Let me set the scene: Below is a glimpse of a typical high-season day in the Venice of yore. Till last year, high season had spread across most of the calendar.
Let me state that there is nothing good about the pandemic, so don’t think what I’m about to say is to be taken as positive. Except that in its tiny little way, it is.
Over the past months, the daily armies of motorized boats of all shapes and purposes and horsepowerage roaring around everywhere — particularly in the Grand Canal — have made a forced retreat. This is bad (see above), but the side effect has been a Grand Canal liberated from the appalling turmoil that had long since become normal.
Note: Barges and their cousins are still at work, but what are missing are the approximately 39,210,443 taxis and tourist launches that had claimed the waterways as their own.
Result: Space, tranquility, and calm water for Venetian boats to return to their native habitat, which they have been doing on Saturday and Sunday mornings. Perhaps also at other times, but I’m not there to see them.
So for anyone who might want to breathe the atmosphere of a watercourse that has been unintentionally restored to many Venetians who had been effectively banished for years, here are some views of our Sunday morning row in our own little boat a week ago. There were even more on Saturday, because boaty people like to go to the Rialto market, but Sundays had long since been taken over by herds of taxis thundering along one of the world’s most beautiful streets like the migration of the wildebeest in the Serengeti.
Here are some glimpses of what the Grand Canal looks like when there are more Venetians than anybody else. Enjoy it, because yesterday the Great Reopening began here, and we may have seen the last of this.
So we have swung between two extremes — the old days entailed lots of work and craziness and also hugely damaging motondoso, then the pandemic period was marked by no work, no craziness, lots of people with no money. But I will whisper this: I never would have thought I’d have the chance to feel that the city returned somehow to its origins, and it has been beyond wonderful. Whether some middle ground between the two extremes can be found will be clear only when the pandemic is well and truly over.
Yes indeed, it has been several eternities since I have scribbled a post — though I have written many in my mind, as I watched the pages fall off the calendar and blow away in the wind, etc. etc.
I was entangled in the finishing (“ultimating,” in Italian, which is so cool. They can make verbs out of anything.) of a large and very long-drawn-out project of researching and writing an article on the gondola, and more specifically about Roberto Dei Rossi, who makes them. I started the research in February, 2019, and there were many stops along the way, especially that long one during the three-month lockdown from March to May. The story is now online at “Craftsmanship” magazine.
I’m hoping to get back in the groove now with my blog, for any of you who may still be out there waiting to read….
Last Sunday was an unusually entertaining day. It wasn’t as entertaining as the last Sunday of June typically is, coming at the culmination of five days of festivizing at San Pietro di Castello in honor of the church’s namesake. But by the time the day was over there had been more diversion than I’d expected.
Let’s start with the festa for Saint Peter. This year — you know what’s coming — The Virus made it impossible to host the usual large and lively crowds, or execute the expected entertainment and the feeding of at least five thousand. (Yes, bread and fish are always on the menu, among other things.)
But nobody said we couldn’t have the festal mass, complete with the Patriarch of Venice on his annual visit. Chairs were set up outside in the campo, correctly distanced, and although the usual supporting players were few (a couple of selected Scouts instead of a whole troop, four trumpeters instead of the band from Sant’ Erasmo), or even non-existent (no Cavalieri di San Marco in their sweeping mantles — soooo hot but sooooo well worth it, I’m sure they believe), there was a fine gathering of the faithful.
And may I say that seeing each other without being separated by layers of tourists has been, and continues to be, a noticeably positive aspect of the quarantine and aftermath. More about that another time. But back to the service.
As the Patriarch pointed out in his sermon, the religious aspect is the one essential element of the occasion. He didn’t specifically say “Don’t feel mournful because there were no barbecued ribs and polenta and live music and horsing around for hours with your friends and the mosquitoes,” though I’m sure he knew that’s what people were missing. At least they came for him.
To review: This was the traditional festa:
Sunday afternoon it was time to segue from the sublime to the secular. Every year, on the last Sunday in June, the city of Venice organizes two races in honor of Saints Giovanni and Paolo. The reason it isn’t called the race of Saint Peter is because it is held in the water between Murano and the Fondamente Nove, and the finish line is in front of the hospital, which is on the campo SS. Giovanni e Paolo.
The first race involves pairs of men on a boat called a pupparino; the second race is for young men up to age 25, rowing solo on gondolas. Sound simple? Of course it is, as long as everything goes well.
But sometimes it doesn’t…..
The men on pupparinos go first, and go they certainly did. I’m usually watching from the shore, but this time I was able to follow the race on a friend’s motorboat.
If anyone is interested, here are the results of the race of the men on pupparinos, from first to last: Orange, green, pink, white, brown, blue, purple, red. (Yellow withdrew, obviously.)
As for the race of the young men on gondolas, I have no strength left to report on it or anything else. Happily, there is nothing noteworthy to report. It seems that the day’s double-ration of drama was expended completely on the first race.
Last Sunday morning there was quite the boating event, after three months without either boats or events. Everybody was more than ready for it.
Seeing that the city is on the verge of complete reopening after the three-month lockdown, the moment was right for the “Vogada de la Rinascita” (Row of the Rebirth). The morning afloat was emotional (the worst is over, we hope; the day is glorious; finally we’re all out rowing again) and a tangible way of expressing group gratitude to the medical personnel of the hospital, as well as a gesture of respect to the victims.
The event was organized by the Panathlon Club, Venice chapter (fun fact: Panathlon International, now numbering some 300 chapters scattered across 30 countries, was founded in Venice in 1951), with the collaboration of the Comune.
The corteo departed the Arsenal at 11:00 AM, and we all wended our way toward the hospital, where we stopped and gave the traditional “alzaremi” salute to the assembled doctors, nurses, and other medical personnel gathered on the fondamenta. Much clapping, many smiles. Much noontime sun scorching our skulls.
Down the Cannaregio Canal, and the Grand Canal, to a pause in front of the basilica of the Salute (dedicated to Our Lady of Health, appropriate in this case), where members of the chorus of La Fenice and musicians of the Benedetto Marcello conservatory performed assorted wonderful pieces. We didn’t linger — by that point it was almost 1:00 PM and the heat and the hunger were singing their own little duet in our brains: “Shade…food…water…food…shade…”.
Considering how lavishly this was reported in the foreign press — and we were hugely photogenic, it’s true — not only was the corteo lovely to look at, but it conveyed the message that Venice is alive and has come out of its pharmacological coma. Translation: Get traveling, people. We’re ready for you.