Just don’t call me late for dinner *

Here the deceased is remembered by all, as noted, by the nickname “Spagheto” (“Chiam.” is short for “chiamato,” or “called”).  In Italian the word “spaghetto” means “twine,” or “string.”  (Lots of little ones are obviously called spaghetti even if you eat them rather than tie them.  Even food gets nicknames.)

Nicknames grow spontaneously here, like the shrubbery sprouting from the bridges.  (I think I’ve mentioned this in other posts.)  They’re not like stage names; you can’t plan them, and you can’t nickname yourself.  Something just happens and voila’ — you’ve got a nom de guerre for life, and not only you but, as you’ll see shortly, also your descendants.

On our way to the nicknames we need to detour through the numbers of the Neapolitan “smorfia,” or scheme by which items are assigned a particular occult number; the purpose of this is to facilitate your translating elements of your dream last night into numbers which you will use to play the lottery.

I was in Naples some years ago and dreamed of a flying rainbow-colored turtle, so being almost certain of having received a mystic message which would soon be translated into cash, I went to the lottery-shop and a wizened lady behind a window looked up the numbers corresponding to flight, turtle, and rainbow.  I played them and I won, almost immediately, nothing.  But the numbers are sacrosanct so it obviously wasn’t My Day and so, I ask myself, why did I bother playing?  For the same reason everybody plays, to one degree or another.  Because you NEVER KNOW.

The classic number I remember best is 47: “Morto che parla” — Dead man who talks.  Immortalized in an unforgettable instant in the film “Gli Onorevoli” with the incomparable Toto’, who is running for office and yells out his condominium window for everybody to vote for him by checking box 47.  Voices from hundreds of surrounding windows bellow “Morto che parla!”

Or 8: “Otto fa culo, otto fa porco, otto fa marinaio” — Eight makes butt, eight makes pig, eight makes sailor.  Lino says this sometimes, and I’m not taking this one any further.

If you want to read the list from one to 90 according to the usage in Naples (where fortune-telling is as basic to life as bread), here’s a chance to learn some new Italian and also some Neapolitan.

And so we come to the number 14, which is why I brought up nicknames. Lino has an ancient cousin who was telling me the other day that her father was called “Fourteen.”  (She didn’t say “nicknamed,” which would have helped.)  Someone trying to place her would say “Oh — you’re Fourteen’s daughter.”  I, in my innocence, thought he was the fourteenth child, which 90 years ago wouldn’t have been totally improbable.  I’ve known people of a certain age named “First,” or “Second,” and there was even “Decimo” — tenth.  Useful for the parents, probably scarring for the children, but really efficient.

But when I asked Lino later if her father had been the 14th child, he laughed.  “Heavens no,” he said.  “Her father was always drunk.  Fourteen stands for drunk.” (Certainly better than nicknaming him “Drunk.”)  It even has a sort of affectionate little fillip to it, as in “We all know, but he’s our guy.”

Francesco Scarpa was known as “Oscar.”

In another case, there is a certain tightly-wound guy who is known in all the rowing clubs he’s belonged to (he keeps getting moved on) by the nickname “Cagnara” (ka-NYA-ra).  It means a quarrel, of the sudden and belligerent type.  I suppose that’s an affectionate term, in its way.  Maybe in this case it also serves as a warning label for people who’ve just met him.  He might volunteer at the hospice, he might adopt 20 Patagonian orphans — he’ll still be Cagnara because of something that may well have happened 50 years ago.

This is Khufu carved in ivory. Doesn’t look much like Lino. (photo: Chipdawes)

There are also plenty of names which you can’t explain.  Lino went to work at the airport when he was 15, and at some point (maybe even his first day) he was dubbed “Cheope” (kay-OH-peh).  It means Cheops, as in the pharaoh Khufu.  He still has no idea why, but that was his moniker and he could decide whether to respond or not, but there would be no substitutions made.

One of his co-workers was dubbed “Piangi” (PYAN-jee).  It means “whiner,” “complainer,” “crybaby.”  This person was obviously in the habit of communicating in laments of various grades.  Did this person hate the nickname?  Too bad.  He should have thought of that sooner.

There’s a gondolier nicknamed “Cinese” — “Chinese.”  He’s not Chinese.  Another gondolier with a perfectly banal baptismal name is known by all as “Cicciolina” (chih-cho-LEE-na), which was the stage name of a certain Ilona Staller, a Hungarian-Italian porn star.  Two generations of the Dei Rossi family of gondoliers/racers have been known by their nickname “Strigheta” (Strih-GHE-ta), or” little witch.”  And so it goes: “Five lire.”  “Mosquito.”  “Pastry.”  “Raft.”

Lino added, “What about Burielo?”  “What does that mean?”  “I have no idea.”

I saw the lightning-flash birth of a nickname last Saturday.  Our little group had a new addition, the French boyfriend of one of the girls.  He was introduced as “Gaby,” and hearing this, Lino’s brain bounced and he immediately responded “Gabi ocio!” (GAH-bee OH-cho).  This is Venetian for “Have an eye,” meaning “Be alert!  Pay attention! Watch out!” and similar warnings.  It was evidently his Venetian destiny to be known this way, and that’s how Lino addressed him for the rest of the day. If the kid lived in Venice, that would almost certainly be printed on his death notice.

Tattoos are everywhere, but it’s a bit unusual to see a cross on a chain tattooed on an ankle — and even more to see the phrase “mea culpa” written beneath it.  (Sorry for the bad quality; I only got one shot with my phone before he walked away.)  This is the ankle of a prisoner who belongs to a group whose members are reaching the end of their sentence and are working during the summer as dock-masters on the vaporetto docks to help manage the crowds.  When you reflect on his being a convict, and that the inscription is Latin for “my fault,” all sorts of possible sobriquets come to mind.  Or he may not have had one at all.  I hope he isn’t going to spend the rest of his life being referred to as “mea culpa.”

A few years ago the Italian postal service made an exception to the rules by allowing mail to be delivered in Pellestrina if the address bore the addressee’s nickname.  This was vital, because there are basically four last names in Pellestrina, and not all that many different first names, so nicknames help everybody understand who’s being talked about.  The letter-carrier could spend all day going door to door looking for the right Marco Zennaro (made up) if you didn’t write the nickname to clarify things.  Plus this would help you avoid leaving letters at the wrong house, where they could be read by the wrong persons, which in a small village with only four last names would be equivalent to standing at your front door shouting somebody else’s private news to the entire street.

For the record, if I have a nickname, I’ve never heard it.  Hope I don’t have to discover it on my death notice.

No idea if this pair has a nickname (separately or together). Maybe they’re twins? Maybe it’s Crash and Eddie?

 

* It’s an American joke: “I don’t care what you call me, just don’t call me late for dinner.”

 

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Feets don’t fail me now

I was in a friend’s apartment one evening not long ago, which gave me the chance to (A) stop and just look out the window at a snippet of Venice I’ve never seen from this angle and (B) observe a snippet of behavior so bizarre that it might well have qualified as performance art.  More performance than art.

Water, gondolas, so far so normal. Photographer, photographer’s assistant (Uncle Fester, in the background), and model. Also tres normal.  But wait…
Morticia’s feet are in the water. With her sandals on.  The tourists in the gondola are completely oblivious.  Maybe they think this is some quaint Venetian custom: The Bathing of the Sandals.
Feet cool and refreshed, but the sandals will never stroll again. Salt water is the end.

 

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Unpacking more memories

Lino’s memories come in all shapes and sizes, though unpacking them is generally less cumbersome than dealing with appliances.

As you know by now, what looks to me like a random person on the vaporetto/street/high seas often carries a cargo of memories for Lino. I get to hear them all, not in any order whatsoever.  He seems to review the person’s biography from his mind horizontally.

A few mornings ago we got some seats on the #1 going up the Grand Canal.  So far, so surprisingly pleasant. “You see that man over there?” Lino asks.

“The one with the hat?”  He was pretty unremarkable, sitting by himself.  No hint that he could ever have bubbled like submerged lava with ill-will toward his fellow man.  Toward the fellow man sitting right beside me.

The year was sometime between 1965 and the Seventies, and the rio delle Torreselle — the canal behind the Guggenheim Collection — was still home to eleven gondolas.  (Now there are two.)  Naturally, where there are gondolas, there are gondoliers; Lino, who lived on a very near side-street, would hear them talking in the evening as they came home after work, putting the boats away for the night.  The canal was also where Lino kept his little wooden topetta, invisible in this view but up at the end of the row of boats on the left.  Idyllic.  I’m joking.  The story involves gondoliers.

The rio delle Torreselle in a tranquil moment some time in the Seventies; in the Sixties the gondolas were moored in pairs to the fondamenta on the right, and there were no boats on the left side. (mapio.net)

The man on the vaporetto (nickname beginning with “T”) was one of those gondoliers, and tied up his gondola just opposite Lino’s little boat.  One day T was seized with the conviction that Lino’s boat was presenting a clear and present danger to the health and well-being of his gondola.  Or potential danger.  The fact that both were the nearest to the 90-degree curve of the canal might have fomented this notion.  But Lino’s boat was about half the size of his, so I suppose if anyone were to be annoyed by its neighbors, it ought to have been the topetta.  In any case, NOTHING HAD EVER HAPPENED.

“So he made a formal complaint,” Lino told me.  “One day these papers arrive, I have to go to court.  He’s claiming one million lire in damage to his boat. I said ‘I don’t even know what a million lire are.’ (Note: It would have been $618 in today’s money, but back then it was way more than a month’s salary.) My lawyer friend saw me looking glum and I told him about all this, and he said ‘Give me all the papers, I’ll take care of it.'”

So a few days later the court sent a surveyor to measure the combatants (the boats, I mean, not the men).  “The surveyor is working away,” Lino went on, “and I was saying to T, ‘They’re just boats made of wood!  Don’t you have any bigger problems than this?  You’ve got your old mother at home to look after…’ And the surveyor is listening as he’s writing his notes.  And he turns to me and says, ‘Don’t worry, it’ll be fine.'”

The case was dismissed, and T had to pay the costs.  “Then my lawyer friend said, ‘Now we’re going to go ahead and sue for moral damages.’ And I said ‘No, for the love of God, just let it go.'”

That would be enough to remember, but there’s more in the album.  “He had a sister, she was unbelievably beautiful.  I had such a crush on her when I was 15, I would just tremble when I saw her.  I’d stand beneath her window hoping to get a glimpse of her.  I never said a word to her, ever… His father was a gondolier too.  A big strong man (‘grande, grosso…’). Finished third in the Regata Storica, or maybe it was fourth, I can’t remember the year.  I’ve got some papers about it at home somewhere.”

So everyone lived happily ever after?  I guess so, in their Venetian way.  Lino went on with his life, and when T retired he took his precious gondola someplace and sawed it up into pieces.  “He could have sold it, but he had all the money he needed anyway, he owned houses, he wasn’t married.  But no, he just went and cut it all up.  That’s a normal person?”

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Menegazzo and his gold leaf

Just when you think Venice can’t get any more amazing, you meet the last man in Europe who is beating gold leaf by hand. Of course he would be in Venice, and — why not? — he works in the old building where Titian lived. Nope, totally no need to ever make anything up.

https://craftsmanship.net/the-last-master-of-handmade-gold-leaf/

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