Redentor — how it went

 

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The festival day actually started the evening before, with a huge storm.   (Everyone agreed, obviously, that it was better to have had it Friday night than Saturday night.)   It was inevitable; we’d spent the whole week under a  hot, wet woollen blanket of weather, one of those classic  mid-summer heat waves that makes you hold very  still and concentrate on breathing.

At around 7 — actually, earlier — a large swath of gray-black clouds began to draw itself across the sky and the breeze picked up, but we knew the storm would (couldn’t, in fact) hit until the tide turned.   So we were inside, around  8:00, when the first raindrops began.   Big, heavy, aggressive raindrops, smashing into the pavement one by one.   Then the rain really hit.   And then it turned to hail.    I love the hail, it hits the canal so hard the water looks like it’s boiling.   The bits of ice blew and cracked and bounced against the Venetian blinds.   And the air turned cool and we could breathe again.

Lino said, “Anybody who’s out on the water in  a boat right now is a coglion (male anatomical part which is commonly referred to when needing to  describe  a person who is a dangerous mixture of stupidity and  incompetence at a level which can  create  inconvenience or even danger to  those around him.)    This storm had been threatening since 4:00 and   Lino has very little patience with people who can’t take care of themselves on the water due to ignorance of what, to him, are the most elementary elements of    survival.   Kind of like somebody who might sit down to read “War and Peace” who wasn’t too  steady with the alphabet.  

Saturday morning, the Big Day, 8:30 AM: I went to the cut-rate supermarket behind our place to get some last-minute supplies.   I wasn’t the only person who had thought of getting a head start on the day; there were at least five people in line ahead of me.

As it happened, the late- middle-aged man in front and the attractive middle-aged woman behind me knew each other, so they were schmoozing over and around me, in a friendly sort of way.

img_1439-redentore-1-compMan: “Remember when we used to decorate the boat with the frasche (small leafy tree branches), and the paper lanterns with candles in the them.   That was really beautiful.”   (The yet older man ahead of him chimed in, “Really beautiful.”)

Man: “One year when we were boys we went and rented a boat to go out to watch the fireworks.”   That was still the era when the late, lamented affittabattelli were in business.   “There were about five or six of us.   And we had bought fireworks, too, which we stashed under the prow of the boat.”

Tied up next to us were several sampierotas, so named because they originated in San Pietro in Volta.
Tied up next to us were several sampierotas, so named because they originated in San Pietro in Volta.

The boat was something like a sampierota, whose prow is covered;   it  makes  a very useful storage place, which  is precisely why it’s made that way.   I guess you have to be a 12- or 13-year-old boy to understand the point of bringing fireworks to a fireworks display.

“Then we saw a man on the fondamenta in a tuxedo.   He asked, ‘Hey, I’m late to get to the galleggiante — can you ferry me over?”   “We said, Sure.   So he got on and sat down  on the prow.”

(“The galleggiante” literally means “floating thing,” and specifically referred to  a large heavy platform which years ago on the night of the Redentor  moved slowly around the Bacino of San Marco, festooned with lights, carrying a band playing music.   They have attempted a version of it the past two years, but I think it may have lost its true  beauty when everybody became capable of bringing their own music aboard their boats.   Or maybe it cost too much.   Remember: No ghe xe schei.)

The story continues: So the boys were rowing across from here to there and somehow  all the fireworks under the prow ignited.   Which means “exploded.”      I never heard what set them off, but once they start, that’s it.

“The man in the tuxedo had to jump in the water and swim,”  our guy continued.   “In fact, we all did.   It was like a powder magazine going up. The boat pretty much caught on fire and just kept burning.  

“It took us two years to pay off that boat,” he concluded.   “We’d go by and pay the boat-renter 5 franchi, 10 franchi, whatever we had.”

What did your parents say? I had to ask.

“Oh we never told our parents,” he answered.  

This was a fantastic start to my day.

The rest of the festa went pretty much as anticipated:  

Our own little ship of fools, ready to party down.
Our own little ship of fools, ready to party down.

Beauty.   Merriment.   Friends — some 14 of them, assorted.  Food: the strictly traditional bigoli in salsa (whole-wheat spaghetti with anchovy sauce), sarde in saor (fried sardines in sweet-sour onion sauce), and bovoleti (tiny snails in oil and garlic).   Some non-traditional meatballs, too.   Lots of wine.   And shortly before the fireworks began, we slaughtered the watermelon — there must be watermelon, it’s non-negotiable.    The next morning  you can still see shards of watermelon rind floating around.  

The fireworks started 15 minutes late.   This put a serious brake on the merriment, which is emotionally calibrated to the start of the uproar.   At least I personally am so calibrated.    Fifteen minutes is too long to keep your anticipation at its peak, especially if it’s practically midnight.  

One of the most beautiful parts of the spectacle isn't the fireworks themselves, but the panorama of all the boats on the still water, and all the silent people looking upward in the bursts of light, entranced, like the animals who come out of the forest when they hear the magic flute.
One of the most beautiful things about the spectacle isn't the fireworks themselves, but the panorama of all the boats on the still water, and all the silent people looking upward in the bursts of light, entranced, like the animals who come out of the forest when they hear the magic flute.

I will say that while there are no bad fireworks, there are those which are great and those which aren’t.   These were not great.   The Gazzettino reported the next day that they were “probably the best there had ever been,” which is preposterous.   Last year they were the best that there had ever been, and ever will be.   This year we had lag, and long pauses, and repetitions.   I can say they were louder than usual, but I don’t give points for loud.     The hailstorm the night before was much more exciting.

We rowed the caorlina back across the dark lagoon, as other homeward-bound boats chugged past us.   Put the boat away,  policed up the campground, so to speak (many bottles and other detritus to dispose of), and then home.   Which on the Lido means waiting for the night bus, which is not frequent, and then the night vaporetto, ditto.

It was a fine Redentor, but I wouldn’t put it up in my top five, if anyone is keeping  score.   Apart from last year, the only other truly unforgettable one was the year we heard that a friend of ours had just  “come off,” as climbers put it, a mountain in the Dolomites the afternoon of the  Redentore.   I’ll never forget  sitting in our little mascareta that night, not eating,  the fireworks all blurry, throat hurting.    Poor Giorgio.   I think of him every year.  

The doge's vow didn't mention anything about balloons, but it's obvious that without them this would be a pretty puny festa.
The doge's vow didn't mention anything about balloons, but it's obvious that without them this would be a pretty puny festa.

But the next day happiness reigns once again, as the sun pours itself all over the city and down on the three afternoon regatas, and the stands in front of the church  selling balloons and candies in alarming colors, and then the solemn mass and blessing of the city by the patriarch.

img_1510-redentore-22-comp3Of the three races, the One that Counts is the third: gondolas raced by pairs of men.   Back in the barely rememberable past the racers were all men who were not exactly athletes; in fact, the broad sash each rower wears (matching the color of his boat) originally functioned as a sort of truss, I think you’d have to say.   Nowadays the competitors train in a seriously   focused way, and so instead of having a race in which the battle lasts for the first five minutes, and then everyone just stays where he is till the finish, as it once was, now you have battles to the death all the way through.   Especially between two specific pairs of men whose rivalry has reached a level not far from blood feud.   I refer here to the brown gondola (Ivo Redolfi Tezzat and Giampaolo D’Este) and the yellow (Rudi and Igor Vignotto).

Two minutes till the finish and any joking is over.  (The brown boat won.)  (Unfortunately.)
Two minutes till the finish and any joking is over. (The brown boat won.) (Unfortunately.)

The patriarchal  blessing   is bestowed on the city  from an ecclesiastical station assembled at the entrance to the church of the Redentore.   The current patriarch, Angelo Cardinal Scola, seems to like the vantage point.     But there are plenty who remember other patriarchs of Venice, who were also cardinals, then popes, then saints, who did it differently.  

Both Pope John 23rd (“Papa Roncalli”) img_1791-redentore-blessing-compand Pope John Paul 1st (“Papa Luciani”), when this was their humble parish task, took the ciborium containing the consecrated Host and walked to the middle of the votive bridge and intoned the benediction first facing the San Marco side, then turning and facing upstream.   One can debate the various merits of each approach if one wishes.   One can debate anything, but the old way was more beautiful and more appropriate.   I have spoken.

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Redentor — redemption by fireworks

One of my friends was telling me about what was probably  his favorite Redentor, and it had nothing to do with the fireworks.  

The church of the Most Holy Redeemer and the votive bridge stretching across the Giudecca Canal.
The church of the Most Holy Redeemer and the votive bridge stretching across the Giudecca Canal.

“Redentor” means “redeemer” in Venetian.     (“Redentore” in Italian.)    But what it really means is one of the great all-time festivals still walking the earth, and while the sacred day is always the third Sunday in July, the mega-party is the  night before.

The third Saturday  in July, therefore, is what history has come to know as “la note famosissima,” the most famous night, and this  celebration has been made every year since 1577.      Boats!   Food!   Fireworks!   But behind all the festivity is a black and horrific story.

On June 25, 1575, someone in the parish of S. Marziale died of plague.   Not uncommon in Venice, it being a major seaport, and some epidemics had already been terrible.   In this case, the infected rat, so to speak, was later identified as having been a man from Trento who was visiting a certain Vincenzo Franceschini.   In a little less than two years, 51,000 people (some accounts say 70,000) had died, more than one-third of the entire population.   It was a hecatomb.

In that era pestilence was regarded as a form of divine punishment, so on September 21, 1576 — after having spent a year watching their city begin to disappear before their eyes — the Venetian Senate approved the proposal of doge Alvise I Mocenigo to make a solemn vow: If the Lord God Almighty would remove this scourge from them, they would build a church ” which their descendants would solemnly visit…in perpetual memory of the blessing received.”  

When you study this phrase,  you grasp that they weren’t merely promising a church, which the Lord presumably already had plenty of, though another one is always nice, but eternal gratitude expressed in a tangible way forever.   That’s different.

The church — more correctly termed a votive temple — would be dedicated to the Most Holy Redeemer, and would be built on the Giudecca.   The commission was given to Andrea di Pietro della Gondola, otherwise known as Palladio, who was the chief architect in the service of the Republic, and the seriousness of their intention was shown by laying the first stone on May 3, 1577, when the plague was still raging.     They had made a vow and they were going to stick to it.

Only a few months later, on the third Sunday of July, doge Sebastiano Venier declared the city free of plague.     A temporary wooden church was hastily constructed for the celebrations, and a bridge was laid across a line of boats stretching across the Giudecca Canal — like the one today, it was roughly 1,082 feet long.     This bridge enabled the doge and the Senate to arrive in solemn procession at the church for the big ceremony.

And so it has gone, every year since 1577, and every doge and mayor has been there with the exception of doge Leonardo Dona’ in 1612.   He snubbed the ritual because the city was mad at him and I gather he shared the sentiment, but staying away didn’t help him much because then people started going  around saying, “The day’s going to come when he’d like to go to church, and he won’t be able to.”   It makes an annoying little rhyme in Italian.   He was an amazing doge, actually; I’m sorry they couldn’t all get along.

Temporary pilings anchor the votive bridge.
Temporary pilings anchor the votive bridge.

I myself wouldn’t consider it Redentor without walking across the bridge at least once.   They’re working to get it finished even as I write.      Not many days left.   Seeing the bridge slowly take form (after boats, they switched to pontoons, and a few years ago a new system was adopted by which the sections are impaled on pilings) adds a great deal to the sense of anticipation.  

The bridge is officially opened with a modest ceremony at 7:00 PM on Saturday, and closed at 10:00 PM on Sunday.   The life-span of a fruit fly, essentially, which makes it all the better.  

Back to that favorite episode of this epic-yet-homely  tradition.   It  took place somewhere  back in time, because he went to Nino at  Campo San Boldo  to rent a boat.   There are no more affittabatelli (boat-renters)  in Venice, but when he was a lad, and even up till  the Sixties, the city was full of places where you could rent a Venetian boat — sandolo, mascareta, caorlina, even a peata — for whatever task was at hand, something like the Zipcar of its time.  

img_1429-coa-de-gambaro-compSo he rented a batela a coa de gambaro (“shrimp-tail boat”), which is the second clue that we’re in the fairly distant past, because now there is only one, which I occasionally see being rowed around by two girls.   Lino says it was made by the legendary late boatbuilder “Nino” Giupponi, who devised the framework by studying a painting, perhaps by Canaletto, who was great with boats.    In any case, it’s not like the original  ones.   For one thing, it’s smaller, which you can well believe if the group in question numbered more than ten.

Then he and his friends constructed the customary framework to support a kind of temporary roof made of assorted branches.   And they strung the usual paper lanterns along it.   The lanterns swing and bob  with the motion of the boat in a very cheerful way.

Twilight is almost the best moment of all, with the church of San Giorgio in the background.
Twilight is almost the best moment of all, with the church of San Giorgio in the background.

Then they set up a table in the middle of the boat, the ladies brought the food, and of course wine, and they were good to go.    

The evening took its usual course, which it will also take this year: You row (or motor)  in your boat to whatever spot looks good to you, as long as it  generally corresponds to the official map which divides areas according to the size of the boat.   The Venetian boats (those which are rowed, I mean)  have been awarded a spot near the Punta della Dogana, where we all cluster together in our own little world.  

Yo'd be amazed how many boats can fit into the colored spaces.  The important thing is not to get too close to the fireworks barges.  The police and firemen are out patrolling; they'll be sure to tell you if you're too close.
Yo'd be amazed how many boats can fit into the colored spaces. The important thing is not to get too close to the fireworks barges. The police and firemen are out patrolling; they'll be sure to tell you if you're too close.

As you see, an open space of about 650 feet is maintained around the fireworks-laden barges.   You throw the anchor, or tie up to another boat.   The aquatic pilgrimage begins in the early afternoon, as big fishing boats from down-lagoon places like Pellestrina and Chioggia chug in, loaded like third-world ferries with hordes of people who have clearly made the most of their time in transit getting started on the party.

We go out around 6:00, row across the lagoon from the Lido. and about 7:00 we  get to the Punta della Dogana (Customs-House Point, the tip of Dorsoduro where the Grand and Giudecca Canals meet).   We tie up and pull out the vittles.

You eat, you drink — some people swim, because it’s usually pretty hot — eat,  drink, and repeat as necessary.   img_1464-redentore-18-compYou laugh and sing, if you’re in the mood, or if somebody near you starts it.   You wave to your friends and call out remarks.     This goes on for hours.

At 11:30 PM, when you’ve been out long enough for an evening chill to begin to suggest itself and sleep is washing up against you like the water around the boat, the fireworks start.   Some years they’re great, some years they’re actually kind of boring; last year they were astonishingly gorgeous, brilliant, dazzling; they were so thrilling  that they actually brought tears to my eyes.  

Good or otherwise, they  explode overhead for a solid half-hour.   That may not sound like much,  but it’s  the visual equivalent of an opera by Wagner.   It just goes on and on.     img_1483-redentore-20-compAt the stroke of midnight  the holy day begins, which means the party’s  over,  the bar’s closed, go home.   Which we do.   Carefully.   Because when thousands of boats operated by people who have been eating and drinking for hours (or maybe not so much eating) start to move around in the dark, occasionally faster than they need to, it can be tricky.  

So the shrimp-tail boat was ready and so was everybody else.   “Me and the family, and some friends — there were 13 of us, including the  parish priest and his brother.”  

“After the fireworks,  we rowed to the Lido and went swimming.”   (Technically, this also is part of the tradition, but not many people still do it anymore.)   Of course it was great, except that “You never get dry after you swim in the sea at night.”

“Then along toward dawn we began to head home.   I remember it as if it were now — the guys would alternate to  row in the prow, I was rowing astern, and by now we   all groggy” (he closes his eyes almost all the way and mimics languid, somnolent rowing, as if each stroke is the last one before you stop completely).  

“All the women and kids and everybody was sprawled all over the table, their heads on their arms, sleeping, or dozing, anyway.    A few were sort of singing a little bit under their breath.   The tide was coming in, and as the sun came up we just sort of drifted back to the city.”

By now I’ve heard this story fairly often, usually in July.   It’s one of a number of his reminiscences that I  love to hear  just as much as I did the first time around.     It’s not only because it’s such a beautiful scene and I wish I’d been there, but because every time he tells it, he looks really happy.

He occasionally also refers to the way Redentore was in general, when he was a boy.   And this account does not make him look happy, because like so many things here, what once was almost completely Venetian has mainly become just another thing to lure the tourists.

First of all, when he was a   boy the fireworks weren’t over the Bacino of San Marco, but upstream, over the Giudecca Canal, near San Basilio.   Up in the nabe, where people lived, as it were.    And it seemed like everybody came out in their boat (as per today) but “everybody” meant 3/4 of Venice, which meant 3/4 of the people you knew.  Now most of the boats are big motorized vehicles with people from somewhere else, back in the hinterland.  

“You could walk across the Giudecca Canal on the boats,” he told me.   When the fireworks were shifted downstream, that was the first sign that Something had Changed.   And change, here, is usually away from something that’s fine the way it is and toward, well, Something Else.

As for the songs and the food that are both optional and required for this event, I’ll tell you about those next week, when I recover.

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The Corfu caper

corfu-ionian-sea-map2Our week in Corfu (known to the Greeks as Kerkyra) with the club’s gondolone (8-oar gondola) was interesting, entertaining, diverting — I pause before applying the word “fun,” though it was certainly much more fun than a slap across the belly with a wet fish.

Venice ruled Corfu -- the door, hinge, and key to the Adriatic -- from 1501 to 1797, and held it against three Ottoman sieges.
Venice ruled Corfu -- the door, hinge, and key to the Adriatic -- from 1501 to 1797, and held it against three Ottoman sieges. Corfu was the only part of Greece which never fell under Turkish domination.

I’m using generic terms, though,  because it was sort of a generic experience.   We’ve been to Greece with the boat for other events, so I have some means of comparison.  

The basic outline was to load the boat onto a truck (the truck travels on the ferry with us); we departed  at 2:00 PM and arrived in Corfu  at 1:30 PM the next day.  

Then we unloaded the boat and rowed it to its base camp in a small marina under the flank of the Old Fortress.  

Getting ready to go to work.
Getting ready to go to work.

The marina had a good bar, too, with excellent lemonade.   These things matter.

The occasion for all this was a long weekend labeled “Italian Days,” a collection of  cross-cultural events more or less arranged around the finish of the Brindisi-Corfu yacht race.   It was as good a reason as any to choose the second weekend of June.

Apart from the yachts, the program  concentrated on  the many links binding Venice and Corfu over the centuries — a bond which was

A plaque on an external wall of the New Fortress records in Latin that the work of fortification was completed in 1728 by Marco Antonio Diedo and Giorgio Grimani, under Doge Alvise III Mocenigo.  The winged lion of San Marco naturally seals the declaration.
A plaque on an external wall of the New Fortress records in Latin that the work of fortification was completed in 1728 by Marco Antonio Diedo and Giorgio Grimani, under Doge Alvise III Mocenigo. The winged lion of San Marco makes it official.

maintained  for the almost 500 years in which Venice essentially owned the island.   A few links that weren’t acknowledged much were the commercial, political, and military ones, which only left Links Lite such as literature and art.  (By “commercial link” I mean  things like the fact that most of the 3 million olive trees on  the island were planted by the Venetians, whose interest obviously was not landscape gardening but the olives and their oil.)  There were also lectures and concerts and exhibitions and so on.    

A relief carving of the town and Old Fortress (at the time, the Only Fortress) of Corfu, affixed to the facade of the church of Santa Maria del Giglio in Venice.  It is one of six depictions of places at which Adm. Antonio Barbaro served the Republic.  If you look at the lower left corner, you see the faint outline of a small harbor containing a large galley.  This is where we kept the gondolone at night; no galleys, but many smallish sailboats.
A relief carving of the town and Old Fortress (at the time, the Only Fortress) of Corfu, affixed to the facade of the church of Santa Maria del Giglio in Venice. It is one of six depictions of places at which Adm. Antonio Barbaro served the Republic. In the lower left corner is the faint outline of an L-shaped breakwater which created a small harbor (helpfully demonstrated by the outline of the galley). Now used by a local boating club, this harbor is where we stowed the boat at night.
There was also an official press conference in the mayor’s office, with the usual speeches and exchanges of shiny official dust-gatherers.
(L to r) H.E. Giampaolo Scarante, Italian Ambassador to Greece, the mayor of Corfu, and the President of the City Council of Venice.
(L to r) H.E. Giampaolo Scarante, Italian Ambassador to Greece, the mayor of Corfu, and the President of the City Council of Venice.
img_0490-corfu-figuranti
(L to r, foreground) Two procurators of the Venetian Republic, whose red tunic indicates they are of the Lower Chamber; a Capitan da mar, the general admiral in time of war, distinguished by his inverted-cone hat; the doge, also distinguished by his headwear, called the "corno"; another procurator. (L to r, second row) Two fanti da mar, members of an infantry regiment assigned to ships of the Venetian navy. All costumes are accurate for the first half of the 1500s.

The scene was completed by  a contingent of “figuranti,”  or historic-costume/re-enactors from the “Serenisimo Tribunal de l’Inquisithion,” the Venice chapter of an organization known as CERS, the Consortium of European Re-enactment Societies.   Among the  various characters represented with great accuracy  is, naturally, a doge.   The doge in this group  is a great guy, he’s a retired fire chief.   Bedecked in all his regalia, he has a way of appearing both imposing and ingratiating, not an easy trick and something I doubt any real doge ever tried.  

Our boat was probably the most Venetian element of all, especially considering how much pounding she’s taken and how little maintenance she’s ever been given.   Being pounded and neglected being two of the primary aspects of Venice today, I mean.

Our job was to be at the prescribed place at the prescribed hours to offer free boat rides to anybody who wanted to be rowed in a gondola (even a big one) for a few minutes.  

Here’s my quick scorecard:

The plus side:

  • The trip on the overnight  Minoan Lines  ferry from Venice to Corfu.     Leaving Venice on a ship — in fact, going anywhere on a ship — is the best.   It was fun the first time because it was strange and new; it was fun the seventh time because it was familiar.  
  • Hanging out with my friends, a very eccentric bunch with curious bits of personality flapping around like untied shoelaces.   In the un-eccentric contingent  I place His Excellency Giampaolo Scarante, the  Italian Ambassador to Greece,  and his effervescent wife, Barbara, who are two total mensches and our guardian angels.   It’s due to them that we are invited to join these frolics.
  • Being in Greece.   It’s never bad.   It’s impossible for it to be bad.   Greece, however touristic it may have become, never disappoints me.   On the contrary.
  • The sun.   I love the sun and this is one sun that means what it says.   You walk out the front door and you feel like you’ve just been thrown face-down on a skillet.   I like this for short periods; then what I really like is sitting in the shade sipping a frappe, or iced coffee.   The cafe  offered us little ice-cream bonbons, too, which was a novelty — perfect in the heat, but only if you ate them within 18 seconds of their arrival.   Which was not a problem for me.
  • The food.   I love Greek food, though some of my Venetian cohorts reserved judgment (mostly) because many of them are unapologetic food fascists who think the only fodder worth ingesting is Italian.
  • The rowing, what little of it we ever eventually got to do.   The wind in the afternoon made the return to base camp extremely diverting, not to mention the waves from the many passing ferries and hovercraft.
  • Seeing the Venetian fortresses, the Old and the New.   Both are stupendous constructions, which resist admiring adjectives as  effectively as  every missile the Turks hurled at them in three failed sieges.  
    The Old Fortress, on the site of a Byzantine fort, was built, enlarged, and re-fortified from the 13th to the 16th centuries.  It now provides offices and other space for the city archives, and the University of the Ionian.
    The Old Fortress, on the site of a Byzantine fort, was built, enlarged, and re-fortified between the 13th and 16th centuries. It now provides office and other space for various departments of the city government, as well as for the University of the Ionian.

     We had to pass through the Old Fortress four times a day and it just got more amazing each time, not to mention rounding the very point of the peninsula  where the fort looms in order to get to our rendezvous point.   If nothing else, looking at the fort from whatever distance or perspective made you realize in a visceral way how important Corfu was to the Venetian Republic, and how seriously the Venetians intended that the island should not fall into Ottoman hands, which would have been the End of Everything.   And they succeeded.   I know they were bandits but they really got the job done.

    The crew, having clocked out, leaves the Old Fortress.
    The crew, having clocked out, leaves the Old Fortress.

The minus side:

  • Lack of customers.   Unfortunately, the heat, lack of publicity, and disastrous location of our boat worked against the hoped-for mass of passengers.     The few that wandered past were more or less like stragglers from the Retreat from Caporetto.
  • Our hours, which were 10-1 and 5-8.   Looks good on paper, but not so good when you’re tied up next to an esplanade that qualifies as the  concrete equivalent of the Nefud Desert, the one Lawrence of Arabia had to cross at night, otherwise they’d all have died.   8-10 AM would have been perfect, as far as the climate is concerned, because the early morning is heavenly, but no Greek (or tourist) in his right, or even totally deranged, mind, would ever be up at that hour.   So our window of opportunity was really from 10-10:15.     Of course we  were good soldiers and waited, till even we couldn’t take it anymore.   Ditto the afternoon.   After about 6:30 a person can begin to imagine going out on the water, but by then we had lost whatever desire to perform that we might have had, and any potential passengers were thinking of showers, drinks and dinner.
  • In the organizers’  defense, however, I can’t think of any other embarkation point that would have been even slightly feasible.   So there you are.

    Lino thinking Corfiote thoughts.
    Lino thinking Corfiote thoughts, in the center of the Sun's Anvil. The Old Fortress makes a nice touch.
  • Dinner.   Not the food, which was fine,  organized in restaurants which had set out long tables for our contingent, the figuranti, the assorted politicos and their assorted consorts who had tagged along, etc. etc.     The problem was the hour, which was usually toward 10 PM, which meant finishing toward 1:00 AM.   This is a stretch of time which God intended for sleeping, not eating.   Or if eating, not to be followed immediately by sleeping, which some of us were on the verge of even as our jaws continued to grind.   Hard on the old internals.

But now we’re back, and I’m sorry it didn’t last longer.   Of course I would do it all again tomorrow.

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Memorial Day reflections, Venice version

I’m thinking about  World War I today, partly because yesterday, May 24, used to be a date engraved in every Italian’s consciousness.   Yet it passed unremarked in any way, which to Lino is yet another sign of the general deterioration of just about everything.

We were walking along the fondamenta yesterday morning when all of a sudden Lino said: “It’s May 24! …‘il 24 maggio l’esercito marciava…” and he was off, declaiming the four long  stanzas of the “Legend of the Piave.”  

This is one of the great patriotic songs, immortalizing the departure of the army to war against the Austro-Hungarian Empire on May 24, 1915.    Some of the  most ferocious battles  toward the end took place along the Piave River.    maps_44_italy_piave_1600It is a pleasant little stream which starts in the Alps and empties into the sea not far from Venice, but more importantly, it formed the front which finally stopped the enemy advance and led to its ultimate defeat.     The Piave is therefore also  known as   “The river sacred to the motherland.”  

Schoolchildren  used to be taught these impressive chunks of poetry and as you see, it stuck.   This feat was perhaps made a little easier by singing; the music of “The Legend of the Piave”  is so distinctive that you can’t get it out of your mind  no matter what you try to put in its place.   Everybody knows it.   It was in the serious running to be designated the Italian national anthem.  

“My father  fought in the war,” Lino was telling me, “on the Asiago plateau.   He was taken prisoner, and they took him to Trento, to  the Castle of Buonconsiglio.   He took me there once, when I was little, to show me.   We went into the big room and he said, ‘That’s where the judge was sitting, and that’s where the bench was where I was sitting.’   He always told me he was going to take me to Asiago to show me the trenches he was in, but he never did.   I’ve always been sorry.  ”

The military judge’s job was very simple.   All  he had to do in order to know what to do with a prisoner was to ask where he came from.   Large areas of what are now Italy only became demarcated as such after hideous battles.     So if the prisoner came from Venice, or anywhere south of there, he was treated as a normal prisoner of war because he was fighting for his own country, Italy.   Lino’s father got sent to the internment camp at Mauthausen for the rest of the war, came home, and went back to work driving the train from Venice to Trento.

If, however, the captured soldier came from Trento or Trieste or any of the many northern, now-Italian,  towns which were then still part of the Austro-Hungarian empire,  he was considered a traitor and dealt with accordingly.   Firing squad,say, or hanging (Nazario Sauro, August 10, 1916), or hanging and garroting (Cesare Battisti, July 12, 1916) —  it was all good.   img_8359-sauro-compThese are famous martyrs of the Italian resistance.   Despite living in Austrian territory they considered themselves Italians were fighting for Italy, while according to the Austrian viewpoint  they were supposed to be fighting against it.   These men were epic heroes.   I can’t understand why their life stories haven’t been turned into tragic operas.   Where is Verdi when you need him?  

So the First World War, which to many of us seems extraordinarily remote,  is still part of the lives of  many people — like Lino — still walking around loaded with memories.   Did I say memories?   He and his twin brother, Franco, have lived their entire lives carrying the names of   two of their mother’s brothers who were killed in the war.   Every Venetian parish, as well as the Jewish Ghetto, displays a memorial plaque listing the names of the local boys who died in the carnage.   The names  of Lino’s doomed uncles  are  inscribed on the  memorial in Campo Santa Margherita.    Whenever I go by I  stop to look; I have this odd feeling that they’re part of my family.  

The Piave, let it not be forgotten, was also  where Ernest Hemingway was wounded at the age of 19, after only two weeks at the front.   Because his poor eyesight prevented him from enlisting as a soldier, he volunteered to work with the  Red Cross ambulances bringing soldiers down from the action on Monte Pasubio.    

He was sent to Fossalta di Piave, a town on the river not far from Venice.   At midnight on July 8,  1918, an Austrian mortar hit the trench where he had gone, more out of curiosity than merely to distribute cigarettes and chocolate.  

The 227 wounds I got from the trench mortar didn’t hurt a bit at the time,” he wrote to his parents from the American Hospital in Milan, “only my feet felt like I had rubber boots full of water on.   Hot water… But I got up again and got my wounded into the dug out… I told him in Italian that I wanted to see my legs, though I was afraid to look at them.   So we took off my trousers and the old limbs were still there but gee they were a mess.   They couldn’t figure out how I had walked 150 yards with a load with both knees shot through and my right shoe punctured in two big places… ‘Oh,’ says I, ‘My Captain, it is of nothing.   In America they all do it!   It is thought well not to allow the enemy to perceive that they have captured our goats!”  

When the bravado wore off, he was left with nightmares, insomnia — I had been living for a long time with the knowledge that if I ever shut my eyes in the dark and let myself go, my soul would go out of my body — five months of physical therapy, and his vivacious American nurse, Agnes von Kurowski.   In the end, she jilted him and shattered his soul into more pieces than the shrapnel ever had.    

Bombs even fell  on Venice here and there (there were victims in Cannaregio).   There is even an unexploded bomb which was retrieved from the roof of the basilica of the Frari, and which is mounted on the wall near the Pesaro altarpiece as a memento to this small, perhaps, but marvelous moment of salvation.

Speaking of bombs, there is a  slowly disappearing stone  in the Piazza San Marco.   It has been worn away by millions of undiscerning feet.   Sometimes I pause and just watch people walk over or past it, oblivious, snapping their pix, thinking about work, looking for a bathroom.   It marks the spot where an Austrian bomb fell on September 4, 1916,   five steps from the entrance to the basilica.  It is just another stone, mute, but eloquent.

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Every barracks and City Hall in Italy (as here,  at the entrance to City Hall in Venice) displays a large bronze plaque made of melted-down enemy cannons.     img_8364-diazIt gives the full text of the address given by General, later Marshal,  Armando Diaz, chief of general staff,  announcing the Italian victory of the Battle of Vittorio Veneto and the end of the war.   It manages in very few lines not only to report the precise details of the enemy’s  undoing  but to convey every emotion conceivable in the victors of a struggle beyond human comprehension.

The war against Austria-Hungary which, under the high command of His Majesty the King, the Italian Army, inferior in numbers and means, initiated on May 24, 1915, and with unwavering and tenacious valor conducted fiercely without interruption for 41 months, is won.

The gigantic battle engaged on the 24th of  last October and in which took part 51 Italian divisions, three British, two French, one Czechoslovakian, and one American regiment, against 73 Austro-Hungarian divisions, is finished.  

The rapid and daring advance of the XXIX Army  Corps on Trento, blocking the enemy’s means of retreat in Trentino, overwhelming them  on the west by the troops of the VII  Army and on the east by those of the I, VI, and IV, determined yesterday the total ruin of the adversary’s front.    From Brenta al Torre the irresistible surge of the XII, the VIII, and the X Army, and of the cavalry divisions, drove the fleeing enemy even further back.

On the plains, His Royal Highness the Duke of Aosta rapidly advanced at the head of his undefeated III Army, longing to return to the positions which they had already victoriously conquered and had never lost.

The Austro-Hungarian Army is annihilated; it suffered grave losses in the fierce resistance of the first days and  in  the pursuit it has lost huge quantities  of materiel of every sort  and virtually all of its stores and warehouses.   It has left in our hands about 300,000 prisoners with entire general staffs and not less than 5,000 cannon.

The remains of what once was one of the most powerful armies in the world is ascending, in disorder and without hope, the valleys which it had descended with such proud security.   DIAZ

For me, though, the most powerful and poignant epitaph to  war — military, emotional, or both —  is what Hemingway  wrote as one of    the 40-some endings he  crossed out for “A Farewell to Arms”:  

Many things have happened.   Everything blunts and the world keeps on.   You get most  of your life back like goods recovered from a fire… It never stops.   It only stops for you.   Some of it stops while you are still alive.   The rest goes on and you go with it.”

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