’re ready for you.
Gathering at the bottom of the Grand Canal, me still astern, me still dreaming of glaciers and permafrost.
Yes, the row was open to anyone with a boat with oars. So yes, a yellow kayak with a pink inflatable — is that a dinosaur? — had a perfect right to join in. The gondolas were not carrying tourists, as I thought at first. Each carried a guest of honor: The ambassadors to Italy from the USA, Japan, and France, The American ambassador reciprocated via an article in the Gazzettino the next day by enthusing about Venice and recommending that all Americans come here forthwith. It’s not clear when that might be, considering that at the moment Americans aren’t permitted to enter Italy because of the virus. But let’s be hopeful.The “people of the oar,” as we are called in a sort of Paleolithic clan nomenclature, come in every sort of shape and size. Tradition dictates that women wear a white skirt on special boating occasions though, as you see, the definition of “skirt” is open to interpretation. But whatever you were wearing (or rowing) it was a splendid occasion in every way.
It seems as if there is just about every form and manifestation of water to be had around here, at some point or other.
To take an extreme example, we had some weather yesterday evening. A friend sent me this clip of the scene at the Rialto Bridge (I don’t know who made it, but I absolutely wish I’d been there). All that’s missing are a few spawning salmon and a hungry bear.
And then there is The Drainpipe.
Lino is obsessed by this drainpipe, and I can’t say I blame him. I’m not qualified to suggest a different setup of the pipe, but if somebody had wanted to find a solution I bet they would have.The reason isn’t so much the pipe, in itself, but how blithely it makes itself at home over a rather worthwhile plaque. Seems rude — that’s what the issue comes down to. It’s the kind of thing I’d have been worked-up about, back before obsession-fatigue set in. (Translated by me): “Restored the aforementioned two rooms by reason of Domenico Marchio Celsi by his heirs in the year 1686.” I suppose it looked just fine for 300 years or so, then progress intervened. As it does.This unhappy sight is out there for anybody to see — how embarrassing — who takes a short-cut down a very small and narrow side street near us. Does it seem wise to order a new street-level door made of iron in a place where salty water is almost guaranteed to soak it? “Gosh, look at that,” Lino said. “Wow.” Or let me put it this way: Seeing that there are methods for removing rust from marble, does it seem wise to leave it this way at the entrance to an apartment that’s rented to tourists? First impressions and all.
Not made up — the door leads to one of the thousands of rentable apartments in town.The house next door was not stricken, as you see — the entrance is higher, which always helps, and the door is made of wood. Not perfect either, considering how wood swells when wet, though I don’t know if that happened here. And something regrettable happened to the stone step and its underpinnings. That’s a thing about Venice — even when everything is bone dry, water still has the last word.There are plenty of signs still visible of the damage caused by the hideous high water of November 12, 2019. This is in our doctor’s office. You see how intelligent the builders were in placing the electrical outlets up so high. They may have thought they were exaggerating, but not really.
People sometimes ask me how deep the water is in the canals. And I always ask, “At high tide, or at low tide?” And they go, “Ummmmm…..”.The extreme low tides in winter went on longer than usual a few months ago. As long as you have enough water to keep the boat afloat, you’re fine — but only if you’ve figured out a way to climb onto (or off) your boat in a way that doesn’t threaten you with bodily harm.Our boat, second from the bottom of the frame, presents an unreasonable challenge at low tide. Life, limb, and the pursuit of happiness — in this situation, you can either plummet onto the boat from the fondamenta, or on your return you can attempt to scale the wall with no tools at all. I finally bought a rope ladder.This is a simple, classic Venetian boat called a sandolo; it can be bigger or smaller, but this is the essential shape of several everyday boats. Just setting the scene here, giving a sense of scale to clarify the next photographs.Let me present one of my own favorite fixations: How the boat-builder made such a rookie mistake as to put the water-draining hole (“ombrinale”) where the water doesn’t flow. It’s easy to see the rainwater that has collected on the bow; the boat is intentionally stored tilting forward in order to aid the drainage.But in this case, the water has collected upstream, if you will, and has no way to drain out by itself. You can see the hole helplessly sitting by itself on the right side of the wooden barrier, and the accumulated water sitting equally helplessly on the other side. It’s like Pyramus and Thisbe. Let’s say anybody can make a mistake (the worker never read the plans? Had never encountered a boat before? Or water? Or gravity?). All that needed to be done to solve the problem was just to cut another hole on the upstream side. But as you see, here we are.
