get to know the mud

You could call it the lagoon’s base layer. There are places where there’s too much mud, mainly in the canals; it accumulates and creates problems for boats when the tide is low and, equally important, problems for buildings whose drains it has blocked, and so we have to take it away.
But there is an equal and opposite problem of there not being enough mud in places around the lagoon, where dredging has been heavy or, more frequently, where the motondoso (waves from motorboats) has loosened the soil, and the tide and waves have washed it out to sea. Waves that demolish the wetland marshes (barene) or, on the other hand, fill up channels, have been known for years to be wrecking the lagoon’s wrinkly underwater shape, smoothing it out and slowly turning it into a sort of bay of the sea. Bays of the sea are an entirely different ecosystem from lagoons, but no matter! Motors are indispensable for keeping the city going, and the lagoon is just going to have to suck up (so to speak) the consequences.

The 17th-century Venetians knew the lagoon dynamics intimately. Their survival depended on it. Fears of the lagoon silting up from the several rivers that flowed into it led them to an epic undertaking: From 1600-1604 they cut the river Po to divert it southward into the Adriatic.
In 1993 it was decided to redistribute the quantities of mud in the city and lagoon: Simple, logical, effective, positive. Dredging proceeded and the mud was deposited in various locations where it was useful, or at least not problematic. In fact, moving mud around is far from a recent phenomenon — it’s been done many times over the centuries resulting in consolidations, expansions, and entire new islands. This assortment of maps showing the Morphological Evolution of the Lagoon of Venice from the XVI Century till today is very interesting. In the 20th century Tronchetto and Sacca Sessola, to name only two, rose from the lagoon bottom created with dredgings.
And so, in the fullness of time, the dredges were at work outside our door in 2021, and they were at it again just two months ago. All seemed to be going well, but suddenly we read that things have taken an unexpected turn. The mud is unusable!

The headlines have been blunt: “Unusable muds, the lagoon in crisis, the dredging has been stopped in the lagoon.” “The new Protocollo of 2023 for the sediments dug in the canals doesn’t work anymore because the parameters of ecotoxicity are too rigid.” “First they were considered clean and good for reconstructing the barene. But no more: Now there’s a risk of blocking also the dredging of the most polluted.”
This problem has come up literally in mid-dredge. It’s a little awkward to discover that the Protocollo of 2023 is invalid when the barges are full of mud, so now what? Is there a Plan B? “Strictly speaking, we don’t have one,” to quote CIA operative Gust Avrokotos in the film “Charlie Wilson’s War.” “But we’re working on it.”
So what changed all of a sudden? It’s that, as the headline noted, the standards are suddenly stricter as to what mud is classified as “ecotoxic” (either biological or chemical) and therefore where it can be dumped. (Don’t write in, I know that everything is chemical, looking at the universe. We’re roughly distinguishing here between chromium and E. coli.)
Nobody’s surprised to hear that there are toxic substances in the lagoon — just look at the Industrial Zone shoreline and draw your own conclusions. A few years ago the University of Padova and Ca’ Foscari in Venice studied some mollusks taken from the channel bordering the mainland. Researchers found that the bivalves contained a quantity of poisonous substances 120 times higher than in the rest of the lagoon.
So here we are. Where will the mud go?

All muds are not created equal. Category A, the cleanest kind, is safe to put under the water, so it can be used “nourish” the shrinking barene. Other muds, the more toxic Category B and C, can’t be put back into the lagoon, no matter how worthy the reasons, and have to be banished to the Tresse island. And God forbid all these muds should become mixed together. Burning the mud is an interesting proposal, but it’s hard to agree on where to put the ash.
Also, the Tresse at the moment is running out of space. There have already been discussions about enlarging it, but quantity and quality, as often happens, are in conflict. Decisions lag. Bureaucratic, legal, logistical issues keep bumping into each other. Cost must be in there too, somewhere. The Morphological Plan of the lagoon was shot down in 2022 and nothing has been heard of it since.

So, back to the dredging at hand: After weeks of hardy gouging and hauling, the mud’s permission to land, so to speak, has been revoked. The Department of You Should Have Seen This Coming isn’t answering its phone.







In the Thirties the Industrial Zone was being built; for Venice’s post-war economy it seemed like the greatest plan ever, and in many ways it was. In their great days (now past), the chemical refineries here were the largest in Italy. Oil and chemical industries require raw materials, and those require ships, and ships require reliable channels for passage. That broad, curving channel marked in yellow on the map above that enters the lagoon from Malamocco does not look like anything a big ship would want to navigate, and of course ships also need a waterway to reach the mainland port area. And so the Canale dei Petroli (“petroleum canal,” in honor of the expected tankers) was planned.




We’re looking at tide patterns, otherwise known as the hydrostatic equilibrium of the tides in the lagoon over many centuries.
LEFT PANEL: The solid red lines show the tidal pathway from the inlet at San Nicolo’. The solid green is the water entering from Malamocco (Alberoni). The thin blue line across the center of the lagoon emphasizes what we can see where the arrows meet, the point where the two incoming tides form the spartiacque, or “division of the waters.” The dotted red lines show tidal flow before the landfills created by the Austro-Hungarians (who left in 1866) and Fascists (1922-1943). The dotted green lines show the tide before the landfills made by the post-war “democratic-clientele governments.” The dotted dark-blue lines are the principal zones of sediment deposits, which makes sense considering the movement of the tides.
RIGHT PANEL: The pattern of the rising tide in 2009. The solid red line shows the pattern of the tide entering the lagoon from the inlet at San Nicolo’. The solid green line shows the tide entering from Malamocco (and, obviously, along the track of the Canale dei Petroli.) This graphic shows the effect of losing the mudbanks, natural channels and barene, smoothing out the lagoon bottom that used to be naturally uneven and knobbly.















If you want a lagoon, you have to want mud. Otherwise you might just as well look at your bathtub.
Meanwhile, in other news….
Now that the G20 has come and gone, the surface of life that was so agitated thereby has returned to its normal level of agitation. There are plenty of things to keep track of, to one degree or another. In some cases, to many degrees.
Here are a few of them:
REDENTORE: The annual feast of the Most Holy Redeemer is tonight and Sunday — the big waterborne festivities on Saturday, the races and big religious celebration on Sunday. Last year there were no fireworks, which left a huge hole in the festivities. This year there will be fireworks, but in a serious effort to prevent the hazardous clumping-together of crowds the city has imposed a limit of 18,000 people, total, and those persons have to have made a reservation. To reach the place or area they’ve booked, they have to show their printed ticket as well as their “Green Pass,” or other certificate of vaccination, OR a document that confirms that their swab was negative within the 48 preceding hours.





Boats obviously won’t be permitted to tie up to each other: social distancing afloat. No trying to pass from boat to boat. No dancing parties aboard (take that, you big floating discotheques). The watery areas are delimited according to size and the use of boat, and you have to show a printed “ticket” from your booking (on water as on land) to be permitted to enter the area. Once your boat has entered its appointed area, it is forbidden to exit, nor will it be permitted to put people ashore. Boat captains have to keep a complete list of passengers for 14 days. Also, wear your mask.
There are regulations for people booking space along the fondamentas to watch the fireworks, or to scarf their dinner, but I’m not going to go into all that. If you’ve booked a space, you already have the rules. If you haven’t booked, you’d better hop to. Preference is being given to Venetians, it says here.
Lino and I will not be there; it’s been years since we decided we couldn’t stand the mayhem of the motorboats in the dark, with their drunk drivers. We might walk up to the fondamenta dei Sette Martiri (where I didn’t see any signs of assigned places) if it’s not too crazy.

THE BIG SHIPS: Ship-haters rejoice: As of August 1, the biggest ships will no longer be permitted to pass through the city. These ships are defined as having at least one of the following characteristics: Gross tonnage above 25,000 tons; hull at the waterline longer than 180 meters; height of ship more than 35 meters, excluding ships that are motor- and sail-driven; use of fuel in maneuvering that has a percentage of sulfur equal or superior to 0.1 per cent. Like any other cargo vessel, the big cruise ships will be routed from Malamocco to Porto Marghera, one of many solutions that have been discussed since dinosaurs roamed the earth. But this is just a stopgap. The real solution is the offshore port, and that’s not happening tomorrow.
Seeing that neither Porto Marghera nor anywhere else will be ready this year, the MSC Orchestra or Magnifica and Costa Deliziosa (the only big ships on the dance card this summer) will be departing, respectively, from Monfalcone and Trieste, up along the northern Adriatic coast. Passengers arriving in Venice will be swabbed or otherwise health-checked at the Venice Maritime area, then loaded on buses and driven a few hours to their ships. So much for the thrill of cruising from Venice.
The offshore port project is going to take some time. Phase One, send in your proposals by December 31, 2021. Make sure your design can accommodate modern container ships as well as the biggest cruise ships, and make sure the port will be safe in stormy seas because there won’t be any lagoon to protect you anymore. Phase Two, five experts evaluate the proposals. Phase Three, choose the winner. That decision will be made by June 30, 2023, if all goes as planned. That’s a pretty big “if,” I feel compelled to add.
Seeing that creating the offshore port will take at least five to six years, Porto Marghera will have to be modified fairly quickly. Building the new passenger terminal there, deepening the channels and revising the current industrial docks will cost 157 million euros — a hefty sum for a temporary set-up. Then again, “temporary” has a flexible meaning here. The Accademia Bridge was built in 37 days in 1933 as a temporary structure while proposals for the real bridge were to be evaluated, and it’s still there.
I have the impression that the sudden decision on dealing with the big ships is linked somehow to the fact that UNESCO recently decided to designate the water entrance to Venice — Bacino of San Marco, Canale of San Marco and the Giudecca Canal a national monument. This is surprising in that UNESCO, when it listed Venice as a World Heritage Site in 1987, specifically included the lagoon. You wouldn’t know that by the savaging of the environment that has gone on since then, but anyway, I’d have considered the Bacino, etc. as part of the lagoon. Now it’s a national monument. Okay then.
Spare a thought, though, for the humans — 1,260 direct workers and 4,000 indirect workers — involved in what will be a radical restructuring of the whole shipping enterprise here. Many are fearing for their jobs.
Almost no workers believed that this decree would come so fast, and right in the middle of the season. The maritime agencies are also worried. Every shipping company is required by law to engage a maritime agency, but, says Michele Gallo, head of two agencies, “You can’t even think of having the same ships as before coming to the docks at Porto Marghera, using the same places as the commercial ships. This is a devastating decree.” Organizing the entry, passage and departure of so many ships through the inlet at Malamocco and along the Petroleum Canal (Canale dei Petroli) is going to be a job worthy of an air traffic controller.
The 46-year-old Venetian businessman, well-known and loved by many, has been in prison in Sudan for three months. He is the owner of a company that produces electric transformers that has been doing business in Sudan for years. He has been accused by a Sudanese company of fraud, but the situation is an utter tangle of claims and characters. However, the photograph of the cell in which he was kept for two months with 30 other men, at temperatures of 114 degrees F., was all too comprehensible. Yes, the Italian government has attempted to intervene; yes, money has been paid, but turns out someone wants still more.
Now he is on house arrest in a Sudanese hotel, awaiting the next hearing (August 9) in the string of court appearances that may finally resolve the problem. He has already been absolved of two accusations, but it’s hard to know who wants what at this point. Of course money is at the core of this. Marco is well-known in the Venetian world of sport — Venetian rowing, for one thing, as well as rugby. As it happens, Lino has known him since he (Marco) was a boy. Also, Lino taught his mother how to row.



MOSE:

Mose worked last winter (except for one time), so you might think all is well? You would think wrong. I’m starting to dread the winter again.
The plan was to complete all the work by June 30, and declare the project finished on December 31, 2021. But that timetable is now in tatters for various reasons, primarily money problems (as always). The refusal of some suppliers to continue without payment also slowed things down, and the work was officially suspended yesterday, July 16, even though it actually had been stopped for three months already.
Without regular tests, without personnel from the companies involved, without some degree of ongoing maintenance, it’s not certain the gates will even rise when needed. Broken elements haven’t been replaced, parts are deteriorating because there is still no air conditioning in the underground gallery. There is severe corrosion that has been reported for years, to the frames of the underwater tensioners as well as the hinges of the gates. Encrustation of barnacles and other crud will certainly make the gates heavier. The gates at San Nicolo’ have been underwater for eight years now.
Bids have been solicited for a maintenance program budgeted at 64 million euros, even though some estimates maintain that at least 100 million euros will be needed for this every year. (Personal note: Lino has never batted an eye at the titanic construction costs. His refrain has always been simply “And the cost of the maintenance?”)
A Venetian deputy in Parliament, Orietta Vanin, has written to Enrico Giovannini, the Minister of Public Works, saying “A plan is missing for the launch of the work and the completion of the machinery. When is Mose going to be tested? What is the risk to the city in view of autumn? At what point are the interventions for the security of the Piazza San Marco? We’ve asked several times but have never had a response.”
TOURISM:

The infamous hordes are not yet swarming the streets; tourists there are, many of them still day-trippers, but not insupportable numbers, by any means. We could probably use a good horde or two right now. Happily for everyone, American travelers are finally permitted to fly to Venice (I presume also to the rest of Italy). Delta Airlines has non-stop flights from Atlanta and New York, and the other day 200 passengers from the USA disembarked to great, if silent, applause. That’s just a drop, however, as the Venice airport is currently handling 15,000 “passages” a day, a mere third of their daily pre-pandemic total.
Still, no coherent plans for managing the eventual masses have yet been proposed. The secretary of the artisans’ association, Gianni De Cecchi, says “The pandemic has passed in vain.” So stand by for the usual complaints, protests, and laments to come forth again. Probably toward the end of next summer, if forecasts can be trusted. Stay tuned.



Petition to halt the Canale Contorta “Solution”

This is an unusual step for me, but I think it’s worth it. Even though I don’t place much trust in the power of petitions, maybe this time it will be different.
In any case, I’d like to inform you of one which has gone from 700 to 20,000 signatures and counting in about ten days. I think that means something.
“Gruppo 25 aprile” is a new group of Venetians and Venice-lovers which is concentrating its efforts on stopping the digging of the “Canale Contorta.” Its reasons are shared by many scientific and environmental experts, not to mention a huge percentage of everyday Venetians.
Once the subject of the big cruise ships and their potential to damage Venice became one of the hottest debates and power struggles of the year, the need for finding an alternate route from the Adriatic to Venice obviously became paramount. My own opinion is that any “cure” they find will be worse than the “disease” (i.e., the ships in the Bacino of San Marco) — or, as the Venetians put it, el tacon xe pezo del buso (the patch is worse than the hole).
Many solutions have been proposed, but only one had the political muscle behind it to get itself officially considered by the “Comitatone” (“Big Committee”) in Rome, which had the power to decide yes or no. That “solution” is the dredging of the Canale Contorta.

Thanks to a calculated maneuver by its promoters, the meeting at which the decision was to be made was held in August. (“August” is Italian for “vacation.”)
As Marco Gasparinetti, the coordinator of Gruppo 25 aprile, explains (translated by me from the Gazzettino):
“The decision of the Comitatone on August 8 was a summer blitz with which they hoped to surprise a city on vacation. But the city is fed up with being expropriated from the decisions which concern it, and this time is going to make its voice heard.”
The political vacuum in Venice since the government fell on June 4 has at least one positive aspect, and that is that finally there seems to be some possibility that the voices of Venetians might be heard somewhere beyond their living rooms and favorite bars. Yes, there is chaos in almost every aspect of daily life here now, but the fact that essentially only one man is in charge — Vittorio Zappalorto, the Commissario who is temporary governor — means that the city is less strangled by the political and bureaucratic tentacles of the past 20 years. It’s as if — to try another metaphor — a colossal dose of drain cleaner has ripped through the city’s emotional and civic pipes.
Back to the Canale Contorta. It may not be too late to stop it. Therefore Gruppo 25 aprile has created a petition addressed to Prime Minister Matteo Renzi, as well as all the ministers concerned (Environment, Infrastructure and Transport, Culture, etc.) urging them to withdraw the hasty approval of what it (and I) regard as a catastrophic move, the last nail in the coffin of the lagoon after the drastic effects of the MOSE floodgates, not to mention the Canale dei Petroli (“Petroleum Canal”), dug in 1969.

The page connected to the link above shows a map (left) from the 1980’s which outlines the major and some minor natural channels (ghebi) which used to cross and re-cross the lagoon. It represents a complex biological realm which the effects caused by the Canale dei Petroli, in 40 years, has done much to destroy, as shown by the NASA satellite image made in 2002 (right). Do you see ghebi? I see just a broad, anonymous stretch of bottom. That’s what the fish see, too.

Here is a section of a brief but pointed piece by Tom Spencer, reader in coastal ecology and geomorphology at the University of Cambridge, and director of the Cambridge Coastal Research Unit:
Coastal lagoons are transitional environments between fully terrestrial and fully marine conditions; in the absence of direct human intervention, their long-term tendency is to infill with sediments. Over the centuries, the Venetian Republic was instrumental in maintaining this vital yet delicate land/sea balance, starting with the huge undertaking to divert the main rivers in the 16th century and stop the region from silting up altogether.
Since that time, however, historical and near contemporary records of changing patterns of lagoonal topography and water depth; tidal currents; and sediment transport from the lagoon to the sea all show unequivocally that the current lagoon is moving in the opposite direction, becoming a downward-eroding, sediment-exporting system. It is thus on a trajectory that will turn it into a fully marine bay. That this process is well underway is evidenced by the appearance of plant and animal species in the lagoon that are characteristic of marine environments.
We may argue about the velocity of this trajectory but the evidence for such a trend, clearly related to a whole series of human interventions from the late 18th century to the present, is not in doubt. As wave height and tidal flows are strongly influenced by water depth, such a shift has critical importance for the sustainability of the historic core of Venice itself. If we drill down into the detail behind this general trend, it is clear that the excavation of two large canals (Canale Vittorio Emanuele, around 1925, and Canale Malamocco Marghera, around 1969) produced strong transversal currents across the original tidal network, with consequent siltation of channels and erosion of adjacent shallows.
There is one simple question that needs to be answered. Can we be assured that the large-scale excavation of the Canale Contorta will not have the same effect and not give the Venice lagoon a further shove in the direction of yet more environmental degradation and urban vulnerability?
The petition asks the national government to reconsider all the proposals. That seems like an extremely modest request.
The petition can be signed online. Here is the link explaining their position, with the possibility of signing. (“Firma” means “signature.”)
Or, you can copy and paste:
http://www.change.org/p/stop-the-plan-to-dredge-the-maxi-canal-contorta-in-venice-before-it-s-too-late
If anyone might be tempted to suppose that Venice can be happy and healthy in the middle of a maimed and deformed lagoon, that person should consider this: That the water through the Canale Contorta will enter or leave the lagoon with a force and a quantity that will endanger the city to a degree that the biggest cruise ship could never dream of.

Taking a closer look at New Year’s Eve

Probably nobody is thinking about New Year’s Eve anymore, no matter where they spent it. But here in Venice it’s not over yet, as the papers continue to publish a cascade of ever-more-detailed articles, personal stories, and editorials on how things went.
In a word: Badly.
So I’m going to back up from my earlier post and try this report again. Because in case you don’t know, the three most beautiful words in the English language are not “I love you” (though they’re not the worst, either).
Nope. The three MOST beautiful words are “You were right.” And in my case, its close cousin: “I was wrong.”
I admit that I felt uneasy writing that sunny little post about New Year’s Eve. Even as I wrote it, I had the strange feeling that I was unaccountably speaking in some unknown language from the planet where life is beautiful all the time.
I must have inadvertently disconnected my internal smoke-detector, because the news is demonstrating, in ever more lurid detail, why I will never go near the Piazza San Marco on the night of Saint Sylvester. And how inexplicably incapable the city is of organizing big events in some reasonable manner. And when I refer to the organization of big events, I have some small experience elsewhere; for example, the Fiesta of San Fermin at Pamplona, which I have attended twice. And I’d go back again, no matter how much I hate crowds, and one of many reasons is because it is organized and maintained in the most dazzlingly intelligent and diligent manner for nine solid days and nights. And a mere twelve hours drives Venice to its knees.
From 9:30 PM, rivers of young people arriving by train filled the streets heading toward the Piazza, smashing bottles and setting off firecrackers as they went.
Far from being a scene of frolic and light-hearted conviviality, as the night dragged on the Piazza San Marco (and Piazzale Roma, whence thousands tried eventually to depart the most beautiful city in the world) resembled a war zone, or a frat party of intercontinental dimensions. Words such as “assault,” “devastation,” and “outrage” highlight the reports of the night, and the morning after.
Piles of shattered glass bottles and pools of biological fluids from either or both ends of homo stupidus prostratus were only some of the abundant remains. There were also the bodies of comatose sleeping revelers scattered around the streets, lying where they fell when the fumes ran out.

The story in figures:
80,000 partyers, 10,000 more than the past two years. Most of the yobbos weren’t Venetian, but from everywhere else — what in New York are called “bridge and tunnel” people. I’ve seen them there at the St. Patrick’s Day parade, and it’s not lovely. It’s no lovelier here.
50 interventions by the 45 emergency medical personnel from the Green Cross, Civil Protection, and SUEM, the ambulance entity; most crises related to alcohol drunk, alcohol spilled (rendering the already wet pavement dangerously slippery), cuts by the broken glass of bottles blindly hurled into the air, blows to the head, and panic attacks caused by the mob and the explosions of firecrackers at close quarters.
100,000 euros ($135,868) the estimated cost to the city, excluding fireworks. This approximate number comprises: 60,000 euros for the collection and removal of 135 cubic meters (4,732 cubic feet)of garbage, of which 20 cubic meters (706 cubic feet) were of glass; 15,000 euros for the 60 Municipal Police agents on security duty. And the cost, not yet quantified, of the extra transport personnel (50 bus drivers and an unspecified number of vaporetto pilots). And the fuel required by the 20 garbage barges.
60 extra buses coming into Venice from the mainland; 123 extra buses between midnight and 7:00 AM from Venice to the mainland. Does this sound like a lot? Au contraire; the ACTV, in its wisdom, put on extra vaporettos, which worked well, but reduced the basic number of bus runs on a holiday eve. Because it’s, you know, a holiday, and the drivers want to be at home. New Year’s Eve in Venice, with reduced bus service. Explain this to the masses of tired, cold, exasperated people who were trying to get back home, who even overwhelmed the relatively few taxis in Piazzale Roma. Explain it to anybody, if you can. And I still can’t figure out how 50 extra bus drivers were sent to work if there were fewer buses. Or were they put to work scrolling the “Out of service” sign onto the buses’ forefronts?
The story in voices:
“It was hard, if not impossible, to move. Funky air, a mix of piss and drugs, the pavement “mined” with bottles, cans, and every sort of garbage…The Piazza was a disaster. Electronic music at full volume incited the crowd that was already drunk and out of control. A great number of young people had taken over, armed with every type of alcohol…the center of the Piazza was an inferno. Not just fireworks, but young people, Italian and foreign, were competing in a new entertainment: the launching of bottles…I didn’t see any security agents that would have forbidden this behavior…The day after, the marks remained on our city, heritage of humanity, devastated by barbarism.” (Margherita Gasco)
“According to a recent international survey, the night between the last and first of the year shows Venice to be among the principal capitals of the festivities on the planet. This shouldn’t prevent us from … reflecting critically on how these events are carried out — if they’re worth the trouble, if they still have their original sense.” (Gianfranco Bettin, the assessore for the Environment).
“Such a high number of people wasn’t predicted, nor predictable,” said Angela Vettese, the assessore of Culture and Tourism Development. (It wasn’t predictable? Does she not read tourism surveys?). “In the future, more prudence is necessary to protect the Piazza, and to invest in more surveillance, so that the police can check, count, and keep access to the Piazza within a determined limit. Furthermore, it’s necessary to organize only high-quality events, with spectacles that involve the public (more involved than they already were?), maintaining greater tranquillity.” She’s still new on the job, or she wouldn’t be talking like that; all these things have been said before, and before, and even before that.

Social network comments were divided between those who think New Year’s Eve in the Piazza is the greatest thing ever, and those who think the care and protection of the already fragile city is more important; those who insist it was just a normal night of festivity, and those who characterize is as another example of sheer lunacy.
“I urge the church to make itself heard, seeing that the civil authorities don’t feel any special need to safeguard the Piazza San Marco…Can we imagine an event like last Tuesday in the Piazza San Pietro in Rome?” (Franco Miracco, art historian).
“San Marco can’t be the only stage for events” (Mons. Antonio Meneguolo, diocese of Venice). “It’s not the number of people which creates bad behavior,” he said. “We can increase the security but it would be better to organize other activities elsewhere, and remove the emphasis of the publicity for “New Year’s in the Piazza,” seeing how the event ends up.”
“Venice continues to be seen as a city to exploit touristically down to the bone,” said Lidia Fersuoch, president of Italia Nostra. “More than limit access to the Piazza, it’s necessary to limited access to the city itself, because it’s impossible to contain more than a certain number of visitors.”
“Certainly, if we take as the limit the Pink Floyd concert of 1989, anything even just barely below that is considered tolerable…But hurling bottles, explosion of firecrackers, people who urinate and vomit in the streets, are these part of the normal course of public socializing? For some people, yes, but for us, no. Especially if it happens in the Piazza San Marco, which isn’t just any piazza, but a monumental area, as it was defined when concerts were stopped (because they have an excessive impact on the Piazza itself)… But why no to concerts, and yes to New Year’s Eve? We speak of “outrage” precisely because it’s a monumental area; you can’t remain indifferent seeing people climbing up the 16th-century columns of the Loggetta of Sansovino at the feet of the campanile. The piazza has always been the place for socializing, for events. But what events?” (Davide Scalzotto)

Here is what I ask myself and anyone who might be listening: There is a Superintendency of architecture, of art, of treasures. There is the Polizia di Stato, the carabinieri, the municipal police, the Guardia di Finanza. There are ordinances forbidding almost every dangerous and tumultuous form of behavior and the hazardous objects associated with them. Why is there no evident point at which any of these elements meet? The behavior and objects are at Point A, and any uniformed persons authorized to intervene are at Points Q, X, and Z. All told, there may have been more garbage collectors than anybody else at work in the Piazza, which seems backwards, to me.
In theory, if there were more agents of public order on duty, there would be less need for the First Aid stations, not to mention the ambulances and garbagemen.
But let me move on to a much more distressing thought.
Venice is a UNESCO World Heritage Site, which, unlike many of the 981 sites on their list, is a real place where real people live and move and have their being. This presents special problems which nobody seems able to anticipate, or resolve. I am at a loss to say why, except that with ten fingers per city councilor, there’s plenty for pointing at other people.
There are 49 UNESCO sites in Italy, more than any other country on earth. So far, none is marked as being “in danger.” I think Venice should be. I cannot conceive of shenanigans such as New Year’s Eve in the Piazza San Marco being tolerated in Angkor, or Machu Picchu, or the Alhambra, or the Red Fort Complex, or the Etruscan Necropolises, or the Potala Palace, or the Galapagos Islands. And this is not the first time. And yet, it goes on.
And I’ll say one more thing, as long as I’m on the subject: Of all the “properties” on UNESCO’s list of World Heritage Sites, only two, so far, have been de-listed. The reasons are given on this page of their website.
Between the catastrophes visited upon Venice under the ever-fresh rubber stamp of the Superintendency of Architectural Treasures (the tormented issue of the maxi-posters in the San Marco area has only been moderately resolved, among other things), and the continued abuse of the lagoon, which is also part of the World Heritage designation (from the Canale dei Petroli to MoSE and now to the imminent approval of the digging of the Contorta canal), I don’t think it’s inconceivable that eventually Venice could see itself de-listed from the UNESCO panoply.
This is not the most improbable scenario I’ve ever come up with. Except that I’d love to be able to say “I was wrong.”





By the way, all this increased traffic will make it even more important to keep the aforementioned channel dredged. However, the deeper the channel, the faster the tide enters and exits, and already this action removes millions of cubic meters of sediment from the lagoon every year. Everyone knows that the Canale dei Petroli has thus caused incalculable damage to the lagoon and its extraordinary ecosystems. Ironic that UNESCO decided to designate part of the lagoon as a national monument with the notion of protecting it, but they seem not to have taken into account the effect so much extra traffic will have in a channel that essentially behaves as if it were a water vacuum sucking the soil from the lagoon.
FREE MARCO ZENNARO: