cholera | Venice: I am not making this up

Drink up: The aqueduct today

June 23, 2018 No Comments

You can thank thousands of people for this, starting with the victims of cholera whose fate made it clear that it was time for Venice to get a real water supply.

To pick up the story more or less where we left off, Venice continued to hydrate itself with water ferried across the lagoon in boats — plus the occasional well — until 1884, when the aqueduct was finally constructed that is bringing you water even as you read this.

I’m not a connoisseur of aqueducts, though I grasp the most basic outlines of the enterprise. But when I went to the Museum of the Aqueduct (not made up) near Piazzale Roma I was amazed, impressed, and totally gobsmacked by the amount of freaking knowledge one has to have in order to construct a public water supply, knowledge that’s expressed in formulas that look like angry porcupines with square roots instead of quills.

That little doorway in the corner next to the church of Sant’ Andrea de la Zirada is the entrance to the water-supply complex. No photos allowed in the grounds, which is too bad because they have two charming fountains I’d love to have shown you.

The entrance to the complex — the museum is in a building inside the walls. “Sportelli” are the desks where staff help you resolve your problems with bills, service, or anything in between. Only open in the morning from Monday to Friday, 8:30 – 12:30. No charge for the museum. However, everything is written in Italian. Though you do get to hear the soothing hum of the pumps at work.

Here is the network of pipes in Venice today (I regret the uneven background color; the lighting in the museum was just that way):

The system now serves the historic center, Giudecca, Murano, Lido, Pellestrina, Vignole, Sant’ Erasmo and the “minor islands” of the lagoon. The Veritas laboratory conducts 800 analyses per day on 17,000 samples.

In case you think you’ve never seen the aqueduct, water pipes are easy to detect on a summer morning.

Also to be detected under bridges, because that’s how the pipes get across the canals.

And the opposite is dependably visible in the winter.

This rendering shows the position of the pipe along the original Ponte degli Scalzi (1854).

According to VERITAS (Venezia Energia Risorse Idriche Territorio Ambiente Servizi), the latest edition of the water-and-trash-collection entity, the water system of the 44-town province of Venice is respectably vast. Let me say that statistics quoted by Veritas tend to vary according to assorted parameters, so I’ve taken the more modest numbers available in an effort to keep as close to the facts for the historic center as I can.

The distribution network of the aqueduct is more than 1,150 km (714 miles), 300 km (186 miles) of which are in the historic center. These pipes provide the Comune of Venice (261,321 inhabitants, including Mestre) with more than 45 million cubic meters of water a year, or 11,887,742,356.116679 gallons. Eighty-six per cent of this ocean of H2O is groundwater drawn from 49 wells (another source says 60 wells) between Venice, Padua and Treviso, and a small part from the Sile river which is made potable at Ca’ Solaro (Favaro). But it was a long, arduous, and costly path that brought us to this shining moment.

At the fall of the Venetian Republic in 1797, the population was about 150,000; the following two decades saw an intense depopulation at an average rate of 21 per cent per year. By 1820 there were only 100,000 people in Venice; after the cholera epidemic of 1838 only 93,500 inhabitants. Then began a gradual recovery and by 1857 the population was 120,414.

It was long since obvious that the hygienic/sanitary situation of the city had become extremely precarious. Water was still being brought from the mainland, but it wasn’t sufficient, and the once-glorious wells had been left to die. Veritas explains this by saying that the wells were at risk of infiltration of salt water via acqua alta and the necessary maintenance was difficult and expensive. I take that to mean “Nobody wanted to bother,” because the Venetian Republic didn’t seem to have any trouble maintaining them.

In any case, the situation was becoming dire. A survey commissioned by the city government in 1873 revealed that of a total of 4,329 wells, 2,620 were “mediocre,” 340 “muddy,” and 461 were “fetid.” And lack of any sewage treatment system only made everything worse.

EPIDEMIOLOGICAL INTERLUDE #1

To appreciate the importance — even urgency — of building an aqueduct for Venice, some context is necessary. In the 19th century, Venice (and most cities in Italy) (and Europe) was a hotbed of infectious diseases. Sorry to ruin your images of glamour, but parts of Venice more closely resembled Dickensian London than the refulgent Serenissima.

Cholera, unknown in Europe before the 1800’s, began to work its way across the continent. Major epidemics struck Venice in 1835-36, 1848-49, 1855, 1873, interspersed with smallpox, measles, and typhoid, terrifying diseases that flourished in poverty-stricken, cramped, feculent cities and which were vaguely battled by bewildered doctors and exploitative folk healers. Descriptions of the streets and smells in the most degraded neighborhoods will not be transcribed here — you’re welcome — but a city having more than 100,000 inhabitants with a lugubrious water supply and no sewage disposal other than the nearest canal basically describes itself. Venice wasn’t alone; in most Italian cities of the 19th century, sufficient potable water and adequate sewers simply did not exist. “Deadly pathogens,” as one writer put it, “led a very public existence here.”

The cholera epidemic of 1836 killed 2,066 persons in Venice; in 1849 cholera carried away 3,839 victims. Unable to keep up with burials, the city simply stacked the cadavers in the stifling August heat in the area in front of the church of San Pietro in Castello.

The campo in front of the church of San Pietro in Castello is much happier during the annual festa in late June.

Naturally the desperate quarantines and fruitless cordons sanitaires that were imposed across Italy meant that commerce was strangled, and when the cholera relented, Venice was on its knees economically as well. After the epidemic of 1854-55, the price of every type of food in the city had doubled. The Swiss had collection boxes marked For the cholera victims among Venice’s poor installed in hotels in Ticino (a region in Switzerland neighboring Italy), a well-meaning gesture that infuriated the Italians.

These calamities led to predictable battles among the city’s politicians, while the distraught common people, having noticed the similarities between this new disease and poisoning, began to spread panicky rumors that the State was deliberately trying to kill them. In Calabria, according to a government minister writing later, “widespread rioting had broken out after the vast majority of cholera cases had occurred among the poor,
who … accused the rich of being directly responsible for the cholera outbreak. The government, it was believed, had dispersed poisoned powder in an attempt to kill off a sizeable portion of the region’s poor … Cholera riots were as widely feared as they were common.”

By the time cholera struck again in 1873, “build an aqueduct” was at the top of the municipal must-do list.

End of interlude.

In July, 1874, at the conclusion of the latest cholera epidemic, the city administrators put out a call for bids on an aqueduct. Six projects were submitted; the winning bid was from L.A. Ritterbandt and D. Croll Dalgairns of London. The plan was this: The water would come from the Brenta canal between Stra and Dolo (this sounds familiar); at Moranzani there would be filters, tanks and pumps (ditto); and a duct beneath the lagoon would ultimately reach Venice at the Maritime Station (Sant’ Andrea) where the water would fill a huge cistern. Here steam-powered pumps would send the water to private users, 111 public wells, and to boats assigned to supply the islands. The contract was signed on June 26, 1876 (two years after the call for bids…) but something must have gone askew because three years later there was still no sign of an aqueduct; a French company acquired the concession and the right to build it.

On March 15, 1880 the Minister of Public Works stipulated that the Veneta Society for Ventures and Public Construction (sub-contractor for the French company) must complete the work within three years. Cost: 1,100,000 gold French francs ($14,300,000 at current value) and 2,506,100 Italian lire (current value not found).

More pipe had to be laid in 1913-1915, according to the date on this photograph. But the scene couldn’t have changed much from the original aqueduct. Sections of pipes brought on wagons drawn by horses, loaded onto boats called peatas (here in the Canal Salso between the lagoon and Mestre), and then rowed to the work site.

1882: Laying Duct 800 across the lagoon. First, they had to build walls and pump out the lagoon water, then dig the trench — men with shovels — and so on from there. Thirty per cent of the original iron pipes are still in use.

I’d never reflected on the amount of lumber required for building an aqueduct.

This structure, called a cassera, is essentially horizontal scaffolding whose primary duty is to brace the walls against the pressure of the surrounding lagoon. It’s also very useful for walking from here to there.

And, as you see, the work proceeded to a happy conclusion.

On June 23, 1884, let there be water! Ten years after the big decision was made, a jet of water from a magnificent temporary fountain in the Piazza San Marco leapt skyward to mark the inauguration of the new public water supply. Abundant! Clean! Glittering! Expensive! Before long, they had to adjust the ratio between number of users and number of coins per cubic meter because people weren’t signing up as predicted.

That taken care of, before long yet more water was needed, so some springs on the mainland at Sant’ Ambrogio (near Trebaseleghe) were tapped and more kilometers of pipe were laid.

On March 7, 1898 the network reached Murano, where the first spurt was celebrated with lights, stands (food, undoubtedly), a charity raffle, and a regata.

On October 1, 1900 the network reached the Giudecca.

On August 5 1901 the network reached the Lido. This must have been more than welcome, considering that the first sea-bathing establishments had begun to appear in 1857. The luxurious Grand Hotel des Bains had opened in 1900; I have no idea how their guests had been supplied with water. Maybe they bathed in prosecco.

July 18 1911: The aqueduct suffered a rupture which left the city, the islands and the estuary without water for eight days (in summer, of course). The investigation concluded that a boat probably ran over it. To avoid future inconvenience, the city approved construction of two additional ducts from the mainland to Sant’ Andrea.

May, 1911: Cholera strikes again. As it happened, German author Thomas Mann was visiting Venice during this period, so cholera became a major element of “Death in Venice,” published in 1912. I’ve never thought about how a tourist board might judge the relative value of a novel featuring a particularly repellent local epidemic if written by a Nobel laureate. Must have been awkward.

It’s interesting to note that, among some other factors I’ll write about elsewhere, these epidemics contributed to the 19th-century Romantic vision of Venice as sad, melancholic, somber, doleful. I’ve always wondered where that idea came from — you can’t blame everything on the fog — but it stands to reason that the general atmosphere (I don’t mean the olfactory) in 19th-century Venice often was not the most jovial.

EPIDEMIOLOGICAL INTERLUDE #2

So, I hear you ask — fancy new aqueduct and there’s still cholera? Certainly; not everybody was immediately hooked up to the system. You not only had to pay for the water, but for the connection and the meter. Lots of families couldn’t afford it.

Second, running water from the faucets did not automatically mean plumbing and flush toilets. Yes, drinking and washing with clean water is a huge step forward in public health, but most families continued with chamber pots or the occasional bucket and the nearest canal for quite a while. Naming no names, but someone I know extremely well reports that his family continued till at least the Fifties to use the chute in the kitchen (yes, in the kitchen) which went down into the canal. The opening was covered by a heavy stone which had a handle on it, which was convenient and mostly blocked out the odor.

I have now finally understood the deeper meaning of a common phrase everybody uses when they want to cut short a disagreement: “Metemo na piera sora.” “Let’s just put a stone on it.” I’d been imagining a tombstone, which connotes finality as well as anything else I can think of. But now the image of covering the toilet seems ever so much more powerful.

End of interlude. Also, end of story. I used to be fascinated by the lagoon, and still am, but I have to say that water pouring out of any faucet here has come to fill me with admiration and awe.

A very eccentric and overstuffed shop in Cannaregio has antique appurtenances of various types, including old faucets. Think of the pleasure each one of these brought, back then when people hadn’t quite begun to take running water for granted.

You can design faucets with every material and in every way your brain can contrive, but somehow now they don’t impress me anywhere as much as the fact that water comes out of them.

History

Perusing Venice

January 28, 2015 3 Comments

One of several reasons why there has been a lapse in my postings is that there is an atmosphere of lethargy in the city which translates into “not very much to write about.”

Of course there’s always plenty if one wants either to dig far enough, or continue blotting the spindrift from the waves of unsolved, or unsolvable, problems. But since the city government collapsed in a heap last June, the many problems which continue to afflict the city are almost always reduced to “Money, lack of.” And writing about Money, lack of is not only monotonous, but also pointless. And depressing.

Of course, “no ghe xe schei” has been the convenient phrase inserted into every situation for years, even when there was money; it was an excuse which the city administrators could turn on and off at will, as if it were the radio. Then we discovered that there really wasn’t any money anymore, because it had been given to most of the participants of the MOSE project. You know that sound when you’re sucking on a straw to get the last drops of your drink? The silence I’m referring to is the sound of ever-longer pauses between the municipal mouth and the municipal funds. Not many drops left, but if you stop sucking it means you’ve given up, and we can’t have that.

Apart from what it signified, I’ve enjoyed this somnolent January. We’ve had beautiful weather, and very few tourists. But now that Carnival is bearing down upon us (Jan. 31 – Feb. 17), that’s about to change. Thirty days of tranquillity isn’t enough, but it’s all we get.

The tranquillity induced us to take a few uncharacteristic aimless strolls. You know, like tourists do, and this confirmed what tourists know, which is how lovely it is to wander and what interesting discoveries you make in the process.

Here, in no particular order, is a small, confetti-like scattering of what I’ve seen recently.

Between a small, unremarkable side street, which leads to essentially nowhere, we came upon this remarkable neighborhood shrine stretching beneath a house.... — On a small, unremarkable side street which leads to essentially nowhere, we came upon this very remarkable neighborhood sotoportego which local piety had turned into a shrine. The inscription over the doorway explains everything…

It says: “Most holy Virgin Mary of Health, who repeatedly preserved immune from the dominating mortality the inhabitants of this Corte Nuova especially in the years 1630 – 36 – 1849 – 55 (NOTE: FIRST TWO DATES ARE PLAGUE, SECOND TWO DATES ARE CHOLERA) and from the bombs of the enemy airplanes 1917 – 18 Benevolently accept their grateful vows and the vows of all of this parish Deign to extend your protection which we trustingly implore on all your devout followers (word obscured by underbrush is “devoti” — thanks to reader Albert Hickson who saw it before the bush began to grow).

Two impressive capitelli, or small altars, survive, but several large empty spaces hint that they might once also have supported more. Naturally even here we find the inevitable graffiti, which if it could be deciphered almost certainly would not be of a sacred, or grateful, nature. — Two impressive capitelli, or small altars, survive, but several large empty spaces hint that they might once also have supported more. Even here we find the inevitable graffiti, which if it could be deciphered almost certainly would not be of a sacred, or grateful, nature.

If you have ever walked along the Fondamenta dell'Osmarin between Campo San Provolo and the Ponte dei Greci, you may well have noticed this tablet. It represents San Lorenzo (St. Lawrence), for whom the nearby fondamenta, former church and current home for the elderly are named. How do I know this (other than having found the information in a book)? It's because -- according to the custom of depicting a saint with the instrument of his/her/their martyrdom -- here we clearly have a man holding a grate, and we all know that San Lorenzo was grilled to death like a steak on the barbie. — If you have ever walked along the Fondamenta dell’Osmarin between Campo San Provolo and the Ponte dei Greci, you may well have noticed this tablet. It represents San Lorenzo, for whom the nearby fondamenta, former church and current home for the elderly are named. How do I know this (other than having found the information in a book)? It’s because — according to the custom of depicting a saint with the instrument of his/her/their martyrdom — here we clearly have a man holding a grate, and we all know that San Lorenzo was grilled to death like a steak on the barbie.

For anyone curious about the chalice he is holding in his right hand (which looks oddly like a crescent, but it may be just the optical effect), legend maintains that he was able to spirit away the Holy Grail to Spain, and it is now venerated in the cathedral of Valencia.

There is a long brick wall fronting the canal of the Arsenale, which faces the wooden bridge at the Arsenal entrance. The imposing marble sculpture is one thing which you can admire, or not, as you choose. But the little bronze plaque beside it has been defeated by time and by being placed so high that you can't read it anyway. But I have persevered, and while it doesn't contain the secret to turning straw into gold, it's worth revealing what seemed so important at the time. — There is a longish brick wall fronting the canal of the Arsenal, which faces the wooden bridge at the Arsenal entrance. This imposing marble sculpture is one thing which you can easily admire, or not, as you choose. But the little bronze plaque to the viewer’s left has been defeated by time and by being placed so high that you can’t read it anyway. But I have persevered, and while it doesn’t contain the secret to turning straw into gold, it’s worth revealing what seemed so important at the time.

This is my translation: "On the VI centenary of the death of Dante Alighieri the Naval Commandant of Venice, Admiral G. Pepe, restored and beautified the entrance facade of the Arsenal. On that occasion the marble monument of the XVI century, placed here at the side, which after many transfers found itself incomplete and defaced on the crumbling wall of the old workshop was restored and completed and transferred to the public view. Venice September 1921. Of course a noble work like this would be hard to accomplish today, seeing that there is no money. — This is my translation: “On the VI centenary of the death of Dante Alighieri the Naval Commandant of Venice, Admiral G. Pepe, restored and beautified the entrance facade of the Arsenal. On that occasion the marble monument of the XVI century, placed here at the side, which after many transfers found itself incomplete and defaced on the crumbling wall of the old workshop was restored and completed and transferred to the public view. Venice September 1921.” Of course a noble work like this would be hard to accomplish today, seeing that there is no money.

Enough exploration. Carnival begins on Saturday and my friend, Dino, who is a retired baker, makes the most divine fritole on this mortal earth. He gave us eight, just out of the vat. They are smaller and lighter than the bocce balls sold as fritole in the pastry shops. These are little candied sugared slightly greasy clouds. I wait all year for these things and they are among the few things that make Carnival worthwhile. Sorry, they're all gone now. — Enough exploration. Carnival begins on Saturday and my friend, Dino, who is a retired baker, makes the most divine fritole on this mortal earth. He gave us eight, just out of the vat. They are smaller and lighter than the bocce balls sold as fritole in the pastry shops. These are little candied sugared slightly greasy clouds. I wait all year for these works of art and they are among the few things that make Carnival worthwhile. Sorry, they’re all gone now.

This is what was floating by the dock at the Giardini: a television. But that's not the really funny part. What baffles me isn't that somebody threw it into the water -- we all know how that goes -- but that it has floated here in this exact spot for more than 24 hours. Have the tides gone on strike? — This is what was floating by the dock at the Giardini: a television. But that’s not the really funny part. What baffles me isn’t that somebody threw it into the water — we all know how that goes — but that it has floated here in this exact spot for more than 24 hours. Have the tides gone on strike?

Venetian History

Castello’s patron saint

September 23, 2011 3 Comments

I have a new hero.

He emerged from oblivion a few days ago wrapped in the shadows of a bygone regata which is being resuscitated this weekend, and I think he deserves more space than the regata and I want you to know about him not only for his own sake, but to demonstrate that Erla’s Venice does not consist exclusively of moldy leftovers and mismatched socks and intelligent people who believe crazy things and not-so-intelligent people who believe those things are brilliant.

His name was Luigi Graziottin (GRA-tsee-aw-TEEN): Born in Castello in 1852, died in Castello in 1926, and forgotten in Castello ever since.

IMG_4056 graz — Via Garibaldi, the spinal cord, nervous system and lymph nodes of Castello, where Graziottin was known by everybody, especially the storekeepers he asked for donations.

The regata he was involved in organizing and promoting was inspired by the city-wide desire to celebrate September 20, a crucial date in the amalgamation process of the newly united Italy. The festivities in Castello were a huge neighborhood event.

The race was first known as the Regata di Castello, then the Regata of XX September. It was held ten times between 1887 and 1913, skipping some years for various, ever-more-political reasons, with assorted modifications. Then people stopped commemorating the date and the race had no reason to exist.

I know all this thanks to an excellent book, “La Regata di Castello o del XX settembre,” by Giorgio Crovato. Too bad it’s only in Italian, it’s crammed with fascinating stuff.

Back to Graziottin. He was a carpenter by trade, who worked in the Arsenal, and was also an ex-NCO of the Italian Navy. He furthermore devised a cure for cholera which saved a couple of hundred lives in the national epidemic of 1886, no small feat when you consider how many cholera epidemics decimated Venice and/or Italy in the nineteenth century (1835-36, 1849, 1854, 1886). He told a Roman reporter that he was known in Venice as the “king of cholera” — sounds funny unless you’ve been through a cholera epidemic, which I haven’t, thank God.

IMG_1942 graz — Campo Ruga, where I hope Graziottin would still feel at home, though in his day few people here looked this good.

Most important — and this is where the heroic element comes in — he was Castello’s guiding light, a one-man social services agency who, without any particular qualifications, became the paladin of the poor, of which Venice at the turn of the century had an enormous supply. More than once, the regata’s festivities, apart from fireworks and the regata, included the distribution, organized by Graziottin, of “bread, yellow flour (polenta), and…wine to the poor of Castello.” Which means he had first managed to inspire donations from local merchants, which also impresses me.

Crovato describes him this way (translation by me):

“He is short and swarthy, with an unkempt beard, long hair….without much income and often in need himself, who runs where he sees the need of some social or civic intervention, without any direct political authority, but as defender of the weakest….”

He wrote so many letters to the Gazzettino to publicize his abundant concerns that the paper summed him up as “…a sort of local Garibaldi, who runs wherever there is need, engaged on diverse fronts, especially in the social realm. Honest and ingenuous, and loyal to his country, as a Venetian and an Italian.”

IMG_4434 graz — It's wonderful to realize there are people like this; anyone who would hang out the laundry with this degree of attention to detail is far beyond my level.

A man, in short, to whom the phrase “What’s in it for me?” would be incomprehensible, even if spoken in his native language.

In 1888 he wrote a letter to the mayor requesting new clothes for a poor shoemaker who had saved the life of a little girl who had fallen into the canal of Sant’Anna (as it happens, the canal that comes ashore at high tide just outside our door).

On the same day, he alerted the city that the shipyard workers at Sant’ Elena were in imminent danger of losing their jobs.

He got a meeting with the mayor to discuss the dire situation of 70 out-of-work boatmen, suggesting that the schedule for excavating the canals be modified in order to start, say, immediately.

He took four women to Padova to ask the wife of an important politician to intervene on behalf of the women’s husbands, imprisoned for their supposed participation in a sort of rebellion of the porters at the bridge of the Veneta Marina.

The next day he wrote a letter to the newspaper to solicit donations to help a 38-year-old woman with four children whose husband was in jail for homicide. I notice that he didn’t take on the husband’s case, focusing instead on the plight of his destitute family.

He also personally saved more than a hundred people from one life-threatening incident or another.

And on, and on, and on.

Eccentric as he may have been, with his proto-hippie persona buttressed by a blue-collar pragmatism — I picture him as looking something like a cross between Frank Zappa and Rasputin — Graziottin must have gleamed with sincerity and confidence, because people at every level responded. His personal motto, if he’d had time to bother with one, must have been “Get it done.”

The reason I have made room for him in my personal pantheon of heroes (in fact, he made room for himself) is not primarily his energy, or even his successes. It’s his altruism. I can’t express how startling and radiant that is in a city which seems unable to recognize any motive other than “ulterior.” I don’t doubt that the people to whom he appealed may have had many of their own reasons for responding, but I don’t perceive that he had any ambition other than to help people who had nowhere to turn.

I also can’t imagine him answering the numberless cries for help with the by-now ritual responses to problems of any sort or size: “I’ll think about it,” “We don’t have any money,” “I don’t know,” “Probably not,” “I wish I could,” “Maybe next year,” or merely “No.”

IMG_8184 graz — If you're out on the street, you know people will be looking at you.

Now we have unions and Facebook and special-interest groups and talk shows and all sorts of ways to make our voices heard, even if they are ignored. But there seems to have been something in Graziottin’s voice that was more effective than your average riot, march, or hunger strike. And compassion fatigue seems never to have set in.

Not to idolize the man, I’m just observing the chasm that separates his view of the world and the orientation of large numbers of people here. Of course there are many who labor to help the needy. I even know some of them. But in general, those who have the power to improve things, even little things, don’t. And those who don’t have the power, they also don’t. There’s always time to complain, though.

Graziottin! Thou should’st be living at this hour:/Venice hath need of thee: she is a fen of stagnant/Waters…..

But there the similarity between Wordsworth’s Milton and our own little Luigi ends. Because while Poet A apotheosizes Poet B on the basis of B’s innate grandeur and magnificence, I would skip the sonnet and send a crate of compliments to Graziottin for his simplicity, integrity, and tenacity.

He could probably also have used a gift certificate to a day spa, which I’d happily include, but I doubt he’d waste his time getting his nails buffed and his beard trimmed. He’d probably give it to somebody who really needed it.