Today is Martedi’ Grasso (Mardi Gras) and Carnival is wrapping up. It wrapped up a few days ago in via Garibaldi, not with a bang, not with anything. On Giovedi’ Grasso, the stage, inflatable slide and trampolines were going full tilt, overrun by swarms of unchained children. The day after, nothing. Everything was just … gone.
There are still frittelle and galani on sale and the streets are still speckled with confetti, yet the revelers are nowhere to be seen. I think whoever’s still around has migrated to the Piazza San Marco, where the big closing events take place. I won’t be there. I’ll be sitting at home in the dark, like some addict, secretly eating the last of the galani.
Galani, the last batch. They are doomed and so am I.Frittelle veneziane are somewhat difficult to find; lately everybody seems to want them filled with pastry cream or zabaglione. I stick with the traditional solid balls of fried dough. I bought this one not because I’m so crazy about frittelle, but because I couldn’t resist the chance to break off all those little stick-out bits. I’m so easy to entertain.“Today there are mammaluchi.” Readers may remember that the Pasticceria Targa near the Rialto market is the only place I’ve found that offers a special Carnival sweet called “mammaluchi.” Not the knightly military caste drawn from the ranks of slave warriors (thanks, Wikipedia), but an equally dangerous pastry.The Mamluks had a special sword, but I think this could have be just as effective in your average skirmish. It would just take a little longer for your adversary to collapse. The filling is dough, but of a moisture and density that make you take them seriously. Two is actually too many, but I didn’t let that stop me.I receive absolutely no compensation for this mention, they don’t even know who I am. Just that wild-eyed foreigner who comes in every year asking if the mammaluchi are ready yet.I didn’t go on a hunt for costumes to photograph, mainly because so many of them are so trite. I don’t judge, I know the people concealed within are having a wonderful time. I just feel embarrassed taking pictures that everybody else is taking, especially of something so unimaginative. Here, a group of massive costumes was disembarking from the #1 vaporetto.I kind of liked these dudes, even if they had rented the garb. I was fascinated by the fact that all of them had 12 white dots. I have no idea how you play a game of dominos if all the tiles have the same number of dots, but at least they were being whimsical. I award points for whimsy.And speaking of whimsy, this was the scene in via Garibaldi on Fat Thursday. The munchkins from the local nursery school are dressed up as either little pigs (the girls) or wolves (boys). The masks were handmade of the ever-reliable construction paper.The pigs were especially adorable, not only because they were scarfing up frittelle and fruit juice but because they had to move their masks aside to make way for the food. The mask itself is a small masterpiece, held on by a circlet of pink construction paper.This was an exceptional minimalist costume. The mask was a small cardboard carton just sitting on his shoulders, and he must have had fun making a sword that wants to be a Mamluk bread knife.Seen at the Rialto market: A couple wearing chef’s toques, the father carrying their little girl on his back, disguised as a ….…lobster. That’s what I always say, never leave home without a clean handkerchief and a lobster.Yes, I know you want to stay out past dark, but it’s time to go home. Pack it up till next year.
The waves of confetti are the forerunners of the festivizing. You don’t need to see who tossed these handfuls to know that the game is on.Next stage: Complaints. Sunday morning’s newsstand lists the usual problems: (L to R) “Carnival for 80,000 Today the turnstiles go into operation. Strike at La Fenice Opening night canceled.” “Carnival and nightlife It’s chaos Protests.” “Turnstiles at the openings (on streets) The first time at the Piazza San Marco.”Sunday morning: The waterfront is lined with the big tourist launches which, after they unload their revelers, wait back here along the Fondamenta Sette Martiri for the return trip to everywhere.And on up the Riva degli Schiavoni toward San Marco. They’re even double-parking.
Last Saturday (Feb. 23) was the semi-official opening of Carnival, which means tremendous hubbub in deepest Castello. The frittelle and galani are already making inroads on everybody’s glucose levels, and by the look of the calli, confetti appears to be strewing itself.
The centerpiece of Saturday’s inaugural celebrations was the procession of the 12 “Marias” from San Pietro di Castello to the Piazza San Marco. Weather cold but sunny, not much wind — perfect for everybody, especially the Marias who, if the morning bora had lasted, would each have needed a can of hair spray to keep her tresses under control. Perfection comes at a price, and in this case it would either have been a week’s worth of washing with Packer’s Pine Tar shampoo or a visit to the Navy barber for a cut measured in millimeters. People love looking at the girls, but I worry about their hair. It probably comes with age.
These are the Marias from 2017; I didn’t fight my way through the mass of people to chronicle this year’s batch. The dresses change each year, but the hair is eternal. I keep meaning to ask one of them how (or if) if they manage to sleep during this week. I’m imagining those Chinese headrests.
Sunday (Feb. 24) at 11:00 AM was the true official opening of the annual scrum, with the “Volo del Angelo” (flight of the angel) enacted by a lovely girl in magnificent garb who slides down a wire from the campanile of San Marco to terra firma at the stage below. She was followed by another, because why stop at one? In this case I don’t worry about their hair, I worry about their lives. As does everyone. All went well.
The most important innovation was the installation of turnstiles at the entrance to the Piazza; for the first time, the number of festivizers permitted in the Piazza was limited to a modest 23,000, with corridors arranged for easy entry and exit. Modern, intelligent, efficient — it can be done! I don’t know where the rest of the 110,000 people that were counted in the city went, but my tricorn hat with the veil is off to the organizers and the enforcers, all 700 of them: 420 vigili, or municipal police (100 more than last year, between Venice and the mainland), 60 firemen, 120 workers from Vela (transport), 40 of Suem and Croce Verde (ambulances) e 40 of Civil Protection (general assistance and crisis management).
La Nuova Venezia reported that there were many more people than last year. “In spite of some suffocating stretches, some calli transformed into a Stations of the Cross (you can intuit this means slow and extreme suffering), and some campi, such as Santa Maria Formosa, full to overflowing, there weren’t any complications.” They are referring to quantity, not quality, because…..
Turista barbaricus is back! Two young foreigners were nabbed at 10:00 AM on Sunday in the Piazzetta dei Leoncini urinating against the basilica of San Marco. Hey! A wall! Just what we needed! Nabbed by the police, each has been given a fine of 3,330 euros ($3,782). That will certainly make for an interesting conversation when they get home. Just think: For the price of a coffee (1.10 euros) they could have used the bar’s bathroom. Or hey — the canals are free! I realize that Carnival was created for breaking rules, flouting convention, freeing oneself of all those rigid rules that so strangle happiness and frivolity. I even wrote about it. Except that even the Venetian Republic didn’t need much time to recognize that there is a limit to everything, including fun, and to start passing decrees and ordinances to keep total chaos at bay.
Because I don’t venture as far as San Marco — and not even as far as the Arsenale — my view of Carnival is limited to our little lobe of the city, and that’s fine with me.
“To confetti” — evidently it can be a verb. Just ask the dog.
The story of the “Marias”: From the 9th century it was the custom in Venice, on the Feast of the Purification of Mary (Feb. 2, or “Candelora”), to bless all the couples who were planning to marry that year. For the ceremony, which was held in the bishop’s palace, the 12 poorest damsels were dressed in splendid garments and jewels lent by the main churches of the city. They didn’t have to be beautiful (as required by today’s pageant), they just had to be poverty-stricken.
In 973 (or maybe 948), the ceremony was interrupted by the arrival of a band of wild Slavic pirates from the Croatian coast, who stole the girls and, of course, their expensive garb and jewelry. Doge Pietro Candiani III organized a posse, caught up with them at Caorle, slew the pirates and brought the girls and their stuff home safe and — one hopes — still sound. To thank the Madonna for her intercession in this happy outcome, the Feast of the Marias was instituted.
But something had changed. Instead of choosing merely the 12 poorest girls, now they had to be the most beautiful of the poorest. Each girl was assigned to a wealthy family which donated clothes, jewels, and a dowry to help her marriage chances.
Wikipedia (in Italian, translated by me) tells us that “In the following days there was a series of civil and religious ceremonies that culminated in a boat procession on the Grand Canal, during which the “Marias” displayed their beauty and their jewels. The ceremonies were accompanied by balls, banquets and other extravagances; furthermore, to see the Marias was considered a sign of good luck, beyond being a festival for the eyes of the masculine public. And so the festivities extended over many days (even two weeks) and attracted many people from other countries.”
Sound good? Not really. Because now there were 12 poor — literally and figuratively — girls involved in what amounted to a struggle to the death among 12 patrician families. “The feast of the Marias created not a few problems; it often happened that the girls who were about to be married were courted, and in the worst cases violated, by the men who went to see them. Furthermore, the competition of the Marias caused bitter conflicts between the families, those that were poor (who, in the case of losing, protested the lost victory) as much as those who were rich (who didn’t want to take on the costs involved).
“So the flesh-and-blood girls were gradually replaced by statues of wood, called Marione or Marie de tola (wooden Marias). These were dressed and bedecked with jewels, but unlike their human counterparts weren’t furnished with dowries, and at the end of the feast the trappings were returned to their legitimate owners. But this new version of the festa lost a lot of its original sense, and along with it the favor of the Venetians, who reacted with anger and scorn, even going so far as to attempt to sabotage the festa.
This is the current version of the “wooden Marias.” Even the jewels are gone.
“In 1349 the Republic of Venice had to pass a law stating that anybody who threw vegetables at the procession of the wooden Marias would be sent to the galleys; this, though, only made the festa lose even more of its prestige, and only 30 years later it was definitively suppressed.”
Fun fact: “It seems that the term “marionette” is derived from the Marione. And even today it’s common to hear Venetians call a woman who is particularly dull and inexpressive a Maria de tola.” Even though I’ve never heard Lino use this expression, he confirms that it’s a common saying. Maybe we just don’t know any women who answer to that description.
The procession goes up via Garibaldi (something of a comedown from the Grand Canal of yore), but the girls are wonderful to look at.
On to San Marco, alive or wooden!Leave us behind, we’re happier in the background. She’s part of a strolling musical troupe from Switzerland, which also included a tuba and a glockenspiel. Nice hat.Somebody just invented the wheel. Didn’t figure on finding bridges when he got that great flash of genius, but he persevered.You don’t need much to get the Carnival look. This appears to be the newest variation of face painting.Jugglers and makers of balloon animals are all the littlest Castello denizens need to feel Carnival.There are also four trampolines, one inflated slide in the shape of the “Titanic” going down (two orange smokestacks in the background), and also a cotton-candy maker. All the best to revelers in the Piazza San Marco, but I’m perfectly happy here.Good night, via Garibaldi. Keep the confetti warm till tomorrow.
Yesterday was the second day of Carnival 2018 (Jan. 27-Feb. 13), and the festivities started, as they have for a number of years now, with a monster boat procession in the Grand Canal. The boats and rowers were decorated and trimmed and upholstered and whatever else seemed good across the gamut from minimal (a hat) to the glamorous (let’s all be Mozart for a day!) to the fabulously imaginative, funny, and irreverent. They say that during “Carnevale, ogni scherzo vale” (during Carnival every joke works) and the boat people showed they’ve got plenty of high jinks still in them.
Note: For an overview of Carnival garb, behavior and general atmosphere back in the glory days, I recommend my very own piece on masks for Craftsmanship magazine.
Further note: I promised Lino that I would convey his belief that this festival, amusing and picturesque as it may be, is NOT the real Venetian Carnival. He is extremely firm on that point. Other cities, most particularly Viareggio, are famous for celebrating Carnival with highly elaborate floats (“carri allegorici“). The floats of Viareggio are titanic constructions that can hold their own against any other carnival in the galaxy. But Lino contends that this sort of parade is not the Venetian Carnival and he strongly objects to the introduction of this foreign body into the Venetian culture. I am not going to adjudicate the matter in any way, I have only fulfilled my promise to add his voice into the festive confusion. Confusion there has always been during Carnival, even here, and history attests this. But no carri allegorici.
That said, I’d like to return to the floating (sorry) festivities. I’m a stout defender of Venetian traditions, but I have to admit that I found the whole thing hugely entertaining. That’s all I’m going to say.
The gathering of the boats at the entrance to the Grand Canal. We arrived around 10:45, and we began processing at 11:15. The weather didn’t get the message that it would be hilarious to rain or snow, so we made do with ordinary old sunshine. A good thing, too, because the day after was solid fog.The boat in the foreground bears proudly on its bow the typical sign listing the stops that is displayed on the #1 vaporetto. Cute, but why?Here’s why: The sign says “For today only, the ACTV will provide service by oar.” The crew is wearing the regulation necktie that is part of the ACTV uniform.The battling Casanovas, comparing gondolas and, probably frills. Remember the gondola on the left, it will reappear further on.I’m sure I’m missing something (I’m never wrong if I think that), but here we have a whaling longboat helpfully named “La Baleniere” (“the whale boat,” though the term usually means the entire ship). Instead of being rowed backwards, it’s been fitted out to be rowed the Venetian way, standing up, facing forward. Hazmat suits are always appropriate, so I won’t inquire about those, but the headgear looks like jellyfish brains or something else from the abyss. I’m not even sure what they were made of. Men wearing pink, though, is always entertaining.The boats lined up to check in at the control station at the Customs House Point. The organizers threw bottles of water (never drunk) and packs of sandwiches (never eaten, at least not by me) into the boat. They took no chances that somebody might suddenly feel faint.The star of everything was this enormous plastic mode of a rat, here being carried on a yellow boat to the end of the line where, at the crucial festive moment, he will be broken upon to release a mass of colored balloons. To get the joke you need to know that in the Piazza San Marco, one of the peak moments of Carnival, then and now, is the “flight of the Colombina.” In the very olden days a high-wire artistwould descend a wire stretching from the top of the campanile to the Doge’s Palace (no net. Fun!!). Or sometimes he or she was replaced by a huge model dove (“colomba”) which would burst open and shower the under-standers with clouds of confetti. Seeing that our procession will conclude in the Cannaregio Canal, far, far from the piazza and its glamor and history, the ubiquitous rodent was chosen as the mascot, symbol, patron saint, whatever we want to call him or her, of our lower-brow festa. I wish I could have gotten closer, this is the only picture I managed to make. The backward-looking eyes make me laugh. I wouldn’t have thought a creature this big would bother checking who was behind him.Maybe he was watching for this, a dragon boat from the Canottieri Mestre. The American flag is flying…a yellow-haired effigy is standing…a model of a rocket is pointing…and all the rowers are wearing archery targets on their backs. Um….And astern the flag of some unidentified nation (it is not the official flag of North Korea, I checked). But whatever that bit of fabric may be, I think we can surmise what it symbolizes. And a rocket pointing that way. Hilarious.Wait: THIS is hilarious. The sign the central rowers are holding up translates as: “Mine is longer.” Badaboom.The Addams Family, Uncle Fester rowing astern. The other family members were very white-faced, which was worth a photo but for some reason they kept looking the other way. Are they under witness protection?She spent quite some time adjusting the black crape. We even have Cousin Itt in the form of the long blond wig on a stick.Unlikely as it may seem, everybody manages fine with all those oars.it does get squeezy under the Accademia Bridge, but we are not actually rowing the boat next to us. It only looks like that.And speaking of squeezy, the overloaded vaporettos had to stay where they were, tied up to their boat-stop dock, until the procession had finished. That’s for everybody’s safety, obviously. And to allow all the passengers to crowd to the outboard side to make photographs of the spectacle, which judging by the inclination of the boat wouldn’t meet anybody’s safety standards. Fun!Splashing along toward San Toma’, the boats seem to be organizing themselves by color somehow. Suddenly we’re in the blue section.One caorlina’s crew maintained the roditory (made up — we need this word) theme by dressing as mice and loading the boat with cheese. Another hefty form of parmigiano adorned the stern as well.Now we’re getting closer to the old satirical bone. Here the rowers are each carrying a cardboard rendition of a MOSE floodgate, complete with streamers of algae and the occasional barnacle. Algae also trailling from the boat, as you see. Check my last few posts about the condition of the gates to appreciate the satire here.A quick refresher on what the real gates look like. They do not inspire mirth.And while we’re on the subject of current events, this boat has remnants of jewelry strewn across its bow and the sign says: “Doge’s Palace, here’s what’s left of the Maharaja’s treasure.” Maharaja helpfully rowing nearby. For reference see my post “Lugash on the lagoon.”Every square or triangular or rhomboidal inch was occupied by people, even up onto the roof of the Fondaco dei Tedeschi.Behind us, yet more miles of the flotilla. In the center, the “peata” of the rowing club G.S. Voga Riviera del Brenta, bearing the soundtrack: music, singers, people yelling reckless happy phrases that added to the general atmosphere of revelry.This little group demonstrated yet again that you don’t need an elaborate or expensive costume for carnivaling, but just a little imagination. Everybody in bathrobes and with towels wrapped around their heads; the two seated people are armed with the moveable showerhead and back-scrubbing brush. I think there’s a shower curtain there too. So: Bathrobes. How can you say you don’t have a costume?And the wolf will dwell with the lamb, and the alligator will lie down with the young penguin ..This caorlina was draped with wafty white fabric and clumps of big cotton balls to create a wintry Alpine scene, complete with rowers in down jackets and somebody on the bow wearing red reindeer antlers. Pay no attention to the blue and white bits in the background — that’s a white caorlina whose bow has been surmounted by a very large seagull head trailing sky-blue fabric. If they had wanted to create a real Venetian scene, they’d have added a few bags of garbage pecked and ripped open with the contents strewn wildly around.A charming couple in fairly authentic mountain-dwellers’ (as opposed to mountaineers’) garb.The gloriously bedecked man astern is Angelo Boscolo, who recently launched his gondola made of 350 fruit crates. However amusing this may be, he spent a year and a half at it, and scrupulously adds that it is 30 cm (11 inches) shorter than the traditional gondola, and that the crates are made from 11 different types of wood (classic gondola uses 8 types, possibly not those used for kiwi containers). On the thwart behind the seats has been carved a very Venetian saying: “Chi sa tace, chi non sa chiede. El mona sa già tutto” (Who knows, remains silent; who doesn’t know, asks. The asshole already knows everything).First prize and a blue ribbon in the “Actually, why the heck not?” category.The Rari Nantes Patavium boat club (in Padua) has an elegant 12-oar gondola, here made even more elegant without six of its rowers but with the addition of two tangoing couples.Of course it’s possible to tango in a space the size of a bathmat. I admire them even more for doing it on a boat, where even the smallest rogue wave could add a few steps they never studied in school.They made it to the end, this extravagantly dressed pair of rowers. It’s true that everyone was rowing against the tide, but somehow seeing them at it made it appear even harder and more thankless. In any case, this is the once- typical boat of Lake Como, and bears the banner of the lakeside town of Bellano. Five centuries ago the craft was simply called “batel,” used for fishing and also passengers; since 1827 it has been called a “Lucia” in honor of the heroine of the novel “I Promessi Sposi” who makes her escape across the lake in such a boat.Our four boats of the Remiera Francescana moored near the top of the Cannaregio Canal, in what appears to have suddenly become the Red Zone (the facing boats belong to the G.S. Voga Riviera del Brenta club).The crowds along the fondamentas were in full cry. Here, a very cool family.Cool, as in wearing your sunglasses over your mask.The view of people ashore was almost as good as the one they got of us. Fun!
This year Carnival is starting early, thanks to the lunar schedule which governs Easter (January 27 – February 13, if you’re keeping track; two and a half weeks, which seems long, but it’s three weekends, which is what really matters). Therefore we are enjoying a shorter-than-usual interlude of calm and tranquility between Epiphany and the aforementioned Carnival — a mere three weeks, which isn’t nearly long enough to take all those deep breaths you so urgently need. But there’s no arguing with the Paschal Full Moon, counting backwards from, and I imagine the city fathers would be happy for it to run for six months, as it did in the olden days, considering how much lucre spills into the municipal coffers therefrom.
What I am enjoying are the jolly signs of its approach. Here are just a few glances around the neighborhood. And yes, as every year, the frittelle are appearing in the pastry shops, and wild swaths of confetti have already been seen strewn across the pavement. I notice that the garbage-collectors have been sweeping them away. Why? They’re not a health hazard. They’re not a safety hazard. They’re not ugly or offensive. I wouldn’t have thought it possible to find yet another reason to complain about the garbage-collectors-and-sweepers, but I can’t see why they don’t devote whatever small, random spasms of energy they may experience with their brooms to sweeping away real trash, and just leave these merry little fragments of frivolity on the pavement, where they can cheer people up. But so many things perplex me, no point in picking just one.
This is all it takes to make me happy. The people just distract me — it’s much better if I come across the confetti as if thrown by an occult hand.The first indication I saw of the oncoming juggernaut was the entire section of the Coop supermarket window stacked with boxes of galani, bags of confetti, a packages of streamers.Shards of flour, fat and sugar. You deserve a close-up of these little monsters, they are so good. But what — no masks? Not so fast…Just around the corner, in the sensible-food aisle next to the shelves of dried legumes and cellophane-wrapped bread are some masks. They thought of everything.As did Mario and his wife in the nameless housewares and detergent and mops and toothpaste shop. You can get glitter eyeliner here too, while it lasts.They’re keeping pace with the Carnival Diet in the Conad supermarket on the Lido. Boxes and boxes of galani brought in from some demented factory where the ovens are baking night and day. I wonder if these are any better than the ones in our neighborhood? I wonder if I should seek the answer to that question?
