Archive for Events

Perhaps word of this stunt has already reached you, but in case you were sleeping (as virtually everyone was when it happened here last night), two high-spirited couples from the mainland decided to pick up their friends in Venice after a night of diversion and liquid refreshment.

So they drove to Venice in the Volkswagen Polo belonging to T.V. (the Gazzettino is excruciatingly discreet), age 22, from Jesolo. When they got to Piazzale Roma, instead of parking and taking some other means of transport (vaporetto, feet) to get to wherever their friends were, the young blood at the wheel decided to drive over the Calatrava Bridge (excuse me, Constitution Bridge) and go get them.

So they did.

This snippet of film was obviously from the security video trained on the bridge, viewed in real time by the police.  And they were indeed viewing.

Joining T.V. in this exploit were: A 40-year-old man from Trentino, a region bordering the Veneto but still pretty far from Venice; a 22-year-old girl also from Jesolo, and a 20-year-old girl from Motta di Livenza, which is beyond Jesolo.

I mentioned beverages? They were all from very to extremely drunk. Which might explain how blithely they proceeded, not only driving over the bridge, but proceeding to cross the large area in front of the train station, then down the rather narrow Lista di Spagna till they stopped in front of the Palazzo Labia.

1x1.trans Venice: Just turn left and drive over the Grand Canal

The point isn't how far they went – a mere 645 meters (2,215 feet). It's how far they seemed to be prepared to go.

It isn’t explained why this was their destination — at that point they could just as easily have kept going, driving over the Ponte delle Guglie, heading toward San Marco till the first real bridge with real steps stopped them. It’s just a theory. Maybe nothing would have stopped them.

What did, in fact, bring them to a halt were the police and the Carabinieri, whose officers find nothing amusing, ever. They certainly didn’t smile when T.V. threw the car keys into the canal.

So off they trotted to the police station, where all sorts of paperwork awaited them, papers relating to drunkenness and something called ubriachezza molesta, which means roughly “annoying drunkenness.”

The car, which was probably sitting there in the dawning light wondering how the hell it was going to get home without keys or drivers, was loaded onto a boat and taken to the police station (as evidence, I suppose).

Then the firemen got to work examining the bridge, to determine if it also had been traumatized by this little stunt.

And the penalty for the perps? They have been forbidden to set foot (or Firestone) in Venice for three years.  That’s it.

Far be it from me to comment on the wisdom of the magistrates. But it doesn’t seem like much of a punishment. I’m still not convinced they even knew they were in Venice at the time.

Well, they know now. And I don’t think the idea of seeing Venice is ever going to appeal to them very much, if it ever did  And no more offers to give friends a lift, either.  It’s all going to be different from now on.  One can hope.

1x1.trans Venice: Just turn left and drive over the Grand Canal

It's 26 miles (42 km) between Venice and Jesolo, and it's 36 miles (58 km) to Motta di Livenza. I have no idea how they all got home.

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Jan
11

The “First Row of the Year”

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So we have all somehow managed to hack our way out of the calorie-entangled canebrake of the holidays, and you might suppose that now we would all return to our lairs for three months of hibernation before thinking about going out and rowing around.

Maybe some people hibernate, but for the past 33 years, the rowing club “Voga Veneta Mestre” has rousted everyone who is roustable to come out on the earliest possible Sunday in January to form a boat procession, or corteo, in the Grand Canal.  This undertaking is known by the homespun title of the Prima Vogada dell’Anno, or  the first row of the year.

1x1.trans The First Row of the Year

A snippet of rainbow as we all wait to get going: Blue and white of the Settemari club, blue and gold of the Voga Veneta Lido, red and white of the Club Ponte dei Sartori.

Of course people already have been rowing this year, your correspondent included. But the motivation for this event isn’t merely rowing, but rowing with the purpose of Doing a Good Deed. The corteo ends at the nursing home at San Lorenzo, behind the church of San Giorgio dei Greci, where the Mestre club prepares a festive sort of party/lunch/scrum, cooking a vat of pasta e fagioli, bringing useful gifts, and providing plenty of loud and cheerful talking and singing to entertain the inmates — sorry, I meant residents.

1x1.trans The First Row of the Year

Quadruple parking as the early-arrivers wait for everybody else: purple and white of the club San Polo dei Nomboli, blue and orange of Voga Veneta Mestre, and a random blue-garbed man from the Querini.

I have only gone once to this climactic phase of the morning.  We usually just keep rowing in order to make it home at a decent hour, so I can’t tell you much about the denouement.

But I can tell you that I think the Prima Vogada dell’Anno is one of the best little boating exploits in the whole year because it has absolutely no public relations value whatever, no touristic or fancy-poster or let’s-find-a-sponsor or we-have-no-money or who-shot-John or any other of the aspects that often begrime waterborne events here. There are just too dang many situations in which floating Venetians  are used as decoration to provide some kind of folkloristic color to somebody else’s hoedown. And God forbid that the event should be televised — then they tell you where you have to go and how long to stay there, even if you had come with the quaint notion of being a participant and not merely some kind of anonymous oar-carrier.

So the great thing here is that it’s Just Us Folks, and if the weather is raw and foggy, which it was on Sunday and still is today (the foghorns are blowing as I write), all the better.  There are fewer people out to snap pictures, and the fog makes all the colors of the boats and their rowers’ track suits really come alive.

1x1.trans The First Row of the Year

A simple sandolo from San Polo dei Nomboli standing by, hanging onto us. As you see, the Christmas Forcola has finally gotten out of the house and back to work.

So the boats gather, in the usual disorderly way, between the train station and Piazzale Roma. Rowers wave to each other, call out mildly rude comments, check their cell phones for messages, and so on till the caravan moves out at 10:00.

There is relatively little traffic at that time on a fuzzy winter Sunday morning, so we have the Grand Canal pretty much  to ourselves.


Wherever we are at the beginning is not usually where we are at the end.  Lino likes to be near the front of any corteo, and rarely resists the temptation to perform all kinds of tiny, deft and seemingly impossible maneuvers to sneak past the other boats one by one and get ahead.

1x1.trans The First Row of the Year

Gianni Bullo in the bow of his caorlina before the start. Perhaps he's rethinking his repertoire. ("Should I start with 'Un Bel Di?' Nah, let's just see what happens.")

I’ll never forget how vastly he entertained himself one night a few years ago in a corteo for Carnival. The boats were all kind of mashed together in the semi-dark and we found ourselves wedged in behind a gondola of the Francescana club, rowed by four men. Giorgio Fasan was standing on the stern; he, like Lino on our 8-oar gondola, was the captain and steersman of the boat. At that time he was already very old but he was still as irrepressible as, I gather, he had always been, and still just as capable.

1x1.trans The First Row of the Year

And we're off. Generally speaking. No rush.

Lino, as always, was so perfectly in control of our boat, and so alert to everything and everyone around him (it’s long since become instinctive), that he decided to break the monotony by annoying Giorgio.  So we inched up behind Giorgio’s gondola, and with an imperceptible push on his oar Lino gave his gondola a little nudge against the stern.

Normally everybody tries to avoid touching, knocking against, running into, or otherwise coming into contact with other boats. Which means Giorgio wasn’t expecting his boat to move for any reason other than whatever he or his crew were doing. Lino’s little push, however, made his gondola unexpectedly begin to veer off-course, to the right.

1x1.trans The First Row of the Year

"Mestrina," the 14-oar gondola and flagship of the Voga Veneta Mestre fleet, moves to the head of the corteo, as is only right and proper.

Therefore Giorgio’s natural reaction was to start yelling at the man rowing in the prow, who he assumed was to blame for this deviation by having given a stroke that was just a little too hard.

“Why are you rowing?” he shouted.  ”Can’t you see we don’t want to go right?  Tira acqua!”  (A counter-stroke that would have corrected the situation.)

I bet Lino nudged that gondola at least five times, just to watch Giorgio get more flustered and more mad — and of course, to listen to the exchanges between Giorgio and his supposedly incompetent but completely innocent crew member, which became increasingly warm.

Lino thought it was hilarious and I did too, I have to admit.  Childish?  Sure.  But I also thought it was pretty cool that he was able to pull it off, and it was so much the sort of thing I could imagine them all doing when they were all canal-rats together that I knew it wasn’t malicious.  Giorgio never did figure out what had happened.  He’s been rowing angels around the heavenly canals for several years now, but I bet he’s still blaming that guy in the bow.

Nothing like that happened on Sunday, though.  People stuck to the business at hand, Lino included, though after we passed under the Rialto Bridge, Gianni Bullo, in the bow of a caorlina from the Canottieri Mestre, suffered some sort of attack of euphoria (“rapture of the Rialto”?), and began singing snatches of a song, or maybe several.  Maybe he thought other people would join in — it happens sometimes, which is really nice. He was happy, though, and that’s something that always sounds good, though in his case it sounded better from a distance.

Me, I was savoring the boat-music, the sound of us swooshing along, and the boats around us also swooshing, each producing its own special swoosh-notes according to the size and shape and weight of the boat, not to mention the size, shape and weight of its rowers.  For once the main sound in the Grand Canal was not the snarling of taxi and barge and vaporetto motors, but just the water and the oars and the air combining in their own rhythmic, convivial, completely unorchestrated a cappella chorus.

I don’t think these guys, including Gianni Bullo, could possibly sing any song at the nursing home that would be more wonderful than that.

1x1.trans The First Row of the Year

Coming out of the Grand Canal into the Bacino of San Marco, the boats tend to wander away from each other, becoming less of a procession and more of a small herd.

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Jan
05

The Befana sweeps through

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Epiphany, which it says in the fine print is intended to commemorate the visit of the Three Kings to the Baby Jesus, offering him gold, frankincense, and myrrh, has metamorphosed over the centuries into a day dedicated primarily to a happy little hag known as the Befana.  Her name, which I suppose could just as well have been Hepzibah or Basemath, is a homely mutation of the word Epiphany.  You probably already figured that out.

1x1.trans The Befana sweeps through

She's almost always smiling. That's a good sign.

Her connection to the day is gifts.  No, of course children haven’t gotten enough of them yet.  Are you mad?  It’s been a whole 12 days since the last truckload of presents was dropped on them.

The Befana is a remarkable creature, and to love her you must get past your feelings about hook-nosed, snaggle-toothed harpies with broomsticks.  She’s actually closer to honey and poplar syrup and agave nectar, all sweetness and no light.  She flies at night.

Stockings don’t belong to Santa Claus, here they’re hung out tonight for the Befana to swoop through and fill with candy and doodads.  In my day, a doodad might have been a Slinky. Today, it’s probably an iPhone.

1x1.trans The Befana sweeps through

Here is a dish of candy coal, which makes as much sense as candy corn.

She is also liable to leave coal instead of candy, coal being the traditional judgment on Bad Children. But naturally  by now a loophole has been found — created, actually — by inventing a candy that looks like coal.  I’ve tried it, and it tastes exactly like what you’d think a block of black sugar would taste like.  Not that black has a taste, but your imagination instinctively supplies one.

The Befana is always changing, always the same. Averaging out the thousands of versions crowding the candy stores and pastry shops, I’d say she was a combination of Dame Edna Everage and Jimmy Durante. I found one that looked like a distant cousin of Porky Pig, but I’m sure that was unintentional.

1x1.trans The Befana sweeps throughThere are many and deep significances to this observance which I won’t repeat now; my post last year covered most of them.  I only note here that I am looking forward, as always, to detecting the smell tonight of woodsmoke blowing over from nearby farmland — Sant’ Erasmo, or, slightly further away, the settlements by the sea near Jesolo, Ca’ Savio, Treporti, smoke swirling out of the flaming bonfires which are lit in her honor.

I want to note — for the record, whoever may be keeping it, or reading it — that the occasional practice of burning the effigy of the Befana atop the pyre is historically wrong.  Bonfires, yes, but with the purpose of disposing of a lot of dead plant material you have to get rid of before next spring’s planting.  The “Vecia” (old lady) is more traditionally burned up at the middle of Lent, and some places still plan it that way.

Meaning no disrespect whatsoever to this venerable crone, I have to say that Venice once was swamped with cronish ladies, of various ages, whose mission in life was to patrol the family, and neighboring families, with relentless scrutiny.  Now that neighborhood life has changed so much over the past three generations — television, sufficient heating, children moving away, and death have taken their toll on the dense agglomerations of terrifying, invasive, implacable old ladies who could smile like angels as they slashed your reputation to ribbons behind your back.  I know this because Lino has told me Stories about them, and does a bloodcurdling impression of a typical conversation between a few of these matrons.

Even more, I can confirm that the Venetian language is gratifyingly rich in terms which describe the myriad nuances of ancient females.  I don’t imagine I can do them justice on my own, even though they’re words you could hear every day and eventually begin to use instinctively in certain situations: Marantega, carampane, grima, sbetega, peocio refa‘, and many more, all have deliciously complicated meanings.  The fact that there are so many words for the variations on these life-battered and -battering women (not to mention casual expressions to describe them, such as “Ugly as the plague,” “As ugly as hunger,” and so on), show the depth of feeling they inspired in everyone who knew them or even came near them, especially their families.

1x1.trans The Befana sweeps throughEspedita Grandesso, in her wonderful  book, “Prima de parlar, tasi,” has applied her exegetical scalpel to many of these terms.  Here is a brief sample (translated by me):

Marantega: [Ma-RAHN-te-ga].  The Befana is sometimes referred to as the “marantega barola” (barola meaning really old), but that is sort of a slur, in my opinion. A marantega, according to Grandesso, is primarily an ancient and misanthropic woman, dedicated to the cult of the dead in the sense that she keeps daily tabs on who has preceded her to paradise, spreading the news everywhere. This type of woman possesses a mournful sense of existence and is the town crier of every disgrace which occurs in her range of activity.  In days gone by, one could find her in the performance of these duties in church, at the hour of saying the rosary, or vespers, in the act of delivering the last horrid news in the ear of yet another unfortunate biddy, chosen from among the meekest and most impressionable.

Carampana:  [cah-rahm-PAHN-ah]. By now this term signifies a woman of decrepit agedness, who maintains presumptions of attractiveness and, for that reason, plasters her wrinkles with rouge and continues to dress in the style of the time when she was lovely. In general, she is a pathetic creature who, unfortunately, gives a helping hand to derision.  In the past, however, this term literally meant “prostitute,” and can still describe a trollop who is old and out of service, and who, with her excessive makeup and her attitude maintains an equivocal air that is almost the stamp of her long-practiced profession.  In fact, it was originally the name of the neighborhood near the Rialto which was the red-light district.

1x1.trans The Befana sweeps throughSbetega: [SBEH-teh-ga].  Literally a shrew and loudmouth.

Grima: [GREE-ma].  Much worse than a sbetega.  In this case it means a malignant woman who is, at the same time, aggressive and hard to neutralize.  Mothers-in-law often belong to this category, but daughters-in-law also do pretty well for themselves.

Peocio Refa‘: [peh-OH-cho reh-FA].  Literally a made-over cootie.  This is a person (who could also be a man) who has made money and enjoys a good financial position, remaining at the same time crude and mean-spirited, whose greatest pleasure consists of humiliating her neighbor, especially if that person is culturally superior to her.  The northeast Veneto [and, may I add, much of the Lido] offers excellent examples of this species.

1x1.trans The Befana sweeps through

These would be Befana Lite.

Otovario dei Morti: [Aw-to-VAH-ree-oh day MOR-tee].  I myself haven’t heard this term used in daily life around here, but the character it describes is eternal. Grandesso says that the “ottavario” was the word indicating the repetition of a religious feast, one that was particularly solemn or deeply felt, eight days after its first celebration. Therefore the Ottavario dei Morti was tied to All Souls’ Day, or the commemoration of the deceased. This term is given to a person who is sad, either in appearance or temperament, who only talks about depressing or funereal events, whether public or private, reaching the apex of pleasure when they are particularly disastrous.  In the days of patriarchal families, this role was generally performed by widowed or spinster aunts, well along in years.  These charitable women, having long since left behind the joys of the world, busy themselves in extirpating them as well in the hearts of relatives, friends, and acquaintances.

None of these expressions could ever be used for the Befana, though.  She adores children and I myself don’t believe she cares what adults might think or say about her. You can tell she isn’t from around here.

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Jan
03

Venice: Let the New Year begin

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As I may have intimated, we didn’t plan on being in the Piazza San Marco at the stroke of midnight, and we in fact stayed home until midnight when we walked out to the waterfront to watch the fireworks over the Bacino of San Marco.

1x1.trans Venice: Let the New Year begin

In the nabes they were still sweeping up on Monday morning. Here, a little petardo carcass.

This isn’t to say that our neighborhood was empty — au contraire.  There were plenty of kids out, and assorted adults, and the kids, at least, were intent on making things explode.  Here these variations on the firecracker are generically called  petardi (a petardo here is not something you would be want to be hoist with, even if it was your own) and they make a seriously loud bang and leave black smears on the street.

The first things to be called “petard,” I discover, were not used for entertainment.  They were small bombs used to breach walls and blow in doors.  The term derives from Middle French and/or Latin, from the word invented long before gunpowder to mean “fart.”

1x1.trans Venice: Let the New Year begin

Cleaning the Piazza on January 1, 2009 was complicated by snow. But the job eventually got done.

But turning to more serious detonations, you probably know that Thomas Carlyle famously said that “The three great elements of modern civilization are gunpowder, printing, and the Protestant religion.”  My calculation is that there is an inverse relationship between the quantity of gunpowder in a place or time and the quantity of civilization represented thereby.  I understand that fireworks to mark the birth of a new calendar are common in many places and cultures and are loaded with symbolic meaning.  I only wanted to remark that I myself don’t regard pain and mutilation as being especially civilized, no matter what else your culture may have discovered or invented.

Here is the New Year’s morning  balance sheet from the merrymaking that involved things that go boom in Italy:

1x1.trans Venice: Let the New Year begin

Many of the high-water walkways were stacked out of the way, to leave room for the throngs. On the third morning after New Year struck, these two bottles and their glasses are still here. I love the fact that the celebrators decided to put them inside the fencing. This required a high level of good citizenship.

500 people wounded (four of them seriously, and 68 under the age of 12), and one person killed, almost exclusively by fireworks of the homemade variety, some of which could create explosions rivaling those we read about occurring in foreign marketplaces.  It’s too bad that my first reaction when I read that was “Great!  Only one person died!” It’s nothing to be pleased about, especially when I learned that    he was killed by a stray bullet when he went out in the courtyard with his friends to watch the fireworks. Guns are becoming a new way here to make noise and threaten life to welcome the next 12 months.

And various people have lost eyes and hands.  It’s the same every year.

At San Marco, at least, there were no damaging cannonades.  The mass celebration there seems to have gone without any particular hitch (or lost dogs).  The reports describe its dimensions:

60,000 people went to the Piazza to drink Prosecco (or whatever they brought), watch the fireworks, and share a kiss at midnight.  I’m not going to try to calculate how tightly these people were packed together; the Piazza is big,  but not unusually big, and I can imagine that once they locked lips it took some time for there to be enough space to unlock them again.  Concerning the  clip below, unless you’re a total crowd-and-fireworks maniac, skip to the last two or three minutes.  Just a suggestion.

As for trash (here the Countryside Code doesn’t apply — people don’t mind leaving their footprints and garbage behind), there was plenty.  To festivize properly seems to require discarding material, kind of like the solid rocket boosters falling away from the Space Shuttle at T plus two minutes.

1x1.trans Venice: Let the New Year begin

One of the wagons is about to drop its contents into the barge.

At 2:30 AM the trash collectors took over — 120 of them, filling  140 garbage “wagons”  (or 104, the accounts aren’t consistent, but anyway, 40 wagons were loaded in the Piazza alone), the contents of all of which were dumped into 40 garbage barges.  By 5:00 AM the Piazza was clean again and I give everybody loads (two bargefuls) of compliments.

What was left behind in our little hovel was not smashed bottles or busted firecrackers, but there are still large amounts of great food sitting around, including homemade cake and cookies, which are going to make that New Year’s Resolution — you know the one I mean — that much harder to fulfill.

But I’m feeling hopeful about virtually everything at the moment, which is an inexplicable but very welcome byproduct of starting a new year, not to mention a new decade, and I’m going to try to make it last as long as I can.  The feeling, I mean.  Not the year.

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Jan
02

Venetian New Year’s Eve

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1x1.trans Venetian New Years Eve

Fireworks anywhere look great, even if they're not over Venice.

If you had been here, you could have done any or all of the following to celebrate the Night of Saint Silvester, as it is also known here.

You could have ingested a festive dinner at Harry’s Bar for a trifling 500 euros ($662) per person. It was marked down at the last minute from 1,200 euros ($1,590) because times are hard. I’m not sure how much profit they made at that price considering that the menu covered champagne, caviar, truffle ravioli, tournedos and so forth.  Maybe they downgraded from Beluga to Sevruga. That’s what we’ve certainly done.

And yet, the transcendent Arrigo Cipriani, owner, scion, and namesake of this legendary establishment, has not only made it sound as if he has slashed prices more drastically than a tire/mattress/car salesman, he also made it known that in spite of the hard times, almost all the tables were already taken, so you had to book fast. I guess I understand that.  Make it sound like a sale and people automatically think they’re saving money.

1x1.trans Venetian New Years EveAfter you had reveled in your Lucullan repast, you could have gone around the corner to the Piazza San Marco not only to watch the fireworks but create your own (metaphorically speaking) by throwing in your osculatory lot with all the other couples thronging the piazza who have been primed by weeks of publicity to come here to kiss each other at midnight.

It’s the third year that this experience has been offered and it was an immediate success; it is now referred to as a tradition. Four thousand lips beating as one.

Two years ago a family from Milan lost their golden retriever in the crush and the city was plastered with their appeals for months, complete with photo (was her name Molly?  Lucy?). Eventually she was found, which kind of surprised me, but not how long it took. Considering how many dogs there are here, she must have been having the best time of her life.

Then there will be the homemade explosives set off around town. Usually here they aren’t big or dangerous enough to blow away arms and put out eyes and all the rest of what happens in Naples and other places addicted to New Year’s ordnance.

Speaking of things going crash and boom, Lino remembers when people here still marked midnight by throwing out the window everything they wanted to get rid of. “Everything!” he repeated when I asked for examples. Dishes.  Glasses.  Chairs.  Toilets.  (I did not make that up.)  He says that people  in Rome and Naples still do it.  I’m making a note of it on my “Not To-Do” list.  Right next to my note that says “Wear black fishnet stockings, hard hat.”

Otherwise, though, he says that, until the Seventies, New Year’s Eve wasn’t regarded as an event to celebrate in any particular way here. “At midnight, all the ships in the port blew their horns.  Otherwise, people just went to bed like any other night.” Making their own pyrotechnics.

Wherever you were, I hope your celebrations were just what you wanted, no less, and certainly no more.

Happy New Year!

Categories : Events, History
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Dec
24

Christmas comes to Venice

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Here the holiday season breaks down roughly into three categories:  Food, Religion, and Santa.  (I include “presents” under “Santa,” unless you’re giving somebody gold, frankincense, and/or myrrh.)  I can’t think of any component which wouldn’t fit in at least one of those columns.

1x1.trans Christmas comes to Venice

Santas are everywhere, especially for sale.

My impression is that the adults respond to the first, children to the third, and somewhere in there religion jostles to find a place, as if it were stuck inside a vaporetto churning toward December 25 and can’t manage to get off at the right stop because everybody is blocking the aisle with their strollers, shopping carts, enormous bags, and equally enormous selves. Yes, it’s a project here, as in many places, to feel that Christmas is anything other than a big blobby holiday everybody loves or hates for their own reasons.

This is not to say that people don’t acknowledge any religious aspect of the day — they do.  By the admission of many, it’s one of the few times a year that they pass through the church doors.  And virtually every church boasts its own Nativity scene, many of which are appealingly homemade. I don’t know if the big mega-shopping centers on the mainland display the Nativity in any form other than in a box with a price tag — I have never gone over there before the holidays and I don’t feel like risking what remains of my equilibrium by trying it.

1x1.trans Christmas comes to Venice

But if I’ve never gone, why do I assume it’s bedlam?  Two words which apply to life on the mainland: Kids and cars.

Here is our order of march for the festive three days (yes, we get a bonus, thanks to St. Stephen).

Buy groceries/send cards/clean and decorate hovel.  Seeing that we have no space for anything larger than a paper clip, we skip the tree.  I drape some festoons around the heavy forcola made for rowing in the stern of a balotina.  I call it the Christmas Forcola and I really like it.  And after all, it was a tree once.

The first year I did this, Lino regarded it as a possibly ominous sign of an incurable urge Americans are known to have to come up with impulsive, unorthodox, possibly unnecessary, vaguely embarrassing stunts.  These are generically called americanate (ah-mer-i-cahn-AH-teh). Americanate of any sort fly in the face of The Way We’ve Always Done It and are sure to draw more ridicule than appreciation.  Even if you commit one of these acts in the privacy of your own home, your Italian consort will still feel that the Natural Order of Things has been disagreeably disturbed.  I learned early on that they’re not worth it.  But the Christmas Forcola stays.

Christmas Eve:  Big dinner. It is always based on fish, and more precisely, in the manner of Venetian families since the Bronze Age, the menu is this:

Antipasto — anything you like and can afford, which in our case rules out baccala’ in most forms but does allow space for smoked herring, anchovies, and some Ukrainian caviar we were given.

1x1.trans Christmas comes to Venice

These are the lagoon gobies known as go'. They are approaching their moment of glory, if they but knew it.

First course: Risotto of go‘.  You may remember we scored a small trap for snaring these lagoon fish, but we’ve also fished for them by looking for their lairs and then inserting an arm (Lino’s arm, I’ll admit) down into it till the fish is grasped.  For years the go’ was one of the many humble and abundant fish on which families relied, and was consequently very cheap. In that era, sea bass and bream were elite creatures which cost three times what you’d pay for go’.  Now the situation is reversed: Thanks to fish farms, bass and bream are sold at fire-sale prices (7 euros a kilo, or $5 per pound), and go’ now costs 18 euros a kilo ($12 a pound).  Lino can’t get over it.

Anyway, risotto of go’ is a profoundly Venetian dish, so profound that you hardly ever find it on restaurant menus.  The memory of this comestible has almost disappeared under the onslaught of Norwegian salmon and French turbot.

Second course:  Roasted eel.  You could also simmer your pieces of eel in tomato sauce, but throwing chunks of this creature on the griddle and then opening all the windows to let out the smoke from its burning fat is part of Christmas.  It is extremely delectable and I have come to count on it as part of the holiday tastefest.

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Pieces of eel neatly removed from their bone, ready for the griddle.

And I realize how blessed we are to be able to eat it, considering that Lino remembers there were people, when he was a lad (and for centuries before, probably), who were so poor that they would go to the fish market on Christmas Eve and ask the vendors for the offal — the heads and innards of the eels — to have something to make their risotto with.  I did not make that up and neither did he.

Yes, you can have bass or bream or canned tuna or whatever else you might prefer.  But eel is the Ur-fish for Christmas Eve.  Just for the record.

Then we eat some pieces of Parmigiano-Reggiano cheese, which is the perfect antidote to the fish taste lingering in your mouth.  (Actually, we eat its humbler cousin, a cheese called grana padano.  Sorry, but it’s just as good.)

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Now you can get panettone that is iced and festooned. Where will it end?

Then some radicchio from Treviso, either chopped as a salad or grilled on the stove.  The bitterness perfectly offsets the cheese flavor lingering in your mouth.

Yes, it’s all been figured out and would be very hard to improve on, in my view.

Then there’s a free-for-all involving nuts, fruit, and nougat (soft? hard? with almonds?  peanuts? it’s up to you).  And if you like — and I certainly do — a few spoonfuls of mostarda, which comes in various styles but which is essentially applesauce that has been debauched by the sharpest mustard imaginable, studded with pieces of candied, flaming-flavored fruit.  If you remember Red-Hots, you only have to imagine them as nuggets of fruit.

This, and opening the presents, gets you to the verge of midnight, and it’s off to mass.  They tend not to do pageants, but there is a smattering of Christmas songs which tag the event as festive.  You wouldn’t know it by the songs themselves; if you hadn’t been informed that it’s Christmas, the music would lead you to suppose that the ritual was something between Ash Wednesday and the Day of the Dead.

I will resist the temptation to express my views on how the glorious traditions of music have deteriorated in the old Belpaese; I’ll just say not to expect to be hearing soaring cantatas or any of the sublime compositions with which the great masters, many of them Italian, blessed the world.  If you think of church music here nowadays, at least at the parish level, you must imagine peeling plaster set to two guitars and a piano played by someone who hasn’t yet taken his second lesson.

The congregation does sing “Adeste Fidelis” and “Silent Night,” but in the most lugubrious way possible.  If it were any more lugubrious, the singing would come to a complete stop.  There is also a special Christmas song (undoubtedly there are more, but it’s the only one I hear around here) called Tu scendi dalle stelle (You came down from the stars) which in its sincerity and simplicity could really squeeze your heart.  Unfortunately, this too is sung as a dirge.  Happily, I have found a version which gives much more of a sense of the beauty of this little carol; the translation isn’t very good but it’s better than nothing.  Meanwhile, though, I think the music will have the desired effect.

You get home past 1:00 AM but don’t think you’re headed straight to bed: First you have to eat some slabs of panettone and drink some prosecco.

Eating and drinking: What an original idea; it’s only been two hours since we hauled ourselves up from the table.

Then it’s off to bed, so we can sleep until it’s time to get up on Christmas morning.  Which means going to mass (again), but this time at the basilica of San Marco, followed by MORE FOOD.

Christmas lunch! Tortellini in broth, an elixir made yesterday by simmering beef and chicken and a couple of hefty beef bones along with onion, celery and carrot.  It’s going to be heavenly, I can tell just by looking at it.

For Lino as a lad, and for mostly everyone else, Christmas was food. “Who knew anything about presents?” he recalled rhetorically. “We hardly had a tree, either.  At Christmas you ate — you ate things you didn’t have at any other time of year.”  His mother made the pasta herself, and then the tortellini.  Then came hunks of the boiled meat. In the evening, veal roast with polenta.  Lest you imagine his Christmas as something Dickensian, he knew people — they lived upstairs — who didn’t have meat, period.  I know some elderly Venetians who recall that the crowning moment of any holiday meal was chicken.

We will be preparing something radically different for Christmas evening (but not so radical as to qualify as an americanata): Roast pork with fennel seeds.  Oddly enough, this unusual recipe got the official stamp of “Well, let’s give it a try” approval.  This decision was pushed over the top by my enthusiasm for roast pork, which I think he may never have tasted.  I hope my memories have not deceived me, as they so often do.

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This is verging dangerously close to being an americanata. That, or the house is inhabited entirely by children.

But it’s not over: The next day is the feast of Santo Stefano, a national holiday not unlike Boxing Day in England.  There are no rules about the menu, but it’s not composed of leftovers.  Generally, assorted configurations of relatives get together for this too.  Hours and hours spent sitting at a table; even if you eat just one bite (well fine, two bites) of what’s offered, you will go home feeling like one of those inflatable punching clowns.

Back in the Great Days, the celebration of the feast of Santo Stefano was remarkable, even for Venice.  When the body — the entire body, not just a tidbit — of Christianity’s first martyr was brought to Venice from Constantinople in 1009 AD, it was placed beneath the high altar of the church of San Giorgio Maggiore.  (Yes, there is a church of Santo Stefano, but it was built later and by then, everyone was used to the relics being elsewhere.)

The story goes that the people rushed to implore doge Ottone Orseolo to go venerate this relic on the feast of Santo Stefano, and to require their descendants to do likewise every year.  He obliged, and this event became a national holiday (of the nation of Venice, obviously).

In fact, the ducal visit became two: One on Christmas night, and one on the following morning.  The reason for this has not been revealed to me, but I can report that the nocturnal visit (the one time in the year that the doge was allowed to leave the Doge’s Palace at night) became an event that was spectacular, even for Venice.

In her classic work, Origine delle Feste Veneziane, Giustina Renier-Michiel outlines this moment (translated by me):

As soon as the Christmas mass was ended in San Marco, it was already getting dark. The doge boarded his magnificent barge [note: not the Bucintoro, but a slightly smaller craft known as a peatona], accompanied by his counselors, the Heads of the Quarantie [several bodies including the Supreme Court and the Mint], and other administrators, as well as the 41 men who had elected him doge.

He was preceded by boats carrying lights…and followed by innumerable small boats of every type, also supplied with lights, all together they covered the space between San Marco and the island of San Giorgio Maggiore.  This area was illuminated also on the right and left by certain floating lamps called ludri, made of rope impregnated with pitch, which made a brilliant effect visible from far away, and whose reflections on the water produced a magical effect.

When His Serenity disembarked, he passed under an elegant covered gallery which had been specially constructed, all the way to the church door.  On this occasion…the Dalmatian troops were lined up, gorgeously dressed, with the banner unfurled, the military band playing…

The doge was received at the church door by the Abbot; they exchanged greetings and entered the church together.

In the meantime, the Venetian noblewomen were disembarking from their gondolas, all of them dressed in black dresses with long trains, and their heads, necks, bosoms and ears were all adorned with precious jewels, their faces veiled with the most delicate black lace.  Then they too entered the already crowded church.

Then of course the whole thing was repeated as everyone left the church and returned to Venice.

I can tell you that the holidays will not be resembling much of that — though I think I can dig out a fragment of a precious jewel somewhere.  But it will be very close to that in my spirit, and I hope in yours also.

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The best Nativity scene ever: Floating on a platform in front of the boathouse of the Generali Insurance Company rowing club.

1x1.trans Christmas comes to Venice
Categories : Events, Venetian Food
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