Archive for Kids
Saint Peter’s mom, bless her heart
Posted by: | CommentsThe period around St. Peter’s feast day (June 29) is notable for two things beside the annual bacchanale at the church, as described in my last post.

The littlest ones are St. Peter's pears. They'll only be around for a short time and that's why I like them, even if they have almost no flavor at all.
The two notable things are: ”St. Peter’s pears,” which I haven’t been able to identify in any other way (maybe they’re here so briefly that Linneaus was never quick enough to nab them with a name), and thunderstorms. Everyone expects thunderstorms in this period (we’re still waiting, oddly enough, though this year the weather has been very strange; last week it snowed in the mountains. Maybe St. Peter is trying something new with water).

St. Peter's fish (John Dory) by William MacGillivray.
For the record, there is also a fish, not necessarily associated with the feast day, which is commonly called “St. Peter’s fish” (Zeus faber), known in English as “John Dory,” who wasn’t a saint as far as I can discover. This fish has a particularly gobsmacked expression which doesn’t resemble any saint I could ever respect, but maybe everybody in the Dory family has that look, not to mention the underbite.

June weather coming in: Roll out the barrel.
Back to the storms. Around here, the ones that crash down around us in this period have long since been associated with the Big Fisherman; well-meaning adults reassure their little people that the scary thunder is nothing more than the sound of St. Peter cleaning the wine barrels.
But there is one folk-tale, recounted by Espedita Grandesso in her exceptional book on Venetian expressions (Prima de parlar, tasi, Edizioni Helvetia) that puts the blame squarely on his mother. As told in Venetian it has an irresistible back-porch-stringing-beans atmosphere, as if the speaker were talking about a fractious family known to everybody in the neighborhood. I’ll do what I can to render it here.
ST. PETER’S MOTHER
Well, St. Peter’s mother was so nasty and so nasty that when she died, even though her son was such a honking big deal as a saint, he had to send her to hell.
When she got to hell, she got up to so many shenanigans, busting everybody’s fishing lines [polite euphemism for "balls"] and complaining and whining and calling her son at all hours of the day and night, that the saint went to Jesus Christ to tell him He had to let his mom into heaven.
“Can’t,” said Jesus, “she’s just too bad.”
Saint Peter wasn’t very happy because, when you get down to it, she was his mother, and the Lord was so sorry to see this that he told him, “Well, you know, Pete, if, maybe, she were to have done at least one good deed…”
Peter was quiet for a while, because his mother, as far as good deeds were concerned, had never done one in her entire life. Then he remembered that, one time, his mother gave an onion to a little old man who was begging.
“Okay,” said the Lord, to make a long story short, “take this onion that’s got a few little roots still on it, and, if you can manage it, pull her up here with this onion.”

T-shirt design for the festa of San Piero in 2008. No onion, no roots, no mom. He looks so happy.
Peter went to the mouth of hell and said to her, “Mom, grab onto the roots of this onion and I’ll pull you up here.”
“Onion roots? You nitwit! How do you think they’re going to support me?”
“Don’t worry about that, just grab on.”
The old lady, grumbling, grabbed onto the roots of the onion and she started to rise off the ground, but she didn’t make it as far as the mouth of hell because a batch of other souls, who wanted to get out of hell too, grabbed onto her skirt and her ankles.
St. Peter’s mother started to go crazy, screaming “Get out of here, you disgusting damned souls, the onion’s for me, it’s mine, and my son is St. Peter!!!” [This is undoubtedly one of the best moments for the person who is telling this story to imitate the meanest, crankiest woman in the neighborhood.]

Onion roots do not inspire as much confidence as, say, a steel cable.
Seeing that the souls were still hanging on, she started to kick them to try to get rid of them.
At that point, the onion roots tore off, and St. Peter was left holding the onion while the old lady fell back down into the very center of the flames.
“What the heck have you done, mom?” St. Peter said. “All you had to do was have a tiny bit of charity and you’d have made it out and so would all those other souls. Now you’ve got to stay in hell forever.” [Pause for cheers from the kids who must all be imagining whichever of their relatives--obnoxious big sister? busybody aunt?--would most deserve this doom.]
BUT [the kids suddenly stop cheering], being that not even the Devil himself could stand to have this hellion among the damned souls, and also, well, it wasn’t exactly decent that the mother of St. Peter, he who carries the Keys to the Kingdom, would have to stay in hell, the old shrew got pulled out and stuck in a corner and given the task of washing the barrels of heaven before the season of new wine.

Wine barrels at the Robert Mondavi winery, Napa Valley, presumably not washed by St. Peter's mother. (Photograph: Sanjay Acharya).
Saint Peter runs amok
Posted by: | CommentsAs you probably know, today is St. Peter’s feast day. And in this neighborhood, it really means something.

St. Peter by Carlo Crivelli (1473). Not looking particularly saintly here; those spectacular keys may be slightly more of a burden than a blessing.
I’ll bypass the cadenzas about the saint himself, though he has always been my favorite mainly because for most of his life there was nothing so saintly about him, except the part about his asking Jesus to cure his sick mother-in-law. That was cool. But then again, she must have been a saint as well. Imagine having Peter as your son-in-law. (Story about St. Peter’s mother in the next post).
The great thing about him is that before he became the Rock upon which the church was to be founded, he was just a working fisherman, which meant he probably smelled like fish — do they have algae in the Sea of Galilee? He probably smelled like that too — and I’m sure he had chilblains and smashed fingernails and feet that were more like hooves. If you want proof, I mention that he’s the go-to saint for people with foot problems.

Peter's feet, a detail from a limewood relief carving by Christoph Daniel Schenck (1685).

Peter's hands, a detail from a painting by Georges de la Tour (1615-1620).
More to the point, he had one superb quality and that was, as they say in Venice, that “What he had in his heart, he had in his mouth.” Impulsive, a little clueless sometimes, but spectacularly sincere and frankly never afraid to just put himself out there. (Pause for sound of many, many chips falling where they may.)

The posters are a bit redundant, since everyone already knows all about it.
Why I like him so much now isn’t merely all the above, but because he is the patron saint of the former cathedral of Venice, the church of San Pietro di Castello, which is just over the canal from our little hovel. And each year they put on one heck of a festa in his honor.
Like most festas, there is music, and food, and dogs and old folks and little babies and a big mass, and etc. But this one also has three regatas, the mass is celebrated byno less than the auxiliary bishop (the patriarch can’t ever be bothered to come to these things), and the party goes on for five solid days, by which I mean nights, too.

The juggler is working the audience into a frenzy. "Festa" is just another word for frenzy.

Attempting to kill your friend with your balloon sword is always entertaining.

Balloons that are not swords are also fun.

I have no idea what happened. One minute he was fine, the next minute he was hysterical. Festas seem to have that effect on little people.
What does this mean for us? Well, it means not only five days of the fabulous aroma of charcoal-scorched ribs wafting around the area, and not only five nights of inconceivably loud music audible from way over here, but five nights of all the festa-goers coming and going till 2:00 or even 3:00 in the morning. The main street to the church is right outside our bedroom window and of course our windows are open. Happy people going home always shout, I don’t know why.
So while Peter may be the patron saint of locksmiths (hint: he carries the keys to the kingdom) and butchers and cobblers (feet again) and other trades, including fishermen and netmakers and, naturally, the Papacy, for my money he is also the patron saint, at least in our neighborhood, of the deaf, the insomniac, the overtired and overstimulated (technically he’s the go-to saint for cases of frenzy, but people here like frenzy), and also the occasional Russian drunk.
The latter is a newcomer to the list, but at 4:00 AM last night whoever he was was wandering the streets, which had finally achieved slumber, calling out forlornly for Marco. Surprising how far your voice can carry at that hour.
I have no idea if he ever found him, but I’m really sorry that his friend wasn’t named Peter. That would have been so perfect I might actually have gotten up to help him look.
Maybe next year.

We rowed the auxiliary bishop and the parish priest to church for the big mass on Sunday morning.

We were preceded by the band from Sant' Erasmo. I have only ever heard them play two pieces, maybe three. They're never completely in tune, but they’re very loud, which is all that matters.

Two of the nine mascaretas rowed by women battling it out in the regata of the Marie (Marys). As always, the ladies were shrieking the most un-saintly remarks at each other. Of course, the men do too, but the women are much worse.

One of these ladies is trying to imitate the other.

Mass is over, now we can all go eat.

These guys must have to burn their clothes, after five days in the smokehouse.






Carnival, the first stage
Posted by: | CommentsI’m not a big fan of Carnival in Venice. The only bigness I can evince where this annual demolition derby is concerned is a jumbo-size package of the old Aristotelian pity and terror.

Last year there was a sort of dancing metal raptor to give the crowd at the Piazza San Marco some sensation of movement.
That’s not completely true: I don’t feel pity.
But this year I decided to take a different approach. When Carnival erupted last Sunday (after several premonitory tremors) I thought I’d imagine it was something that could be fun, amusing, diverting, worth the trip. Not for me — I’ve figured out how to make it fun for me but it doesn’t involve costumes or the Piazza San Marco — but just going with the idea that it could be entertaining for the thousands upon thousands of people who come to Venice expecting to enjoy themselves, at least, if not enjoy everybody else.
By which I mean, enjoy being squashed like a grape in a winepress by your fellow humans.
So far, it’s working. I had a fine time on Sunday afternoon. But that’s because I made a point of not going to the Piazza San Marco. The Gazzettino reported that some 90,000 people were there. They certainly didn’t need me, even if there had been room.
The first years I was here I did go, at least a few times, to the Piazza San Marco, the gravitational center of the festivities. It was all so new and strange, and memory reports that there weren’t quite so many thousands. Memory may be lying but it was fine anyway. Perhaps the novelty of the situation carried me over the crush, as it may well do to people today.

I dress up, I walk around, I pose, therefore I am. It doesn't exactly cry out "whirl of gaiety."
Then there was a hiatus, partly because I didn’t enjoy the winepress experience and also because what was going on there seemed strangely unfestive: Loads of people in costume (95 percent of which seemed to be identical), walking around just looking at each other, striking attitudes, or taking pictures of each other with or without tourists posing next to them. The nadir is occupied by the people in costume who charge money for allowing themselves to be photographed with your cousin or your kid. And they can make a bundle.

Another exciting moment.

The details are sometimes lovelier than the whole costume.

Dressing up as an ancient monument deserves a tip of the hat, or whatever she's got on her head.
Then we came to Castello and I discovered something of the way Carnival was, decades ago, before the event was trampled by the tourism behemoth. Kids and families and dogs, and relatively few tourists. And did I mention the kids?

A princess, a fairy with gauzy green wings, and an animal I still haven't identified. This is more like it.

Put an aristocrat behind the wheel and just get out of the way.
Perhaps I’m going senile, or perhaps it’s because the confetti-throwing and occasional Silly String-spraying and strolling around have no evident commercial focus, but I think the downtown version of Carnival beats San Marco in straight sets. Here, if you see somebody taking a picture of a person in costume, it’s almost certainly a besotted relative.

Still trying to get the hang of how to make it spray.

A costume, a large bag of confetti, and a parental equerry to carry it for you as you perfect your bestrewing technique. He's having more fun than ten photographers.

Dressing your kid as a skunk (probably Bambi's friend Flower) doesn’t seem like a compliment, but when he's this cute it probably doesn't matter what you put him in.

Just a little bit of face paint, artfully applied by one of the many artful appliers in and around San Marco. But it's enough.
I
If you start to look around, you begin to notice how little it really takes to dress up and play Carnival. There were people who were looking great with only a hat, or a wig, or a moustache or whiskers scribbled on with a black marker– even the simplest mask imaginable just barely covering the eyes. No plumes, no sequins, no layers of painted papier-mache. It really works.

Or just a mask, and never mind the fancy garb. This is a version of the classic mask of a Zanni, the clever and/or foolish servant in comedies of the Commedia dell'Arte.
The first Sunday of Carnival (February 7 this year) was Opening Day, one of the maximum moments, as you can imagine. The others are Fat Thursday (Giovedi’ Grasso), and Fat Tuesday (Martedi’ Grasso). And the weekend between them. If the weather is beautiful — as it was on Sunday — it can feel like a party even if you don’t do anything special. If it’s really cold, overcast, windy or rainy, obviously the merriment becomes shredded and forced. This isn’t Rio.
Next chapter: I’ll be tossing out a few festive fistfuls of history, gathered from a large bag of brightly-colored bits of trivia.
Here’s a sample. “Confetti” here refers to the sugared almonds which are given to wedding guests. What speakers of English (and French, German, Spanish, Swedish and Dutch) call confetti – brightly-colored bits of paper — here are called coriandoli (ko-ree-AN-dolee). Why?
Because back in the Olden Days, Carnival revelers would toss all sorts of things around or at or on each other — eggs full of rosewater was one hugely amusing toy to everybody except the women who were on the receiving end. People would also toss various tiny edibles, particularly coriander seeds, which were used in pastries. Then they became bits of sugar pretending to be coriander seeds. Only much later — in 1875 — did flakes of paper begin to be used instead, which is an entirely different story. People who had always called the flying fragments of food “coriandoli” merely transferred to term to the newer-fangled form.
Make way for the Befana
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For most of us, New Year’s Day represents the end of the holiday season. Not here. We still have the Epiphany to celebrate (January 6), and it comes swooping through, not so much in the person of the Re Magi (Three Kings) whom we recall brought gold, frankincense and myrrh to the infant Jesus, but instead in the person of a broom-borne hag called the “Befana,” a name that got squeezed out of Epifania (Eh-pee-FAH-neeyah).
In Venice she is also sometimes referred to as the marantega barola (ma-RAHN-teh-ga ba-RO-la), or wizened old crone. In ordinary life you might hear a particularly obnoxious busybody referred to as a marantega, regardless of her age, though the implication of decrepitude would add an extra fillip of insult to a younger person.
But despite the unpleasant connotations of hagdom, the Befana is all smiles, a benevolent old biddy who flies by night and comes down the chimney (or through the keyhole) to fill with candy and little toys the stockings the children have left attached to the hearth mantelpiece or some other convenient place. (Bad children, at least in theory, will get pieces of coal, but bad children seem to have become only a holiday myth.)
Her imminent arrival explains all the Halloween-like witches you will have seen cluttering pastry-shops, bakeries, bars and cafes, supermarkets, and anywhere else someone with small people might be likely to pass. Sometimes, but not always, she will be tied or stapled to a stocking already stuffed with assorted chocolates, chewing gum, hard candies, and any other little item that could send you into sugar shock.
This stocking — once a genuine article of clothing, now usually acquired prepackaged – is called a calza caena (KAL-za ka-EYN-ah). “Calza” means stocking, and “caena” is Venetian for catena, a word usually used to mean a chain, but which is also used in knitting.
“La Befana vien de note,” goes the local version of her classic little doggerel, “co le scarpe tute rote/vestita a la romana/viva viva la Befana.” (The Befana comes at night, with her shoes all falling apart, dressed like a Roman woman, long live the Befana.) The shoes are in tatters because she’s obviously poor, and she’s dressed like a ciociara, a woman not literally from the Eternal City but from an area of the Roman hinterland called the Ciociaria, where the farmers’ wives wore crude leather sandals, big skirts and a scarf tied around their head. (No pointed hats, thanks anyway.) Why characterize a universal character as coming from the fields of Lazio? I’ll have to get back to you on that. She just is.
The fact that Father Christmas, Saint Nicholas, and assorted other gift-givers have already come through town hasn’t made a dent in this old custom, and so Venetian children today can, at least theoretically, scorch the holiday earth from December 6 to January 6. The term “enough,” let alone “too many,” has never been known to apply to presents.
It bears repeating: All this bounty is a fairly recent phenomenon. Children of Lino’s vintage would get nuts in their stocking, and an orange was always stuffed down into the toe. He says some children really did get bits of coal. Homely simple items, mainly things that were good for you.
But the children were hospitable — they left out refreshments for the flyby Befana: A plate of pasta e fasioi (pasta and beans) and a glass of red wine, just the thing to warm an old lady stuck out in the cold all night. The plate and glass were empty the next morning, thereby confirming her existence, but eventually any child began to make some calculations. If this Befana eats beans at every house, then (A) how does she avoid death by explosion and (B) how the hell does she get manage to get airborne?
I don’t know — though I sort of doubt — that kids leave out the beans and wine anymore. Maybe the Befana is watching her cholesterol by now. But as for the coal, never fear: Some shops sell a confection that looks like coal but is basically sugar darkened with something innocuous. Mustn’t upset the kids.
So fill up that calza caena, brace yourself for the last little holiday rampage, then you can finally put away the decorations, throw out that desiccated tree, and intone the appropriate incantation: L’Epifania/tute le feste porta via (Epiphany carries away all the holidays.)


Cell phones save lives
Posted by: | CommentsWhen I was first living in Venice, back when dinosaurs still roamed the earth, cell phones were just beginning to catch on. It seems strange — insane — to think of it now, but there were still few enough to justify making passing comments such as “Buy! Buy!” when someone ostentatiously walked by, talking into this little gimcrack.
Now, of course, we can’t even metabolize simple sugars without them.
One night, in those distant years, we were walking home along the Fondamenta San Basegio. All at once we were startled to hear a woman’s voice suddenly, very loud, right behind us.

Mothers: omnipotent, omniscient, omni everything, even before they got cell phones. It used to be sorcery; now it's just electronics.
“Cominciate a mangiare,” she stated firmly, striding past us. “Fra due minuti saro’ a casa.” ["You all start eating, I'll be home in two minutes."] She turned down the Calle de l’Avogaria and was gone.
We went left, over the bridge.
“Wow,” I said. “Good thing she had the cell phone. What would have happened if we were still back in the old days, when people couldn’t phone to say they were almost home?”
“The family would have starved,” Lino answered immediately. “There they are, all sitting around the table, with their knives and forks ready. But Mom isn’t home! What should we do? Should we wait? Should we start? Where is she? What’s gone wrong?”
He was in full sail now. “The police will finally break in, but it will be too late for most of them. The grandfather will already be dead, because he’s the weakest. He couldn’t hold out. The little boy will be barely alive, but that’s only because he was sneaking bits of pasta on the side. The rest of the family will be strewn about the table, unconscious.
“‘What happened?’ the police will cry.
“‘We couldn’t start eating,’ somebody will gasp out, barely able to talk. ‘Mom wasn’t home yet.’
“Thank God she had the phone.”

Fathers are also good. Somebody gets two extra points for giving their little boy a hobbyhorse and then letting him ride it to wherever they were going. I didn't know they still even made them.
Kids coming out of the woodwork
Posted by: | CommentsI love the fact that this neighborhood is running over with children, like some cosmic bathtub.

If your mom forces you to go shopping with her first thing in the morning, at least you can make it easy on yourself by hitching a ride.
Contrary to the Italian national average birthrate, which at 1.37 per woman is almost the lowest in the European Union (only Spain and Greece are lower), here in the heart of darkest Castello offspring are definitely not produced in fractions. I suppose they are seen as — well, I’m not sure what. Necessary? Fun? Inevitable? Normal? Probably all of these, and more.
In the morning, all is effervescence and charm; the little urchins are full of high spirits as they set off to conquer the world. Toward afternoon, though, the scene turns darker. Something happens to those shining little angels, tousled, chirping, frolicking, laughing in twinkly little voices, beings that can make you want to have a dozen just because they are the concentrated essence of happy-to-be-alive-on-Earth-with-youness.
As 5:00 PM slinks toward you, Things Change. It is the Hour of the Crying Child. You hear crying in the distance, or even nearby, as the little people begin to troop homeward, often goaded by their intolerant and domineering older siblings. (Yes, they have siblings here. It’s great.)

On St. Martin's Day (November 11,) kids dress up and come out in droves, banging pots and buckets and demanding candy or money from the neighbors. The afternoon turns into something of a controlled riot.
The crying, or screaming, or incoherent baby-vulture-like screeching, gets closer and closer, and as it approaches it also gets louder and more grating. Often it is lubricated with angry, exhausted, exasperated, helpless tears, the kind the kid can’t turn off even as they overwhelm him or her. The kind that gets ratcheted up with each attempt, increasingly harsh, by its adults to bring the hysteria to a halt.
A little boy was crying like this the other day as he and his entourage passed along the fondamenta across the canal from us. It was a sound somewhere between a shriek and a whine, more temper than pain, and was definitely under his complete control. It was that “I’m going to punish you till you snap” noise that you know he can keep up for hours, if need be, that stops being about anything other than itself.
I was heading over the bridge toward him, to do some errands. Two American girls crossed the bridge, coming toward me. As they passed, I heard one say to the other, “I’m never having kids.”
I went down the other side. Standing at the bottom of the bridge were three little old ladies — they’re always in three, like the Weird Sisters in Macbeth. As I passed, I heard one say to the others, in Venetian, “We always had a smile on our faces. Always.” Of course she was referring to the Golden Age, when she was the little boy’s age and life was hard but happy and people were simple and honest and children were perfect.

Kids can claim virtually any part of the street for themselves; if they had a flag they could declare their own independent republic. Which would be ruled by dictators, thousands of them.
Yeah, right. Everybody was ready with a comment, no matter how irrational. I choked off the temptation to turn around and shout at all of them, “You’re lucky your mother isn’t here now!”
Late yesterday afternoon I was headed toward via Garibaldi at the Moment of the Swarming Children (when they all obey some primal signal and come out to, well, swarm), a festive interlude which briefly precedes the Hour of the Crying Child.
As I was walking along the fondamenta, I saw a little blonde girl, maybe four years old, standing at the railing looking into the water of the canal. Her mother and a couple of her female friends were standing near her but involved in hashing over whatever needed to be hashed. Meanwhile, the girl was transfixed, staring down.
As I passed by, curious to glimpse what she was looking at, her older brother went over to her. He might have been seven. She looked up at him and I heard her say two words: “E’ morto.” It’s dead. A pensive little voice stating a simple little fact.

It was a pigeon, floating in the water. I had a strange rustic impulse to say “Great! One less! That leaves only about ten billion to go.” But I didn’t. First, I try not to invite myself into other people’s lives, especially if I don’t know them (though via Garibaldi grants a lot of leeway for spontaneous badinage even among strangers).
But I couldn’t do it. Something in her voice had struck me. It wasn’t that she was sad, or repulsed, or anything you could identify with a single word, or even several words. She was standing there doing her best to grasp the fact that something which had been alive wasn’t alive anymore, and wasn’t ever going to be alive again. She made me feel strangely respectful.
I am sure that if I had said anything — anything at all — I would have made it worse. I think her brother sensed the same thing, because as long as I was in earshot, I didn’t hear him say one thing. They just stood there, looking down, waiting for their mother to stop talking.
Demanding dolls
Posted by: | CommentsOne of the things I love about our neighborhood is that there are children here. Lots and lots of them, of every size and attitude. Shoals of them, migrating herds of them, like the wildebeest on the Serengeti.
If you walk down Via Garibaldi at around 6 on a summer evening, you will realize that this is one corner of Italy in which the word “birthrate” isn’t associated with “falling.”
But an unusually perceptive person would already have known all that from the scene I noticed outside one of the tobacco/candy/lottery ticket/toy stores here.

What these three alarmingly pink doll-size strollers reveal is:
- That there are little girls living nearby.
- That there are lots of them, enough to create an important market for toys, especially those designed for little girls, a market that requires serious inventory.
- That they are extremely demanding customers, who require choice in the products they insist their relatives buy them, whichever relative has recently shown a weak spot that can be exploited.
- That any color is good, as long as it’s pink.
I hope I’m here when they grow up, I really want to see how they dress.