Carnival strikes again

“Carnival hotels sold out in 600,000 for the festival.”  I didn’t investigate this — 600,000 people will be staying in hotels? Unlikely.  Perhaps a comma after “esauriti” could have clarified the statement.  Still, I don’t doubt that that many people could be Venice-ing in some way and to some degree till Feb. 21.  Can’t say we weren’t warned.

If you should happen to hear a loud rasping sound, it’s not a swarm of locusts warming up for mating season.  It’s Venetian merchants rubbing their hands together.  It’s Carnival time again!

The first weekend has just passed, but it seems to have gotten off to a curiously restrained start.  The Gazzettino says there were 75,000 people, which is more than I’d want to spend a weekend with, but fewer than the 100,000 they report from pre-Covid days.

The novelty of an evening boat parade in the Grand Canal , a monster show on what appears to be a disguised dredge being pushed along by motor (the oars were fake — no wait, the oars were real, but the rowers were fake) did not enthuse the Venetians.  It was a massive floating Las Vegas.

The boat parade the next morning, by Venetians who were rowing, was shorter than in past years, and there were fewer boats, as well.  There were objections and protests about that, too, because truncating the trajectory meant that the mob scene that was so festive in the Cannaregio Canal was reduced to a simple mini-mob in the Erbaria at Rialto.  Naturally all the merchants along the Cannaregio Canal have made their voices heard.  Their palms are no longer rasping.

The uber-traditional “Flight of the Colombina” over Piazza San Marco was not held.  Some explanation about the piazza being all torn up for the high-water-defenses work does not convince me, nor many others, either, but in any case no Colombina flew.  Not Las Vegas-y enough?  It used to be one of the major draws of the entire festival.  Just more things I don’t understand.

No matter.  We’ve got Carnival down here in via Garibaldi and environs, and that’s plenty entertaining for me.  It’s wonderful how you can dress little kids up as anything and yet they still know exactly who they are.  Some of them are pretending, but none of them is as good at it as some adults I know.

My thoughts are going no deeper.  You can certainly upholster yourself as Giacomo Casanova, if that’s your thing.  My own Carnival is kids, galani and frittelle.

The Christmas lights are keeping the festive spirit high in via Garibaldi.
How can one little word contain so much carnival?
You can have your newfangled frittelle filled with cream, zabaioni, and even pieces of apple. The classic Venetian variety is a heavy, dense, somewhat cake-like object. There’s nothing inside but raisins.
Galani (known elsewhere around Italy as bugie or chiacchere, among other names) have reached their culinary peak at the Pasticceria Melito just below via Garibaldi.  The secret is rolling the dough to a translucent sheet, then deep-frying it.  Carnival means nothing without this apotheosis of fat and sugar.
Bags of confetti (“coriandoli” in Italian) and other festive trifles are on sale in the supermarkets.
Go in for a bottle of laundry detergent and some toothpaste and come out with your Carnival costume.
The faithful ambulant amusement park has permission to stay from Christmas till Carnival, and if the weather cooperates it really adds to the madcap atmosphere.

 

Best of all are the shows — marionettes, magic tricks, juggling. The parents seem to love them as much as the kids do, though the dogs are a little harder to impress.
Are we going to be stuck here much longer?

The puppet dog was a huge success. He never obeyed commands, and they even found a way to rig him up so he peed. The kids were ecstatic.

Night falls by  6:00 PM, and yes, the show must, and does, go on.
The aristocrats manque’s can strut around the Piazza San Marco all they want. I like it better down here.
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The voyage of the bocolo

Taking our rose for a ride.

As everyone knows, April 25 is a big date on the Venetian calendar: Not only is it the Feast of San Marco, but also Liberation Day, commemorating the end of World War II.

Seeing that San Marco gets precedence, having been around for some years before World War II, I like to focus on that part of the big day.  And arguably the most important element is the long-stemmed red rose known as a “bocciolo” in Italian, and “bocolo” (BOH-ko-lo) in Venetian.

It’s simple: Any and every Venetian man gives a bocolo to the dearest ladies in his life, from wife to mother to sister to whoever else really matters to him.  Or they just stick to mother and wife.

We went out early in our little boat to row around the city for a while, and the first step — literally, as we have to cross a bridge to get to the boat — was to buy a rose from the young man prowling on the bridge with a fistful of roses.  Lino planned to give me a much more glamorous bocolo a little later, but it was unthinkable to appear in Venice in a roseless boat.

So until we finally reached the florist nearest to our hovel, we rowed around the city on a sampierota proudly bearing its very own bocolo, totally in tune with the day.

P.S.: Any reader who wants to chance his or her arm in plotting our route based on the photos is very welcome to let me know where we went.  It’s just a game — if I’d wanted to make it really difficult, I’d have showed mainly reflections and walls.

You are looking at one of the main reasons why starting early is such a good idea — mirror-like water. It has become more common over the past year with the economic collapse of Venice (fewer boats of many types), but don’t let that mitigate your appreciation for seeing the canals as they all were when Lino was a boy.
The roses are almost always inserted into a plastic sleeve. One reason might be to keep the petals in place until you’ve paid your money and are walking away. The cheap roses, such as this one, seem to be cut sometime between Epiphany and Easter (made up) — I’ll never forget the shower of petals that fell from the bloom-downward rose I bought at the last minute from a street vendor to put on our boat a few years ago. Precious little was left in the sleeve by the time I got aboard. This rose, though, seems to be of hardier (or more recent) stock.
The meeting of the Venetian symbols. I just learned that you could call this an example of syzygy, but that would be pretentious even if accurate. It exists in Italian, though (sizigia), so I’m going with it.
Not the first image ever made that shows the bacino of San Marco as it is without traffic, but in the pre-2020 era you’d have had to be out at 2:00 AM to see no waves. Here it’s 9:00 AM on a sunny Sunday morning, and there ought to be phalanxes of taxis and tourist launches. I want you to enjoy this as long as you can, even though we know it represents a world of hurt.
The entrance to the Grand Canal, with the slightest wavy trace of the passage of one (1) motorized vehicle, going slowly — specifically, the very small motorboat heading upstream in front of the red dock.  Seems only fair that I acknowledge that there is still some sort of traffic.  I know things have to change, but I am going to miss this.
Speaking of traffic, this is a scene that I have savored — small boats being rowed on glass-like water, usually on weekend mornings — more than I can say.
A typical sandolo — a private boat, I notice, which is nice — set up to be rowed alla valesana (notice the momentarily unused forcola on the port side).  The square of wood attached to the stern, however, reveals that he, or someone, set up the boat to use an outboard motor sometime.
Another private boat — as I’ve discovered in the trafficless Canal, plenty of them still exist — in  this case a mascareta rowed by two doughty ladies.

A pause to run to the fancy florist for the fancy bocolo.
Plenty of people have had the same idea, and as we left the line was even longer. There used to be more florists, as I recall….
Not that these aren’t worth waiting for.
Waiting for his friend inside the shop. Better get home soon, the wife is waiting…
Off you go, gents. Well done.  Note to apparently undecided man on the right: A bocolo-colored jacket is not going to save you.  The florist is right there — make that decision now!
Technically there’s nothing wrong, I guess, with a lady buying her own bocolo.  But it seems somehow slightly askew. It’s like any present you buy for yourself: Not the same as someone giving it to you.
Mission accomplished, and he’s walking fast. No telling how far he’s got to go (see: lack of florists in town).
The two musketeers have paused at the end of the street for some light refreshment. The pastry shop unseen at the right dispenses all sorts of wonderful things, but Sunday was the last day in months in which we were required to stay outside to consume them.  We had to drink on the street, and not even stand — we were supposed to move along and drink while walking. All this was to avoid cramming people together, especially because, as you see, eating and drinking pretty much depends on not covering your mouth.  Danger is still lurking everywhere.  I will go to my grave wondering what has happened to the second bocolo.
Like all the other bars/cafes, this one blocked the doorway with a table, which was useful also for  the placement of items being bought, or in this case also the customer’s (Lino’s) detritus.  The sign on the door says “Orange Zone, Only Takeaway.”
Lino boatward-bound with our very glamorous bocolo.
Our little bocolo still doesn’t know that we’re about to put a rock-star rose into the boat. Not sure what the horticultural equivalent of “I was here first” is, but I hope they’ll work it out.
Not wanting to disrespect Bocolo 1, still standing so firmly in its bracket, I laid the stately Bocolo 2 on the bow. Then I began to worry, and so did Lino, about the wind possibly blowing it around and deranging its perfection.  So down it soon went (see below) onto the cruddy floorboards next to the cake in the pink box.
The cruddy compartment was covered by the small wooden door for most of the return trip, but here you can see how we arranged the most important bits: the cake, the rose, the folded boat cover, also the sponge…. I bet Bocolo 1 was snickering because Bocolo 2 was lying down there in the hold where nobody could see it.
The home stretch.  The area looks only slightly better for having the compartment covered.  Now that you know that Bocolo 2 is prone you can slightly make out its plastic sleeve. 
And finally we’re back to home itself.  The boat is moored and ready to be covered and put away for a day or two. Our little bocolo has really gone the distance, not one petal out of place.  Bocolo 2 still prostrate.
Walking past us is a man with a mission: It looks like he’s carrying three bocolos (bocoli?). It’s going to be a fun day for him and the family. Hope all the relatives have had their shots.
On the left, the boat’s bocolo, and on the right, the 3-foot monster from the fancy florist. Tradition maintains that the greater your love, the longer the stem, so I’m happy with the monster even though my secret favorite is the runt of the litter. I suppose they’ve reached an agreement, I didn’t hear any scuffling during the night.
Outside on the fondamenta, the monument to the Partigiane (female partisans of World War II) is more than usually floral this year. On the left is the traditional laurel wreath offered by the city, and on the right the traditional mass of roses from the national Partisans Association. The other flowers have obviously come from individual hands and hearts.
Gerbera daisies also welcome. Anything red will do.  They earned every blossom countless times over.
April 25. Bocolo. Bring it.
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Redentore, the best we could do

Some weather on Friday evening slightly bedraggled the lanterny lights that usually give a happy glow to alfresco feasting along the Giudecca. This in itself doesn’t ruin the party, but it doesn’t help.

When last we spoke, Venice was on the verge of its annual celebration of the feast of the Redentore (held last Sunday).  By now the festa has come and gone, but this year the difference between the two was minimal.  “Reduced form” is the boilerplate description, but if you reduce something past a certain point it just isn’t it anymore.

We did not have fireworks, as all the world knows.  Without fireworks, I discovered, the festa can’t achieve liftoff.  Yes, people did come to Venice — according to La Nuova Venezia, 108 tables had been reserved for the usual dinners outside (68 of them along the fondamenta of the Giudecca), and a total of some 15,000 people came to join the Venetians making some sort of merry.  Fifteen thousand may sound good compared to nothing (let us cast our minds back to the desolation of the total lockdown), but it represented less than a fifth of the number that crammed the city last year.  I used to hate the cramming, but without it the evening felt strangely deflated.  No, actually, it felt partially deflated, which is not much better.

Seeing that we did not go roaming the city in search of entertainment, I only know what I saw in our little lobe of land, or what the newspaper reports.  It says that there were people eating outside around the city, along fondamente big or small, or in their boats tied up in the Grand Canal or some other major waterways.  That sounds nice.

To warm the general atmosphere to an even happier level, four large boats bearing a total of some 30 Venetian musicians moved around the Grand Canal, the Giudecca Canal and the Bacino of San Marco.  Floating music has a long tradition in this festival, although in recent years it has been co-opted by the big party boats blaring music at levels that would pulverize a small planet.  It must have been wonderful to have a bouncier, smaller sort of soundtrack as the evening drew on (for the record, the participants were Batisto Coco, Josmil Neris and Laguna Swing, Pitura Stail and Ska-j).  All these groups are on YouTube, and here is a small clip that shows how little it took — at least, compared to the labor and cost of a 30-minute fireworks display — to get the party going.

It looks really sweet and I send huge compliments to the organizers, etc.  Unhappily for us, none of these boats made it down as far as via Garibaldi — or at least not during the brief period I was roaming the waterfront.  So if this sort of thing is ever organized again (and I hope it will be, though probably everyone will want fireworks again), the landlubbers need to lub somewhere further afield.

So I can only report on Redentore as observed south of the Arsenal and north of Sant’ Elena.  But I will throw in some of the races held on Sunday afternoon, and a glimpse of the Patriarch going to mass, if that will help liven things up.  We’ll hope for better and happier things next year.

The late afternoon scene was a little melancholy. At this point, in a normal world, this stretch of water would have been a turmoil of boats arriving and moving around and getting settled for the evening.
There was a moment when weather looked like it was working up some fireworks of its own, but then it moved away.
The Riva Sette Martiri is usually lined with enormous luxury yachts, driving the mobs crazy by blocking the view of the fireworks.  These obviously did not present a problem.  It was kind of touching, seeing yachts again, no matter how small and unassuming.  This marks a kind of milestone in the return to normalcy.
Getting ready for company, and lots of it, too. Via Garibaldi in the late afternoon seemed like one long table.
Most of the tables were reserved, even if they were merely the picnic type.
Individual tables have been separated, at least somewhat. But if your party consists of 30 friends and family, you’re not going to start measuring distances.
Many people were looking very nice indeed. Not what one usually imagines with the word “tourist.”

Almost all the restaurants add more tables and the police look the other way. But this is sublime! Need two more tables? There’s plenty of room in the middle of via Garibaldi. People can just walk around them.
And they did.
More expansion into the mainstream, cleverly delimited by fake boxwoods.
Just one more table? What a fabulous problem to have — needing more room — after the Long Closing of the spring.
The waiter is wearing a mask because he’s going inside so often. Also, he probably isn’t related to any of this group. Also, I think it’s required.
There was music here too — several places had live performers.  The night’s still young, so the band hasn’t set up yet.
Of course there are dogs. There are always dogs. But the street is uncharacteristically uncrammed.  It feels a little strange.

A few families staked out their own territory, the basic building block of the festival. Forego fireworks? If we must. Forego food with the folks? No. Just no.

Neighborhood folks haven’t yet been outnumbered by the visitors. With plenty dogs and kids, it’s just a normal summer night on the street.
The votive bridge got a reasonable amount of traffic, but as many seem to be going as coming. There was one balloon vendor, but no stands selling candy or cotton candy. No parish charity lottery, no stand selling products made by the prisoners. We were down to the bare bones.
However, there were more spectators at the races than usual. I heard several people remark on it.
Masks aren’t required outdoors, as you see. But plenty of people keep one on hand, if they should need to go into a bar/cafe, or take the vaporetto. Passengers aren’t allowed to board if a mask is not already in place.
There are three races: Young men on pupparinos, older men on pupparinos, and men on gondolas. The blue boat has just crossed the finish line, marked by the vertical cord in the wooden frame, which is aligned with a marker further out in the canal.

Andrea Bertoldini and Mattia Colombi winning for the second year in a row.  They were at least one boat-length ahead of their closest competitor.
The battle for third place came down to the last few seconds.
Well, that’s settled!

To enter the church required a line, of course; this year, a modest and very orderly line. Hand sanitizer on the table at the entrance, clearly marked entrance and exit (no more milling around), and monks with masks. It was all rather subdued.
The Patriarch of Venice (last seen at the festa of San Piero at the end of June), arriving to get garbed for the big ceremonial procession.

 

 

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Redentore up in smoke

Waiting for the fireworks. Last year, this looked like a party. This year, it looks like a public health nightmare.  I hadn’t ever thought about it, but fireworks manufacturers must be hurting this year along with everybody else.

This just in:  The bridge is already under construction, and I’m sure the fireworks are already on the way, but like a launch at Cape Canaveral, mayor Luigi Brugnaro has scrubbed the mission.

This year, there will be no fireworks for the Redentore (July 19).  No fireworks, no party boats, no “notte famosissima.” It’s a blow, but there were already signs that caution was going to rule, beginning with the new regulation that spaces along the fondamente were going to be assigned only by booking.  But in the end, it was obvious that safe social distancing was going to be impossible to plan, much less maintain, on water or on land.

It seemed like a good idea at the time.  “Festa of the Redentore, on the embankments only by reservation.”

Here is the mayor’s announcement (translated by me):

“I do not have good news.  I have been awake all night, but unfortunately I’m forced to tell you that we are annulling the fireworks for the Redentore.  I can’t bring myself to make it work, I have tried everything.  In conscience I just don’t feel like it, for me it’s the most beautiful festa of the year.  We set up an incredible system for booking for the boats, we even invented a series of plans for limiting the flow.  It’s my decision, I take responsibility for it, but I cannot bring the city to risk it.  This is a safe city.”

If you come for the fireworks, you’re almost certainly going to want to eat something somewhere. Not a scene that bears repeating this year.

No news at this moment as to whether the races will be held on Sunday afternoon, or the mass.

However, I think it’s unlikely that the festal mass on Sunday afternoon is going to be permitted to proceed as in days of yore.
Winds of change, as the cliche’ goes. Hang tough, Venice.

 

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