Fire, water, brimstone?

"Fire in the Oil Warehouse," by Francesco Guardi, 1789. Not made up, the fire or the painting.
“Fire in the Oil Warehouse,” by Francesco Guardi, 1789. Not made up, the fire or the painting.

The last thing on this mortal earth that the Venice firemen ever want to deal with is a fire.

If you leaf through a thousand years of Venetian history, you can see that fire has been about a skillion times more damaging to the city than water ever has been, or ever could be, not that I’m promoting acqua alta.  But you can accommodate water, one way or another — besides, you get fair warning when it’s coming, and you know that after a few hours it will go away all by itself.  But you cannot accommodate a fire.  There have been conflagrations in Venice that can match some of the worst you’ve ever heard of, at least in places not named Chicago or London.

In 1514 the entire Rialto market area was leveled by fire, leaving only the church of San Giacometto untouched.  The Doge’s Palace was carbonized, as they say here, to various degrees three times, in 1483, 1574 and 1577, the last one leaving so little that there was serious discussion of demolishing the walls and just building the whole thing over.  (Plan rejected, happily for us.)

And there was the olive oil warehouse behind San Marcuola that caught fire from a lantern in 1789.  I don’t think there’s any way to put out an oil fire, at least of that magnitude.  Four hundred families were left to pick through the smoking ruins.  Not to forget the lumber warehouse that caught fire at Barbarie de le Tole in 1686, which incinerated the neighborhood leaving only one house standing.

And my all-time non-favorite, the fire that started in San Severo in 1105 and took a tour of something like half of the city.  Get out your maps: It started in the house of the Zancani family at San Severo, burned the neighborhood, then the flames moved on to San Lorenzo, San Provolo, Santa Maria Formosa, onward to San Giovanni Nuovo, San  Zulian and San Basso and around the Piazza San Marco up to the church of San Geminiano, and proceeded to San Moise’ and Santa Maria Zobenigo.  There the strong wind blew sparks across the Grand Canal.  San Gregorio caught fire, Sant’ Agnese, San Trovaso, San Barnaba, San Basilio, then on to Angelo Raffaelle and San Nicolo dei Mendicoli; the fire on the San Marco side, not done yet, marched to San Maurizio, S. Paternian (now Campo Manin), San Luca, San Vidal, and San Samuele.  Bring me an acqua alta that can hurt like that.

Today the firemen probably spend more time in the water than they do around those banal but occasionally really bad fires caused by short circuits, flaming food and arson.  The lagoon is their beat: Pilings gone adrift, boats that have capsized or sunk, and other nautical mishaps are what the firemen usually deal with, and yesterday morning we came across such an event in the rio di San Giovanni Nuovo as we were walking from Santa Maria Formosa toward San Zaccaria.

The tube is still in the sunken boat, and the backwash is roiling, so they are still hoping at this point to raise her enough to begin pumping the water out.
The tube is still in the sunken boat, and the backwash is roiling, so they are still hoping at this point to raise her enough to begin pumping the water out.

First we heard the roar of the fireboat’s engine, all set to pump like crazy.  Then we saw it, next to its waterlogged victim; by the look of the work already in progress, we’d come in toward the end of the second act of this drama, which means we had no idea of what had happened in the first act, nor who the dramatis personae were.  But we could recognize a logistical problem which for some reason was more difficult than usual.  I can say that because, as Lino explained it to me, if they had executed two little steps at the beginning, they’d have been home for lunch in no time.  (I will try to describe his solution later.) As it was, in the absence of a team leader, everybody got into the act, and you don’t need to be a fireman, or a boat, to know that when too many people are trying to come up with a solution to a problem, the problem wins.

Short version: They evidently tried to lift the entire boat, which, considering the weight of the water, was discovered to be impossible.  They couldn’t raise the boat even two inches above the surface of the canal to be able to pump out the water in the boat (we walked by when they were at the point of renouncing the effort), so they ended up deciding to tow it away.  By the look of it, this procedure would have been more or less like towing a dead blue whale which had swallowed five Zamzama guns, with cannonballs.

Lino, who has also dealt with his fair share of submerged boats, told me that the boat was (briefly) on a modest slant.  Blocking the upper side, they only needed to raise the lower side enough to start pumping. He made it sound easy, and considering how many times he and I have undertaken maneuvers with extremely heavy boats all by ourselves, he gets Olympic-level credit for understanding physics.  Still, I give the firemen the benefit of the doubt because firemen are my heroes, and nothing I say should be taken as denigrating or belittling them in any way, much less to imply that I could have done it better. But still, it wasn’t going well — even I could see that.

The haven't given up on their rigging yet. And by the way, firemen are totally my heroes, so none of this is to be taken as denigrating or belittling them in any way.
They haven’t given up on their rigging yet, as we see by the men leaning over the side of the boat, grappling.
Considering an alternative…..
Motor turned off, the focus now shifts to the small brown motorboat which has been tapped to tow. I never knew what the relationship was between the brown and the white boats but evidently there was some link, otherwise I suppose the man in the brown boat wouldn’t have gotten so involved.
Throw that line.
Throw that line.
And heave-ho. The usual small crowd of spectators has formed -- nothing can happen here without passersby watching.
And heave-ho, pulling the boat into some kind of position.  I didn’t understand the design of Plan B, but no matter. The usual small crowd of spectators has formed — nothing can happen here without a little audience forming.
Looks like everything is in position, or almost. The brown boat has some work to do to get in position and tied to the white one, but progress hass definitely been made. I’d have stayed to watch it all (for instance, how long the small motor on the brown boat was going to hold out), but we had to get back to the program.

Speaking of cannons, and lifting, a Venetian patrician named Giovanni Zusto once devised a way to lift an entire ship to the surface — a ship carrying cannon, which is what brought this feat to my mind — after it had sat in the mud for three years.

You should know about this, to have something astonishing to think about whenever you get tired of marveling at Venetian engineering skill ashore.  On April 1, 1783, the “Fenice,” complete with 74 cannon, sank in the Canal Spignon, which is just inside the inlet at Malamocco.  That location means mud and currents.

So the aforementioned Zusto — once again, amateurs save the day — designed a system of enormous rafts which provided the basis for this gigantic hauling-up.  On July 30, 1786, the Fenice rose again.  The designs are on the second floor of the Naval Museum, which is closed for renovation. Here they are; have a look, and rethink how hard your day has been.

I cannot interpret any of this for you; all I understand is big boats, anchors, platforms, counterweights and/or pulleys, and that's it.
I cannot interpret any of this for you; all I understand is big boats, anchors, platforms, capstans, counterweights and/or pulleys, and that’s it.

descrizione-istorica-dell-estrazione-della-pubblica-nave-002c9152-1b31-40e6-86b2-7d090efec0d0 resized

And up she came, eventually. Then, of course, they too had to deal with the necessity of towing her to the city.
And up she came, eventually.

 

 

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The flesh is mightier than the sword

The eye of God, the eye of the patriarch, nothing seemed to faze the good sisters.
The eye of God, the eye of the patriarch, nothing seemed to faze the good sisters.

Life under the Serenissima wasn’t all state occasions and visiting potentates.  It was a whole lot of craziness, and often some of the main players were priests and nuns (separately and together).

I already knew that a good number of convents were forced-labor camps for generations of patrician Venetian women who, for whatever reason, didn’t win the marriage lottery.  There were some cloisters which were notorious for having inmates who adhered closely to the “carpe diem” doctrine of the Church of Life.  San Zaccaria, Ognissanti, Santa Maria Maggiore were only a few of the more notorious locations, and where this led is evident by what is sometimes found by men digging to lay new pipes or lines where convents used to be, viz.: a tiny skeleton.  Not made up.

San Zaccaria, the Benedictine sisters thereof, built up quite a reputation over the centuries.  The Venetian historian Sanudo records that on July 1, 1514, it having been decided (not by the nuns) to “close the parlor of San Zacharia for more honesty, the vicar of the lord patriarch Zuan di Anzolo di Santo Severino…went to accomplish this task with a few captains and officials; seeing that the nuns threw stones at them and forced them to flee…the patriarch himself went in person to accomplish this task.  Then, by order of the Council of Ten, someone was sent to make windows.”  Need to let some light in, and make it easier for others to see what’s going on.  Theoretically.

But that was a temporary inconvenience.  In the 17th and 18th centuries things were back to the way they’d been, if not more so.  Persons of both sexes came to socialize, to conduct “brilliant conversations”; the nuns organized parties and masked festivities, and sometimes brought in puppet shows to amuse the children who tagged along with the brilliant conversers.

"Il Parlatorio" (the parlor), by Pietro Longhi, DATE TK.  Not exactly the atmosphere one associates with cloisters.
“Il Parlatorio” (the parlor), by Pietro Longhi (late 18th century). The convent isn’t identified, but I don’t sense the atmosphere one usually associates with cloisters.
"Parlatorio delle monache di S. Zaccaria" (parlor of the nuns of S. Zaccaria), Francesco Guardi, 1746.  (Ca' Rezzonico, Venezia).  The central figure is not a nun, as far as I can make out.  There is a puppet show in progress, which is nice.
“Parlatorio delle monache di S. Zaccaria” (parlor of the nuns of S. Zaccaria), Francesco Guardi, 1746. (Ca’ Rezzonico, Venezia). The central figure is not a nun, as far as I can make out. There is a puppet show in progress, which is nice.

The nearby church of San Lorenzo, like many churches, also had a convent attached to it.  The convent is gone and the church is shut, which is too bad if only for the fact that it contains (or contained) the tomb of Marco Polo, who was buried there in 1324.

But the convent is what I want to talk about.  Why not?  Probably everybody in Venice talked about it.  I translate the quaint but pointed style of Giuseppe Tassini, in “Curiosita’ Veneziane“:

“We hinted in various places at the almost general corruption that reigned in the old days among our nuns.  But one can say that those of San Lorenzo just about took the prize in that competition.

“On June 16 1360 we find condemned to a year in prison and a fine of 100 lire Marco Boccaso, Zanin Baseggio, and Giuseppe di Marcadello for having fornicated, the first with a Ruzzini, the second with Beriola Contarini, and the third with Orsola Acotanto, professed nuns of that convent.

“A short while later, that is, on July 22, 1360, Margarita revendigola (a renter of sumptuous garb), Bertuccia, the widow of Paolo d’Ancona, Maddalena da Bologna, Margarita da Padova, and Lucia (a slave) were publicly whipped for having carried, as go-betweens, amorous letters and embassies to those nuns.

“As time went on, by the sentence of March 25, 1385, Master Nicolo’ Giustinian, physician, was condemned to two years and three months of prison and a fine of 300 lire, because he was making love to Sister Fiordelise Gradenigo, entering several times with false keys in the convent of San Lorenzo to join his beloved, with whom he had a son.

“Lastly, on June 21, 1385, Marco Gritti had to undergo three years in prison, for having entered the same convent for dishonest ends.

“And in the 17th century the dress of the nuns of San Lorenzo breathes worldly vanity.  The proof is in Viaggio per l’alta Italia del Sereniss. Principe di Toscana, poi Granduca Cosimo III, descritto da Filippo Pizzichi.  He, speaking of the convent of S. Lorenzo, which he visited with the prince in 1664, expressed himself thus:

“‘This is the richest convent of Venice, and there are more than 100 nuns, all gentlewomen.  They dress themselves most elegantly, with white habits in the French manner, the bodice of fine linen with tiny pleats, and the professed wear black lace three fingers wide on the seams; a small veil encircles their forehead, below which their curly hair falls, beautifully arranged; their bosom is half-uncovered, and taken altogether their habit has more of the nymph than the nun.’

When the nuns looked in their mirrors -- I'm sure they had them -- I'm equally sure this is what they saw.  (Detail of the Three Graces from "La Primavera" by Sandro Botticelli, 1482.)  Even if they'd never seen the painting.
When the nuns looked in their mirrors — I’m sure they had them — I’m equally sure this is what they saw. (Detail of the Three Graces from “La Primavera” by Sandro Botticelli, 1482.) Even if they’d never seen the painting.

But before you start shaking your fist at the nuns, you should hear something about the priests.

I return to Tassini:

“We read that in 1391 Giacomo Tanto, the pievano (parish priest) of San Maurizio, who had agreed with Tommaso Corner to kill a priest named Giovanni … brought him to a house situated at S. Aponal in the Carampane, under the pretext of giving him ‘a fourth of Malvasia wine for the Mass’ and there, aided by a companion, he slew him.

“Both men returned to the Canonica, where the deceased lived, and stole all of his goods.  When the crime was discovered, Tommaso Corner, who was absent, was sentenced on September 28, 1392 to perpetual banishment, and the pievano was condemned to end his life in the cage suspended from the campanile of San Marco on bread and water.”  He was the first man recorded to have suffered this castigation.

caption will go here
This is the only representation of the cheba hanging from the campanile of San Marco.  It is taken from the collection of abbot Jacopo Morelli (1745 – 1819) (drawn from “Giustizia Veneta,” by Edoardo Rubini, 2004).

The “cage” was the cheba (KEH-bah), which is occasionally referred to on admonitory plaques around the city as a possible punishment for breaking whatever rules are set forth on the plaque.  It was reserved for ecclesiastics, or for anyone committing crimes in a sacred place.  One source says that these crimes were usually “homicide, sodomy, blasphemy, and false witness.”

This cage was either permanently attached to the side of the campanile (examples remain in Mantova and Piacenza), or suspended from a beam inserted, as needed, into the bell tower’s wall.  The condemned was put inside it and that was that.  Night, day, rain, snow, hail, passing pigeons — he got it all.  And a daily ration of bread and water, which is not nourishment; it is only a cheap way to prolong starvation.

But Giacomo Tanto’s stepmother felt sorry for him languishing there, and so she found a way (fancy way of saying “bribed”) to induce an official of the Signori della Notte (the Lords of the Night, or the Almost-Everything Police) AND the chief of the guards of the Piazza, to slip her disgraced stepson other victuals. Not steak, unfortunately, or polenta with seppie, or anything else of a remotely nutritious nature (eat more fruit), but frittelle, and sweet focaccia with walnuts and almonds, and powdered sugar, and other confections which undoubtedly kept his spirits up as he was expiring.  She got caught, and the official of the Signori della Notte lost his job and was sent to prison for a year, and Giacomo went back to his daily bread until he died.

But his was no isolated case.  In the “Incorrigible Priest” division of the league of renegade religious, we have a very strong team:

Don Francesco of San Polo (1518) was accused of sodomy and consigned to the cheba.  Documents report that some kind soul gave him a gaban (gah-BAHN) to wear, to protect him from the elements, even though it was April.  The gaban was a long loose robe with sleeves, made of thick rough fabric.

Don Francesco, having plenty of time to spare, devoted himself to pulling the gaban slowly apart, till he had a collection of strips which he tied together, and you know where this is going.  On the night of July 1 he somehow managed to get out of the cage, and clinging to the long improvised rope he began to lower himself toward the pavement, and freedom.

But the rope ran out “a good distance” above the ground — enough of a distance to have rendered a fall more conclusive than the cheba.

So he just dangled there, hanging on, and yelling for help.  The night guardians came running, retrieved him (I don’t know how — with a net, like the firemen?) and carried him off to prison where the walls would be less accommodating than the cage.

But speaking of being accommodating, we last hear that he was succoured in his new incarceration by the nuns of San Zaccaria who, if you’ll remember, were not exactly “flour for making Communion wafers,” as they say here.  So their succouring almost certainly made everything better.

A cartoon satirizing the engineers considered responsible for the collapse of the campanile of San Marco, locked into the cheba.
A satirical cartoon skewering the engineers considered responsible for the collapse of the campanile of San Marco, showing them locked into the cheba (1902).

I’m skipping over a few others, such as don Francesco at San Stae (1502), and another don Francesco at Ognissanti (1505), who begot their heirs among the abbesses and their flock, to arrive at the star player: don Agostino of Santa Fosca.

Agostino’s collar did nothing to stem his love for life, among which were girls and gambling.  He didn’t interfere with the nuns, amusing himself instead with the commercially available ladies, but that wasn’t his crime.  He  was tried and sentenced for having blasphemed while playing cards.  It can happen, but it’s unpleasant to hear a priest give way to that extent.

He was the last person sent to the cheba.  On August 7, 1542, he was taken, hands tied, to the stocks placed between the columns of Marco and Todaro, and left there for six hours.  A sign on his chest described his crime and the punishment.

A sort of crown was put on his head, on which were depicted the devils to whom the priest had listened: “…they made me an emperor without an empire….I was crowned without being given a sceptre, wanting to punish me for my iniquity…”.  Perhaps you had to have been there.

Then he was taken up and installed in the cheba, where he remained for two months, after which he was taken to prison for another ten months.

Leaving prison, he was banished for life, which meant leaving the entire Venetian territory, which would have cut out a large part of Northeast Italy, the eastern Adriatic coast, and chunks of Greece, including Crete.  Still, that left plenty of other places where they must have known how to play cards and lose money.

Don’t imagine this is an exhaustive list.  It’s just all I know so far.  But looking around, I notice that the mortal sins have continued to flourish, so I leave you with don Agostino’s penitential warning: “Flee from gambling, do not blaspheme the saints, even less the Lord God…abandon playing cards, blasphemy and prostitutes…”.

I admiringly acknowledge the exceptional research of a personage named Giandri, whose website is marvelous reading (in Italian, alas for many).

Wrath of God?  Not yet.
Wrath of God? Or is this just testing, testing, one two three?
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