November, 2010 | Venice: I am not making this up

Waiting for acqua alta

November 9, 2010 4 Comments

I’m sitting here at 7:30 waiting to see what the water is going to do.

This is not the first time this fall that water has come ashore (as it probably will), but it’s the first time I’m taking it slightly more seriously — and by “seriously” I don’t mean I’m pulling the tarps off the lifeboats preparing to abandon ship, so to speak; I mean that I believe that the official prediction may be close to accurate. That alone would be worth writing about.

The accuracy is interesting only for the same reasons that any weather prediction is interesting — Did they get it right? And does this mean I should take future predictions really seriously?

There are several indications that they may be onto something this morning, most of which do not require their intervention because I have the tools at hand to understand and evaluate the probabilities all by my big-girl self.

On an ideal day, the hand would be pointing in the opposite direction.

First, the barometric pressure. It has been impressively low for the last 12 hours, if not more. Low pressure means high water, a rule so simple even I can remember it.

Checking the barometer is one of the first useful things to do, and this is what impressive low pressure looks like. Note that whoever put those generic terms on the instrument’s face (“fair,” “change,” “rain”) didn’t consider putting “impressive high water” in the lower right-hand space. But that’s okay, because depending on where you live they would more usefully have had to put “monsoon,” “tropical cyclone” and other events not likely to occur here. So never mind.

Second, the wind direction. The garbin (gar-BEAN) was blowing strongly from the southwest yesterday afternoon, which is good because it impels the water to move northeast, or out into the Adriatic where it can do whatever the heck it wants to. Then it veered around to the north — even better.

But now it has veered to a scirocco, or southeast wind, which has the opposite effect of pressing the water into the lagoon, as I rustically think of it — or at least of creating enough force to block the tide’s normal retreat.

Third, we are now on the verge of the 24-hour period of the “morto de aqua,” or “death of the water,” when the tidal variation is minimal. This 24-hour period falls twice a month and doesn’t particularly influence the height of the high tide, but it does mean that since the tides are not especially strong, the weather is almost always unstable. Which means don’t count on anything except some kind of unpleasant weather. In the summer we can get huge thunderstorms during the “morto de aqua.”

If I had a shop near the Piazza San Marco and didn’t know any of the above, instead of wailing to the city about paying me for the damage or inconvenience I had suffered, I ought to be paying them for my preposterous ignorance. Hm — that would be an entertaining project: Setting a scale of penalty payments for preposterous ignorance. The mind absolutely sparkles at the thought.

Fourth, if you don’t know any of the above three basic facts of life in the lagoon, you can decide to depend on the city’s system of warning sirens, which sound an hour before water is expected to start rising through the drain system. If you live more than an hour away from San Marco, of course, this system doesn’t do you much good.

Or you might go online and consult the prediction from the city’s Centro Maree, or Tide Center.

It’s interesting to see the variation between the normal tidal flux (the lower, light red line) and the real-time prediction (upper blue line). The only problem with this tool is that its usefulness depends heavily on being updated in a timely fashion.

The forecast hasn't changed since last night, but I still don't understand why this chart wasn't on the Tide Center's website at 7:28 AM. — The forecast hasn't changed since last night, but it would have been nice to have seen it before 7:28 AM.

Really timely updates are available through the text-messaging system. However, if you have signed up with the Tide Center to get the prediction via your cell phone, you still might want to consider a fall-back position. A few days ago the Gazzettino reported that thousands of users had indeed received the necessary warning, but only several hours too late. The city blamed the mobile phone company and its incapacity to send thousands of simultaneous text messages. (Oh good — something even less dependable than weather predictions: cell phone efficiency). The city has since — they say — changed companies.

I have not signed up with this service because, well, we’ve got the barometer, which is incapable of lying and doesn’t depend on any human agent whatsoever. What a scintillating thought that is.

Update: The sirens have just sounded. And instead of the two tones which “code orange” would require, there was only one tone, meaning the maximum ought to be a mere 110 cm (43 inches)above normal sea level, not the earlier prediction of 115 cm (45 inches). This doesn’t mean they were wrong, it just means that something changed. Whatever it was, I’m for it. Two inches makes an inordinate amount of difference..

Events, History, Venetian-ness

Armistice Day in Venice

November 4, 2010 1 Comment

November 4 Street. This is simpler than "End of the war at last, thank God" Street.

At 3:00 PM on November 4, 1918, peace returned to Italy. After 41 months of brutal battles on the Eastern Front, Italy and its allies had defeated the Austro-Hungarian Empire.

The Armistice of Villa Giusti had been signed the previous day by representatives of the Italian and Austro-Hungarian governments at a country house outside Padova, and it stipulated the precise moment at which hostilities were to cease. It sounds so elegant — “cease hostilities” — so much more imposing than saying “No more blowing millions of young men to splinters and shreds.”

May 24, the date in 1915 that Italy entered the war.

The armistice between France and Germany which ended the War on the Western Front was signed in Compiegne, France on November 11. I remember commemorating Armistice Day on that date, before it was transformed into Veterans Day (decreed on June 1, 1954). In Italy, November 4 is observed as the Day of National Unity and the Armed Forces. Meaningful, but not poetic at all.

Of course I’m in favor of honoring everyone in uniform, but labels that are so generic muffle the profound resonance the end of the Great War, or as it’s sometimes called here, “The War of Fifteen-Eighteen,” had — and I believe still has — in European culture and history.

A weekday morning in Sant' Elena. You might not even guess that this was Venice, but after the hell of the battlefields, this must have looked heavenly.

In Venice, part of the war’s aftermath was the construction of housing for veterans on a large swathe of empty land on the island known as Sant’ Elena at the easternmost end of Venice. It has always seemed a fairly bleak area to me (especially on one of those dark, foggy winter evenings).

But what the neighborhood may lack in charm it more than compensates for in the echoes still reverberating through the names of its streets — names of battles or battlefields, or generals, or dates so crucial that they need no explanation whatever to anyone in Italy. And certainly not to the families moving in.

Lest anyone imagine that Venice might have escaped any effects of the war, let me note that the city was bombed by the Austrians more than once. Buildings were damaged, and so were many of their inhabitants.

Campo Santa Giustina after the bombardment on February 26, 1918.

On October 25, 1915, an Austrian bomb hit the church of the Scalzi, next to the railway station.

At 10:15 this morning, the flags were raised in the Piazza San Marco. Maybe a hundred tourists stopped to watch the half-hour ceremony, performed by detachments of the Army, Navy, and Carabinieri. The Prefect reviewed this modest array, some recorded band music was played (the Hymn of San Marco, and the national anthem), and letters from the President and the Minister of Defense were read. The veterans marched in and marched out.

And the flags were raised — Italian, European, and Venetian.

It was not very impressive. But in a way, it didn’t need to be. All anyone had to do to be impressed was to stop for 17 seconds and try to grasp what the ceremony represented. I’ve never been able to come close to grasping it, but I try.

The text of the “Bulletin of Victory,” issued by General Armando Diaz, supreme commander of the Italian army, is cast in the form of a bronze plaque made of melted enemy artillery, and is displayed in every City Hall and barracks in Italy. Here is the text (translated by me):

SUPREME COMMAND, 4 November 1918, 12 o’clock

The war against Austria-Hungary which, under the high command of His Majesty the King, the Italian Army, inferior in numbers and means, initiated on May 24, 1915, and with unwavering and tenacious valor conducted fiercely without interruption for 41 months, is won.

The gigantic battle engaged on the 24th of last October and in which took part 51 Italian divisions, three British, two French, one Czechoslovakian, and one American regiment, against 73 Austro-Hungarian divisions, is finished.

The rapid and daring advance of the XXIX Army Corps on Trento, blocking the enemy’s means of retreat in Trentino, overwhelming them on the west by the troops of the VII Army and on the east by those of the I, VI, and IV, determined yesterday the total ruin of the adversary’s front. From Brenta al Torre the irresistible surge of the XII, the VIII, and the X Army, and of the cavalry divisions, drove the fleeing enemy even further back.

On the plains, His Royal Highness the Duke of Aosta rapidly advanced at the head of his undefeated III Army, longing to return to the positions which they had already victoriously conquered and had never lost.

The Austro-Hungarian Army is annihilated; it suffered grave losses in the fierce resistance of the first days and in the pursuit it has lost huge quantities of materiel of every sort and virtually all of its stores and warehouses. It has left in our hands about 300,000 prisoners with entire general staffs and not less than 5,000 cannon.

The remains of what once was one of the most powerful armies in the world is ascending, hopelessly and in disorder, the valleys which it had descended with such proud security. DIAZ

The monument in Valstagna to their fallen sons is heroic, a powerful reminder of how bitter the struggle was along the mountainous border with Austria. Soldiers' bodies are still occasionally found along the front. — The monument in Valstagna to their fallen sons is a powerful reminder of how bitter the struggle was on the mountainous border with Austria. Soldiers' bodies are still occasionally found.

Boatworld, Events, Food, Venetian-ness, Water

Raffling the Vogalonga

November 1, 2010 3 Comments

It all seems (in fact, it all is) very long ago now, but last May 23 was the 36th edition of the annual rowing marathon called the Vogalonga.

The 2009 edition was fairly appalling, and if I were to feel like writing a full account I’d need a strip of paper five Babylonian cubits long, or whatever the electronic equivalent might be.

This year everything was perfect, so I didn’t have anything to write about. You know how they say bad news is more interesting than good news? (I guess somebody says that.) Same thing here. How many different ways can you say “It was great”?

But great or ghastly as the “Long Row” may be, each year the organizing committee gives each rower a numbered stub when he or she registers, then a few months later puts on a raffle and holds a drawing for the prizes.

As the drawing commences, it looks as if the boats themselves are waiting, like puppies in the pound, to find out who their new masters will be.

I dimly recall this event as occurring closer to the date of the Vogalonga itself, but for the past several years this convocation has been scheduled for late fall, when one’s memories of the equatorial heat and humidity, or whatever other weather dominated your spring morning in the lagoon, have been replaced by the sepulchral chill of an autumn twilight.

Thus we gathered last Friday night, in the waterside pavilion of the fish market at the Rialto, as usual, for the official thanking-of-many-brave-and-tireless collaborators, and for the drawing.

Venetian oars, like the forcolas, vary according to size and type of boat. These slender constructions suit the mascareta but would be too light and short for a gondola.

The prizes are pretty simple: Nine pairs of forcolas and nine pairs of oars, either pair suitable for rowing a Venetian mascareta. And two gleaming, brand-new mascaretas in the flesh.

One was financed by the Casino, a bittersweet reminder of the days not so long ago when the Casino had money to lavish on sponsorships all over the city, before their guy in the green eyeshade hit “total” and discovered they were 45 million euros ($52,356,493) in the red. And the other vessel was offered by the Assessorato al Turismo, or Tourism Department, similarly reduced, or so the reports have it, to eating shoe leather and tree bark to stay alive. I remember when there were three boats to be raffled off, but times are hard even in mascaretaland.

Here is how the event feels: I smile at an assortment of boating friends, (good); I feel the cold and damp seeping from the wet granite paving stones up through my shoes as the darkening air forms moisture everywhere around me (less good, but tolerable). And I metaphorically clamp an inverted facelock around the head of that inevitable craving that always lunges at me from when I see a boat that might, perhaps, in my dreams, be mine — that Christmas-morning suspense, but without any of the pleasure of knowing you’ll actually get to open the presents (not good at all.)

These forcolas may look merely like blunt instruments but they are works of exceptional engineering, traditionally made of a single piece of walnut.

So we walked around the boats, like everybody else was doing. We stood and listened to the various pronouncements made by Lalo Rosa Salva, chief organizer and tutelary deity of the Vogalonga. We watched the winners walking away with their prizes. I stifled my urge to wail.

And then there was the buffet. No event can ever be said to have occurred in life here if food is not in some way attached to it. Attached at the end of said event, naturally, otherwise people would just skip it and head directly to the noshfest, however modest it might be.

Because the Rosa Salva family runs one of the city’s oldest and best-known pastry-making and catering operations, there were sandwiches and cookies and wine and sodas and water galore.

The refreshments may not look like much to fight over, but you'd be surprised how strongly some people feel about getting as much as they want.

I remember when the buffet was somewhat more sumptuous — not that I’m complaining. But let the record show that I remember a generous assortment of sandwiches, and tiny finger-pizzas, and pastries as well as cookies, and also fruit. Those were buffets that had a certain allure, as attested by the variety of matrons who, in their instinctive, ruthless way, would appear from nowhere and always get to the table first, claiming their spot with more conviction than Columbus claiming North America, and not budging.

They’d stand there eating, elbows half-cocked to ward off any possible intruders, and I have even seen these dowagers stuff extra snacks into their conveniently large handbags. Or even shopping bags, brought for the occasion. Yes, I have seen that with these very eyes. The buffet has always, at least up to the other night, provided more drama than the drawing, because some ignorant or foolhardy person would occasionally try to displace one of these dreadnoughts. This year, though, the dowagers didn’t even show up. A sign more vivid than the shrinking prizes that times have indeed become hard. Pretty soon we’ll have to start stockpiling canned goods.

Oh, about the boats: I didn’t win one. But as I watched members of the two lucky clubs carry the mascaretas bodily to the Grand Canal, some perplexing thoughts seeped into my mind.

Such as: If Venetian rowers (by which I mean people, of whatever provenance, who row in the Venetian way) form the smallest possible percentage of participants, which they do (something like a quarter of the total) why are the prizes only suitable for Venetian rowing? Me, I think it’s just fine, and a brilliant way to stand firm for whatever can still be maintained of Venetian-ness. I merely note that for someone from Lithuania who rows a kayak, a forcola and an 11-foot [3.30 meters] wooden oar might not be exactly what they’d consider a prize. Of course they could sell it, but that would be crass.

It takes only a few strong and willing people to get this mascareta off the ground and into the water, where she belongs. — Off and into the water, where she belongs.

And this: Why would either of the entities who paid for the two boats feel any particular need or desire to do so? Of course it’s a very handsome gesture, but if the main purpose is self-publicity — and I may have misinterpreted the reasoning — there must be items with more advertising throw-weight than two little boats which will only ever be seen here where everybody already knows about the Casino and the Tourism Department.

And this: I know raffles are intended to be, or to appear to be, composed of free gifts (i.e., gifts paid for by somebody other than the participants). But considering that each person pays a registration fee, technically you could say that the winner of oars or forcolas had already paid for them. But there I go, being crass.

Anyway, I didn’t win anything, so I don’t care. Now I think I’ll go buy a lottery ticket. Maybe my odds will improve and then I’ll be able to buy an entire boatyard all for myself.

Maybe I wouldn't choose exactly this model, which is the racing mascareta, for everyday tooling around town. But would never turn it down. — This is the racing mascareta, maybe not my first choice for everyday tooling around town. But I would never turn it down.