Redentor — redemption by fireworks

One of my friends was telling me about what was probably  his favorite Redentor, and it had nothing to do with the fireworks.  

The church of the Most Holy Redeemer and the votive bridge stretching across the Giudecca Canal.
The church of the Most Holy Redeemer and the votive bridge stretching across the Giudecca Canal.

“Redentor” means “redeemer” in Venetian.     (“Redentore” in Italian.)    But what it really means is one of the great all-time festivals still walking the earth, and while the sacred day is always the third Sunday in July, the mega-party is the  night before.

The third Saturday  in July, therefore, is what history has come to know as “la note famosissima,” the most famous night, and this  celebration has been made every year since 1577.      Boats!   Food!   Fireworks!   But behind all the festivity is a black and horrific story.

On June 25, 1575, someone in the parish of S. Marziale died of plague.   Not uncommon in Venice, it being a major seaport, and some epidemics had already been terrible.   In this case, the infected rat, so to speak, was later identified as having been a man from Trento who was visiting a certain Vincenzo Franceschini.   In a little less than two years, 51,000 people (some accounts say 70,000) had died, more than one-third of the entire population.   It was a hecatomb.

In that era pestilence was regarded as a form of divine punishment, so on September 21, 1576 — after having spent a year watching their city begin to disappear before their eyes — the Venetian Senate approved the proposal of doge Alvise I Mocenigo to make a solemn vow: If the Lord God Almighty would remove this scourge from them, they would build a church ” which their descendants would solemnly visit…in perpetual memory of the blessing received.”  

When you study this phrase,  you grasp that they weren’t merely promising a church, which the Lord presumably already had plenty of, though another one is always nice, but eternal gratitude expressed in a tangible way forever.   That’s different.

The church — more correctly termed a votive temple — would be dedicated to the Most Holy Redeemer, and would be built on the Giudecca.   The commission was given to Andrea di Pietro della Gondola, otherwise known as Palladio, who was the chief architect in the service of the Republic, and the seriousness of their intention was shown by laying the first stone on May 3, 1577, when the plague was still raging.     They had made a vow and they were going to stick to it.

Only a few months later, on the third Sunday of July, doge Sebastiano Venier declared the city free of plague.     A temporary wooden church was hastily constructed for the celebrations, and a bridge was laid across a line of boats stretching across the Giudecca Canal — like the one today, it was roughly 1,082 feet long.     This bridge enabled the doge and the Senate to arrive in solemn procession at the church for the big ceremony.

And so it has gone, every year since 1577, and every doge and mayor has been there with the exception of doge Leonardo Dona’ in 1612.   He snubbed the ritual because the city was mad at him and I gather he shared the sentiment, but staying away didn’t help him much because then people started going  around saying, “The day’s going to come when he’d like to go to church, and he won’t be able to.”   It makes an annoying little rhyme in Italian.   He was an amazing doge, actually; I’m sorry they couldn’t all get along.

Temporary pilings anchor the votive bridge.
Temporary pilings anchor the votive bridge.

I myself wouldn’t consider it Redentor without walking across the bridge at least once.   They’re working to get it finished even as I write.      Not many days left.   Seeing the bridge slowly take form (after boats, they switched to pontoons, and a few years ago a new system was adopted by which the sections are impaled on pilings) adds a great deal to the sense of anticipation.  

The bridge is officially opened with a modest ceremony at 7:00 PM on Saturday, and closed at 10:00 PM on Sunday.   The life-span of a fruit fly, essentially, which makes it all the better.  

Back to that favorite episode of this epic-yet-homely  tradition.   It  took place somewhere  back in time, because he went to Nino at  Campo San Boldo  to rent a boat.   There are no more affittabatelli (boat-renters)  in Venice, but when he was a lad, and even up till  the Sixties, the city was full of places where you could rent a Venetian boat — sandolo, mascareta, caorlina, even a peata — for whatever task was at hand, something like the Zipcar of its time.  

img_1429-coa-de-gambaro-compSo he rented a batela a coa de gambaro (“shrimp-tail boat”), which is the second clue that we’re in the fairly distant past, because now there is only one, which I occasionally see being rowed around by two girls.   Lino says it was made by the legendary late boatbuilder “Nino” Giupponi, who devised the framework by studying a painting, perhaps by Canaletto, who was great with boats.    In any case, it’s not like the original  ones.   For one thing, it’s smaller, which you can well believe if the group in question numbered more than ten.

Then he and his friends constructed the customary framework to support a kind of temporary roof made of assorted branches.   And they strung the usual paper lanterns along it.   The lanterns swing and bob  with the motion of the boat in a very cheerful way.

Twilight is almost the best moment of all, with the church of San Giorgio in the background.
Twilight is almost the best moment of all, with the church of San Giorgio in the background.

Then they set up a table in the middle of the boat, the ladies brought the food, and of course wine, and they were good to go.    

The evening took its usual course, which it will also take this year: You row (or motor)  in your boat to whatever spot looks good to you, as long as it  generally corresponds to the official map which divides areas according to the size of the boat.   The Venetian boats (those which are rowed, I mean)  have been awarded a spot near the Punta della Dogana, where we all cluster together in our own little world.  

Yo'd be amazed how many boats can fit into the colored spaces.  The important thing is not to get too close to the fireworks barges.  The police and firemen are out patrolling; they'll be sure to tell you if you're too close.
Yo'd be amazed how many boats can fit into the colored spaces. The important thing is not to get too close to the fireworks barges. The police and firemen are out patrolling; they'll be sure to tell you if you're too close.

As you see, an open space of about 650 feet is maintained around the fireworks-laden barges.   You throw the anchor, or tie up to another boat.   The aquatic pilgrimage begins in the early afternoon, as big fishing boats from down-lagoon places like Pellestrina and Chioggia chug in, loaded like third-world ferries with hordes of people who have clearly made the most of their time in transit getting started on the party.

We go out around 6:00, row across the lagoon from the Lido. and about 7:00 we  get to the Punta della Dogana (Customs-House Point, the tip of Dorsoduro where the Grand and Giudecca Canals meet).   We tie up and pull out the vittles.

You eat, you drink — some people swim, because it’s usually pretty hot — eat,  drink, and repeat as necessary.   img_1464-redentore-18-compYou laugh and sing, if you’re in the mood, or if somebody near you starts it.   You wave to your friends and call out remarks.     This goes on for hours.

At 11:30 PM, when you’ve been out long enough for an evening chill to begin to suggest itself and sleep is washing up against you like the water around the boat, the fireworks start.   Some years they’re great, some years they’re actually kind of boring; last year they were astonishingly gorgeous, brilliant, dazzling; they were so thrilling  that they actually brought tears to my eyes.  

Good or otherwise, they  explode overhead for a solid half-hour.   That may not sound like much,  but it’s  the visual equivalent of an opera by Wagner.   It just goes on and on.     img_1483-redentore-20-compAt the stroke of midnight  the holy day begins, which means the party’s  over,  the bar’s closed, go home.   Which we do.   Carefully.   Because when thousands of boats operated by people who have been eating and drinking for hours (or maybe not so much eating) start to move around in the dark, occasionally faster than they need to, it can be tricky.  

So the shrimp-tail boat was ready and so was everybody else.   “Me and the family, and some friends — there were 13 of us, including the  parish priest and his brother.”  

“After the fireworks,  we rowed to the Lido and went swimming.”   (Technically, this also is part of the tradition, but not many people still do it anymore.)   Of course it was great, except that “You never get dry after you swim in the sea at night.”

“Then along toward dawn we began to head home.   I remember it as if it were now — the guys would alternate to  row in the prow, I was rowing astern, and by now we   all groggy” (he closes his eyes almost all the way and mimics languid, somnolent rowing, as if each stroke is the last one before you stop completely).  

“All the women and kids and everybody was sprawled all over the table, their heads on their arms, sleeping, or dozing, anyway.    A few were sort of singing a little bit under their breath.   The tide was coming in, and as the sun came up we just sort of drifted back to the city.”

By now I’ve heard this story fairly often, usually in July.   It’s one of a number of his reminiscences that I  love to hear  just as much as I did the first time around.     It’s not only because it’s such a beautiful scene and I wish I’d been there, but because every time he tells it, he looks really happy.

He occasionally also refers to the way Redentore was in general, when he was a boy.   And this account does not make him look happy, because like so many things here, what once was almost completely Venetian has mainly become just another thing to lure the tourists.

First of all, when he was a   boy the fireworks weren’t over the Bacino of San Marco, but upstream, over the Giudecca Canal, near San Basilio.   Up in the nabe, where people lived, as it were.    And it seemed like everybody came out in their boat (as per today) but “everybody” meant 3/4 of Venice, which meant 3/4 of the people you knew.  Now most of the boats are big motorized vehicles with people from somewhere else, back in the hinterland.  

“You could walk across the Giudecca Canal on the boats,” he told me.   When the fireworks were shifted downstream, that was the first sign that Something had Changed.   And change, here, is usually away from something that’s fine the way it is and toward, well, Something Else.

As for the songs and the food that are both optional and required for this event, I’ll tell you about those next week, when I recover.

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The Corfu caper

corfu-ionian-sea-map2Our week in Corfu (known to the Greeks as Kerkyra) with the club’s gondolone (8-oar gondola) was interesting, entertaining, diverting — I pause before applying the word “fun,” though it was certainly much more fun than a slap across the belly with a wet fish.

Venice ruled Corfu -- the door, hinge, and key to the Adriatic -- from 1501 to 1797, and held it against three Ottoman sieges.
Venice ruled Corfu -- the door, hinge, and key to the Adriatic -- from 1501 to 1797, and held it against three Ottoman sieges. Corfu was the only part of Greece which never fell under Turkish domination.

I’m using generic terms, though,  because it was sort of a generic experience.   We’ve been to Greece with the boat for other events, so I have some means of comparison.  

The basic outline was to load the boat onto a truck (the truck travels on the ferry with us); we departed  at 2:00 PM and arrived in Corfu  at 1:30 PM the next day.  

Then we unloaded the boat and rowed it to its base camp in a small marina under the flank of the Old Fortress.  

Getting ready to go to work.
Getting ready to go to work.

The marina had a good bar, too, with excellent lemonade.   These things matter.

The occasion for all this was a long weekend labeled “Italian Days,” a collection of  cross-cultural events more or less arranged around the finish of the Brindisi-Corfu yacht race.   It was as good a reason as any to choose the second weekend of June.

Apart from the yachts, the program  concentrated on  the many links binding Venice and Corfu over the centuries — a bond which was

A plaque on an external wall of the New Fortress records in Latin that the work of fortification was completed in 1728 by Marco Antonio Diedo and Giorgio Grimani, under Doge Alvise III Mocenigo.  The winged lion of San Marco naturally seals the declaration.
A plaque on an external wall of the New Fortress records in Latin that the work of fortification was completed in 1728 by Marco Antonio Diedo and Giorgio Grimani, under Doge Alvise III Mocenigo. The winged lion of San Marco makes it official.

maintained  for the almost 500 years in which Venice essentially owned the island.   A few links that weren’t acknowledged much were the commercial, political, and military ones, which only left Links Lite such as literature and art.  (By “commercial link” I mean  things like the fact that most of the 3 million olive trees on  the island were planted by the Venetians, whose interest obviously was not landscape gardening but the olives and their oil.)  There were also lectures and concerts and exhibitions and so on.    

A relief carving of the town and Old Fortress (at the time, the Only Fortress) of Corfu, affixed to the facade of the church of Santa Maria del Giglio in Venice.  It is one of six depictions of places at which Adm. Antonio Barbaro served the Republic.  If you look at the lower left corner, you see the faint outline of a small harbor containing a large galley.  This is where we kept the gondolone at night; no galleys, but many smallish sailboats.
A relief carving of the town and Old Fortress (at the time, the Only Fortress) of Corfu, affixed to the facade of the church of Santa Maria del Giglio in Venice. It is one of six depictions of places at which Adm. Antonio Barbaro served the Republic. In the lower left corner is the faint outline of an L-shaped breakwater which created a small harbor (helpfully demonstrated by the outline of the galley). Now used by a local boating club, this harbor is where we stowed the boat at night.
There was also an official press conference in the mayor’s office, with the usual speeches and exchanges of shiny official dust-gatherers.
(L to r) H.E. Giampaolo Scarante, Italian Ambassador to Greece, the mayor of Corfu, and the President of the City Council of Venice.
(L to r) H.E. Giampaolo Scarante, Italian Ambassador to Greece, the mayor of Corfu, and the President of the City Council of Venice.
img_0490-corfu-figuranti
(L to r, foreground) Two procurators of the Venetian Republic, whose red tunic indicates they are of the Lower Chamber; a Capitan da mar, the general admiral in time of war, distinguished by his inverted-cone hat; the doge, also distinguished by his headwear, called the "corno"; another procurator. (L to r, second row) Two fanti da mar, members of an infantry regiment assigned to ships of the Venetian navy. All costumes are accurate for the first half of the 1500s.

The scene was completed by  a contingent of “figuranti,”  or historic-costume/re-enactors from the “Serenisimo Tribunal de l’Inquisithion,” the Venice chapter of an organization known as CERS, the Consortium of European Re-enactment Societies.   Among the  various characters represented with great accuracy  is, naturally, a doge.   The doge in this group  is a great guy, he’s a retired fire chief.   Bedecked in all his regalia, he has a way of appearing both imposing and ingratiating, not an easy trick and something I doubt any real doge ever tried.  

Our boat was probably the most Venetian element of all, especially considering how much pounding she’s taken and how little maintenance she’s ever been given.   Being pounded and neglected being two of the primary aspects of Venice today, I mean.

Our job was to be at the prescribed place at the prescribed hours to offer free boat rides to anybody who wanted to be rowed in a gondola (even a big one) for a few minutes.  

Here’s my quick scorecard:

The plus side:

  • The trip on the overnight  Minoan Lines  ferry from Venice to Corfu.     Leaving Venice on a ship — in fact, going anywhere on a ship — is the best.   It was fun the first time because it was strange and new; it was fun the seventh time because it was familiar.  
  • Hanging out with my friends, a very eccentric bunch with curious bits of personality flapping around like untied shoelaces.   In the un-eccentric contingent  I place His Excellency Giampaolo Scarante, the  Italian Ambassador to Greece,  and his effervescent wife, Barbara, who are two total mensches and our guardian angels.   It’s due to them that we are invited to join these frolics.
  • Being in Greece.   It’s never bad.   It’s impossible for it to be bad.   Greece, however touristic it may have become, never disappoints me.   On the contrary.
  • The sun.   I love the sun and this is one sun that means what it says.   You walk out the front door and you feel like you’ve just been thrown face-down on a skillet.   I like this for short periods; then what I really like is sitting in the shade sipping a frappe, or iced coffee.   The cafe  offered us little ice-cream bonbons, too, which was a novelty — perfect in the heat, but only if you ate them within 18 seconds of their arrival.   Which was not a problem for me.
  • The food.   I love Greek food, though some of my Venetian cohorts reserved judgment (mostly) because many of them are unapologetic food fascists who think the only fodder worth ingesting is Italian.
  • The rowing, what little of it we ever eventually got to do.   The wind in the afternoon made the return to base camp extremely diverting, not to mention the waves from the many passing ferries and hovercraft.
  • Seeing the Venetian fortresses, the Old and the New.   Both are stupendous constructions, which resist admiring adjectives as  effectively as  every missile the Turks hurled at them in three failed sieges.  
    The Old Fortress, on the site of a Byzantine fort, was built, enlarged, and re-fortified from the 13th to the 16th centuries.  It now provides offices and other space for the city archives, and the University of the Ionian.
    The Old Fortress, on the site of a Byzantine fort, was built, enlarged, and re-fortified between the 13th and 16th centuries. It now provides office and other space for various departments of the city government, as well as for the University of the Ionian.

     We had to pass through the Old Fortress four times a day and it just got more amazing each time, not to mention rounding the very point of the peninsula  where the fort looms in order to get to our rendezvous point.   If nothing else, looking at the fort from whatever distance or perspective made you realize in a visceral way how important Corfu was to the Venetian Republic, and how seriously the Venetians intended that the island should not fall into Ottoman hands, which would have been the End of Everything.   And they succeeded.   I know they were bandits but they really got the job done.

    The crew, having clocked out, leaves the Old Fortress.
    The crew, having clocked out, leaves the Old Fortress.

The minus side:

  • Lack of customers.   Unfortunately, the heat, lack of publicity, and disastrous location of our boat worked against the hoped-for mass of passengers.     The few that wandered past were more or less like stragglers from the Retreat from Caporetto.
  • Our hours, which were 10-1 and 5-8.   Looks good on paper, but not so good when you’re tied up next to an esplanade that qualifies as the  concrete equivalent of the Nefud Desert, the one Lawrence of Arabia had to cross at night, otherwise they’d all have died.   8-10 AM would have been perfect, as far as the climate is concerned, because the early morning is heavenly, but no Greek (or tourist) in his right, or even totally deranged, mind, would ever be up at that hour.   So our window of opportunity was really from 10-10:15.     Of course we  were good soldiers and waited, till even we couldn’t take it anymore.   Ditto the afternoon.   After about 6:30 a person can begin to imagine going out on the water, but by then we had lost whatever desire to perform that we might have had, and any potential passengers were thinking of showers, drinks and dinner.
  • In the organizers’  defense, however, I can’t think of any other embarkation point that would have been even slightly feasible.   So there you are.

    Lino thinking Corfiote thoughts.
    Lino thinking Corfiote thoughts, in the center of the Sun's Anvil. The Old Fortress makes a nice touch.
  • Dinner.   Not the food, which was fine,  organized in restaurants which had set out long tables for our contingent, the figuranti, the assorted politicos and their assorted consorts who had tagged along, etc. etc.     The problem was the hour, which was usually toward 10 PM, which meant finishing toward 1:00 AM.   This is a stretch of time which God intended for sleeping, not eating.   Or if eating, not to be followed immediately by sleeping, which some of us were on the verge of even as our jaws continued to grind.   Hard on the old internals.

But now we’re back, and I’m sorry it didn’t last longer.   Of course I would do it all again tomorrow.

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The Vogalonga bites back

Every year since 1975, the organizing committee picks a Sunday in spring and announces the date of the next edition of the Vogalonga, or “long row.”   When we heard it was going to be May 31 this year, the first thing most of us thought was “Saharan sun-scorch.”   None of us thought “Arctic gale winds,” at least not until we looked out the window that morning.

 

The poster from 2002.
The poster from 2002.

What it is:    

  •  A 30-km (18 miles) course around the islands of the northern lagoon, beginning and starting in the bacino of San Marco, open to any boat propelled by oars.vademecum
  • A chance for people to get down and party, before and after, and occasionally also during.

What it isn’t:

  • A race.   It starts at 9:00 AM with a blast from the cannon on the island of San Giorgio and a glorious ringing of major church bells.   It ends when you return to your base camp, wherever you’ve organized it.   The reviewing stand at the mouth of the Grand Canal, where your diploma of participation and medal get thrown into your boat, closes at 2:30.   But as far as anybody’s concerned, you can get home long after lights-out.
  • A protest against anything.   A foundation-myth has  been created over the years, for reasons having more to do with local politics than anything else,  that this amateur non-competitive marathon is a protest against the “motondoso,” the infamous wave damage which is destroying the city.      Motondoso is a fatal phenomenon which  Venetians call the “cancer of Venice” and deserves, more than to be protested against, to be  resolved once and for all.    

The reason it makes no sense to promote this event as a protest is because:

  • Each year of the past 35, the motondoso has increased exponentially.   If a once-a-year Sunday morning mega-row is supposed to convey serious dissension, something isn’t working.
  • By now, the number of participating Venetians has shrunk from 99.9% of the total rowers to about 20%.   Or, of some 1,600 boats, only around 300 were Venetian; the rest come from everywhere else — the US, Canada, Russia, Australia, all of Europe, even the Comoro Islands.    
  • The Venetians already know everything they need to know about motondoso, including the futility of protesting it, either with oars or guns (though guns haven’t yet been tried.   Hm…).    
  • The non-Venetians also have no power to affect anything that happens in Venice, except perhaps  the quantity or quality of the  garbage they may or may not leave behind.   Other than that, it’s pretty clear that if the city government  can plug its ears and sing LA-LA-LA-LA when  its voting citizens  speak up, it’s not going to change everything when a batch  of  Hungarians or Poles or Kiwis  or Comorians lodges a complaint.   Which they wouldn’t anyway, because unless some feral taxi should capsize them, they’re probably not going to be too bothered about waves, because motorboats are forbidden along the course.   So the rowers have very little chance to  experience the glories of motondoso in any case.

One other thing: I’ve  experienced a few protests over time, events involving mounted policemen and tear gas and so on.   I don’t remember there being people laughing and  waving to their friends and taking each other’s pictures and drinking beer.    Call it  whatever you like; the Vogalonga is essentially  one big  party, and two large objects like parties and protests  just can’t occupy the same space.   So much for the protest theory.  

We were there this year rowing “San Marco,” the club’s 8-oar gondola.   And I’m pretty sure that like everyone else out there when the starting cannon fired at 9:00 AM, we were all thinking, in our various ways, “ohgodohgodohgod.”  

Lino admitted when it was all over that he’d had the tiniest hint of a second thought as we started out, but he’s done all 34 and he was determined to make it through the 35th.   There aren’t many left who can make that claim, and he was going to do it unless, you know, sheer survival were to become an issue.   Not too bad, when  you consider that within the space of five months, he’s had a new hip and a pacemaker installed.   And that two of the boys aboard had rowed only twice.   Ever.

A tremendous wind was blowing, the implacable northeastern blast called the bora, and there were gusts up to 50 miles an hour.   Also, the tide was going out,  which meant that naturally everyone had to row against it, too.   Wind and tide.   And it was cold.   I’m telling you.  

 

vogalonga-1201

 

vogalonga-1581

 It took us seven hours to finish what normally would have taken four (well, five), but at least we didn’t run into anybody or anything, like channel-marker pilings, though we came close a few times, and we didn’t capsize, which is more than some 30 other boats could claim.   The assistance teams stationed around the course had to call for reinforcements to pull people and assorted hulls and oars out of the water.

But we did it,  due  mainly to Lino, not only because of his strength but even more because of his experience and savvy (“You don’t row with your arms,” he says, “you row with your brain.”   The proof of this was seeing the consequences to rowers who didn’t think of how to find some way to make their life out there at least slightly easier, looking for positions that would be more sheltered from the wind, or where the tide would be less strong).

But even with his experience and grit, we, like everybody else out there, had to put everything into it.   The wind just never let up, though occasionally it would hurl itself against the right side of the boat, which would slew to the right, so I had to exert a sudden powerful counterstroke  to keep the boat from slewing around to the right, usually in front of an onrushing cavalcade of hapless rowers.   Lino, astern,  exerted his own counterstroke whenever the wind shifted to the left side of the boat.   the same when the wind shifted.   The others just kept rowing along, like the slaves below decks in Ben-Hur.

But we all had confidence in him, which was the real secret to it all.   I can say that because another boat from our club turned back.   It wasn’t that they couldn’t do it physically; they had no confidence.    Mental, not muscles.   I want you to remember that —  it’s another of those crucial Life Lessons you pick up in a boat.   I have quite a list by now.

Just one of the events at the turn into the Cannaregio Canal.  Photo by Karol Sibielak.
Just one of the events at the turn into the Cannaregio Canal. Photo by Karol Sibielak.

About those capsized boats.   Some accounts make it sound as if the entire course was like the Spanish Armada being blown around England.   In fact, the accidents were pretty much limited to  a particular category in a particular location:

  • Low slim sculls of various-size crews.   Not really built for the high seas, as it were; not especially capable of having the last word in an argument with waves.
  • The entrance to the Cannaregio Canal, where the rowers enter Venice and head into the Grand Canal and down to the finish line.
  • This was the most hazardous place for sculls because it was full of large, heavy, following waves caused by the particular behavior of the tides at that point.   And because….
  • Many rowers didn’t calculate for the rebound of the waves from the nearby embankment.   They might have managed to surf along atop one set of inbound waves, but couldn’t deal with the busted-up remains of the same waves coming back at them.
And to think he'd almost done the entire course.  I hate that.  Photo by Karol Sibielak.
And to think he’d almost done the entire course. I hate that. Photo by Karol Sibielak.

Knowledgeable, or cautious, rowers tended to swing wide before positioning themselves for entry into the canal, thereby avoiding the worst.

I’m explaining all this because you never know when it might be useful to know this.

I took several aspirin and was in bed before 9:00 that night.   My last thought was wondering which parts of my body were going to hurt the most the next morning.

Surprisingly, very few.   Almost none, really, except for a lovely pair of screaming matched trapezius muscles.   And my hands, which felt like lobster claws.    Gripping an oar, exerting about a thousand pounds-force per square inch on a stick of wood for much of seven hours, has quite an effect on the old mitts.   All those years of piano lessons?   No more hope of Rachmaninoff for me.

What really astonishes me is my capacity to remember events like this with something like pleasure.   Must be hormones or something, the euphoria of survival.   The traps have stopped crying, the hands are back at the keyboard, and I’d say I’m almost ready to do it all again.   Like so many things in Erlaworld, it makes no sense.

(Below: In the Cannaregio Canal.   We’re smiling because the end is in sight, and because finally we’re going with the tide.   I’m the waver wearing the red baseball cap.   I have no recollection who I’m waving at.)

vogalonga-928 VOGALONGA USE

 

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Memorial Day reflections, Venice version

I’m thinking about  World War I today, partly because yesterday, May 24, used to be a date engraved in every Italian’s consciousness.   Yet it passed unremarked in any way, which to Lino is yet another sign of the general deterioration of just about everything.

We were walking along the fondamenta yesterday morning when all of a sudden Lino said: “It’s May 24! …‘il 24 maggio l’esercito marciava…” and he was off, declaiming the four long  stanzas of the “Legend of the Piave.”  

This is one of the great patriotic songs, immortalizing the departure of the army to war against the Austro-Hungarian Empire on May 24, 1915.    Some of the  most ferocious battles  toward the end took place along the Piave River.    maps_44_italy_piave_1600It is a pleasant little stream which starts in the Alps and empties into the sea not far from Venice, but more importantly, it formed the front which finally stopped the enemy advance and led to its ultimate defeat.     The Piave is therefore also  known as   “The river sacred to the motherland.”  

Schoolchildren  used to be taught these impressive chunks of poetry and as you see, it stuck.   This feat was perhaps made a little easier by singing; the music of “The Legend of the Piave”  is so distinctive that you can’t get it out of your mind  no matter what you try to put in its place.   Everybody knows it.   It was in the serious running to be designated the Italian national anthem.  

“My father  fought in the war,” Lino was telling me, “on the Asiago plateau.   He was taken prisoner, and they took him to Trento, to  the Castle of Buonconsiglio.   He took me there once, when I was little, to show me.   We went into the big room and he said, ‘That’s where the judge was sitting, and that’s where the bench was where I was sitting.’   He always told me he was going to take me to Asiago to show me the trenches he was in, but he never did.   I’ve always been sorry.  ”

The military judge’s job was very simple.   All  he had to do in order to know what to do with a prisoner was to ask where he came from.   Large areas of what are now Italy only became demarcated as such after hideous battles.     So if the prisoner came from Venice, or anywhere south of there, he was treated as a normal prisoner of war because he was fighting for his own country, Italy.   Lino’s father got sent to the internment camp at Mauthausen for the rest of the war, came home, and went back to work driving the train from Venice to Trento.

If, however, the captured soldier came from Trento or Trieste or any of the many northern, now-Italian,  towns which were then still part of the Austro-Hungarian empire,  he was considered a traitor and dealt with accordingly.   Firing squad,say, or hanging (Nazario Sauro, August 10, 1916), or hanging and garroting (Cesare Battisti, July 12, 1916) —  it was all good.   img_8359-sauro-compThese are famous martyrs of the Italian resistance.   Despite living in Austrian territory they considered themselves Italians were fighting for Italy, while according to the Austrian viewpoint  they were supposed to be fighting against it.   These men were epic heroes.   I can’t understand why their life stories haven’t been turned into tragic operas.   Where is Verdi when you need him?  

So the First World War, which to many of us seems extraordinarily remote,  is still part of the lives of  many people — like Lino — still walking around loaded with memories.   Did I say memories?   He and his twin brother, Franco, have lived their entire lives carrying the names of   two of their mother’s brothers who were killed in the war.   Every Venetian parish, as well as the Jewish Ghetto, displays a memorial plaque listing the names of the local boys who died in the carnage.   The names  of Lino’s doomed uncles  are  inscribed on the  memorial in Campo Santa Margherita.    Whenever I go by I  stop to look; I have this odd feeling that they’re part of my family.  

The Piave, let it not be forgotten, was also  where Ernest Hemingway was wounded at the age of 19, after only two weeks at the front.   Because his poor eyesight prevented him from enlisting as a soldier, he volunteered to work with the  Red Cross ambulances bringing soldiers down from the action on Monte Pasubio.    

He was sent to Fossalta di Piave, a town on the river not far from Venice.   At midnight on July 8,  1918, an Austrian mortar hit the trench where he had gone, more out of curiosity than merely to distribute cigarettes and chocolate.  

The 227 wounds I got from the trench mortar didn’t hurt a bit at the time,” he wrote to his parents from the American Hospital in Milan, “only my feet felt like I had rubber boots full of water on.   Hot water… But I got up again and got my wounded into the dug out… I told him in Italian that I wanted to see my legs, though I was afraid to look at them.   So we took off my trousers and the old limbs were still there but gee they were a mess.   They couldn’t figure out how I had walked 150 yards with a load with both knees shot through and my right shoe punctured in two big places… ‘Oh,’ says I, ‘My Captain, it is of nothing.   In America they all do it!   It is thought well not to allow the enemy to perceive that they have captured our goats!”  

When the bravado wore off, he was left with nightmares, insomnia — I had been living for a long time with the knowledge that if I ever shut my eyes in the dark and let myself go, my soul would go out of my body — five months of physical therapy, and his vivacious American nurse, Agnes von Kurowski.   In the end, she jilted him and shattered his soul into more pieces than the shrapnel ever had.    

Bombs even fell  on Venice here and there (there were victims in Cannaregio).   There is even an unexploded bomb which was retrieved from the roof of the basilica of the Frari, and which is mounted on the wall near the Pesaro altarpiece as a memento to this small, perhaps, but marvelous moment of salvation.

Speaking of bombs, there is a  slowly disappearing stone  in the Piazza San Marco.   It has been worn away by millions of undiscerning feet.   Sometimes I pause and just watch people walk over or past it, oblivious, snapping their pix, thinking about work, looking for a bathroom.   It marks the spot where an Austrian bomb fell on September 4, 1916,   five steps from the entrance to the basilica.  It is just another stone, mute, but eloquent.

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Every barracks and City Hall in Italy (as here,  at the entrance to City Hall in Venice) displays a large bronze plaque made of melted-down enemy cannons.     img_8364-diazIt gives the full text of the address given by General, later Marshal,  Armando Diaz, chief of general staff,  announcing the Italian victory of the Battle of Vittorio Veneto and the end of the war.   It manages in very few lines not only to report the precise details of the enemy’s  undoing  but to convey every emotion conceivable in the victors of a struggle beyond human comprehension.

The war against Austria-Hungary which, under the high command of His Majesty the King, the Italian Army, inferior in numbers and means, initiated on May 24, 1915, and with unwavering and tenacious valor conducted fiercely without interruption for 41 months, is won.

The gigantic battle engaged on the 24th of  last October and in which took part 51 Italian divisions, three British, two French, one Czechoslovakian, and one American regiment, against 73 Austro-Hungarian divisions, is finished.  

The rapid and daring advance of the XXIX Army  Corps on Trento, blocking the enemy’s means of retreat in Trentino, overwhelming them  on the west by the troops of the VII  Army and on the east by those of the I, VI, and IV, determined yesterday the total ruin of the adversary’s front.    From Brenta al Torre the irresistible surge of the XII, the VIII, and the X Army, and of the cavalry divisions, drove the fleeing enemy even further back.

On the plains, His Royal Highness the Duke of Aosta rapidly advanced at the head of his undefeated III Army, longing to return to the positions which they had already victoriously conquered and had never lost.

The Austro-Hungarian Army is annihilated; it suffered grave losses in the fierce resistance of the first days and  in  the pursuit it has lost huge quantities  of materiel of every sort  and virtually all of its stores and warehouses.   It has left in our hands about 300,000 prisoners with entire general staffs and not less than 5,000 cannon.

The remains of what once was one of the most powerful armies in the world is ascending, in disorder and without hope, the valleys which it had descended with such proud security.   DIAZ

For me, though, the most powerful and poignant epitaph to  war — military, emotional, or both —  is what Hemingway  wrote as one of    the 40-some endings he  crossed out for “A Farewell to Arms”:  

Many things have happened.   Everything blunts and the world keeps on.   You get most  of your life back like goods recovered from a fire… It never stops.   It only stops for you.   Some of it stops while you are still alive.   The rest goes on and you go with it.”

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