Urban “renewal”

One of Napoleon’s most famous, and easy to notice, alterations to Venice was the destruction of the church of San Geminiano in the “mouth” of the Piazza San Marco, here shown in a painting by Canaletto. It was designed by Jacopo Sansovino and had been there for several centuries, but the little corporal wanted to build a ballroom and the church was in the way.
The result was a homogeneous stretch of building dubbed the “Ala Napoleonica,” or “Napoleonic Wing.”  The space is now occupied by the Correr Museum. (Naya Collection).

Talk about Venetian history long enough — say, eight minutes, or even fewer — and you will almost certainly refer at least once to Napoleon Bonaparte.  If you are somehow able to avoid mentioning him, you should embed the secret in a cellphone game because I think it would be a challenge.

And why is this?  Because on May 12, 1797, his army entered Venice and the Venetian Republic fell forever.  That was one day.  Then the damage really began.

Napoleon craved Venice for several reasons, one of which was that it was the richest city in Europe. He needed money to pay for his wars, and when he was done, the city was eviscerated of tons of art works, precious metals, and gems. His soldiers spent two weeks carting treasures out of the basilica of San Marco. What he stripped from the “Bucintoro,” the doge’s state barge, was enough to keep most of us in Kobe steak for the rest of our lives.

Even if you didn’t know that, you walk through his handiwork in the course of any ordinary stroll here — through campos named for saints whose churches are nowhere to be found, for example — because the Venice we see today is the result of months of devastation wrought upon the city in the fulfillment of his ideas.

Napoleon decided that the city needed a public garden — Le Bois du Castello? — more than it needed the buildings which occupied the space where the Giardini Pubblici are today. Yes, the trees are nice. So were the church and convent of San Domenico, the church and convent of San Nicolo’ di Bari, the “hospital” of the marinai, or sailors, the church and convent of the Concezione di Maria Vergine , and the church and convent of Sant’Antonio Abate.

If you want to try to imagine the city before it was disemboweled (I often try, and usually fail), here is a partial list of the buildings Napoleon got his hands on. My source is “Storie delle Chiese dei Monasteri delle Scuole di Venezia Rapinate e Distrutte da Napoleone Bonaparte” by Cesare Zangirolami (Filippi Editore – Venezia).  Some of these structures were completely demolished, some merely gutted and abandoned, or decommissioned, so to speak, like sinking battleships, and used as warehouses (coal, tobacco, etc.) or assorted other really practical purposes, such as barracks.  A few have been restored and resuscitated, but not to their former use — you’ll recognize the names of some you’ll have at least walked past.  This list does not include the 80-some palaces he razed. Nor the tombs of doges and patricians which have disappeared.  But the book does list each work of art which is gone forever.

Abbey of San Cipriano

Churches:

Dell’Anconeta. Sant’Agnese, Sant’Agostino, Sant’Anna, Sant’Antonio Abate, Sant’Anzolo, Sant’Apollonia, Sant’Aponal, dell’Ascensione, San Basegio, San Basso, San Bernardo, San Biagio, San Biagio e Cataldo, San Boldo, San Bonaventura, Cavalieri di Malta, della Celestia, delle Convertite, del Corpus Domini, della Croce, della Croce alla Zuecca, San Cataldo, Santa Chiara, Santa Chiara di Murano, Santi Cosma e Damiano, San Daniele, San Domenico, Sant’Elena, Santi Filippo e Giacomo, San Geminiano, San Giacomo di Rialto, San Giacomo della Zuecca, San Giovanni Battista, San Giovanni Battista dei Battuti, San Giovanni dei Furlani, San Giovanni Laterano, San Girolamo, San Giuseppe di Murano, Santa Giustina, della Grazia, San Gregorio, Santa Lena, San Leonardo, San Lorenzo, Santi Marco e Andrea, Santa Margarita (sic), Santa Maria Annunziata, Santa Maria Celeste, Santa Maria degli Angeli, Santa Maria della Carita’, Santa Maria delle Grazie, Santa Maria delle Vergini, Santa Maria del Pianto, Santa Maria Maddalena, Santa Maria Maggiore, Santa Maria Nova, Santa Marina, Santa Marta, San Martino Vescovo, San Matteo Apostolo, San Matteo di Murano, San Mattia, San Maurizio, San Michele Arcangelo, San Nicoletto della Lattuga, San Nicolo’ di Bari, Ognissanti, San Paternian, San Pietro Martire, San Provolo, del Santo Sepolcro, dello Spirito Santo, San Salvador di Murano, Santa Scolastica, San Sebastiano, San Severo, Santa Sofia, San Stefano di Murano, San Stin, Santa Ternita, della Trasfigurazione, della Santissima Trinita’, dell’Umilta’, San Vio.

Islands (not the islands themselves but the edifices upon them) :

Sant’Andrea, la Certosa, San Cristoforo della Pace, San Giorgio in Alga, della Grazia, San Secondo.

Monasteries: (in some cases the structures remain and are even in use, but he dismembered their congregations, some of which were admittedly small, but still. I’ve been to many offices which are housed in former convents and cloisters).

Sant’Anna, Sant’Antonio Abate, San Bernardo, Santi Biagio e Cataldo, Santa Chiara di Murano, Santi Cosma e Damiano, della Croce, San Daniele, delle Dimesse, San Domenico, San Francesco della Vigna, San Giacomo, San Giovanni Battista, San Giovanni Laterano, San Giuseppe, San Lorenzo, Santi Marco e Andrea, Santa Maria degli Angeli, Santa Maria dei Servi, Santa Maria delle Vergini, Santa Maria del Pianto, Santa Maria Maddalena, San Martino Vescovo, San Matteo, San Mattia, San Michele di Murano, San Pietro Martire, del Santo Sepolcro.

The Scuola degli Albanesi in Calle del Piovan. It’s really hard to notice, let alone appreciate, this wonderful image in such a narrow street. (Photo: John Dall’Orco)

Oratorio della Concezione, Oratorio di Sant’Orsola.

Ospitale degli Incurabili, Ospitale dei Marinai.

Patriarcato (at San Pietro di Castello, the palace of the Patriarch of Venice till 1807, when San Marco was made the city’s cathedral).

Priorato (Priory) di Malta

Scuole (headquarters of the many guilds and confraternities):

degli Albanesi, della Carita’, San Francesco, San Girolamo, San Giovanni dei Battuti, San Giovanni Evangelista, della Madonna della Pace, San Marco, Santa Maria e Cristoforo, dei Mercanti, della Misericordia, del Nome di Gesu’, dei Pittori, della Santissima Trinita’, dei Stampatori e Librai, San Stefano, San Teodoro, dei Varoteri.

And people talk about Attila.

One of my favorite hidden-in-plain-sight monuments is this plaque (1531) above the door of what used to be the Scuola di Santa Maria degli Albanesi, or scuola of St. Mary of the Albanians. It is in the Calle del Piovan, which leads from Campo San Maurizio to Campo Santo Stefano. The scene depicts Sultan Mehmed II (his Grand Vizier in low relief behind him) who is observing the castle of Scutari (today Shkoder), which fell to the Turks in 1479, after which there was an influx of Albanians into Venice.

 

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Do the math

Like Greek temples and Gothic cathedrals, back in the great days, many (if not most) Venetian palaces were painted — frescoed, that is — usually by the best painters around (Titian, Giorgione, Tintoretto, etc.). Palazzo Barbarigo alla Maddalena on the Grand Canal is one of the few that retains even slight traces of what once was sumptuous and ubiquitous decoration.  As far as I know, it’s not for rent even for the tiniest little party.

The latest overheard comment has left me floating, becalmed, in a pool of perplexity.

I was walking along toward the vaporetto stop at the Giardini, a route which is very heavily traveled, as you might imagine.  Excellent territory for hearing bits of conversation (as in “Is Paris beautiful?”).

A young man overtook me.  He was dressed in a sort of TriBeCa way with a long blond ponytail, but didn’t seem especially eccentric in any noticeable way.

He was talking on his cell phone, and what I heard, in English with a light British accent as he went by was:

“In any case, it will probably be cheaper to rent a palace on the Grand Canal.”

Cheaper than what?  Buying an island in the Maldives? Building an F-16?  Platinum-plating your armored Bugatti Veyron Super Sports car?

A person for whom renting a palace on the Grand Canal is cheaper than anything is a person … I don’t know how to finish this.  All I know is that renting a palace on the Grand Canal would not be the solution to any financial conundrum that I have now, or probably ever will have.  But should I ever win the lottery (which I intend to do, just as soon as I find the time), at least now I know how to evaluate my relative expenses.

But comes the dawn:  I mentioned this remark to my faithful computer necromancer on via Garibaldi and he wasn’t perplexed for even an instant.

“I think he was talking about where to hold a big party,” he said. “My  brother works as a freelance waiter, and on one occasion he asked if I wanted to work an event with him.” The costs of organizing a major party in a big hotel, he went on to explain, get to be pretty high. According to the numbers he cited at random, the package put together by an A-list hotel can reach an amazing total. If I understood him correctly, putting the event together on your own — venue, then catering from somewhere else, then something else from somewhere else, and on down the list of components — can actually turn out to be less.

I’m not commenting, I’m merely reporting.  You see?  If I carried hotel advertising on my blog, I couldn’t have written that.  But then again, I’d have been swamped by links to palaces, catering services, musicians, ventriloquists, florists, purveyors of candles  and the occasional epergne, renters of chairs and tables, and on and on till daybreak.

So I guess I’ll stay like I am.

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