Back to work

We had some boffo days at the end of August and beginning of September.
We had some boffo days at the end of August and beginning of September.

Hello.  Maybe you remember me, I’m the blogger about Venice who doesn’t make anything up.  I am fully aware that I have set a new record in silence, and I’m sorry about it, but I had lots of good reasons, including having to finish a colossal project (which will be revealed at the appropriate moment, which isn’t now).  I have been living in a parallel universe complete with galaxies that have long numbers instead of names, and have not had enough brain, or whatever energy is actually made of (electrons?  crush-ons? four-hours-of-sleep-a-night-ons?) to do anything else.

But there is possibly a deeper reason for the silence.  I have temporarily run out of interest in Venice.  At least I hope it’s temporary.

Why is this?  Because I have become the glass into which the famous one drop too many has dripped.  Several drops.  Too freaking many drops.

Here is what I mean:

The tram.  Another massive public project, full of problems and costing too much.

Ten years have been devoted to the building of a tram that goes places in Mestre and now, finally, is concluding at Piazzale Roma. Naturally this has been done to the sound of teeth: Those of the highly inconvenienced public (gnashing and grinding) and those of the builders, politicians, and Superintendent(s) of Architecture and Landscape (gleaming with satisfied smiles).

This is merely the latest version of a story that just keeps getting retold, like bodice-ripper novels in which only the names and locations change: Estimates of time and cost blown to flinders, a vehicle which, new as it is, breaks down at odd moments for all sorts of reasons that are explained in the “Don’t Do This” chapter of the textbook on how to build a tram.  Derailments, losses of power, miscalculations of angles of descent which mean the tram would ram itself nose-down into the ground at certain points unless the geometry gets fixed.

Now the bill, so to speak, is coming due.  The budgeted cost: 163.7 million euros.  Real cost to date: 208 million.  Unforeseen delays, extra features added on later, the usual litany of an expensive public project. Wait, I think that’s redundant.  There will be investigations, of course.  The tram people can explain everything.

So much for the tram itself, which frankly, I happen to like.  When it’s working.

This is the “shelter.”  It’s not that it’s ugly that fascinates me, it’s that somebody thought this fulfilled the needs of people in a windy rainstorm, which are not uncommon here.  And what about shade in the pounding heat of summer?  I’m just not seeing it.  Bonus points: It’s only sort of original — one almost exactly like it was built in Alicante, Spain in 2006, and has even won awards, perhaps not voted by anybody who actually uses it. (Photo not by me, but uncredited where I found it.)

But the tram’s new “shelter” in Piazzale Roma (105 feet / 32 meters long) is an entire other subject, the latest in a series of phenomenally ugly constructions which have been approved and executed in the spirit of “Because we’re the city and we can do what we want.”  The purpose of this construction is to protect what appears to be about 50 people from the rain while waiting for the tram, as long as there is totally no wind. The more I look at it, the more I can’t understand how it could be considered functional, whether beautiful or not.

But by the way, it isn’t beautiful.  But no matter.  As so often has happened, the project documents clearly came out of the office of the Superintendent of Architecture and Landscape (who you might have thought was required to protect and defend the fabric of the most beautiful city, etc.) covered with big bright stamps that say “We like this!”  “This is good!”  “Let’s do this ASAP!”  “Can we do more of these?”  This has happened so many times since I’ve been here.  Say what you will about the Calatrava Bridge — for all its problems, and preposterous cost overruns, at least it’s functional.  You can adjudicate beauty on your own time.

As you can see, this shelter (I don’t know what else to call it at the moment, though it doesn’t look very  sheltering) answers to the nickname given by the first Venetians who saw it: the “big black coffin.”  It’s made of three sections of steel which weigh a total of 18 tons.  I cannot understand why something that big that weighs that much has to exist anywhere in Venice; even Tennessee Ernie Ford knew enough to stop at Sixteen Tons.

Traffic in the Grand Canal:  Remember the fatal accident by the Rialto Bridge two years ago?  We’ve jettisoned one mayor, used up a commissario, and now have another mayor.  Nothing has changed.  Everything is just the way it was.  Remember all those new regulations that came out a few months ago that threw a few amateur rowers into a swivet?  Regulations are so wonderful, especially when you have no way to enforce them, like not having one policeman for every boat.  Don’t watch this space for news of the next fatal accident, because I’ve stopped caring about the traffic.  Let everybody do what they want, which is exactly what they are doing.  Rock on.

The awning only hinted at the awesomeness of the store that was:
The awning’s modest list only hinted at the awesomeness of the store that was: Housewares, Detergents, Perfumes, Gardening, Camping, Hardware, Trinkets.  The name itself meant “Big Store.” But monuments crumble all the time, so what’s one more?

The Bottegon is gone.  This strikes way too close to home.  Stores close with alarming frequency here, usually as a result of spikes in the rent that are impossible to pay by selling books or pork chops or kiwi fruit or even sporting goods and gear (Andreatta, in the Strada Nova, had been in business since 1883.  As of March, it is no more).  I’ve seen all kinds of stores close since I’ve been here — hair salons, butcher shops, toy stores — and what follows is usually a bar/cafe, restaurant, or shop selling “Murano glass” made in China, Carnival masks (often made in China), touristic gewgaws and souvenirs (made over there too).  Nothing against China, but it’s not Venice.

I don’t know precisely how long the Bottegon was in business; I knew that it occupied a large space that was once a movie theater — you could see the big empty window above the cash registers where the projection room used to be.

You have to understand, this wasn’t a mere store.  It was a Noah’s Ark of almost everything required for human life, at least a pair of each so they could repopulate the earth with hair conditioner and thumbtacks and toilet paper and moth repellent and floor wax and all kinds of electrical wire.  Except for food and clothing, you couldn’t think of anything that you couldn’t find there.  Paint, hair color, mops, ladders, toothpaste, lightbulbs, potpourri, makeup, doorstops, toothpicks, shelving, salad spinners, detergent.  It was impossible to go in there and not come out with what you needed.  It was crammed so full, up to the top shelves of a very high ceiling, that you sometimes had to ask for help even to locate your item.  Then the choice would baffle you.

Then things began slowly to change.  They moved the cash registers to the front of the store, the area that you used to have to traverse like a jungle explorer, occasionally climbing over things.  They glammed up the shelves, widened the aisles, cut back on a lot of products, and began to add items you’d never have thought of buying there.  Olive oil, potato chips, wine.  It was weird — there are two supermarkets right across the street.  It was like watching Zelda Fitzgerald studying ballet at age 27, imagining she was going to be a star: depressing, and smelling of doom.

People used to stand in line at the registers, eventually there was almost nobody in the store.  In a brutal about-face, they never had what I needed anymore.  Eventually it stopped being a store and became some old friend with a lingering illness that you just couldn’t visit anymore.

So I’m glad it’s out of its misery.  From what my neighborhood source told me, you could have written the cause of death in one word: “Debts.”

A moment of silence.

Happily for me, soulless consumer that I am, I don’t have to worry, because via Garibaldi has two pharmacies, and two supermarkets, and even two bakers.  And there is indeed a sort of Bottegon down by the vegetable boat which has already been taking up the slack.  I have no idea what it’s called, but it’s small and crammed and has almost everything the old store had.  So I’m okay.  But I still don’t understand why they had to let the other one die.

Maybe it’s going to rise from the ashes as a restaurant.  We certainly need more of those.

Complaints about everything: These never stop, and most of them are completely justified.  But I’m tired of reading them and hearing them and even uttering them myself.

So I’ll be looking for something new to share, but it might take a little while.  I’m going to have to find one of those three-day cleanses, but for my brain.

Even three floors up, the pink bows announcing the birth of a girl stand out, and make me smile.
Even three floors up, the pink bows announcing the birth of a girl stand out, and make me smile.
"Welcome Anna." I do!
“Welcome Anna.” I do!
A few streets over, another little girl joins the team.
A few streets over, another little girl joins the team.
Valentina! Wow!
Valentina! Wow!  You can play power forward!
At the end of August we still had heat, but it was leaving gallons of dew on the streets overnight. This was not rain.
At the end of August we still had heat, but it was leaving gallons of dew on the streets overnight. This was not rain.
The difference between the sunny and shady sides of the street is rarely quite so vivid.
The difference between the sunny and shady sides of the street is rarely quite so vivid.
And this was "good morning" two days ago, a greeting we heard via a large ship's horn even before we looked outside. Early autumn fog is so normal that they call it the "brume settembrine," the September mist.
And this was “good morning” two days ago, a greeting we heard via a large ship’s horn even before we looked outside. Early autumn fog is so normal that they call it the “brume settembrine,” the September mists.
And back to clouds again. Or is this a smoke signal, which says "Please come save us before we all lose our minds"?
And back to clouds again. Or is this a smoke signal, which says “Please come save us before our powers of reason abandon us”?

 

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Bring on the Santas

Yes, Virginia, those are  Vikings masquerading as Santa Claus.  Hide the chickens and the cow.
Yes, Virginia, those are Vikings masquerading as Santa Claus. Hide the chickens and the cow.

Before we leave the subject and the scales and bones and gift-wrapping of Christmas behind, one last glimpse of holiday merriment. I wasn’t there, I’m sorry to say — I was sorry to say it the day it occurred, too, which was December 21.

The event: A “corteo,” or boat procession, in the Grand Canal, composed of anyone who wanted to row as long as he or she was dressed as Santa Claus (or “Babbo Natale,” as he’s known here).

The reason: First, because it seemed like a fun thing to do.  Second, because it seemed like an amusing occasion for the Coordinamento delle Remiere (the association of rowing clubs) to give a prize and a big round of applause to the dwindling group of hardy souls who have rowed in all 40 Vogalongas.  I say “dwindling” because in May there were 24 such persons, and on Santa Sunday there were 22.

The special bonus: Fog.  Fog and just enough wind to make the air feel even sharper.  But would this deter anyone willing to pull out the boat and pull on the red-and-white outfit?  Obviously not.

Because I was busy elsewhere, Lino armed a modest sandolo and headed for the lineup joined (happily for Lino and I think also happily for the others) by Gabriele De Mattia, a former rowing student of his and ex-cadet of the Francesco Morosini Naval School, and his girlfriend, Francesca Rosso.  She had never rowed before, but Lino soon took care of that.

So the three of them spent the morning rowing, and Lino was awarded a red pennant, such as those given to the winners of races here, with his name on it, and everybody was happy. Especially when the sun finally came out.

So a big shout-out to Francesca, who when she wasn’t rowing, was taking pictures.  If she hadn’t been there, you all would just have had to imagine it.  As would I.  This is better.

Floating around while waiting for the official start ("official" being whenever somebody said "We're ready, let's go"), this batch of Saint Nicks had time to make sure their reindeer was comfortable at the bow.
Floating around while waiting for the official start (“official” being whenever somebody said “We’re ready, let’s go”), this batch of Saint Nicks had time to make sure their team of  reindeer was comfortable at the bow.  It appears that one of them is either trying to get in, or attempting to disembark.
No reindeer, caribou, or moose were harmed in the making of this boat.  But I would like to see the paperwork on those beards.
No reindeer, caribou, or moose were harmed in the making of this boat. But I would like to see the paperwork on those beards.
How very "Be Prepared" -- they brought their own tree, in case somebody needed a place to put their presents.
How very “Be Prepared” — they brought their own tree, in case somebody needed a place to put their presents.

DSCN6794  babbo crop

Here is Gabriele, rowing away.  It wasn't snowing, but evidently there were interludes of unusually aggressive fog-flakes, or drops, or crystals, or something.
Here is Gabriele, who clearly had forgotten nothing despite a year into university life. It wasn’t snowing, but evidently there were interludes of unusually aggressive fog-flakes, or drops, or crystals, or something.
It's the invasion of the Kris Kringle-Snatchers, heading upstream to the Rialto Market where something hot to drink must be waiting.
It’s the invasion of the Kris Kringle-Snatchers, heading upstream to the Rialto Market where something hot to drink must be waiting.
Not strictly Venetian, but any boat bearing a Saint Nicholas is welcome at the party.  If this boat were to capsize, they'd all be bobbing around like Yuletide buoys.
Not strictly Venetian, but any boat bearing a Saint Nicholas is welcome at the party. If this boat were to capsize, they’d all be bobbing around like Yuletide beach balls.
And speaking of the party, here was the entire regiment waiting for the prizes and refreshments. Did you know that in the Germanic tradition, it ws Odin, king of the gods, who left presents in the boots left by children by the chimney?
And speaking of the party, here was the entire regiment waiting for the prizes and refreshments. Did you know that in the Germanic tradition, it was Odin, king of the gods, who left presents in the boots that children left by the chimney? Not that I’m trying to rank Saint Nicholas, just trying to add to the holiday atmosphere.

 

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Is it sad? Or is it just meh?

The last time I saw the sun shine was January 6.  It must have been a special gift from the Befana, one heck of a great stocking stuffer for the whole city. Here is what the morning of Epiphany looked like.  Dwell long and lovingly upon it, because evidently we’re not going to see its like again, if the week that followed is any indication.

"Glorious" is not a word I usually think of applying to via Garibaldi, but in this case the street applied it to itself and I just got to watch.
“Glorious” is not a word I usually think of applying to via Garibaldi, but in this case the street applied it to itself and I just got to watch.

Well, that was wonderful.  It was like falling in love; I wish it could have gone on forever.  But the next morning fog took over and hasn’t left yet –the weather has become as tedious as Sheridan Whiteside, a/k/a “The Man Who Came to Dinner,” but not as amusing.

Because fog, whatever its density, wears out its welcome very fast.  That’s just an expression; nobody welcomes fog.  Water in the form of acqua alta is one thing; it may come, but you know it won’t be long before it goes.  Water in the form of fog, when it’s not too heavy, is like an enormous sheet of grey gauze pulled across the face of the world, and you just have to put up with it until it’s gone, whenever that might be.

The fog was too thick to allow us to go rowing (not that we've never rowed in the fog). But it did provide some beading on the otherwise invisible spiderwebs on the bridge by Sant' Elena.
Jan. 7:  The fog was too thick to allow us to go rowing (not that we’ve never rowed in the fog). But it did string some beads on the otherwise invisible spiderwebs on the bridge by Sant’ Elena.

Fog can be dangerous, of course, but it is more commonly inconvenient — it compels the “GiraCitta'” round-the-city motoscafos to go up the Grand Canal instead of their usual routes.  But where big fog is brawny, the lesser forms of airborne condensation are as monotonous as the droning of the Indian tanpura.

In Italian, there is nebbia and foschia; fog and mist. In Venice people refer to caligo (kah-EE-go), which I’ve only heard used to describe medium- to heavyweight fog. Caligo derives from caligine, which means “haze” (I discover that Caligo is also a genus of butterfly, but let’s stick to the weather).  Technically, caligine is more like smog, which thankfully we don’t have here.

Call it what you will, it’s grey. Dingy grey, drab grey.

Fog lends itself to a particularly useful expression: “filar caligo” (fee-yar kah-EE-go) —  to spin fog. If you are worrying about something, worrying in a particularly elaborate way about something you can’t fix — obsessively, silently, baffled, anxious, and so on — you would say (or some exasperated friend might well say) that you were drio a filar caligo.  It’s the best expression I’ve ever heard for that particularly futile and gnawing kind of worry that drives everybody crazy.  Many people do not reveal that they are in that state of mind precisely because they recognize its futility. But that doesn’t mean they can stop, any more than you can make the fog stop. It just has to go away on its own, usually when the wind changes, or when the thing you dread either comes to pass, or evaporates.

Jan. 9: A morning view of the most beautiful city in the world, etc. etc. It's out there somewhere -- beautiful, undoubtedly.
Jan. 9: A morning view of the most beautiful city in the world, etc. etc. It’s out there somewhere — beautiful, undoubtedly.

Charles Aznavour wrote (with F. Dorin) a song entitled “Que C’est Triste Venise” (Com’e’ Triste Venezia, or “How Sad is Venice”).  That was 1964, and versions in Italian, English, Spanish, German and Catalan have come out since then.  http://youtu.be/aMQ6GyUs-fc

In my opinion, that gave another push to the general idea that Venice is sad.  Maybe it’s where the idea started. But while this song deals only with how sad the city is for the singer because his love is no longer with him, people seem to have concluded that the city itself is sad.  Fog helps, of course.  Cold and dark, even better.

I realize that if you are bereft of the love of your life because the relationship has ended, evidently against your will, and you had happy moments in Venice, of course you’re going to see your own sadness in the city.  It’s natural.  But somehow it seems that the received wisdom about Venice is that it has a particular affinity for melancholy.  It might go just fine with the fog (and cold and dark).  And I suppose Mr. Aznavour could have sung about how sad it is to be in Venice even if he’d been walking down via Garibaldi on Epiphany morning, when the world was coruscating with light, if all he had on his mind was his lapsed love affair.

But why should Venice have to be the world’s favorite sad city?  You could just as credibly sing “How sad is Paducah.”  “How sad is Agbogbloshie.”  “How sad is Sanary-sur-Mer.”  If you’ve lost your love, anywhere is going to feel like Venice in the fog.

There you’d be, wandering aimlessly around downtown Platte City, or wherever, repeating the song’s phrases which admittedly sound much better in French: “How sad is (fill in your town here), in the time of dead loves, how sad is (name here) when one doesn’t love anymore…And how one thinks of irony, in the moonlight, to try to forget what one didn’t say….Farewell, Bridge of Sighs (Susitna River Bridge, Sarah Mildred Long Bridge, Sixth Street Viaduct), Farewell, lost dreams.”

Jan. 12: It wasn't blue, it was grey.
Jan. 12: It wasn’t blue, it was grey.

So I’m going to risk saying something radical: Venice isn’t sad, and it doesn’t make people sad. Venice is just a city, like you and me and everybody who lives here and in Smederevo and Panther Burn and Poggibonsi, trying to figure out how to get from today to tomorrow without leaving too many dents and dings on the surface of life.

I’d like Mr. Aznavour to go find another city in which to remember his lost love. And I’d also like the fog to go somewhere else.  One of my wishes is going to be fulfilled, eventually.

Jan. 13: Wherever you look, you see fuzz.  Sometimes more, sometimes less.  This weather doesn't make me remember my lost love(s), it makes me wish I had a fireplace and a mug of cocoa.
Jan. 13: Wherever you look, you see fuzz. Sometimes more, sometimes less. This weather doesn’t make me remember my lost love(s), it makes me wish I’d been better to my mother.
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Situation Normal, you know what that means (Part 1)

Happily, via Garibaldi absorbs an amazing amount of foolishness. This is what looks like normal here, as banal and predictable as anything.
This is a glimpse of what passes for normal here, as banal and predictable as anything. Yet even here, folly is germinating, flowering, and being harvested every day.

In the simplest terms, Situation Normal translates as “deranged.” Sometimes in big ways, sometimes in small, but normalcy here will never resemble normalcy in Normal, Illinois.

I suppose the town we’re most closely related to would be Eek, Alaska.

Starting with the disappearing snail who traversed Lino’s wool sweater, which was spread to dry yesterday on the portable scaffolding which serves as clothesline.  I washed the sweater, I put it outside, I brought it inside when the rain started, I left it on the scaffolding in the living room/library/office/parlor/game room/music room/mud room/orangery all night.  I took it outside this morning, and saw the gleaming little strands of the snail’s wake festooning the navy-blue surface.

What impelled it to work its way up the metal tube of the frame?  (I can imagine what impelled it to work its way down: There was absolutely nothing to do on the laundry after the fun of streaking slime across the clothes had worn off).  And where was the scaffolding when the creature began its epic adventure?  Which means: Did he come in from the rain along with the underwear and dishtowels?  If not, where did he join my textiles?  And where did he go when he left?  Or is he still here?

What drew him to the dripping garment?  (Well, maybe it wasn’t still dripping at that point.) Do I now have to add “snail repellent” to the fatal products aimed at mosquitoes, ants and flies?

I pondered all those things as I washed the sweater again, put it out on a higher level than before, and left it to go through the dripping stage yet again.  I’m not so annoyed about the snail himself, but he made me lose 18 hours of precious drying time. This is unpardonable.

Speaking of drying, we are living a period of extreme and widespread humidity.  We’ve had fog, rain, and mist, plus indeterminate watery vectors for weeks and weeks.  Even when the sun is shining, the air is humid.  We have to do hand-to-hand combat with the front door to open and close it, the wood is so swollen with damp. But I refuse to turn on the heat until driven to do so; the gas company sucks out what little blood and lymph are left in our bank account with a voracity even a vampire can’t match.  Vampires are thirsty only at night, while the gas company is slurping away night and day, even when all the gas is turned off.

I’m finished with that now.

This curious creature looks just as home here as all the rest of the other odd bipeds. I like the two dragontails, and the oak-leaf underwing is a nice touch, but I'm concerned about his feet. Somebody couldn't decide if he should have claws or the dactyls of a hippopotamus.
This curious creature looks just as home here as all the rest of the other odd bipeds. I like the two dragontails, and the oak leaves are a nice touch, but I’m concerned about his feet. Somebody couldn’t decide if he should have claws or the dactyls of a hippopotamus.

Let’s talk about other craziness.  Today’s newspaper contains an article about the discovery of a barber in the town of Rovigo who has been working for 23 years without a license, and without paying any taxes.  No license?  No problem!  No taxes?  Big, multifarious, expensive problems!  But it’s just another example of Zwingle’s Eighth Law, which states “Everything is fine until it’s not.”  He had a fantastic run, after all.  Five days a week times 52 weeks (I’m not giving him a vacation) times 23 years comes to 5,980 tax-free days.  He must have been known as the Smiling Barber.

But that’s also a lot of days for no Finance Police-person, or local police-person, or firefighter or exterminator or anyone in any kind of uniform to EVER have asked, even once, to see his books or his diploma.  That’s more disturbing than the thought of an unlicensed person wielding razor and shears, even though we know that there are plenty of licensed people who aren’t very handy with sharp objects either.

Unlicensed practitioners, even tax-paying ones, keep turning up.  Every so often there’s a story about a gynecologist or dentist or surgeon (not made up) who is discovered to have been working peacefully and lucratively for years thanks to innate genius, sheer luck, or whatever he could pick up via some YouTube video clips.

So far, these stories have concerned only men.  I’m not being sexist, I’m just reporting. Women are usually too busy being beaten, abused, and killed by their so-called loved ones to have any time left over to cheat on their taxes.

Speaking of love, a man in Cavarzere, a small town just over there, had been ignoring the restraining order imposed on him for his persistent persecution of his wife; she moved out and even changed towns, but he followed her, and the other night he swerved in front of her car and stopped, but she fled into a bar and called the carabinieri.  When they went to his house, they discovered a homemade casket sitting there, all ready for her.

No point feeling sorry for the little mullet when he's already cooked.  But I do.
No point feeling sorry for the little mullet when he’s already cooked. But I do. He’s the ichthyological version of “The Scream.”

Since today’s cadenza is in the key of Crazy, you’re probably wondering why I haven’t mentioned the vaporettos. The moment has arrived.

We know that there aren’t enough of them and that most of the year has passed to the soundtrack of the suffering groans of infinite numbers of people trying to get from here to there on a vehicle that is approximately 1/2,948th of the space needed.

But the right hook-left uppercut which the ACTV dealt to the traveling public in the past four days has finally inspired enraged calls for Ugo Bergamo, the Assessore (City Council-member) for Mobility, to resign and go far away to somewhere in South Asia and cultivate ylang-ylang.  (Made up.)  (The rage isn’t made up, though.)

First it was the long holiday weekend (Nov. 1-4) which gave untold thousands the great idea to come to Venice and spend the day looking at bridges and canals. According to what I could hear just listening to the people shuffling past on the Strada Nuova, many were Italians who probably didn’t have far to travel and were going home that night. But there was a honking great lot of them.

Yet even more people weren’t shuffling; they were trying to take the waterbus. When the terrifyingly overloaded vehicles arrived and tied up at certain stops for the exchange of prisoners, hundreds of exasperated people were still trying to get aboard even when there was no space left even for a hiccup.When they were left on the dock, at least at the Rialto stop, they began pushing and yelling and coming to blows.

Mr. Bergamo acknowledged the drama, but said that nobody, including himself, had ever imagined there would be that many people coming to Venice. If I were a judge, I’d make that defense qualify as contempt of court. You’re living in one of the major tourist cities of the globe, but you can’t imagine that untold thousands of people will come on a holiday weekend? Can he imagine water running downhill?  Can he imagine beans giving him gas?

Second, on Monday it was the students and commuters who took the hit. On November 3, the transport schedule changes. Except that this year, all the distress about there being too much traffic in the Grand Canal (think: August 17) has led to the cutting of some runs.  Good idea, except that cutting to solve one problem has created another.

Because the ACTVmade a major cut in the slice of time with the heaviest traffic.  If you wanted to go to school or work last Monday (unlikely that you wanted to go, I know), you were inevitably traveling between 7:00 and 9:00 AM. But the new schedule for that time period suddenly didn’t offer 11 vaporettos.  There were five.

Mr. Bergamo says that’s going to be fixed. I guess he suddenly imagined that there weren’t enough vaporettos between 7:00 and 9:00.

I don’t understand fixing problems you could have avoided creating.  Zwingle is going to have to formulate a Law that covers that.

This is what I think normal ought to look like.
This is what I think normal ought to look like.

 

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