Another side of waterworld
By · CommentsThis minuscule bulletin is for anyone who might think that the most troublesome water in Venice is in the canals.
Actually, it’s in the air.
After about ten days of rain and mist, in varying proportions, with random interludes of damp, persistent wind, my sinuses feel like the average compressed-air can. Just think — if I could breathe, I could blast the dust out of my computer all by myself.
Who — I hear you ask — cares?
I mention it because it leads us to an infinitesimal aspect of life in the most-beautiful-city-in-the-world. Laundry. The fate of wet laundry in what amounts to a World Heritage Site aquarium.
Two nights ago, I slipped between clean sheets which I had wishfully thought were dry, but discovered had retained the subtlest possible essence of humidity, just enough to make me feel like a very old loggerhead sea turtle lying on the wet sand waiting to lay my eggs. I snapped. It was time to launch the death rays.
So I washed several hundred pounds of garments and towels and other heavy stuff, jammed it into the rolling suitcase, and hauled it to the laundromat on the Lido, where four big dryers were waiting for me.
Actually, only three were waiting, because someone had gotten there before me. I sorted my raiment into them, dropped in the coins and hit the highest temperature possible. I think it was close to “incinerate.” At one euro ($1.37) for ten minutes, it wasn’t exactly a deal, but this was no time to haggle.
In the hour I was there, three other people came in, lugging various huge containers of damp laundry.
Apparently everybody had had the same idea.

Only in winter does the absurdity strike you of photographing laundry drying in the middle of water.
After three sessions, I took out the heaviest item, a waffle-weave cotton blanket. It was hot and totally dry, exquisitely dry, irresistibly dry. I could barely resist the temptation to put it back for another ten minutes just to imagine myself becoming one with the transcendent dryness of it. If you had offered me a box of Teuscher truffles — or even white truffles from Alba – at that moment, or maybe six 0.03-carat rubies, I couldn’t have concentrated long enough to decide.
It was like an oasis in the desert, only backwards.
When I left, it had started to rain again.
Reflections on water
By · CommentsThere seems to be something wrong with the date November 4. And I’m not referring to the Unknown Soldier. I’m referring to water.
On November 4, 1966, the famous acqua extra-alta flowed over Venice. It was also the day on which the catastrophic flood of the Arno struck Florence. (Trivia alert: A similar flood hit Florence on November 4, 1333.)
And now November 4, 2011 has entered the annals of suffering in Genova, flooded by at least two of their rivers which were overwhelmed by torrential rains. http://youtu.be/0IUOI_xg62M
I mention this for several reasons, and not primarily to make you wonder what it is about November 4 that seems to make the firmament go feral.
One reason I mention it is because Venice usually gets the headlines, whether there is a real problem or not. The foreign press loves to dramatize us splashing around in the Piazza San Marco, but I’m not sure that it has drawn appropriate attention to the cataclysm which has driven Genova to its knees, so I am making a point of telling you here.
Another reason I bring it up is to repeat one of my essential points about water in Venice compared to water in other places, which is that you can’t compare them.
So I will summarize it here and — I hope — won’t drone on about it any more this year.
Acqua alta is not “flooding.” Flooding is what happened in Florence, and in Genova, and other places I won’t list, and it often involves destruction and death.
We get wet. They get killed. On November 4 in Genova, there were at least seven victims. One woman was crushed between two cars being swept away down what used to be a street. Another woman and her two small children were drowned when the crest of the flood caught them in the entryway of their apartment building before they could make it to the staircase. And so on.
These are utterly tragic stories which are — thank God — impossible to replicate with acqua alta.

Some "water on the ground" in the Piazza San Marco. The tide is coming in, as you can tell by the fact that the pavement to the left is dry. And then it will be going out again. It's hard to think of calling this "flooding."
Therefore I trust that any drama you may encounter in the upcoming months in the press, on TV, on tourists’ blogs, concerning water in Venice will not impress you. In fact, I hope you won’t even notice it.
To review: Acqua alta is tide. It comes in, it goes out. It does not destroy bridges, rip up trees, or make floating trucks smash into buildings. Or humans.
So please spare a thought for the people in Genova (and elsewhere) who are suffering hideously from this avalanche of water. Do not expend any thought whatever on whether people in Venice have to put their boots on for two hours.
Though if you think we ought to start a group to advocate the abolition of November 4 from the calendar, I’ll be ready to sign up.
November 4, The Unknown Soldier
By · CommentsThe solemnity (more and/or less) of the past three days — All Saints Day and All Souls Day — dissolves today into the genuine solemnity of the annual commemoration of the end of World War I. November 4 (1918) is the date on which war against the Austro-Hungarian empire and its allies ceased.
It sounds so tidy: Victory. Peace. Ninety years have gone by. Let’s move on.
But every year the moving-on stops, to observe what is now called the Festa of the Armed Forces. Many civic monuments, and not a few of the parish memorials listing the fallen sheep of the local flock, are decorated with shiny fresh laurel wreaths given by the City of Venice. And a ceremony performed by veterans’ groups and other military elements is held every year on this day in the Piazza San Marco.
In Rome, the President of the Republic made the traditional visit to the Tomb of the Unknown Soldier, which soldiers guard night and day.
France had established the first tomb of the Unknown Soldier in 1920, and the Italians wanted to do likewise. They had lost some 1,240,000 men, almost entirely on the northern front which had stretched some 400 miles, almost one-third of the entire Alpine arc. In what some have called history’s greatest mountain battlefield, the gathering and burial of unidentified soldiers had been going on for two years.

The map shows how far into northeast Italy the Central Powers' forces penetrated. The Italian line held at the Piave River, now universally known as the "river sacred to the fatherland." Lino's father was taken prisoner on the Asiago Plateau and spent the rest of the war in a camp in Germany.
A commission was formed to choose one soldier from each of the eleven sectors of the front (Rovereto, Dolomiti, Altipiani, Grappa, Montello, Basso Piave, Cadore, Gorizia, Basso Isonzo, San Michele, and Castagnevizza). No identifying marks of any kind were to be permitted — no name, or rank, or serial number.

Maria Bergamas on October 26, 1921, before entering the basilica to choose the casket. (Photo: Achille Poli)
The eleven caskets were taken to the basilica of Aquileia, not far from Trieste. Here they were arranged in a line, and on October 26, 1921, a woman named Maria Bergamas from Gradisca d’Isonzo stepped forward to choose one.
Her son, Antonio, had been killed but his body had never been found. No one imagined, I’m sure, that one of the eleven victims could have been her son. She was there to represent all of the mothers, wives and women of Italy.
One eyewitness reported that she walked toward the row of eleven coffins, “with her eyes staring, fixed on the caskets, trembling…in front of the next to last one, she let out a sharp cry, calling her son by name, and fell on the casket, clasping it.” Strangely, there are less fervid accounts, also by eyewitnesses: “In front of the first coffin she seemed to become faint, and was supported by her escort of four veterans, all decorated with the Gold Medal for Valor. In front of the second, she stopped, held out her arms and placed her mourning veil upon it.”
As a journalist, I can’t grasp how there could be more than one version of the event, but I assume everyone was extremely keyed up.

Here is the scene as depicted by "La Domenica del Corriere." Meaning no disrespect, it clearly would have made an excellent third act to a tragic opera.
In any case, one was chosen, placed on a gun carriage, lashed onto an open-sided train carriage,and covered with the Italian battle flag. Four other open carriages were attached, to contain the flowers which undoubtedly were going to be offered by the people along the way.
The train stopped at Udine, Treviso, Venice, Padova, Rovigo, Ferrara, Bologna, Pistoia, Prato, Firenze, Arezzo, Chiusi, Orvieto, and finally Rome. But in fact it stopped — was stopped, actually, by the throngs which had waited for hours to see it — at all the stations, even the tiniest. Some threw flowers, others clasped their hands and knelt.
The train arrived in Rome on the evening of November 3, and the casket was taken to the basilica of Santa Maria degli Angeli e dei Martiri near the station. Mourners passed all night to pay their respects.
The next day, November 4, 1921, the war would formally end at 3:00 PM. The cortege proceeded slowly down the Via Nazionale toward Piazza Venezia and the massive monument known as the Vittoriano, where the body would be entombed.

The monument known as Il Vittoriano, in Rome. The "Altar of the Fatherland," where the casket was placed is in the center, beneath the statue of the goddess Roma in the golden niche. (Photo: Alessio Nastro Siniscalchi)
Total silence reigned. King Vittorio Emmanuele III walked behind the gun carriage bearing the casket. At the monument, the casket was lifted and carried by six veterans, all of whom had been decorated with the Gold Medal for Valor. Finally, it was placed in the space beneath the statue of the ancient goddess Roma. http://www.youtube.com/watch?v=RrOMk91vCfo
You might be surprised, as I have been, to discover how many poems (at least in Italian) have been written about the Unknown Soldier. Some are even composed as accusations, reflections, admonitions, rebukes, spoken directly to the reader by the Soldier. There is also a number of songs about him and/or war, in the mold of the protest songs of the Sixties and early Seventies. They seem dated and futile.
Well, of course they’re futile. Just look around. Still, some respect for the fallen is the least we can do. Or apparently the most we can do.
Justice will be served
By · Comments-

Pick a street -- any street -- and you'll find plenty of picturesque dilapidation. At least I suppose it's picturesque. If this were a palace, people would love it.
Visitors and even residents who regard the peeling plaster and crumbling brick and other symptoms of age and use as part of Venice’s transcendent charm mostly don’t have to concern themselves with the consequences of the aforesaid peeling and crumbling.
But if you were the plaintiff in a certain court case, you would find little to no charm in the condition of your case. I mean the physical condition, not your chances of winning it.
“Folders eaten by rats, case postponed” reads a headline from a recent Gazzettino.
This did not surprise me, because I have been, more than once, down the hallways and into various offices of the civil court here. There is scarcely any more space for documents and files in these warrens than there is for the average person in the average dead-end backstreet during Carnival. And the files, by now, are a thousand times more than many. It’s like something out of Jarndyce and Jarndyce.
Thus many of these slabs of paperwork are left outside the staggering, overloaded file cabinets, and they are simply stacked on the floor in dusty, tattered heaps. I have seen this with these very eyes.
No worries, though — assuming you don’t need to find a particular file, because it’s not clear they have been stacked according to any particular system. Other, that is, than the system of numbering houses in Tokyo: In order of age.
Enter the rats. What they don’t see are mute masses of pain and anger and greed and bureaucratic boredom and the occasional fatal misspelling or lost identification number or whatever. They see what, I gather, amounts to towering columns of food. And even a rat knows what to do with food.
“The case?” the article begins. ”It has to be placed on a new schedule because the file has been gnawed by rats and has to be ‘reconstructed.’
“This unusual reason for postponing the audience was pronounced a few weeks ago by the president of one of the penal sections of the Court of Appeals. But it seems this is not the only such case: For years the judicial offices have been suffering from grave shortages of space and the areas available aren’t always adequate, especially those used for the archiving of the proceedings.” Translation: As stated above, no more space.
The defendent’s lawyer, Giovanni Fabris, wasn’t so amused. Instead of arming himself with a magnifying glass, flour paste, duct tape, or spray shellac , reassembling the documents and depositing them in the chancellery, he sent a packet to the judge presiding over the court.
It contained a mousetrap.
It also contained a note: ‘Here is my personal contribution to the efficiency of justice.”
The dog ate your homework? Piffle!
Remember acqua alta? No?
By · CommentsFall is discernible here not only by the drifting leaves and deflating temperatures but by the enlivening of the tides. Sounds like some folkloristic event, like bringing the cows down from the alpine pastures or going out to slay the tuna.
The enlivening of the tides consists of somewhat higher high tides (sometimes), and wind which at the moment is going every which way, trying to find the path that will give it the most potential for annoying people and also for enlivening the tide. Yes, I anthropomorphize the wind and sometimes the water and also the fog and clouds and even a few people.
Which is my way of saying that at some point — maybe not today, maybe not tomorrow, but soon and for the rest of the winter, if not of your life — there could be high water. We are approaching the entrance to the season of the infamous acqua alta — Flooding!! — that gets people not from here so wild-eyed and frantic. Venice is sinking! Man the lifeboats! Belay the cabinboy!

Today we have a comfortably high tide. When I see water this high what I really want is not a pair of tall rubber boots but my own boat, because rowing on high water is a wonderful sensation. You feel lighter and somehow more buoyant. Feeling lighter is always a treat.
So with the clear anticipation of wailing articles to accompany the wailing warning sirens, and to somehow reposition everybody’s mind concerning this phenomenon — seeing that whenever it happens, the reports abroad make it sound as if we live our lives to the sound of water lapping at the bookcases — I’d like to share some information.
I have consulted the Tide Center’s data for acqua alta in 2011. The last one was on February 16. And then, after six hours, it went away.
Therefore we have now lived 251 consecutive days without acqua alta. Two-thirds of an entire year. I scarcely remember what the siren sounds like.
I just thought I’d mention this, in case anyone might happen to read an article in the next few months — or more likely, many articles — giving the impression that living in Venice means that we spend most of our time yelling “Women and children first!”