Venetian History

The fontegheto also has changed its look

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While my mind is still loitering around the Giardini Reali, soon to be refurbished, titivated, and otherwise brought back to life (the Giardini, not my mind), I thought I’d show a glimpse of how the immediate area looked before Napoleon moved in and there went the neighborhood.

The little building on the right is the charmingly domed Palazzina Selva, bordering the west side of the Giardini Reali.  The Vallaresso vaporetto stop is visible on the left.  The ecru-colored building in the center of the picture is the headquarters of the Coast Guard and Harbormaster, but it was once the Fontegheto de la Farina, or flour warehouse.

Between the early 1800’s and the 1930’s, the white stone bridge so gracefully arching over the canal didn’t exist, for the simple reason that Napoleon and those who followed wanted the Gardens (royal, remember?) to be appropriately separated from the rest of the city on that side.

In this images from the 1930’s, the canal flows in regal isolation.  But take a closer look at the building to the left, the former Fontegheto.  Notice the two large arched window/doors at the corner of the building.  The archway on the canal side is obviously blocked off, but it wasn’t always so…

Slightly further back in history, there once was a perfectly serviceable bridge, and without parapets or steps, which was more the norm than not.  It led to that now-closed archway, which then was a perfectly serviceable passageway (sotoportego) that went through the Fontegheto de la Farina.

The waterfront at San Marco used to see a lot of working boats and cargo which were not gondolas and tourists. The Fontegheto de la Farina (the building front and center, with the bridge attached) has stood here since 1492 (this painting by Canaletto is from c.1730), a smaller flour warehouse than the Fontego de la Farina at the Rialto.  Smaller merchants were allowed to sell flour in the covered passageway.  But man does not live on flour alone. On December 14, 1724, the Venetian Senate ordered that a few rooms on the second floor be given to the Academy of Painters and Sculptors.  This academy provided instruction and working space for foreign artists passing through Venice on their way to Rome, Florence, and Bologna.  It was funded by contributions from Venetian noblemen, ordinary citizens, the artists and their students.

 

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