Archive for Venetian Events
I had no intention of going to the Piazza San Marco during Carnival, much less on Martedi’ Grasso, otherwise known (not here) as Mardi Gras, the last day of the fracas.
But the sun was shining, the wind was blowing, and we figured, why not? So we went.
It was less chaotic than I had imagined, which was nice. In fact, it verged on the placid.
And best of all, MY “Maria” won the pageant, and was crowned the Maria of 2015. I was as shocked to discover my wish being fulfilled as I was the one night in my life that my bag was first onto the carousel at baggage claim at I can’t remember what airport. And just as happy, too.
Here are some glances at the closing hours of revelry, not including the fireworks which we heard later on. It seemed as if they were exploding from various points in the city and gave a satisfying concluding note to it all.
For whatever reason, Carnival does not attract me anymore.
Headlines such as the one yesterday reporting on Sunday’s attendance: “100,000 yesterday for the opening of Carnival” could have something to do with my lack of enthusiasm. Headlines such as one today: “The purse-cutters have arrived,” referring to the young pregnant Bosnian women who now, to expedite the lifting of your wallet, have taken to slashing your handbag, could also be relevant. Crowds, however amusingly dressed, make life awkward, at best, for most people except other dressed-up persons and, of course, the purse-cutters.
But let’s do a fast rewind on the festivities so far. Last Saturday — the day which opens the 11-day clambake — we saw the first major organized entertainment: The Procession of the Marias.
The main reason we saw it is because it takes place mere steps from our front door. Also, the weather was beautiful and it was great to be outside. Also, the participants outnumbered the spectators (or almost).
The program is simple. Everyone lines up in Campo San Pietro and wends their way slowly, and with great clamor, across the wooden bridge and along the fondamenta to the foot of via Garibaldi. Here the space opens comfortably and everyone has a chance to see the many costumed processioners, and the Marias themselves, close up.
“Everyone” includes the Marias (obviously), the phalanx of young men assigned to carry the Marias, and abundant and varied troupes of trumpeters, drummers, knights, commoners, banner-twirlers, and the doge and his wife and some Venetian senators and councilors, all in vaguely Renaissance garb.
The girls are loaded onto their respective wooden platforms, hoisted on the shoulders of their bearers, and carried at the head of the procession all the way to the Piazza San Marco, where they mount the stage and are generally admired and photographed. On February 16, the penultimate day of Carnival, the Maria of 2015 will be chosen and crowned.
In case this doesn’t sound like much of a big deal, the Maria of today will become the “Angel” of next year, sliding down a wire from the top of the campanile of San Marco to the pavement on the opening day of Carnival.
Here are some things I enjoyed seeing this year. Yes, there were things I enjoyed. Briefly.
July 29, as all the world knows, is the feast day of Santa Marta. Or in any case, now the world knows.
She is essentially forgotten here; her church has been deconsecrated, swallowed and partially digested by the Maritime Zone, and her celebration — once one of the greatest of the many great festivals here — is gone forever. Only a painting by Canaletto brings us the tiniest (and darkest) glimpse of what was once a very big night in Venice. Her name today is used mainly to refer to the adjacent neighborhood.
The reason I didn’t get this post finished by July 29 is because I got lost reading assorted accounts, some of them first-hand, about this uber-fest. It didn’t take me long to conclude that the fabled feast of the Redentore, which has remained a very big deal, was really nothing so remarkable compared to Santa Marta’s. The Redentore had fireworks, it’s true, but Marta had fresh sole.
Fish was an excuse for a colossal boating party? Why not? The Venetian civil and religious calendar was bursting with events of every type and voltage. A very short list would note the festivals of Santa Maria della Carita’, Palm Sunday, S. Stefano, “Fat Thursday,” May 1, or the Doge’s Visit to the Monastery of the Virgins, S. Isidoro, the taking of Constantinople (1204), the regaining of Candia (1204), S. John the Baptist “Beheaded,” Sunday after Ascension Day, the victory over Padua (1214), the defense of Scutari (1479), the victory of Lepanto (1571), S. Rocco, Corpus Domini, the victory of the Dardanelles (1656), and the conquest of the Morea (1687). These are just a few of the major events; the Venetians also commemorated defeats. There was something going on almost every day.
But there was always room for more, and although Santa Marta couldn’t claim to have sponsored any particular victory, discovery, or other noteworthy occurrence, her feast day conveniently fell in the period when the weather was suffocatingly hot, and the sole were in season. Plus, her church was located on a little lobe of land facing lots of water, and there was a beach. All this says “Put on your red dress, baby, ’cause we goin’ out tonight” to me.
The basic components were: Everybody in Venice, either on land or on the water, regardless of social station or disposable income; every boat in Venice — so many boats you could hardly see the water, festooned with illuminated balloons and carrying improvised little arbors formed by frondy branches; music, song and dance, and lots and lots of fresh sole.
July is the season for sfogi zentili, or Solea vulgaris, and while the Venetians could bring their own vittles, plenty of them also bought the fish which had just been saute’d, either on the beach or on the street by enterprising entrepreneurs. If you were really in luck, there would be moonlight, too.
The best and most famous chronicler of this party was Giustina Renier Michiel, who was born in 1755 and belonged to several patrician Venetian families. She spent 20 years researching her six-volume work, Origine delle Feste Veneziane (1830), but the fact that she had personal memories of many of these events makes her books exceptional.
I started to translate what she wrote about the feast of Santa Marta, but she went on so long, and her style sounded so curious in English, that I became tired and discontented. So I’m going to give some bits and summarize the rest. Anyway, it’s clear that the event was so phenomenal that even people who saw it finally gave up trying to describe it adequately or coherently.
Here is her version of how the festa was born:
“In the old days many groups went out in certain boats to fish for sole, the best fish that one eats in July. (Lino concurs with date and description.)
“And in the evening they would go back to the beach by the church of Santa Marta and feast on the fish, enjoying the cool air that restored their depleted strength after the labor of fishing, as well as the heat of the season.
“Later on, as the population became richer, and softness set in, the work of fishing was left to the poor people, who had to do it in order to live, and what used to be a fatiguing labor changed into a singular entertainment.”
My version: It didn’t take long for everybody else in Venice to say “A cookout on the beach? We’re on our way.” Everybody started making Santa Marta’s Eve a great reason to head for her neighborhood and eat fish, garnished and enlivened by the classic saor sauce of sweet-sour onions. It was like a gigantic clambake, a barbecue, a luau, for thousands and thousands of people.
Obviously the beach was too small for everybody, so the boats made themselves at home on the Giudecca Canal, “whose waters could only be seen in flashes, and almost seemed to be strips of fire, agitated by the oars of so many boats that covered the water and which doubled the effect of the lights which were on the boats.”
The patricians came out on their fabulously ornate peote, and often carrying musicians who sang and played wind instruments. There were scores of the classic fishing boat called a tartana, draped with variously-colored balloons and loaded with laughing families and friends. There were artisans in their battellos, and hundreds of light little gondolas, and plenty of gondolas da fresco, and there were even the burchielle, the heavy cargo boats that carried sand and lumber. If it could float, it joined the vast confusion of boats being rowed languidly in every direction, or tied up along the Zattere where there was just as much happy turmoil ashore.
The Gazzetta Urbana of 1787: “Along this riva, called the Zattere, the cafe’s and bars are crammed to overflowing with people. There are tables set up outside their doors, and everything is so lit up that it seems to be daytime.
“The passage (of people) in all the streets leading to Santa Marta was dense and continuous, and the splendid gathering at the Caffe of San Basegio, at the head of the Zattere, formed a separate spectacle, in which our Adriatic beauties, wearing modern shimmering caps in the Greek style, ornamented with plumes, inflamed with their glances the hearts of the young men who, like butterflies, always flutter around the flare of a woman’s beauty.”
Also amid the throng were little ambulatory kitchens — a man with a basket of sole would put two stones on the ground, then lay two bunches of sticks crosswise on them, light a little charcoal under them, pour some oil in a pan, and stand there bawling for business. He kept a container of saor ready to put on the fish.
Renier Michiel: “The entire length of this district was full of a grand concourse of people, moving toward the piazza of Santa Marta which was the best vantage point to enjoy the spectacle. On the piazza there were more food vendors, some of them selling roast chicken. There is a racket of cups, plates, the yells of the vendors, the music from the boats on the water. Every house is transformed into a sort of tavern where people eat and drink, and there was perfect joy and harmony.”
“Perfect joy and harmony”? How can this be (apart from the fact that she was looking back on it, years later, when the festival was gone forever)?
I think it’s because Santa Marta was secretly taking care of people. She is the patroness of cooks, butlers, laundry-workers, servants, housewives, and waiters. Though I suppose you could just say “housewives” and leave it at that.
Because as Santa Marta, and 99 percent of women on earth, can attest, while some people at a party are laughing and scarfing the canapes and playing with the dog and singing comic songs and reveling in industrial-size helpings of joy and harmony, there’s at least one person somewhere in the background doing everything to make it seem as if there is absolutely nothing that needs to be done.
And I have no doubt that when the boats went home at dawn on July 29, there was somebody who had to put the boat away and swab the bilge and pick up every single fishbone, as well as deal with the dishes and the wine- and saor-stained clothes. Behind every great saint is somebody with a bucket and mop, I say.
April 25, as all the world knows, is a double holiday here. Not only is the day a national holiday (National Liberation Day), but it is the feast day of Marco, one of the four evangelists and the city’s (once republic’s) patron saint.
There are several ways to observe either or both of these memorable events, but this year another element was added: The Living Rose, or The Human Rose, or The Rose by Any Other Name, or however one wants to put it.
Alberto Toso Fei, a Venetian writer, and Elena Tagliapietra, an artist, came up with a new way to celebrate the traditional “bocolo,” or long-stemmed red rose, which is the customary Venetian homage from a gentleman to his ladylove, or wife, or girlfriend (perhaps both?), sister, aunt, or other deserving feminine personage in his life or family. But why give a rose when you can be one?
Some time earlier, the Gazzettino offered its readers the possibility of applying to participate as one of some 1,000 people who would form the design of the bocolo in the Piazza San Marco on April 25. This would be a sort of flash mob/performance art creation, to last only long enough to be photographed and filmed from the campanile of San Marco.
So we applied. And we were accepted, notified via e-mail, and asked to appear between 1:30 and 2:00 dressed in as much red garb as we could muster. We would embody part of Petal #12.
The day was hot and sunny, but there was a breeze, and although normally I wouldn’t have gone near the Piazza San Marco on a national holiday, the chaos was tolerable and the other rose-components all contributed to a surprisingly sprightly atmosphere.
Almost the best part of the entire event, which went off without so much as a drooping leaf, was to glimpse the by-now famous Tiziana Agostini, she of the mangled-nizioleti fame. She came to join in, dressed in red, which I think is somewhere beyond amazing, considering that the event had the additional purpose of raising funds to pay for the repair of the nizioleti in the area of the piazza. A lesser person might have avoided the piazza, saying “Nizioleti? What nizioleti?” But she was there, and I give her a fistful of gold stars.
I read that there were a number of other meanings, purposes, significances, and so on which had been layered onto the event. One headline referred to it as a “cry to the world from Venice,” to show that Venice is still a living city and not just a touristic snakepit. I merely pass that along.
Down at Piazza-level, though, the only thing that seemed to matter was enjoying a few minutes of doing something unusual that made you smile. Not that I’m against Deep Meaning, but for me, the smiling was reason enough to do it. Here’s the YouTube link: http://youtu.be/ZRL4Xh8VDkE
Dimensions: The Gazzettino says that the bloom covered some 850 square meters (9,149 square feet), and the stem and leaves some 150 meters (1,614 square feet). I cannot understand, sitting here, how that might be. It sounds like the size of an average Adirondack Great Camp, the kind that were built by the robber barons of the late 19th-century. But let that go. It didn’t last long enough for its size to really matter.
It was fun. Indubitably there are things that are more important, but God knows there’s a dangerous shortage of frivolity around here, so I’d be happy to leave it at that.
If we saved Venice in the meantime, that’s nice too.